Best Independent Publishers in 2025

Publisher of: Fiction and Nonfiction

This Brooklyn-based outfit specializes in children’s books, as gorgeously illustrated as they’re richly imagined. But their catalogue goes far beyond the big red dogs and very hungry caterpillars you probably remember from your own childhood. That’s not to say that you won’t find any woodland critters cavorting in Enchanted Lion’s titles. But this indie publisher puts a premium on the “power of cultural exchange.” Enchanted Lion excels at putting out picture books set all over the world, many of them translated from languages like French and Japanese.

Publisher of: Fiction, Nonfiction, Poetry, and Short Fiction

LA-based Rare Bird Books has a strong affinity for edgy, whip-smart titles on sex, drugs, and rock ’n’ roll: think candid sex worker memoirs and deep dives into the London music scene of the ‘70s. Besides nonfiction, Rare Bird widely publishes a number of genres over its various imprints. California Coldblood, for instance, presides over the press’s speculative fiction titles, while Barnacle Books takes care of crime fiction. As a whole, their titles are both progressive and compulsively readable, no matter if it’s PG-friendly or NSFW.

Publisher of: Fiction

Europa Editions' parent company, Edizione E/O, grew out of a failed venture by Italian couple Sandro Ferri and Sandra Ozzala : a bookstore where thinkers with opposing views could meet for peaceful dialogue. When the political discord proved too daunting for polite reading-room tête-à-têtes, the Ferris, now married, pivoted to publishing. Their American publishing house, Europa Editions, is one of the US’s top publishers of fiction in translation, and they’ve produced more than a few NYT bestsellers, including Elena Ferrante's celebrated Neapolitan Novels. (And yes, they've met the mysterious, pseudonymous author face to face.)

Publisher of: Fiction, Nonfiction, and Poetry

This storied Canadian publisher has been running out of Toronto since 1967. In that time, it’s grown from a one-man operation to a North American indie powerhouse, publishing prominent authors like Margaret Atwood and Michael Ondaatje. As it makes headway into its sixth decade of operation, House of Anansi remains as committed as ever to promoting Canadian literature, including French-Canadian books in translation, and work by First Nations authors.

Publisher of: Nonfiction

This edgy, Manchester-based press has furnished a voice for the counterculture since 1991. Originally founded to sell VHS copies of a controversial cult director’s latest release, Headpress hasn’t strayed far from its roots in pulp, grindhouse, and all things indie film. Beyond its sharp criticism of movie genres that don't get a lot mainstream attention, Headpress publishes widely across the spectrum of quirky nonfiction. Look through its list of titles, and you'll see everything from deep cuts on underground music to trippy meditations on European folklore.

Publisher of: Fiction and Nonfiction

McSweeney’s is better known for their humor website, which features snort-inducing titles like “I Regret to Inform You That My Wedding to Captain Von Trapp Has Been Canceled” and “Signs You May Be a Female Character in a Work of Historical Fiction.” But this San Francisco-based indie publisher also runs a small — yet vibrant — books division. Their titles range from brainy, irreverent humor in the vein of their Internet Tendency to more serious fare: politically incisive nonfiction with a progressive bent.

Publisher of: Fiction, Nonfiction, and Short Fiction

WTAW Press is an independent, 501(c)(3) nonprofit publisher devoted to discovering and publishing enduring literary works.

Publisher of: Fiction, Nonfiction, Poetry, and Short Fiction

Founded in 1974, Graywolf Press is a jewel among independent publishers. The 35 or so titles it releases every year are regularly showered with laurels, from rave NYT reviews to “best of the year” nods. It’s no exaggeration to call Graywolf one of the top publishing houses of any size, despite its relatively modest, $4 million annual budget. No wonder established writers, who have the name recognition to court the Big 5, often opt to stick with this storied small press instead.

Publisher of: Poetry and Short Fiction

Founded in 1976, BOA Editions focuses on poetry. Though they publish fewer than 20 books a year, their editors are discerning enough to sniff out plenty of prizewinners. BOA’s roster includes decorated — and phenomenally popular — poets like National Book Award finalist Lucille Clifton and Naomi Shihab Nye, the first Arab American to be named the Young People’s Poet Laureate. But BOA also looks beyond verse, running several contests for short fiction writers, as well as poets seeking publication.

Publisher of: Nonfiction, Fiction, and Short Fiction

This micro-press releases no more than four books a year. But their tightly curated list has earned them a reputation for producing fiction and nonfiction that’s as accessible as it is groundbreaking. Future Tense Books’ catalogue might be boundary-pushing, but this publisher’s aesthetic is more DIY than avant-garde. They're equally at home with wry short story collections and raw, unprententious memoirs that delve into darkness head-on.

Publisher of: Fiction, Nonfiction, and Short Fiction

Catapult Books may have been founded in 2015, but they’ve made a huge impact on the literary scene in just a few years. In fact, they’ve made such a big splash that they managed to acquire an older indie publisher, Counterpoint Press, back in 2016. Post-merger, Catapult’s small, impeccably curated catalog — mostly memoir and literary fiction — continues to exemplify quality over quantity.

Publisher of: Fiction, Nonfiction, and Poetry

Two New York-based creatives — sculptor Valerie Merians and writer Dennis Loy Johnson — founded Melville House in the aftermath of 9/11. Their inaugural title was a poetry anthology collection thoughtful, devastating responses to the attacks from the likes of Pulitzer winners and New York State poets. These days, Melville House continues to engage with both politics and high art. Their nonfiction titles tackle tough issues like CIA torture and presidential malfeasance, while their fiction program elevates emerging talents and underrated international writers — voices overlooked by corporate publishing.

Publisher of: Fiction and Nonfiction

EnvelopeBooks is a new independent publishing house founded in the summer of 2020. An offshoot of Booklaunch, a quarterly books and publishing freesheet that makes its way to 50,000 homes per issue, the EnvelopeBooks imprint is dedicated to working with authors to produce high-quality books.

Publisher of: Fiction and Nonfiction

This Portland-based indie press is highly literary without being pretentious. Their wheelhouse is fairly broad, focusing on fiction and narrative nonfiction that puts vivid storytelling on display. In practice, that often means character-driven contemporary novels and emotionally rich memoirs that pull you into all the complexities of real-life relationships. You don’t have to write within spitting distance of Forest Park to be published by Hawthorne: they work with authors from all over the country. But, true to their geographic roots, Hawthorne Books has quite a few Oregon-centered titles on their list.

Publisher of: Nonfiction, Fiction, Short Fiction, and Poetry

Founded in 1972, Coffee House Press has grown from tiny letterpress to internationally renowned nonprofit. They’ve managed to stay close to their roots, putting out the occasional small-batch, letterpress chapbooks, complete with hand-sewn spines. But their backlist of more traditional volumes is substantial and growing. These days, Coffee House best known for their boundary-pushing, genre-crossing novels and essay collections — many of which have won prestigious nominations, from the Pulitzer to the National Book Award.