My mother helped me pack my luggage. Good thing it wasn't a big trunk or it would've been too heavy for us to carry out to the minivan.
“But why does it have to be a boarding school?” I asked. “Why can't I just stay here at home and go to the public high school? Wouldn't it be cheaper?”
“Your father and I went to a boarding school, Shui,” my mother said. “The same one you're going to. The Cousteau Society Boarding School.”
“You both did?” I asked.
She nodded. “And it was a good experience. We made friends and learned things that we probably wouldn't have learned otherwise. It was also where we first met. So, you see, it's not like your father and I are punishing you. We want to give you the same chance we had, and we can afford it. We saved up since you were born.” She handed me a brochure. “It's been expanded a little since we went there.”
I looked at the brochure. The photos had to be either photo-realistic paintings or photoshopped using Adobe Photoshop. No way the school could look like this. It was like a collection of large pale blue bubbles connected by narrow corridors. The fish on the outside were probably plastic, like vintage pink flamingo lawn ornaments. It had to be a joke. It must look like something else entirely.
“But I can still come back home for Christmas and each Summer?” I asked.
“Of course, you can,” she said. “Though you might find that you'd rather stay there. If you do, when the time comes, we can just ship your birthday and Christmas presents to you.”
I nodded, not entirely comforted. I was fifteen and had never lived away from home before. Time to learn what it was like.
“You can write us or email us whenever you like,” my mother went on. “And we'll read each letter or message and reply as soon as we can.”
“Can I call you?” I asked.
“I'm not sure that they allow cell phones at that school,” my mother said. “They're rather strict about unnecessary distractions. Not that you'll get bored. Trust me, you'll have plenty of things to do.”
Life without a cell phone? What sort of school was this? I just knew I was going to regret agreeing to go there. Maybe I could get myself expelled and have to come back home and go to the public high school instead. But my parents probably wouldn't be pleased if I wasted all their hard-earned money.
I sighed.
“It's going to be just fine,” my mother said. “Just you wait and see. Give yourself a week or two and you'll probably want to be there more than here.”
“Maybe,” I said.
She smiled encouragingly. “Tell you what: If it turns out we're wrong, we'll treat you to an all-expenses-paid trip around the world. You choose all the places you want to visit. Deal?” She held out her hand.
My eyes widened. “You mean it?”
“Deal or no deal?” she asked.
I smiled, knowing I would win. “Deal.” And shook her hand. “I'll hold you to it.”
“We won't back out of it,” she said.
“You'd better not,” I said.
We finished loading the trunk and carried it downstairs and outside. My father got in the driver's side of the minivan. My mother sat on the passenger's side, while I sat on the first bench seat behind them.
“Ready, Shui?” my father asked.
I nodded. “Ready.”
Since the nearest transport pickup place was several hours away, my parents spent part of the time explaining what the boarding school was like. It sounded too good to be true, and probably was. Any school that made learning actually fun, interesting, and enjoyable didn't exist. We'd probably go to a beach and then they'd tell me it was all a prank. We'd spend the day there and then go back home.
Except we didn't go to any beach. Instead we went to what looked like a marina, filled with boats that were moored offshore as well as tied up to various wooden piers. There was a small group of people already waiting, with their luggage next to them. They turned to see us pull up and unload.
“You won't even have to go there alone, Shui,” my mother said. “You'll have company.”
Just as delusional as you both are. Wonderful.
We went down to the group, introduced ourselves. Apparently the transport was on its way and should be arriving soon. My parents nudged me and I introduced myself. The other students introduced themselves. My parents gave me a hug, gave me some more encouragement, and then headed back to the minivan.
As they drove away, a large area of bubbles quickly rose to the surface of the water. In the middle, where most of the bubbles were, was what looked like a houseboat on large wooden skids. It was painted all in white, with a reclining green naked woman painted next to the bridge area. On the front and on either side of it were the words “Cousteau Society Boarding School”. The houseboat approached us and then came to a stop against the dock, perpendicular to us. The crew disembarked, throwing heavy ropes onto large mushroom-shaped posts on the dock.
“Everyone ready to board?” one of the crew asked us.
We nodded.
The crewmember took out an iPad and checked off everyone's name. One person hadn't come. They probably were running late and, the crewmember said. In which case, they could just travel in the transport when it returned here in about twelve hours. The crew helped us board and placed our luggage in the rear of the transport.
“All aboard?” a woman's voice called over an onboard P.A. system.
“Yes, ma'am!” one of the crew called back.
“Remove the docking ropes!” the woman's voice said.
“Removed, ma'am!” one of the crew said.
“Departing immediately, then,” the woman's voice said. “Batten down the hatches and find somewhere to sit. It's going to take a bit to get to the school. Enjoy the ride.”
The transport moved away from the dock, riding lower and lower in the water as it did so. We were soon underwater, moving faster than I expected, leaving a long trail of bubbles behind us.
I found a seat near the left rear of the transport and looked out the window. One of the crew, a woman, came over and sat nearby. She also looked outside.
“It's always a little difficult adjusting,” she told me. “Most people think that schools should only be on dry land. Thankfully the Cousteau Society disagrees.”
“Is this the only one that they've built and run?” I asked.
She shook her head. “There are a few others. More are being built and transported to their permanent locations around the world. Where did you think this school would be?”
“To be honest,” I admitted, “I originally thought this was all a joke. I'm sorry I didn't believe it was for real until this transport actually submerged.”
“You probably aren't the first to think that,” she said. “It's like the Flat Earth Society. You tell them something exists and they just won't believe you. Sometimes even after you show them they still won't believe you. As if we'd lie to them.” She rolled her eyes.
“My name's Shui,” I said, holding out my hand.
“Nice to meet you,” she said, shaking my hand. “I'm Marie.”
“Have you always worked for the school?” I asked.
She shook her head. “Like you, I was a student first. But after I graduated, I decided to stay and work.”
“Did you believe the school existed at first?” I asked.
“Sort of,” she said. “I grew up watching 'The Undersea World of Jacques Cousteau' and reading '20,000 Leagues Under the Sea'. I was aware that there was ongoing discussion among scientists and engineers about possibly building underwater bases and cities. The bases did eventually get built, but not the cities. Then someone wondered about underwater schools. Designing them was easy, but finding materials and sealants that would remain intact in salt water was more difficult.”
“How do you know all that?” I asked.
“Because my father was one of the designers,” she said.
“Is that when you decided you wanted to go to the school?” I asked.
Marie nodded. “When you don't fit in that well in dry land schools, it's a relief to find somewhere that you do fit in. Even if it's underwater.”
“I know the feeling,” I said.
“My father nominated me,” she went on. “Next thing I knew I was accepted and on my way there. The first group of students probably suffered the most. Being underwater can be a little claustrophobic. It takes time to get used to it. Some students didn't get used to it and started going a little stir crazy. They had to be transported back to land and replaced with other students.”
“Did you go stir crazy?” I asked.
She shook her head. “I liked it underwater. Seeing all the underwater life. The coral reef near the school – it's even bigger than the Great Barrier Reef off of Australia's east coast – was awe-inspiring. Much taller than I expected, and much wider. It must've taken a million years for enough polyps to die and build it.”
I whistled softly.
“Exactly,” Marie said. “Somehow it survived the bleaching that killed off so many other reefs around the world. We didn't understand how that was possible at first. But we've learned a little in the years since then. Apparently the polyps that died and built up this reef were different from the other dead polyps around the world. Some sort of mutation, which means we don't know how it happened, we just know it's for real. We think it might be possible to graft parts of this reef onto the other reefs and help them recover.”
While we spoke, the transport descended deeper into the ocean, passing from lighter, sunlit layers to darker layers. The headlights on the front of the transport turned on, sending beams into the growing darkness. Like traveling at night on dry land. Only here we seemed to be entering an undersea canyon at least as big as the Grand Canyon, if not bigger. Every so often we could see clusters of deep sea vents that looked like smoking chimneys and glowing deep sea life.
“How do you provide energy for the school, since you're so far from the surface?” I asked.
“Hydroelectric power,” Marie said. “Similar to how electricity is made at hydroelectric dams on dry land. The currents down here are strong enough that we can guide them through the machinery we have and create electricity.” In fact, I could feel the transport trying to keep its speed constant while battling against the pull of the current we were in. “Far more electricity than we'd ever need. We store the extra electricity in storage batteries. That way if we lose power, we have backup power ready and waiting.”
“You know so much,” I said. “You can't just be a crewmember on this transport.”
“Correct,” she said. “I'm also one of the crew that works at the hydroelectric power generators. It keeps me busy, so boredom is rarely an issue.”
We passed through about half of the undersea canyon, turned left and followed another canyon. Up ahead, I could see the dim lights of something standing a few hundred feet from the rim of the canyon. The dim lights grew brighter as we came closer. It looked just like the photos in the brochure that my mother had given me at home. I stared at it, not sure I believed what I was seeing.
Marie chuckled. “Same thing happened to me. It just doesn't look real. But it's real all right. We'll be docking at the air-lock in a few minutes, Shui. I need to assist with the docking.”
I nodded, not taking my eyes from the growing size of the boarding school. It wasn't gigantic, but it was definitely big. As big as the Louvre in Paris, or St. Peter's Basilica in Rome, or maybe the Houses of Parliament in London.
The transport turned to the right and gently pushed itself closer and closer to the air-lock.
“Arrival in less than one minute,” the woman's voice said on the P.A. system. “Meet at the forward doorway. Crew will help you disembark and match you with your luggage. Welcome to Cousteau Society Boarding School.”
I joined the other students at the forward doorway. We could all feel the bump as the transport made contact and came to a stop. The doorway slid open. We left the transport and entered a waiting area. Our luggage was already being unloaded.
I looked around for Marie, the one familiar face in all this. I couldn't see her. She might've gone back inside the transport.
One of the school faculty came over to me. The name on the name tag on her upper right chest said: Chunkov. Her hair was short and grey. Her jumpsuit was light blue.
“Ms. Fong?” she asked.
I nodded.
“Orientation for new students is in five minutes,” she said. “Main lounge one floor up.”
“How do I get there?” I asked.
She showed me an iPad and tapped something on it. A map appeared. As it did so, a green line, like an argon laser beam, came out of the iPad's screen and pointed toward a set of stairs on the far end of the lounge. She handed the iPad to me.
“It'll show you the way,” Ms. Chunkov said. “When you arrive at the lounge, just hand the tablet computer to one of the staff.”
I nodded. “Thank you, ma'am.”
“Better get going,” she advised. “It's not exactly next door.”
I nodded again, and, with trunk in tow, followed the green path to my next destination.
When I arrived at the lounge, most of the other students were already there. The rest arrived soon after I did. We handed our iPads to staff members who thanked us with a nod.
On a stage at one end of the lounge was an old-fashioned rostrum. A tall, green-skinned man stood there. He didn't seem to be dressed. Maybe the green “skin” was actually his uniform?
He coughed loudly for attention. “If I may have your attention, please?”
We sat silently in our chairs, looking at him.
“Thank you,” he said. “I am Grun Mer Vas. Welcome to the Cousteau Society Boarding School. It is sometimes also called the Submarine Academy. Not all of us here are human, however. Such as myself.” He showed us his heavily webbed fingers and toes. Kind of like a cross between a human and a frog. “I am a submaru. Amphibious humanoid. You will see, meet, and study with others like myself. There also some that are called mermen and mermaids.”
One of the students raised their hand.
“Yes?” Grun said patiently.
“Is there going to be any genetic manipulation, in case we spend most of our time outside the school?” the student asked.
“Unless you plan on drowning, you will have to undergo such a procedure,” he said. “I did. After all, my species did not come into being via evolution. But such a decision is always voluntary. You are free to choose other jobs that do not require any change to your bodies. Any further questions?”
Everyone shook their heads.
“Excellent,” Grun said. “You will note that your luggage will be brought to your dorms during this Orientation. They will not be opened, but merely scanned for safety reasons. Anything not permitted will be destroyed by remote. You are here to learn, not to cause trouble. Adjusting to life on the ocean floor is a gradual process. For some, the process takes place in a few days. For others, it may take as long as a week or two. Any symptoms of claustrophobia will be dealt with as humanely as possible.”
I raised my hand.
“Yes?” Grun said patiently.
“What about holidays and Summers?” I asked. “Are we required to spend them here, or are we allowed to spend them at home before returning here?”
“You may spend them as you wish,” he said. “Though you may find it far more interesting to remain here. The choice is yours. We will assist you in whatever way we can. Any further questions?”
I shook my head.
“Is any further clarification necessary?” Grun asked all of us.
We all shook our heads.
“Classes begin tomorrow at 0700 local time,” he said. “Breakfast is served here in the lounge and in the main dining room from 0500 to 0630 each day. Lunch is 1100 to 1300. And dinner is 1800 to 2000. There is one free day per week.” He paused. “One warning, however: Dorms are strictly segregated by gender. You are not to enter any dorms that your gender is forbidden to be in. Gathering elsewhere, including in this lounge, is permitted, however. You are dismissed to your respective dorms.”
With that, we all stood up.
“My parents said they were strict,” a student near me said. He was human like me, and roughly my age. “They weren't kidding.”
“What happens if we disobey the segregated dorm rule?” I wondered. “Expulsion?”
He nodded. “Probably. Timku.”
“Shui,” I said.
“Nice meeting you,” he said.
“Likewise,” I said. “See you after we get set up in our dorms?”
He nodded. “Meet you back here in the lounge.”
“See you then,” I said.
You must sign up or log in to submit a comment.
What a fantastic concept, and great world-building! I'm excited to read part two. This feels like something that can grow into much more.
Reply
Thank you.
I wish I could say that the plausible world were more accurate than it is. I think I'm going to need to do some rewriting of the overall story (once I've finished writing it), or place it on a different world, instead of Earth.
I do have some ideas for further "chapters" of the story (if there are any future story prompts that I can make use of). They won't all be light and cheerful, though, because I think I know what's going on outside of the school and the merpeople's kingdom (which may be why the king asked Naia to be the ambassador; he didn't quite tell her everything about *why* he wanted her to be an ambassador). I don't want to spoil it for you, so I won't say more here. If it comes down to it, though, I guess I can just continue writing the story offline. But the catch there is: I won't be able to post it on this website. Which is why I waited so long to write story #2 (almost two months). There just wasn't a story prompt which suggested a sequel for all that time. I'm glad I waited, though. It was worth the wait (though I'm not entirely happy with story #2; readers seem to like it much better than I do, which is encouraging).
Reply
I got excited when I saw the merfolk. I was pretty sure they were going to be involved, so it was nice to get closure on that. Placing a school on the ocean floor is a fascinating idea, especially because it puns on the idea of a school of fish.
The pacing of this story did feel a little off. It's like you set yourself up for a much longer tale and just didn't have space to finish it. As it stands, it's a little more about the concept than the people involved, though not much, as you did a good job of showing your concept through the people involved. It would still be better if there was a teeny bit more focus on Shui's emotions, though, especially at the end. Maybe some kind of closure at the end about how she thinks she might like it there after all. Or that she doesn't think that. As it stands, we don't get a really clear idea of whether she wins the bet with her parents or not, though you do sort of hint that she's starting to warm to the environment.
Reply
I think my bigger worry about the story wasn't that it ended so abruptly, but that it resembled the late Anne McCaffrey's "Crystal Singer" a little too much in places. I was hoping for something a little more like "20,000 Leagues Under the Sea" but in a school, not in a submarine.
I wish I could add a sequel to "Submarine Academy". I tried once, but it didn't go much of anywhere. Maybe Friday's next set of story prompts will include something that suggests a sequel (or two or more). I'll have to wait and see (pun unintended). Wish me luck.
To be honest, I didn't intend to make a pun about a "school of fish" (or what's called a "Spoonerism"). I was trying to think of a school that also sometimes employed graduates to work there. Also that genetic manipulation might be needed so that they can work for extended periods underwater (without needing breathing apparatuses, since they have gills).
Placing an ocean-bottom school near a canyon, though, in retrospect doesn't seem too wise. Especially if there are underwater quakes as the canyon widens (it might be one part of an underwater ridge, where two tectonic plates are separating from one another). I'll have to deal with that problem when the time comes. It's possible that the school has been built to be quake-proof. That would definitely be a mandatory requirement, I think. But the other schools are probably partly located in less seismically active areas. Maybe in or near kelp forests, or wherever.
I confess I'd forgotten about that bet between the narrator and her parents. I got caught up in the story itself, and ... now you've reminded me, so I'll have to keep that in mind. She does seem to be getting comfortable with being at the school, and meeting Timku definitely helped. That way she doesn't feel friendless and alone. Will they stay friends? Probably. More than friends? I don't know yet. Maybe, maybe not.
I'll also try to develop Shui's emotions. She needs to grow up, I think, which would probably help her emotionally. And this might be a good place for that to happen. Maybe that's why her parents wanted to send her there. Not just in case she meets someone like her parents met each other, but to help her change for the better.
Reply
Good luck! I'd like to read a sequel.
The tectonic plate thing is a good point. I'll admit I didn't even think of that.
Reply
Thanks. Me too.
I tried to make "Submarine Academy" as realistic as possible (even if a school on the ocean floor isn't realistic yet with today's technology; underwater labs in 100 or 200 feet of water, yes; but a thousand or more feet down? I doubt it). Even if such genetic manipulation probably isn't realistic either. I guess I could call the story "near future" (as in, could happen over the next two or three hundred years; or, if things change, maybe sooner than that), not "far future". And I will try hard to avoid writing the kind of story Michael Crichton used to write: wonderful idea (bring back the dinosaurs, but use frog DNA to fill in the gaps in the dinosaur DNA), everything seems to be going well, then something goes wrong, and either the characters have to survive and escape or they have to fix whatever went wrong or both. I did like "Jurassic Park" (the book more than the movie), but its basic plot structure was reused too many times by its author.
Reply
You have a fabulous imagination, Philip. This story is so well written I could smell the seaweed but not feel the motion sickness. I liked the easy flow of the conversations and how Shui's misgivings melted Futuristic it might be but a re-readable tale Well done
Reply
Glad you liked it.
It was inspired (as I noticed after re-reading it) by the late Anne McCaffrey's "Crystal Singer" novel. Only hers took place on two alien planets, Fuerte and Ballybran (and one of the latter's moons) while mine takes place at the bottom of the ocean here on Earth. Btw, I read a news article online recently about a coral reef that's as tall as Mount Everest (and it still doesn't reach the surface of the ocean it's in; it's about 40 feet or 40 meters (I don't remember which) below the surface). It's a newly discovered part of the Great Barrier Reef, off of the NW coast of Australia (the peninsula that's across from Port Moresby, New Guinea). I didn't know about it until *after* I wrote "Submarine Academy". I almost wanted to say to Mother Nature, "Stop that. At least let me *finish* a series of stories before you show me something similar to what I was writing about."
So what happens next? I'm not sure yet. But a place that teaches about life in the ocean and taking care of it, as well as hiring ex-students (who graduated from the school) as employees, has to have more than meets the eye. Especially when it includes voluntary genetic manipulation for those who wish to work outside the school. It's like there's the rest of a novel just waiting for me to sit down and write it (and edit it afterwards), but I don't exactly know what happens next yet. I do feel that Shui Fong (I didn't know what her last name was until the faculty member Chunkov said, "Ms. Fong?") should be less annoying prior to getting on the school transport. But maybe she starts out annoying and gradually changes into a much nicer, more interesting person. Btw, I think "Shui" has to do with water or the ocean, which is why I chose the name. (I made up "Timku", "Chunkov", and "Grun Mer Vas", though.) I was thinking that if the ocean temperature is cool enough there might be a kelp forest. So I have to figure out where in the world the school is (and I don't know yet). It's near a coral reef, but there are coral reefs in many places in our world's oceans. Maybe it's near where that new part of the Great Barrier Reef was found. No promises, though.
I wish I could say that I was consciously aware of what I was making up on-the-fly in the story, but I don't think I was. If it made sense in the context of the story, I kept it. If it didn't, I tried to change it until it did make sense. Is there a canyon like in the story in real life? The Grand Canyon is sort of like that, but it's in Arizona, not in the ocean. There is the Marianas Trench, the deepest trench in the world. Well, that's the nature of fiction. It's not always like how things are in real life.
Btw, the transport to the school is inspired by a tour boat you can take near Chincoteague, on Virginia's part of the Eastern Shore. But the tour boat doesn't go underwater. However, it does give you a good view of herd of wild horses. I went on the tour boat with my mother and a cousin of mine a few years ago. Well worth the long drive to Chincoteague. We also got to go to Assateague (and I climbed up the stairs inside the lighthouse; it's a lonnng staircase; but the view from above is wonderful). And plenty of wild birds (herons, etc.). What good are the two long wooden "skis" or "runners" under the transport in my story? Not quite sure, but probably to keep the transport from sinking into soft sediment (like on the ocean floor), because they spread the transport's weight outward (kind of like snowshoes and skis do for us humans). The reclining naked lady on the side of the transport is supposed to be the same one you see on the side of Cousteau Society ships (like the Calypso).
Now all I can do is hope that the real-life Cousteau Society (located in Monaco) isn't actually planning on designing, building, and placing underwater schools in different places around the world. That would be rather frustrating. I have a hard enough time to staying ahead of reality when I write stories as it is. I did wonder, though, who would be in charge of the Cousteau Society at the time of the story. Jean-Michel (who's still in charge now, I think)? His brother Philippe died during an expedition in Antarctica, I think. And I don't think their father, Jacques-Yves is still alive (he's the one who invented the SCUBA, Self-Contained Underwater Breathing Apparatus). I just hope they don't mind me writing something fictional about the Society. It was meant respectfully, after all. I used to love watching "The Undersea World of Jacques Cousteau" when I was a kid.
I also liked Jules Verne's "20,000 Leagues Under the Sea" (still do). So why not blend Cousteau, Verne, and "Crystal Singer" together? Seems to be working so far. I also was thinking about the James Bond movie, "The Spy Who Loved Me", which partly takes place underwater (as do two other movies, "Thunderball" and "For Your Eyes Only". But not sure if those movies' inspirations have wiggled their way into my story yet. If they have, then they're being rather quiet about it so far.
Reply
This sounds like a really good story. There were times I had to reread a few lines. Have you ever read your stories out loud to see if it flows like you think it does in your head? I've found this to be a great help.
Looking forward to the next part.
Robert
Reply
Actually, I haven't read any of mine out loud. Silently in my head? Yes. Which is how I sometimes find mistakes (spelling, grammatical, or structural). It just sounds odd or wrong to me, and I try to think about what's missing (or what can be deleted without hurting the story). For instance, I deleted the last page (or most of it) from the rough draft of "Box of Memories" and suddenly was both under 3000 words finally and the story seemed to end better. That's one of the more extreme removals, but it showed me that I wasn't afraid to delete en masse if that's what was needed. Hearing the story in my head is also how I know that a new story (or a sequel to an existing story) is starting to "write itself" (for lack of a better term). I hear characters (or just one character) talking aloud or their thoughts, as if they were a real person. I type down what they say or think, and then more of the story comes to me until I reach what seems like a good end for the rough draft. Then I go back and proofread/edit/rewrite (either the same day or the next day). I've had more stories fall apart on me than I've completed. Which I guess is just how it has to be for me. If a story is strong enough to survive to the end (before the first round of proofreading/editing/rewriting), then that's wonderful. But if it's too weak, it'll usually fall apart about halfway. And I just type: [to be con't]. Sometimes I can go back later and add to it, sometimes it just stays incomplete.
I'm trying to remember which story this is (I just checked; it *is* the most recent story, "Submarine Academy"; my brain is tired), but some of them are standalone (like "A New Friend"). Others *might* get added to (with a sequel). But I'm never entirely sure until I see a current story prompt or the next list of story prompts is posted on the website and I think, "Hmm. Maybe I could write a sequel inspired by that prompt." Sometimes it can take an entire week before something pops into my head. "Submarine Academy", for instance, didn't exist until last night. I was struggling to see if I could write a second story this week, and it just didn't seem to want to happen. I was ready to give up and wait for the new list of prompts, but then characters started talking. So I typed what they said and went from there. Sometimes it's just one story a week. Other writers have said that they've gone entire weeks without any weekly-contest-inspired story written. I'm lucky that that hasn't happened to me yet, but it might some day.
All I can say is: You'll know when a sequel is getting written when I do. I have to be patient, try to write stories, see what happens with them, if they fall apart, try to be patient yet again, and just wait. Eventually something will pop into my head, but I can't guarantee when it'll happen or (sometimes) even why. It just does. Maybe I just have to relax enough and not try to force an idea to do something.
"Submarine Academy" definitely sounds to me like there will be sequels (at least one or two). But how soon they'll get written, I have no idea. It was partly inspired by the late Anne McCaffrey's book "Crystal Singer", but the setting isn't on an alien planet, it's something like 300 or 500 or so meters underwater, on the ocean floor, near an undersea canyon system. I winged almost all of it, so what seems like it was written from notes was actually made up on the spot. One problem I've already noticed: the coral reef. If the school is on the ocean floor and the ocean is very deep, then the coral reef would have to be way above the school. So I have to think about where the coral reef is located in comparison to the school, and I just don't know the answer to that problem yet. And will there be a kelp forest nearby? Maybe. Or maybe the water around the coral reef is too warm for a kelp forest. I probably should brainstorm some ideas/notes, but that doesn't always help my writing. My writing seems to prefer to be unhindered by anything written down (on paper or on-screen) that isn't the story itself. I've sometimes written lots and lots of notes, only to find that, in the meantime, my interest in writing the story itself has fallen apart.
When it comes to writing, there's one thing that's almost as difficult to do as plotting: giving a story a title. Sometimes they come easily, but (like with "Submarine Academy") it took awhile before I could think of what to call it. So when it was finally mentioned in the story, I went back and changed the existing title (the third or fourth one or fifth one) to "Submarine Academy". I wanted a title that didn't give away too much of what happened in the story, or a title that was weak/dumb because I couldn't think of a better one. One of the titles was "The New Exchange Student" (but that idea didn't go anywhere); another was, "The Underwater Boarding School", which sounded stupid. So I just waited and waited until Grun said at the Orientation, "Submarine Academy", and I thought, "I guess I've got the correct title finally. I just wish it didn't take so long sometimes to come up with titles."
Reply