Fiction Book Cover Art Gallery

How Not To Kill a Spy

John Fullerton

Designed by Driss C.

Available to hire ⏺

"The book tells a story of death and mystery. Initially meant to associate lettering and illustration, the design evolved toward a more minimalistic and impactful approach. The angular and rough letters of the title contrast with the curves of the blood puddle, foreshadowing the tension to come. The colours are reminiscent of old polars, while vibrant enough to fit with modern trends."

The Dark Side of the Mirror

Christopher Murphy

Designed by Leah J.

Available to hire ⏺

"This portrait-led cover draws readers’ focus to the main character, with shattered glass hinting that all may not be as it seems while subtly reinforcing the novel's title. We used a familiar thriller-style typography and color palette, combined with full-bleed portrait photography to make it eye-catching and unique. The shattered glass overlay, extending across the spine and back cover, acts as the cover’s main catalyst, distorting the character's eye and elements of the typography."

Frankenstein

Mary Shelley (New illustrated edition)

Designed by Alejandro C.

Available to hire ⏺

"Frankenstein is an enduring icon that has been reimagined countless times, though the creature's true appearance often remains ambiguous. My challenge was to faithfully capture Mary Shelley’s original vision. For the slipcase design, I imagined a scientific sketch—a conceptual blueprint of the creature's face, as if drawn by Victor himself. This creates a striking contrast: the slipcase shows the creature in its 'draft' phase, while the book cover depicts it fully realized, in flesh and blood."

Search for Complete

Stephen G Hardy

Designed by Ryan M.

Available to hire ⏺

"The classical framed art reflects the book's timeless exploration of love and relationships, inspired by the Aristophanes Myth on the Origin of Love. To blend originality with current trends, I added rich, moody foliage in the background, focusing on the classical portraits. The right frame, featuring a female figure within a crescent moon, captures the ethereal themes, while the left portrait represents the main character. This unconventional romance cover suits a story that defies the genre."

Wu Lou

by Xinhua Lu (Author), Capella Cao (Translator)

Designed by Richard L.

Available to hire ⏺

"The book opens with a haunting scene in a secluded Cambodian jungle temple in the early 1970s. Tutu, a young woman, finds her fiancé, a Khmer Rouge officer, crushed beneath a Buddha statue, setting Wu Lou, the temple’s master monk, on a path of exile. The cover reflects this era and setting, with a "never-ending redness" of trees, leaves, and petals evoking beauty and bloodshed. Tutu is featured prominently but tightly cropped, with a subtle Cambodian landscape and temple in the foreground."

Half a Cup of Sand And Sky

Nadine Bjursten

Designed by Richard L.

Available to hire ⏺

"Finalist for the PEN/Bellwether Prize, the book portrays one woman's search for love and belonging amid political turmoil. Bjursten immerses readers in a life, nation, and era with lasting impact. For this layered story, I aimed to depict the protagonist as a strong, visionary woman without resorting to visual clichés or a literal photo. The solution was a silhouetted collage incorporating fragments of the title and story... sand, sky, sea, rose gardens, Persian heritage, and literature."

Junior Year Bites

Annie Lisenby

Designed by Driss C.

Available to hire ⏺

"This book is a YA story where the protagonist must adapt to her new vampire life. The quirky story and characters inspired a cover featuring the protagonist as a bridge between her vampire friends on the left and her human social circle on the right. A pink palette and bright yellow title signal it as YA at first glance. To incorporate elements the author requested, like a teacup, squirrel, and paintbrushes, I included them within the protagonist's outfit, foreshadowing events in the book."

Second Pocket First

Gregory Grosvenor

Designed by Raúl L.

Available to hire ⏺

for love I will

C.D. Sterling

Designed by Diego S.

Available to hire ⏺

The Lumberjills: Stronger Together

Joanna Foat

Designed by Richard L.

Available to hire ⏺

"This novel draws inspiration from the heroic true stories of the Women’s Timber Corps, a branch of the Women’s Land Army in the UK during WWII. Image research was challenging, but finding a great reenactment photo with playful, optimistic women’s gaits felt perfect. It captures camaraderie and warmth, true to the book’s spirit, while contrasting with the harder visual of crossed axes. The Union Jack takes center stage, adding a pop of color and almost becoming a character itself."

Transference

Ian Patterson

Designed by Barış Ş.

Available to hire ⏺

The Day Lemmy Loved Johnny The Most

Stephen Mellor

Designed by Dominic F.

Available to hire ⏺

"I had great fun designing The Day Lemmy Loved Johnny the Most. This cover uses bold typography to highlight the strong prose within the story. Mixing colors and typefaces keeps it modern while retaining a classic literary feel. Stephen wanted a clean, graphic approach, so I experimented with typography to form the story’s tree. In the end, the bold type-only approach won out, with the tree motif featured on the back and spine."

The Curse of Mene

Madeline Hickey

Designed by Madli S.

Available to hire ⏺

A Court at Costantinople

Anthony Earth

Designed by Heather V.

Available to hire ⏺

Daughters of a Winter Night

Doug Belair

Designed by Elias P.

Available to hire ⏺

"The cover's main element is a silver tile crafted by the author's version of Elves or Guardians, protectors of the weave of Time, represented by an hourglass. We opted for a classic look over the typical illustrated characters of modern fantasy, blending elvish, nature-inspired imagery with hints of the story's characters. My work often combines illustration and hand-drawn typography. Here while the silver tile catches the eye, the hand-lettered title and author’s name capture the book's tone."

The Posthumous Memoirs Of Bras Cubas

Joaquim Maria Machado de Assis (Author), Américo Lucena Lage (Translator)

Designed by Euan M.

Available to hire ⏺

Henry Button and The Haunted Matinée

Liam Auden Brant

Designed by Driss C.

Available to hire ⏺

"The main challenge with Haunted Matinée was evoking the feel of old black-and-white movies while keeping a colorful design for middle-grade readers. Bright red and yellow elements balance the main blue. Since Henry Button is a series, I designed the title as a standalone for continuity across volumes, adding familiarity and timelessness. The design includes many details and easter eggs, like the diamond-shaped illustration, which hints at the glamour of Old Hollywood."

Much Too Vulgar

Viggy Par Hampton

Designed by Nuno M.

Available to hire ⏺

"This is the second cover I’ve designed for Viggy, following the style of her previous book, A Cold Night for Alligators. The rough, hand-drawn title contrasts with the deep red-orange background, adding urgency and rawness. The anatomical illustration beneath the text serves as a grotesque, eerie focal point, reinforcing the book's theme and complementing the distressed calligraphy. Together, these elements create a bold, eye-catching, and unsettling cover that mirrors the tone of the story."

The Little Blue Door

Francesca Catlow

Designed by Andrew D.

Available to hire ⏺

"As I discussed image options with Francesca, the idea of a close-up blue door quickly became the winning concept. Focusing on the door would make the cover stand out and establish a visual motif for future covers in the series—whether a door, window, or entrance, each featuring a zoomed-in arch."

Making Up Stories

Susan Myhre Hayes

Designed by Sarah L.

Available to hire ⏺

The Courage of Slackers

Daniel Tiernan

Designed by Alexander N.

Available to hire ⏺

"The cover features a fictional but typical Minneapolis dive bar, grounding the story in a distinct aesthetic while hinting at key plot elements. The 'Art Deco' style, common to Minneapolis bars, influenced both the cover design and the font. It worked well for a modern minimalist design: it's readabile at small scales while remaining interesting up close. Details like the main character, a lurking figure, broken glass, and a cat stalking a pigeon on the roof add suspenseful hints to the story."

WORM$

khari gordon

Designed by Barış Ş.

Available to hire ⏺

"The cover is directly inspired by the plot, aiming to capture the intense sense of action and adventure. It embraces an underground vibe, signalling to the audience that they’re in for a wild, unpredictable ride filled with eccentric twists. The bold typography and edgy illustration style were carefully chosen to reflect the chaotic energy of the story, letting readers know they’re about to dive into something thrilling and out of the ordinary."

The Art of Taking Second Chances

Varsha Chitnis

Designed by Zuchal R.

Available to hire ⏺

"The cover focuses on the main characters, Tara and Sameer, and their challenging journey, set against the backdrops of Baroda and Dallas. Initially inspired by a specific scene, the concept evolved through collaboration with Varsha to emphasize the settings. The faceless depiction of the characters invites readers to imagine them, while cloud graphics and a hand-drawn title add symbolic and artistic touches. The pink and purple palette enhances visual appeal and reinforces the book's theme."

Cult Crystal

Remi Bradley

Designed by Stephanie H.

Available to hire ⏺

"My main goal in designing the cover for this dark, mysterious, and sometimes humorous novel about female friendship in a cult called the Crystal Collective was to translate the title's essence into an illustration: two women worshipping a cracked crystal, hinting that not all is well in the cult. I balanced this with icons relevant to the plot to spark interest, ensuring the illustration and title remain clear and readable even at thumbnail size."

A Good Thing

Enid Jeff

Designed by Margarita C.

Available to hire ⏺

"In the plot, the moment when the characters meet is important—it's the trigger for the story, and it happens while they are waiting for the tram. I believe the key is to introduce the tram almost as a third character. Overlaying the title on its side adds dynamism and metaphorically reinforces the idea of how fleeting that moment of meeting is. Either you act, or it never happens, and the opportunity vanishes just as the tram does."

A Midwestern Gospel

Agara Farnsworth

Designed by Nuno M.

Available to hire ⏺

"This cover design effectively reflects the tone and setting of a thriller novel based in the South. The muted colors, decaying leaf imagery, and Gothic typography come together to hint at a story full of tension, secrets, and moral conflicts, drawing in readers who are fans of suspenseful, atmospheric tales."

Of Friction

S.J. Lee

Designed by Jason A.

Available to hire ⏺

"The priority was to create a consistent series look across all three books, focusing on the protagonist's arm transformation as the story progresses. S.J. prefers minimalist compositions and wanted to pay homage to the Southern Reach series, which was a big influence. We used a gridded title treatment and a textured background interacting with the protagonist's hand, tied to the book's events. These core elements will be carried through the entire series."

Burned Out and Bled Dry

Meredith Jacobowitz

Designed by Margarita C.

Available to hire ⏺

"My goal was to instantly convey the novel's genre—cozy mystery with a touch of humor. Inspired by Saul Bass, I created a shadow suggesting a murder scene, with the hurried protagonist walking over it, unaware of what's awaiting her at the car. The exaggerated, almost caricature-like shadow adds dark humor, softening the tension. The title treatment features an 'o' as an 'eye,' acting as a witness. The metaphor hints that the car holds a secret, with the shadow offering a clue to what's coming."

Tunnel of Mirrors

Ferne Arfin

Designed by Laura D.

Available to hire ⏺

"It was important that this beautiful novel have a beautiful, romantic cover without being trite. The story takes place in the 1900s and is about a young woman coming to New York from Ireland. The ocean is a big part of the story in various ways. The gull flying away from the other birds was inspired by the main character, a very independent, unique young woman. I wanted to add some interest by having the title look like it's sinking into the sea and being reflected like a mirror."

As The Fallen Rise

Sadie Hewitt

Designed by Rebecca F.

Available to hire ⏺

Returning to Carthage

Ben Sharafski

Designed by Owen G.

Available to hire ⏺

"For this short story collection, I aimed to evoke a sense of place and atmosphere without focusing on a specific narrative. The fig tree and Lorikeet, featured in multiple stories, serve as a tonal and geographical anchor. While botanical and avian illustrations are popular, I chose a less patterned approach with a mix of delicate and saturated colors. Starting with a subdued palette, I added rich, vibrant hues to bring the cover to life and reflect the warmth of the stories."

The Forest of Damned Souls

The Sinister Mind of Tully

Designed by Rafal K.

Available to hire ⏺

"It's a Scottish thriller featuring a fresh female constable solving mysterious crimes in the vast Scottish woods, blending thriller, fantasy, and a sci-fi twist. Scottish thrillers are often straightforward, with covers focusing on the main character or motifs. I wanted to go beyond that, highlighting the genre's greatest asset—mystery—without sacrificing artistic quality. The cover itself is a riddle, with the solution revealed only by reading the story, adding intrigue and depth."

The Killer Chorus

Jack Conlan

Designed by Latte G.

Available to hire ⏺

What to Eat During the Apocalypse

Vladimir Stefan

Designed by Christian S.

Available to hire ⏺

"This design highlights the quirky, funny title—dystopian recipes!—while presenting the dark backdrop in an engaging way. We chose a gas-mask-wearing chef to capture the book's strange spirit. Borrowing market trends like simple, solid colors and an illustrative style appealing on social media, we created a timeless look. The distressed sans serif typography is readable and suggests breakdown. We aimed for a design that lets the clever title shine."

Emergence

J. L. Daughtrey

Designed by Hampton L.

Available to hire ⏺

Model Village

Leo A. Murphy

Designed by Nejc P.

Available to hire ⏺

"The book is a dystopian novel about a shadowy authoritarian figure terrorizing a small Cotswold village. The cover needed to balance the village's cozy atmosphere with the looming fear of change. Inspired by Olly Moss and vintage Penguin covers of 1984, I used distinct color, shapes, and composition to convey the dystopian themes. A subtle visual easter egg is hidden in the design: the eye color on the cover matches that of the main character, adding a personal touch to the artwork."

MOFETTE JONES vs. CYRUS BECK

Jim Burgin

Designed by Joe M.

Available to hire ⏺

"For this title, the author wanted a rough, almost cinéma vérité feel to the cover since it deals with the ugliness of tabloid journalism. While using vintage elements like newspapers, etc., can sometimes feel trite and overly nostalgic, I tried to thread the needle by keeping the design bold and graphic while also being restrained and impactful. I believe I was successful, since the cover definitely grabs attention."

The Storm, The Calm and The Growing

Anna A. Blue

Designed by Nejc P.

Available to hire ⏺

"For The Storm, The Calm and The Growing, I aimed for an authentic, raw cover to reflect the story’s tone. I printed, tore, and photographed pieces of the title, and handwrote the author’s name to create a personal, intimate feel. The cover embodies the book’s themes: enduring hardships, finding calm in acceptance, and growing stronger. The tactile, torn typography and natural imagery evoke the emotional depth of the romance while visually representing the protagonist’s journey."