The coffee cup hit the floor first. Then Mia followed—though not in the conventional sense.
"This coffee is COLD," Mr. Harrigan had growled, his jowls quivering beneath his expensive tie. Every Tuesday, 8:17 AM, same booth, same complaint. The businessman's daily ritual of torment was as reliable as the diner's flickering neon sign.
"I'll get you a fresh cup, sir," Mia had replied, the words so rehearsed they'd lost all meaning, like when you repeat a word until it becomes gibberish. She'd been saying them for six years at The Last Stop Diner.
But today, something was different. Perhaps it was the eviction notice tucked into her purse. Or the pain in her lower back that the free clinic couldn't diagnose. Or maybe it was simply Tuesday, and Tuesdays had always been cosmically designed to break people.
When she returned with the fresh coffee, Mr. Harrigan didn't even look at her. He simply swept his arm across the table, sending the cup flying.
"I said HOT coffee!" he bellowed, though she knew for a fact the liquid had been freshly brewed.
The cup shattered against the linoleum. And then, impossibly, so did Mia.
It wasn't metaphorical. One moment she was standing there in her coffee-stained uniform, the next she was exploding into hundreds of porcelain-like fragments. Her body broke apart with a sound like wind chimes in a hurricane.
But instead of falling, the pieces—a finger, an ear, a chunk of her name tag, a slice of her tired smile—began to float. They drifted upward, caught in invisible currents, streaming through ceiling fans and out the half-open windows of the diner.
Inside the fragments, Mia was conscious. She could see from each piece, hear from each piece, exist in multiplicity. And for the first time in years, perhaps ever, she felt... nothing. No obligation. No pain. No worry about rent or tips or customer complaints. Just the cool morning air and the strange freedom of floating away from it all.
Below, The Last Stop Diner erupted into chaos.
"She just—she just exploded!" screamed a college student, dropping her phone into her pancakes.
Mr. Harrigan sat frozen, coffee dripping onto his Italian leather shoes.
Ernie, the short-order cook who'd seen everything in his thirty years behind the grill, hadn't seen this. He stood in the service window, spatula suspended mid-flip, mouth forming a perfect O.
"Someone call 911!" shouted Denise, the other waitress, though what emergency service protocol covered spontaneous human fragmentation was unclear.
By noon, the diner was surrounded by police tape. Officers with butterfly nets poked around nearby trees and rooftops where pieces of Mia had been spotted. Police Chief Rogers, twenty-two years on the force and six months from retirement, stared up at the fragments of human waitress floating serenely above the city skyline.
"We're gonna need a bigger net," he muttered to no one in particular.
By evening, Operation Humpty Dumpty was in full swing. Helicopters circled downtown, officers dangling precariously from harnesses with pool skimmers and lacrosse sticks. The mayor appeared on local television urging citizens to "remain calm" and report any "suspicious floating body parts" to the newly established Waitress Reassembly Task Force.
"This is clearly a health code violation," insisted a representative from the Department of Health, who'd never actually specified which code prohibited staff from disintegrating mid-service.
Meanwhile, Mia's consciousness drifted peacefully above it all. Her fragments floated over traffic jams and office buildings, past billboards advertising happiness through car ownership and the very apartment complex where her landlord was currently changing her locks.
A field trip from Westside Elementary had gathered on Main Street to watch the spectacle. Six-year-old Tommy Parker pointed excitedly at a sneaker-clad foot hovering near a traffic light.
"Look! That's just like Mr. Bains' leg!" he shouted, loud enough for everyone to hear.
The teacher blanched. "Tommy! That's not appropriate!"
"But it IS!" Tommy insisted. "Remember when his pants ripped during assembly and you said his legs were so white they looked fake?"
Nearby parents stifled laughs as the red-faced teacher hurriedly redirected the children to observe a less controversial floating elbow.
She watched the city's frantic efforts to retrieve her with detached amusement. For once, people were working themselves into a frenzy over her, rather than the other way around.
"You can't just leave pieces of yourself all over the city!" shouted an officer through a megaphone, as if Mia had committed an act of extreme littering.
Mr. Harrigan was being interrogated in the diner, which had become an unlikely incident command center.
"What exactly did you say to her before she... shattered?" demanded a detective.
"I just asked for hot coffee!" Mr. Harrigan protested, though three witnesses immediately contradicted this account.
"We're treating this as an active dismemberment investigation," the detective told reporters gathered outside, "though we're still determining if a crime can be committed against physics itself."
By the third day, with Mia's fragments showing no signs of descending, the governor declared a state of emergency. National Guard troops arrived with industrial-sized vacuum cleaners modified to suck fragments from the sky, which mainly resulted in a lot of confused pigeons.
It was the diner's owner, Larry, who finally had the idea. After watching a late-night documentary while stress-eating cold meatloaf, he made a call to the Japanese consulate.
"We need one of them gold-fixing pottery guys," he explained eloquently. "You know, for people."
Which is how Master Takahashi, a seventy-eight-year-old kintsugi artist who had never before worked on anything but ceramics, found himself standing in the middle of the town square beneath Mia's floating pieces. Curious onlookers gathered as he set up his workstation with methodical precision—golden lacquer, brushes, and a folding table where the National Guard deposited each captured fragment of waitress.
"This is most unusual," Master Takahashi remarked with significant understatement, examining a floating thumb that had been netted near the public library.
He worked for sixteen hours straight, applying the golden lacquer to each piece with the same care he would give to a 300-year-old tea bowl. As he worked, something strange happened. The fragments, which had resisted all efforts at capture, began to drift downward voluntarily, landing gently on his table.
Mia, from her fragmented perspective, felt a curious pull. The nothingness that had been so liberating was giving way to... something. Not obligation or pain or worry, but something else. Curiosity, perhaps. Or maybe just the novelty of being regarded with such care.
By dawn of the fourth day, Master Takahashi completed his work. Where there had been hundreds of scattered fragments, there now stood a reconstituted Mia, her body laced with golden seams that caught the morning light in a way that made the gathered crowd gasp. She was beautiful, broken, and visibly mended all at once.
"What do we do with her now?" asked Police Chief Rogers, staring at the golden-veined waitress statue.
"Put her back where she belongs, I suppose," said Larry, the diner owner, already calculating how much he could charge for tourists to take pictures with his golden waitress.
So that's what they did. Six officers carefully carried the reconstructed Mia back to The Last Stop Diner and positioned her exactly where she had been standing when she shattered—coffee pot in hand, beside table seven.
Nobody knew what to expect. Some thought she might remain a statue, a bizarre local landmark. Others wondered if she should be donated to a museum.
What nobody expected was for her eyes to suddenly blink.
"Sorry about that," Mia said, resuming her sentence as if there had been no interruption at all. "Would you like me to get you a fresh cup?"
The diner fell silent. Mr. Harrigan, who had returned daily to the scene out of some combination of guilt and morbid fascination, stared at her in abject horror. The golden seams across her face shifted as she smiled politely, waiting for his response.
"N-no," he stammered, hastily throwing a fifty-dollar bill on the table. "Keep the change." He practically ran from the diner, never to return.
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I loved how you turned Mia’s breaking point into such a vivid, magical moment with those floating fragments. The humor in the town’s chaotic response, like the National Guard with vacuum cleaners, was spot-on.
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thank you! I was really picturing Mia hovering over the city!
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Well, that was fun and creative. I love the concept of the floating pieces. Great work!
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This was my take on absurdist writing... this is my thing for the week..thanks!
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Great story, I really enjoyed this. It was fun to see how everyone reacted, even to the point of bringing in the national guard. Nicely done.
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The absurdity of the situation, coupled with the real actions we see on tv after disasters, accentuates the absurdity even further- coupled with the ever-present bureaucracy!. Thanks for reading
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What an incredible story! Completely understandable thing to happen on a Tuesday told eloquently and humorously.
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Well, Tuesdays had always been cosmically designed to break people!
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This goes from incredibly relatable (douche bag boss) to abstract with the shattering into shards which is a great visual and piecing her back together like Humpty Dumpty but with gold. I like that practice which is a great way to think of damage as adding value because it makes us more unique. The boss doing a runner at the end has me wondering if she gets to be her own boss now or if she needs to look for other work.
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Actually, that was the patron at the dinner. Her boss was counting the money to have a "golden waitress." I wanted Mia to return at that very spot and resume duty, so that anyone could choose "their" ending. She could just quit and become a socialite and TV persona, vanish to a remote location where no one could see her "scars", or return to waitressing if she so chooses! She floated above the city and the mudaine, and she took distance from things. So, in a way, she reset the timer to her own path..as a unique persona...now she can rewrite her story, in her own way.
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Fantastic work, Kashira. I love the absurdist concept of someone's life literally exploding and being put back together with the Edo-Sashimono technique. I'm glad I came across this story this week!.
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Thank you so much!
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