Springtime in the garden always began when the pink azaleas started to bud. Dad would find them while checking the garden fence for rabbit tunnels and come inside with an armful of the tiny blossoms, ready to trim and slip into a Mason jar. The first year it happened, he came inside, his face flushed with excitement, a single pink bud the size of a fingernail pinned between his dirt-crusted fingers. Look, the azaleas are flowering, he told the both of us. Springtime.
In the summers, but mostly in the spring, in the heat of the day when the wind was heavy and sluggish, we used to go out to my father’s garden and sit on the red hammock and rock back and forth under the shade of the peach tree. He was always very proud of that peach tree, though it was young and had barely flowered; he had planted it three years before my older sister, his first child, left home. He had always been sad that she had not seen it flower or produce a single peach before she left, that she’d been absent when we finally peeled the first small peach and let its juice drip down our chins victoriously. My father dug out the garden, planned where the raised beds would go, and planted the peach tree with the intention of a pretty, ever-expanding little kingdom, because he wanted a place to watch green things grow, a place of peace and life, a place away from the perpetual motion of the ugly street nearby and the constant changing and leaving that came with having a family.
Because it was so young, the peach tree barely put out any shade, and only covered about half of the red, threadbare hammock, and that was the half we always fought over. When we brought more friends we made them sit in the branches or lean against the rough bark or on the splintery edges of the wooden raised beds, instead of making space for them on our hammock; it was the way the garden was run, how our friendships flowered, and no one minded, not even those who got splinters or fell out of the tree branches. In the spring, when the cherry tomatoes began to green and the peach tree to draw itself up in readiness, we would go out there and swing back and forth in the hammock, reciting poetry or trying to shush the other so we could write a line of our own. It was always such a pleasure to write our own lines; there was something in the wind and in the ripple of the lush leaves above us, in the words of the books lying on the dirt beneath our swinging bodies, and it filled us up; we had the world at our fingertips, the sun itself and the earth it shone upon was all ours.
My father grew many things in his garden, as well as the peach tree and cherry tomatoes. Weeks before my mother died he dug a pond for goldfish, so my youngest sister could toddle out in the backyard and lean against the stones and watch the little gold flickers in the clear, moss-tipped water. He grew also a couple potatoes each year as well as carrots, just so he could tell the stories of growing pains and thieving rabbits and squirrels that came with growing root vegetables. There were always big beds of sunflowers and chocolate mint, some corners of beds devoted to peonies and poppies so we could wear them on Poppy Day, little tendrils of malabar spinach and shallots and basil that grew tall on the trellises originally intended for white roses, and sometimes he planted rosemary, lavender, and azurea when we had a nice warm February that promised a good summer for them. He grew a bed of asparagus fern too, a plant so prickly that you liked to break off pieces when I wasn’t looking and then slip them down my shirt.
We would run out hand in hand on a Wednesday night and the air would be warm and the earth hard and the feathery tendrils of asparagus would move in the night-breeze. With friends over in the long golden hours of warm spring, lush green wind in the peach tree and on the surface of the small fish pond and through the leaves of ferns, ruffling the sunflowers and poppies, we would lean against each other for hours, reading aloud lines that slid together satisfyingly like a daisy chain, someone’s bare foot pushing against the ground to keep the hammock going. It was in the garden that you told me who in the house was angry, who to avoid, who to smile at during dinner; it was the politics of dreaming young girls, the politics of maiden springs and lazy summers long gone by. It was in the garden you whispered to me who you loved and who you hated during the school year, though the summer always wiped the slate clean, a future gift for the approaching autumn. It was in the garden, when we were relaxing in the final retreating days before leaving home forever, where we told each other stories of sex and scandal, falling into each other laughing, wondering when we might be the dazzling protagonists of such stories. I remember perfectly when my mother died and you let me cry in your embrace, there in the garden, and then dried my face with your malabar-stained fingertips.
It seemed that the weather was always fine in the garden, always perfectly warm and breezy, though outside the cracked, curling iron gate the realities of too-dry spring and too-hot summer came crashing down. The pond’s water level never dropped; the tomatoes which we snapped off to nibble on before dinner never drooped or tasted sour; the sunflowers which we wove through our hair and clasped between our hands for a pretend spring wedding never turned pale or leaned over the raised beds because of thirst. We would traipse into the house in the cool evening with dirt and scars embedded in our knees, peach-wood splinters and tomato juice staining our hands, laughter and sunflower pollen speckled in our hair, and sun and youth and happiness flushed in our faces. The secrets we told in that humble, perfect garden, like the magic of the poems recited and written, were never allowed outside out of the curling gate or past the vigilant watch of the peach tree and outstretched asparagus ferns. To allow them out would be to ruin the magic of it all, the delectable draw of no one else knowing or being allowed to enter our precious kingdom of growing green things. We never left if we could help it; if my father had let us sleep out there we would have. Leaving meant dying, leaving meant growing up and abandoning paradise for a trek to forge our own paradise. There was always a chance that making our own way would never turn out as beautifully as our garden did, as our friendship did.
But as spring ripens and turns to summer, so girls must grow up and leave. The garden was full of living things that turned inevitably to dying things. We forgot that we were living too. As the little goldfish rippled beside us in the water, and the peach tree moved in some silent song above us, and you rocked the hammock with your tough, bare foot on the damp earth, whispering lines long written and dead yet forever alive, we confided secret silent things, laughing secret silent laughs, writing secret silent words, and slowly, silently, reluctantly, we grew up.
You must sign up or log in to submit a comment.
78 comments
Wow! what imagery! Beautifull, nostalgia dripping sentences, you weavea rich tapestry of teenaage loife unfolding. Thye garden as a metaphor for the ending childhood was a marvelous, very intelligent prop. Very well written, Zilla.
Reply
Luke left
Reply
ok hi, i’m ink, i think this is my first comment on one of your stories (though i’ve read several). for calling myself a ‘writer,’ i’m very bad at words, but i did really enjoy this and i thought it was poetic and beautiful and made me want a garden ahhhhh. i hardly think i’m qualified to offer you any criticism but if i had a critique i think it would just be to make sure you’re not using the exact same words close together in sentences or paragraphs, so a solution to that would be to find good-sounding synonyms; but again, i could be compl...
Reply
Wow, this was so good. I think this is one of my favorites. This is definitely very creative nonfiction. I was hooked all the way through. By the way, I've got a new story out. Its called, the Chicken House Massacre. Once again I loved this story. Have a great day.
Reply
This is stunning. From start to finish, I was enraptured in your elegant prose and felt like I was sharing some hidden secret with the narrator. Like I, too, could revel in the beauty of that garden in spring. I love this piece. Chills.
Reply
A lovely story, beautiful, flowing prose woven through with a classical, emotional theme. Super.
Reply
really sweet and wistful- love the latest story <3
Reply
What a storyy... I don't know why but it gave me those anime vibes. The peach tree, poetry and friendship. Keep up the cool work. P.S. Hey would you mind reading my stories;)
Reply
Oh, that was beautiful! Great work!
Reply
Guess what?? Litlover asked me to shout you out in my bio!! He also said that you were his favorite author on Reedsy. Congrats!!
Reply
😍 Thank you for telling me!
Reply
221 stories ? Oh my God, "Wonderfully positive stories
Reply
It's a touching story, to say the least. The body is the story is entirely composed of flashbacks and time skips. It's a way that the reader can tell how the main characters develop over time. I love the introduction of different parts of the garden and how the character's actions make every moment full of emotion and feeling. In the middle of paragraph 6, the way the garden was described as 'humble' made the situation seem simple, calming, and more like rewinding an old tape. This is an amazing story. I love it. P.S. Good luck with your nov...
Reply
Sophie, thank you so much. This was very encouraging. 😘
Reply
Hi Zilla! How are you?
Reply
Hi, how are you lately? How's it going with your novel?
Reply
Hi Madam Chaos! Good, thank you! Loving the cooler weather. You? Novel, meh. I haven't written in a couple days and need to keep up.
Reply
Hi Zilla! I really like 'Madam Chaos' for some reason. I'm doing well, just finishing my story of this week. There's nice weather where I live as well (finally). Good luck with that novel of yours! I'm supposed to be writing one too, but I keep procrastinating.
Reply
This is beautiful. I was wondering: did you save the other stories somewhere else? In google docs, maybe? Even my worst stuff I still keep to learn from my mistakes.
Reply
Hey! I want to focus on writing my novel, soo please answer these since you've read "Bomb"? 1. What part made you think "Ah now the story has started!" 2. Where were the points when you skimmed? 3. Which setting was the clearest? What setting do you remember the best? 4. Which character would you like to meet and get to know? 5. What was most suspenseful or exciting? 6. If you had to get rid or kill a character, who would it be? 7. Was there a situation in it which reminded you of your life? 8. Where did you stop reading, when you first re...
Reply
I loved every second of this story!
Reply
This is gorgeously written. So succinct and effervescent. You capture the wistfulness of "adulting" so beautifully :)
Reply
Heya
Reply
Woah this is so beautiful. You have such a way with words! I enjoyed this story down to the very last word!
Reply