119 Best Creative Writing Exercises for Authors in 2025

Describe the same character twice. Once as the hero of a story and once as the antagonist.

Who are the three most unlikely people your protagonist would have dinner with? Why? Write the scene.

Nothing can create conflict for your characters like good old-fashioned fear. Take time now to define your protagonist's biggest fear. Is it something physical (e.g. tight spaces or flying in an airplane) or internal (e.g. fear of failure, commitment, or rejection)? Write a scene in which your protagonist must face this fear.

How do you start a story - or get a story back on track? If you're feeling lost or blocked, try templating to get your plot on course.Here's what to do: bullet point your initiating incident, your rising action, your crisis, and your resolution for both your main plot and subplots. Make a table to see events running parallel, remembering subplots exist to enhance, complicate _ ultimately, compliment _ your main action. Listing like this highlights any irrelevancies, keeping your tale on track, and makes all you write intertwined and significant to your protagonist's journey. Plan out using this framework as your reference.

Describe your house - or the dream house you hope to get some day.

Write a list of images you associate with your theme. Now do the same for each of your main characters. Keep these images in mind as a way to present your theme metaphorically through symbolic motifs.

Second-person point of view is an intimate way of looking at a character's thoughts. As an exercise, take a scene from the book you're writing. Choose a character, and then re-write the scene entirely from a second-person POV, noticing what details shift because of this perspective change.

Write a description of the room you are in from the point-of-view of a character in your work-in-progress. If the character is from another time or place, so much the better. What would the character notice first? What would she find odd? What would she love about the room? What would she dislike? Go beyond describing the physical space and capture her attitude about what she sees. Let her be snarky or wax poetical. Whatever captures her emotions about the space.

Have you ever read or watched something with an ending that left you unfulfilled, unsatisfied, or frustrated? Now write a proper ending that fixes the story for yourself. Keep in mind the components of a narrative arc's resolution while you're doing so.

Try your hand at conveying your character through action by first writing a list of physical traits that apply to your character. Next, with that list at hand, write a scene where something is happening - whether it's a conversation, laundry-folding, cooking, etc. Weave references to your character's physicality into the action.