Best Poetry Independent Publishers in 2024

Publisher of: Poetry

Founded in 1972, Coffee House Press has grown from tiny letterpress to internationally renowned nonprofit. They’ve managed to stay close to their roots, putting out the occasional small-batch, letterpress chapbooks, complete with hand-sewn spines. But their backlist of more traditional volumes is substantial and growing. These days, Coffee House best known for their boundary-pushing, genre-crossing novels and essay collections — many of which have won prestigious nominations, from the Pulitzer to the National Book Award.

Publisher of: Poetry

Founded in 1974, Graywolf Press is a jewel among independent publishers. The 35 or so titles it releases every year are regularly showered with laurels, from rave NYT reviews to “best of the year” nods. It’s no exaggeration to call Graywolf one of the top publishing houses of any size, despite its relatively modest, $4 million annual budget. No wonder established writers, who have the name recognition to court the Big 5, often opt to stick with this storied small press instead.

Publisher of: Poetry

This independent publisher emerged in the 1970s, out of second wave feminism’s heyday. Its first print runs were dedicated to foundational women’s studies texts, biographies, and rediscovered feminist literary classics like "The Yellow Wallpaper." These days, FP’s growing list speaks to a much more modern brand of feminism, sensitive to issues of race, sexuality, and gender identity. Since 2017, the press has been headed by Jamia Wilson, its youngest-ever director — and the first woman of color to serve at the organization’s helm. Under her leadership, the press puts out exciting, impeccably crafted books by diverse writers.

Publisher of: Poetry

The publishing wing of San Francisco’s legendary City Lights Bookstore, this small press started off with a bang — or rather, an obscenity trial. Their decision to publish Allen Ginsberg’s (in)famous Beat Generation classsic mired them in legal turmoil back in 1957. These days, City Lights is still publishing groundbreaking poetry, alongside other titles in fiction and nonfiction. While the staff is no longer getting arrested, they’ve maintained their commitment to politically challenging, artistically incisive work.

Publisher of: Poetry

Alternating Current Press is an indie press dedicated to publishing and promoting incredible literature that challenges readers and has an innate sense of self, timelessness, and atmosphere. We love science, history, homebound roots, rural landscapes, sense of place, poetic literary fiction, diverse voices, and all that is electric in the literary world.

Publisher of: Poetry

This indie publisher got its start because Ezra Pound didn’t believe in a certain Harvard undergrad’s future in poetry. James Laughlin, then a college sophomore, went to the legendary modernist for advice. And Pound, who had been critiquing his work all semester, urged him to give up writing and “do something useful” instead. Thus New Directions Publishing was born. Laughlin retained a love for verse, so the budding press’s first books were poetry anthologies and collections by the greats — including Pound. These days, New Directions boasts a rich collection of fiction and criticism as well, especially works in translation.

Publisher of: Poetry

Founded in 2002, Noemi Press operates out of Blacksburg, Virginia, where it publishes both new and established writers — especially women, queer people, and people of color. Their titles are often described as part something, part something else, and you can fill in the blanks to build all kinds of fascinating, extremely high-brow combos: say “autofiction” and “sequential critical engagement”, or “family gothic” and “queer historiography”. Even books that don’t have this genre mashup quality feel pieced together, in the best way, mixing forms and textures to produce writing that feels wholly new.

Publisher of: Poetry

This Minneapolis-based press takes inspiration from its botanical namesake. Just as milkweed feeds the transformation of caterpillars into monarch butterflies, Milkweed Editions supports emerging and experimental writers, giving them a home for their work to flourish. Its catalogue is an exercise in artistic risk-taking: full of intricately textured novels, cerebral and raw memoirs, and some of the finest verse by young poets.

Publisher of: Poetry

Married couple George and Marsha Braziller started publishing high quality, visually arresting art books in 1955 — an outgrowth of their passion for modern painting and the book clubs they hosted throughout the ‘40s. George, who won the trust of Nobel Prize Laureates like Claude Simone and Orhan Pamuk, passed away in 2017, aged 101. But the legendary press that bears his name remains in the hands of his two sons. These days, George Braziller has branched out beyond its art historical roots to publish widely in fiction and poetry.

Publisher of: Poetry

Founded in 1976, BOA Editions focuses on poetry. Though they publish fewer than 20 books a year, their editors are discerning enough to sniff out plenty of prizewinners. BOA’s roster includes decorated — and phenomenally popular — poets like National Book Award finalist Lucille Clifton and Naomi Shihab Nye, the first Arab American to be named the Young People’s Poet Laureate. But BOA also looks beyond verse, running several contests for short fiction writers, as well as poets seeking publication.

Publisher of: Poetry

This Massachusetts-based press prides itself on the high production value of its titles, which range from novels and creative nonfiction to poetry. They treat their books as art objects — “a joy,” in the press’s own words, “to hold as well as read.” Crack open those impeccably printed pages, and you’ll find artful language, unsurpassed lyricism, and playful experimentation with form, no matter what the genre. The bulk of Tupelo Press's catalogue consists of poetry collections, although they also publish literary fiction and creative nonfiction.

Publisher of: Poetry

Press 53 titles are set apart by their fearlessly anti-commercial tenor. This indie publisher specializes in publishing poets and short story writers — in other words, the kind of authors who have trouble landing book deals at more mainstream presses. Their backlist shows an interest in experimentation: look for innovative forms like flash fiction, prose poetry, and linked short stories that come together to form a novel. Based in North Carolina, Press 53 looks for great writing by authors from all over the US.

Publisher of: Poetry

LA-based Rare Bird Books has a strong affinity for edgy, whip-smart titles on sex, drugs, and rock ’n’ roll: think candid sex worker memoirs and deep dives into the London music scene of the ‘70s. Besides nonfiction, Rare Bird widely publishes a number of genres over its various imprints. California Coldblood, for instance, presides over the press’s speculative fiction titles, while Barnacle Books takes care of crime fiction. As a whole, their titles are both progressive and compulsively readable, no matter if it’s PG-friendly or NSFW.

Publisher of: Poetry

Tin House’s legendary literary magazine may have shuttered its doors 2019, but their book publishing program is still going strong. Originally launched as an Bloomsbury imprint, Tin House Books spun off into an indie publisher in 2005. They release around 12 books a year often from first-time authors. Tin House Books publishes fiction, nonfiction, and poetry, and they have a penchant for lush, character-driven contemporary novels, playful essay collections, and memoirs that delve into complex relationships with uncompromising insight.

Publisher of: Poetry

Two New York-based creatives — sculptor Valerie Merians and writer Dennis Loy Johnson — founded Melville House in the aftermath of 9/11. Their inaugural title was a poetry anthology collection thoughtful, devastating responses to the attacks from the likes of Pulitzer winners and New York State poets. These days, Melville House continues to engage with both politics and high art. Their nonfiction titles tackle tough issues like CIA torture and presidential malfeasance, while their fiction program elevates emerging talents and underrated international writers — voices overlooked by corporate publishing.