Author's note:
The world that Chocolate Kisses started in, despite being the same place, is very different from the modern, twelve-years-later one, and you don't even need to read the first, unless you want to catch up on details like who Emilia is, how come Ellen and Joseph are married, and why their daughter is named Chocolate.
The original was very sentimental and sweet, but as we go on, I decided to branch into a sort of mystery-crime-adventure genre, with lots of humor to balance it out. If you would like the story to become a little nicer, (romance, friendship tests, determination to do good, etc.) then please message me in the comments and I'll be sure to respond and remove some of the creepiest elements of this story.
Thank you for reading, and if you have any ideas for what could happen next, please tell me!
-- Emmie Greensgate
I haven't heard from
Sherry, that weird twelve-year-old girl who followed me everywhere, or
Chocolate, who cleared my name when
Samantha-Jae accused me of stealing
Ellen Abbot's secret spice.
I haven't heard from
Emilia, the town's resident author, since last night.
Actually, I haven't heard from any of them
since last night, when
we "rescued" Samantha from her stepbrothers and stepfather,
who had taken her away from out little town of
Bridgebrook, for reasons she tried
to explain, but flew over my head.
I haven't heard form any of them...
We exchanged numbers
after "rescuing" Samantha-Jae, and I scroll through my texts.
Nothing
from them. They're all offline and have been
offline
for about eight hours. Well, that's normal, right?
It's not
like they've been on their phone all day, every
day. I'm
overreacting. They're okay. Right? Right?
I send them a quick text through the group chat that
we set up yesterday.
Hey guys. Are u okay? I haven't received any
texts from you 4 a while. Please tell me if
there's a problem.
I wait
and look
at my phone.
Nothing. That's
normal, though. They
probably have their own
issues. Maybe they have their
phones on airplane mode. That
shuts off texts, doesn't it...? Sherry
always has her phone on her, though.
She is always texting. Sherry would not
ignore a text from me. Not unless... maybe
something's wrong with her...? Is she okay?
Sherry is like a little sister to me. I have
been like a brother to her, too. We're
inseparable. I think it comes from
growing up right next door,
sharing our yards and
snacks and lives
with each
other.
I
couldn't
bear anything
bad to happen to her.
"Oh, Sherry," I say.
Emilia:
The door shuts with a loud, metallic
THAAAANK!
Locking us in the room.
I roll my eyes, looking at the high, stone walls. I could
climb them. They're about fifteen feet high,
with lots of toeholds in the gray, rough stone.
The ceiling is made
of the same stone blocks, like a dungeon,
and wooden boards
crisscross below it, holding it up.
The door is wood, but here's a big, heavy,
locking mechanism of some sort inside of it, that makes it so heavy
that it would take
ten elephants
to make it budge.
It locks from the outside, as far as I an tell, so
there's no way we could get out through there.
The walls, upon closer inspection,
are so rough that you'd bleed if you tried to
climb them. There are no windows, either, and
the wood beams are full of splinters.
We're basically trapped as trapped
can be.
Sherry keeps thanking me because of something I
did, even though it's
kind of
random.
I smiled at one of the boys in a way
that I thought would make me look like a gremlin about to kill him,
but apparently it looked cute and he got a crush on me, if
Sherry is to be trusted.
"He likes you, I swear," she
says, pacing around the room.
"He thought you were hitting on him
so now he likes you."
"I'm a grown adult! He's,
what, sixteen?"
I say.
"Eighteen, it looks like. but you
look really long, like maybe nineteen? I think
he thinks you're in his age group."
"Well, if he really is 'hitting
on me' then maybe he could
let us out, huh?"
"I think he did his part by
not tying
us up."
"Whatever. Where's the kid I lied to? he can
get me out of here before the stepfather in question
comes back."
"I think he's coming...
now."
I snarl.
My phone dings.
Uh...
Oh right!
I hid my phone from them, saying I was
anti-tech.
They had Sherr's, but they didn't
have mine.
I get a really good idea.
I pick up my phone and begin to write...
Words pour out of my
f
i
n
g
e
r
t
i
p
s
and create a message that
I send to everyone.
"Hello, John Kazzer."
I yell, jump around like a deer,
and turn towards the speaker, a look of rage in my eyes.
He is a tall, thin man,
dressed in a black trench coat.
Who even wears those anymore?
"How do you know my name?"
I ask.
"That weird girl
with the long black hair
and the tendency to punch
kept yelling about you."
"Samantha-Jae?"
"She didn't give her name,
so we're calling her 'Project 45'."
"Project 45?"
"Our forty-fifth catch."
"Catch?"
The man looks at me like I'm mad.
"You mean to say that
you've never heard of Project Stockholm?"
"I've heard about some guy
called Stockholm, but I didn't
know he was a project already."
"He isn't! It's
named after Stockho--
I'm not telling you.
This is top secret. Even
the president doesn't know about it."
He is
creeping
me
out.
A lot.
"I'm giving you an offer."
I feel my phone buzz in my pocket.
"An
offer?"
"Consider this," the man
says.
"You could work for my boss. Simple
jobs at first; backup guard for hunting, patrolling the
borders,
figuring out the details of our missions, if
you are good at that sort of thing. Driving our
catches to the base.
Then if we still need to get a few more, you can
get into the higher leagues.
Take down a few targets. Bring back
information on their reactions.
Maybe play the role of
Keeper. "
"What does that mean?"
"I'm recruiting you for a job."
"What kind?"
"Experiment dirty work."
"I am not
killing anyone," I say, loudly,
to make it clear.
"You won't have to. All you have to do
is make sure that the experiments stay put."
"Are you cloning alien life
or something?"
"No...
simply..."
He reaches
for his pocket.
I flinch. I think
he has a weapon in there.
"Keeping it."
"Keeping what?"
"Life forms.
The highest, most
complex one of all.
We have forty-six in total, but
we'll need fifty to round it out more.
What do you say?"
"What life form are you working with?"
"Sir,
what are you?"
Sickness churns inside of me.
Humans.
He means humans.
Other intelligent,
living
breathing
beings.
For science.
"I'd suggest you agree with me,"
he says in an ominous tone. He smiles
in a creepy way.
"... if you want to see
Chocolate again."
"Are you threatening me
with food or people?"
"The man reaches
for his belt. There's
something under his cloak. I can see it. I can
tell that he is trying
to scare me
into saying yes.
But the people, the forty-six people who are all
being experimented on by whoever his boss is!
And
oh no, Samantha-Jae must be one of them!
But at the same time,
I need to protect Chocolate!
And on the other hand, Emilia and Sherry could have been taken, too!
"I'll give you twenty-four hours
to think it over." the man says, turning away from me.
"Twenty-four hours before we so much as look at that
girl. Twenty-four hours for
you to make
your choice."
He walks away.
I remain rooted to the ground.
A human experimenter.
Someone whole experiments on humans.
I need to be one to get Chocolate back.
A horrible,
twisted darkness
rises inside of me.
Would I be willing to do something like that
for her?
For Samantha-Jae?
But there could be-- no, there have to be
people out there who want the forty-six back.
The're girlfriends and boyfriends.
Brothers and sisters.
Friends,
teachers,
cousins,
football champs,
wrestlers,
and readers.
People-- ordinary people
who ended up in this somehow.
"What should I do?" I ask
myself, my voice
nearly freezing away in a gust of cold wind.
The
message
has to have
sent by now.
There's enough
signal, but hardly any.
It doesn't take a lot, usually,
but I think they're shutting off
the WiFi or something.
I hear
footsteps coming down the halls.
Closer and closer.
"Sherry, on my command,
beat up whoever comes through
that door.
Ready? three-- two-- one--"
The lock opens, the latching mechanism
popping open.
A man who looks like an adult form of
the boys behind him
scowls into the room.
"Them?" he says.
"You think they were the
ones who kid napped Samantha?"
"We didn't!"
I say at the same time
the boys shout
"One word, dad!"
I nod to Sherry, who in turn, nods
back.
And we leap.
The "message sent" alarm
dings happily
as we punch the boys and man
uselessly.
One new message!
My phone says.
I open it.
To whomever gets this:
I know now that it isn't the stepdad in question
who's taken Chocolate and Samantha-Jae.
He thinks we did it, I bet. We're
trapped in a creepy room in his basement.
Don't come for Sherry and me
unless you have to.
I don't know where they are, but I know where they aren't.
Please come as soon as possible--
but only if you know where Samantha-Jae and Choco are.
I wish I could help you. But you're
on
your
own
here.
They're trying to Steal Samantha-Jae back
because she's the inheritor of her multimillionaire mother's wealth.
I'll try to escape, but that's a pretty risky move for us.
We'll have to wait until they clear our names
and realize that we only took
Samantha-Jae because we thought
they were the evil ones.
Tell me if you know anything,
but keep it encrypted.
Not too hard, just enough
that no one besides me can interpret it.
Thank you.
--Emilia.
I hold my phone tightly.
then, I text:
I know where Chocolate is.
I was threatened with her.
Some guy tried to get me to join his
big boss's H3uM@n 3xP3r1m3nTiNg project by
dangling her over my head,
not actually,
just told me I had
Tw3nTy4 hours to join his side or
she was theirs to 3xP3r1m3nT 0n.
I'll tell you more later.
I'll get you out of there a$ $o0N @$
p0$$iBl3.
--J0hN k2zZ3R.
She'll be able to
uncover my message.
It's not even that good, but I'm hoping that
she keeps her phone on her at all times.
Chocolate woke up, a bleary feeling
filling her body.
She though about
opening her eyes or moving,
but she was just too tired.
"...all clear, sir."
"Very well... the..."
the voices
w a r p e d
away.
then they returned, Who
were they? Chocolate didn't know them.
"...Noticing that, I can..."
"Sir, yes sir!"
"Get ready for..." she couldn't make out what
he said.
"...Obsidian."
Obsidian? she thought.
Where have I heard Obsidian before?
Chocolate lapsed into another round of deep, dark sleep,
not even noticing the needle
injected into her arm
or the chains
on her hands and feet.
Obsidian....
Thank you for enduring this long, weird story. Who wants the
sequel?
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39 comments
I love these types of poetry stories Emmie! So creative! :)
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Thanks? What or who do you think Obsidian is? And do you think they'll all get out okay? Will John Kazzer make the right choice? What is the right choice? Again, thanks for reading Bridgebrook Tales (what I'm calling this)
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nice!
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Thanks! CLIFFHANGERS AHA
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you're welcome! yeah :)
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Working on the next part now! HAHAHAHAHAHHAHAHAHAHAHAHAH oh man, my characters deserve a break. And a milkshake. Fifty milkshakes. π₯€π₯€π₯€π₯€π₯€π₯€π₯€π₯€π₯€π₯€ π₯€π₯€π₯€π₯€π₯€π₯€π₯€π₯€π₯€π₯€ π₯€π₯€π₯€π₯€π₯€π₯€π₯€π₯€π₯€π₯€ π₯€π₯€π₯€π₯€π₯€π₯€π₯€π₯€π₯€π₯€ π₯€π₯€π₯€π₯€π₯€π₯€π₯€π₯€π₯€π₯€
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Wow Emmie! Very interesting concept you've got here. Amazing work on the dialogue! Super mysterious! Keep writing:)
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I will, just maybe not with these prompts, they're all too holiday-y. Is that a word? :)
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Have you read any of the others? This is a direct pick-up from Storm, so it might be confusing if you didn't read some of the others first.
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Sure, I'll check them out soon:)
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Hey, guys! I'll be leaving Reedsy for a little while, so I won't get your comments. Don't worry, I'll come back in a week or two, but I won't be able to get your comments. If you want to comment please like this story and go to it later. (in a week or two weeks) Thank you!
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I like that this is sort of poetry in a way or something, I don't think a lot of people do that on here. Besides that its great as usual and it gets a 10/10 :)
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Thank you! This is the last one I've written, and I won't be a able to use any other prompts, so just hope that John Kazzer makes the right school and imagine how Emilia and Sherry will escape :)
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You did all five prompts??
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No, but I did the mystery one, and the love one and I'm trying to fit an Emma and Alexander continuation into one about an inheritance, so the sci-fi one doesn't fit into small town mystery thriller thing.
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hey, could ya maybe help me with something?
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What is it?
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You've definitely taken these into a darker direction, like you said. These read like you're having a lot of fun writing them, and if that's the case, then you should keep going and exploring your story. You've got an interesting group of characters, and you're doing a good job juggling them and keeping them distinct, even in the form of the poem. I like the different types of "word art" that you're using, with the paragraphs growing and shrinking, and continuing to do things like "fingertips" literally pouring out of the poem.
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Thank you! I do enjoy the darker, mystery vibe I get from these, so I guess I'll keep the creepy style. It can't get any worse fro the poor characters, can it? :p (yeah, it could, but I won't make it that much worse.) The word art can be tricky but I like to use it for thinking instead of just italics, which you might have noticed. The growing and shrinking paragraphs are usually not action, but thought. I'm glad that you like these stories! Thank you for reading them!
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I was noticing that - setting up patterns like that is a great way to give the sense that your free verse has "rules," especially in a series like this, where the reader is going to see repetition of what you're building. Cool idea!
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Thanks!
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Hey, guys! Is this next bit creepy, or what? Who has any ideas on what or who Obsidian is? I already planned it, but I'd love to hear your ideas! Also, I'd like to thank everyone who liked this and all the other Bridgebrook tales! Maybe someday I'll publish a treasury of these stories.
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I really like your stories, they are very interesting...I would like to see more
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Did you read them in order? I checked the likes and it looked like some were liked before others... That's ok, though! Who do you want a point-of-view on the next poetry-verse one? Or should I do a bit of everyone?
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