Amy Arden is a history enthusiast. She holds a graduate degree from the University of Kent at Canterbury where some of her happiest moments involve unfurling parchment at Canterbury Cathedral Archives. In this article, she talks about the challenge of worldbuilding in historical fiction — and how attention to detail can make or break a reader’s experience and the authenticity of a story. Luckily, she has also provided a list of resources where authors can go to research such details.
G.D. Leon is a novelist with roots in the German language. He grew up in Zurich and now lives in the greater New York area, with his beautiful wife. Stations on his journey included Berlin and Buenos Aires, leaving impressions that remain until today. In 2016, he published “The Frigorifico”, but not before undergoing a thorough testing process with alpha and beta readers. In this article he shares how other authors can get the most out of working with test readers, and where to find them.
Since the birth of Reedsy, we’ve had the chance to work with thousands of authors, helping them get their books out there in the most professional possible form — and to sell them. For many authors, selling a book is even harder than writing it. But whether you’re self- or traditionally published, learning to market and sell your work is a key factor in author success. In this post, our co-founder Ricardo Fayet shares the 8 most common marketing mistakes he’s observed in the past few years. To make sure you aren’t tripped up by these common traps, read on…... View Article
The opening lines of a novel act as an invitation for the reader to keep reading — it’s like the white rabbit showing up and asking Alice to follow him. The reader has to decide whether to follow despite not knowing what will happen next, and it is the writer’s job to convince them to go down the rabbit hole. Whether you’re just getting started on a novel or revisiting Page 1 of a first draft, Reedsy Editors are here to help with tips for how to start a story, with literary examples from a few favourites.
Here at Reedsy, we’re fortunate that we get to work with some of the finest talent in the publishing industry — and these experts have shared their experiences and knowledge with us in the form of interviews and how-to guides. In fact, we’ve published articles on so many topics that it’s hard to keep track of them all. In this post, we want to share some of the best Reedsy articles so far, sorted in a way that mirrors the publishing journey taken by most authors. Writing your book Designing and formatting Publishing your book Marketing your book Check out... View Article
Leslie Heath recently secured a publishing contract for her novel “The Last Mayor’s Son”. She attributes a large part of her book’s success to her editor. In this article, she shares glimpses into the editing process and her advice on how to maintain a good author-editor relationship.
Michael Doane is the author of “The Crossing” and book strategist at Writing Inbound. When he’s not writing novels, he’s working with other authors to promote, launch, and sell their books. In this article, he talks about the budget he set for self-publishing his debut novel, “The Crossing” and how he was able to stick to it.
In the current publishing landscape, one of biggest consideration an author faces is whether traditional publishing is still their best path to success. In the past, the only way to get your book into the hands of readers was by working with a publisher who could get your book into stores. With the rise of online retailers and ebooks, any author can now access millions of potential readers without the backing of a HarperCollins or a Random House. In this post, we look at the benefits and drawbacks of both traditional publishing and self-publishing. With the help of a short... View Article
Karrin Marie Varucene is a Reedsy editor with seven years of editorial experience, including development editing, copy editing, and proofreading. She gained her editorial start in educational publishing and has since groomed her skills with creative nonfiction manuscripts and digital content marketing.
Near the beginning of my career as a writing coach, I thought I would be mostly be teaching writing craft. What I found is that the majority of what I'm doing is supporting people in the development of their plans and their scheduling — helping them to stick to their schedule and providing some accountability.