Loneliness is a difficult emotion to deal with. So it's only natural to want companionship, whether they're human or animal. Humans call them “pets” and they usually choose one that's no larger than themselves. They don't mind if the pet can't speak their language; it's the bond that they share that counts. The perpetual disadvantage is that it's more likely that the human will outlive their pet, and thus time and again they're forced to choose another pet.
However, when one of my species chooses a pet, we tend to prefer one that we can converse with. Which leaves just one species to choose from: humans. And, sadly, their lifespans are not only ephemeral, but considerably less than our own.
I was especially happy with my last pet. He lived more than a century, and we had many wonderful conversations over the decades. Until he grew too feeble of mind and voice to speak. He would simply listen as I told him about myself. I wept the day he died. I also wept for weeks and months after he died.
My brother traveled from southern Egypt to eastern Anatolia and spent a day with me. He hugged me, but the hugs didn't have the power they once had. I felt as empty as ever.
He finally said, “This grief does you no good, Narathi. The wisest thing to do is: choose another pet. Then you can return to the warmth and happiness you shared with your last one.”
“But they won't be the same, Khabu,” I protested.
“Of course; they never will be”, my brother said. “That wasn't a problem before. Why is it now?”
I hung my head, trying to hide it with my wings.
“You didn't,” he said. “Please say you didn't.”
I nodded. “I did.”
“Of all the foolish things to do,” Khabu said. “Why, Narathi?”
“I couldn't help it!” I cried, tears falling from my eyes and hissing as they hit the ground beneath me. “He made me happier than any other human ever did. He cared about me! He really did! What was I supposed to do? Eat him?”
Khabu said nothing. Instead, he walked several feet away and stopped, facing away from me, his wings tucked against the flanks of his body.
“What would you have done?” I asked. “If you'd been in my place?”
“I wouldn't have gotten involved,” he said. “I would've reminded myself that we have outlived thousands of humans. Maybe millions by now. Their lives are brief flashes of light compared to ours. There is nothing we can do about it. To fall in love would be a huge mistake.”
“And you never did it?” I asked angrily. “You never fell in love with a human? I find that hard to believe, Khabu.”
“Once,” he said. “A very long time ago. When you and I were much younger. Before we reached adulthood. When I was less wise than I am now.” He sighed. “She was beautiful. She was very intelligent. Our conversations were long and deep. I probably learned far more from her than she learned from me. I still remember her sitting between my front paws, her back leaning against my chest. Her soft, warm voice. The sound of the River Nile flowing past us, on its way north to the distant Delta.”
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“Life is more enjoyable with you in it, Mutassi,” I said one day, immediately wishing I'd kept it to myself.
“Is it?” she asked. “I feel the same about you, Khabu. You've opened my eyes in so many ways.”
“The feeling is mutual,” I said.
“See?” she said with a laugh. “A fair trade. What more could I ask for?”
“But you don't mind?” I asked. “That one day you'll die?”
“We're both mortal,” Mutassi said. “Your life is simply longer than mine. Here in the present, we live the same way, enjoying every moment as it comes.”
“And in the future I'll be alone again,” I said.
“Don't dwell on it,” she said. “Enjoy what we have here and now. When I'm gone, you'll have plenty of memories of me. In the Afterlife, I won't forget you. I will always take my memories of you wherever I go.”
I lowered my head and felt her fingers twine themselves with my beard. I would miss that, too, when the day came.
“I will do what I can,” I said. “Thank you for all you have given me.”
“It's the least I could do,” she said and kissed my bearded chin. “Now, let's return to our discussion of Platonic philosophy and why you think that Plato was a fraud.”
“You disagree?” I asked.
“For now, yes,” Mutassi said. “What good is an argument if both sides agree?”
I laughed softly. “How true.”
“Prove to me why Plato was nothing more than a thief, stealing from his teacher, Socrates,” she said.
“Fair enough,” I said. “After all, once one is dead, there isn't much one can do to stop posterity from pilfering.”
“You won't do that to me, will you?” she asked.
I shook my head. “Never.”
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“Perhaps,” my brother suggested, “you could choose a female pet this time.”
“To avoid the risk of falling in love?” I asked. “It could still happen.”
“I was not thinking in that direction,” he said and laid down, his tail curled around his body, his eyes back on me. “All your previous pets were male. Perhaps it's time for something new, something different.”
“Perhaps,” I said, not entirely convinced.
“Don't discard it as a possibility,” Khabu said. “After all, you might find your new pet when you least expect to.”
“Want to bet?” I asked.
“Not against you, Narathi,” he said. “I lost the last time we made bets.”
“You never know,” I said. “You might win this time.”
He shook his head and smiled. “I have a new riddle for you to share with your next visitor.”
“Oh?” I asked, distracted and interested. “If it's about a golden treasure inside a white box, I've already heard of it.”
“No eggs this time,” he said.
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Time passed. Empires rose, spread, shrank, and fell.
My brother retreated southward from Egypt and spent time in Meroe. I retreated further eastward, climbing into the mountains that separated Anatolia from Armenia. I was tempted to head northward, but the remoteness of my new territory was more attractive.
It would've been more enjoyable were I not still alone. Most humans avoided the mountains. Their wars took place far from me. Travelers seeking Noah's Ark would pass me, without even noticing me. Perhaps they thought I was nothing but a collection of various-sized boulders. Perhaps they no longer believed that my species still existed.
One day I heard a baby's cry. But there was no answer from its parents. The baby cried again and again.
I followed the cries to their source: a baby wrapped in a pale blue blanket, leaving the face uncovered, lay on a mountain path, far from the nearest human habitation.
Crouching next to the baby, I looked down at its face. The baby clenched its fists and covering its eyes with them. It seemed about to cry again when it stopped. It removed its fists from its eyes and looked at me. As far as I could tell, it was a baby girl.
“You're a very long way from home,” I told her. “Surely your parents didn't abandon you here.”
The baby didn't speak. Instead, she squirmed until she freed her hands and arms. She reached up toward me. Her mouth opened.
“Ah,” I said. “I think I know what you want, little one. You're hungry.”
I carefully picked her up and brought her close to my chest. “Don't bite.” She didn't.
An unfamiliar feeling of warmth and love spread throughout me as she fed. Finished, she smiled, burped, closed her eyes, and fell asleep. Remembering where Mutassi had sat when she was with my brother, I carefully lowered the baby until she lay between my paws and my chest.
“At least you're easy to take care of,” I said. “If your parents haven't named you, perhaps I could name you myself.” I looked at her for what felt like hours. “Althea.”
She wriggled into a more comfortable position and continued to sleep.
“It seems that I have found my new pet,” I said softly. “And such a wonderful, beautiful pet you are. Perhaps one day you'll return to your kind. For now, you can stay with me.”
I made sure to keep myself well-fed so that there was plenty of milk for Althea to imbibe.
It wasn't hard. There were various animals who lived in these mountains. Animals who weren't used to predators such as myself. A few blows from my forepaws was enough to kill them. Then I would drag their bodies back to my hiding place, where I could eat them. I rarely went hungry for more than a few hours.
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Days turned into weeks, weeks turned into months, and months turned into years.
Althea grew tall, strong, and beautiful. She didn't seem to mind that I was her only company or that we looked almost nothing alike. Whatever memories she'd had of her parents were probably long faded or buried deep in her mind. I'd been her mother since she was a baby and that was fine with her.
“Mitéra*?” she'd ask.
(* Greek for “mother”.)
And I'd say, “Yes, Kóri**?”
(** Greek for “daughter”.)
“Are there any others like you?” she'd ask.
“Not as many as there are of you,” I'd say.
“Were there more when you were young like I am?” she'd ask.
“That was a long time ago, Althea,” I'd say.
“Were there?” she'd persist.
“A little more,” I'd say. “There were never that many of us even five thousand years ago.”
“And there are fewer of you now?” she'd ask.
I'd nod. “Unlike your species, we don't breed often and even then, we might have only one child during our entire lifetime. I was my parents' only child.”
“Just like I was,” Althea would say. “Maybe that's why we get along so well.”
I'd smile. “Not always so well. Sometimes you're far more rebellious than I ever was.”
“That's probably just because I get bored more often than you did,” she'd say.
“Probably,” I'd agree.
“Do you think we'll ever meet more of my species?” she'd ask.
“Only if we leave these mountains,” I'd say.
“Will we?” she'd ask.
“I doubt it,” I'd say. “We're safer here.”
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As she grew older, I taught her what I'd learned since I was very young, our discussions would grow longer and deeper. It reminded me of what my brother had said of his life with Mutassa. But in this case, there was little danger that I might grow to romantically love Althea. I was her mother, after all, not her lover.
One springtime, we found a mountain meadow filled with wildflowers. I couldn't remember if we'd ever been there before. It didn't seem likely. Off in the distance, we could see small herd animals feeding on the wildflowers.
Althea danced and twirled. She collected a handful of them and held them up to my nose so that I could smell them.
“Don't eat them, Mitéra,” she said. “Just sniff them.”
I did so. “They smell wonderful, Althea. Do you want to bring them back to our hiding place?”
“Don't they need water to survive?” she asked.
I nodded.
She looked sadly at the flowers she'd picked. “I wish I had left them where they were, then.”
“There will always be more of them,” I said. “Maybe we can make something to put water in. Then we can put the flowers in there, too.”
“Maybe,” Althea said.
It was after sunset when we left the mountain meadow and headed home. Althea lay on my back, between my wings, her arm gently encircling my neck. She asked me to sing her a song that I used to sing when she was a baby. I did so, finishing when we re-entered our hiding place.
I crouched, and she slid down my back toward my tail, as she usually did.
Together we found some clay and she made a rough vase from it. Then she carefully laid the vase in the fire pit, where it could bake until morning. Hopefully the wildflowers would still be alive by then.
In the morning, she was quietly lying on her side, looking at the dead wildflowers.
“I guess some things aren't meant to last,” she said.
“Just because they won't live forever, it doesn't mean we shouldn't enjoy them while they're still alive,” I said.
Althea looked over at me. “Like with us humans?”
“You're much more special to me than any wildflower,” I said.
“And when I'm dead and gone?” she asked.
“I'll probably cry my heart out,” I said. “Like I did the last time one of my human friends died. It was like this huge hole inside of me that I thought would never be full again.”
“Until you found me when I was a baby,” she said.
I nodded. “The best day of my entire life.”
She stood up, came over to me, and hugged me around the neck. “I love you, Mitéra.”
“I love you, too, Kóri,” I said.
“Was it worth it?” she asked, looking into my big dark eyes.
“Every single bit,” I said.
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Althea grew older. Her skin lay looser over her thinning bones. Her hair was thinner as it turned silver and white. She walked more hunched-over than she used to. She leaned on me as she stood up each morning more than she used to.
It hurt. It hurt to see her physical changes. Knowing that there was nothing I could do to stop them.
And then the day came. The day I'd dreaded. The day I'd experienced so many times before. The day that had reduced me to tears when my previous human pet died.
She lay near the fire pit, shivering under her blanket. I curled up next to her, giving her all the warmth that I could give. Her tired eyes tried to stay open, but kept closing. They finally stayed closed. But she still lived.
“Mitéra?” she asked in a hoarse voice.
“Yes, Kóri?” I said softly.
“Do you regret anything?” she asked.
I looked at her, remembering her as a baby, remembering as she'd grown up.
I shook my head. “No. It was worth it. As a poet once said a long time ago:
It is better to have loved and lost
Than to have never loved at all.” ***
(*** from a poem by Alfred, Lord Tennyson)
Her breathing slowed. “I'm glad we found each other.”
“So am I,” I said.
“Don't forget me,” she whispered.
“Never,” I said.
Her breathing slowed further, and then stopped.
I stayed beside her until the following morning.
Over the next few hours, I built a sort of sled out of the wood I found on the mountainside. I laid Althea's body on it, and pushed it to the mountain meadow. The route was harder this way, but I figured that I owed it to her to bring her back.
The wildflowers were there again. I wished she could see them. She loved them so much.
I dug a shallow pit, maybe a few feet deep and long enough to fit her. Then I carefully laid her body in the pit. She looked like she was just sleeping. If only she'd wake again. But I knew she wouldn't.
I covered the pit with the earth I'd removed, patting it down. Picking a dozen wildflowers, I poked them into the surface of Althea's grave, so that they'd stand at least mostly vertically. A breeze briefly played with the flowers and I could smell them.
“Godspeed, Althea,” I whispered. “We'll be together again someday.”
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Back in my hiding place, I laid next to the fire pit, expecting to cry. The tears wouldn't come. The ache from the hole inside me was worse than it was the previous time.
I covered my face with my paws.
I could almost hear my brother say, “You've done it again, Narathi.”
“I know, Khabu,” I whispered. “It just gets harder each time. If only I could've been a human instead of a sphinx. Did you ever feel like that sometimes?”
“More times than I care to count,” his voice said. “Sleep well, Sister.”
I nodded and drifted off into the darkness.
In my dreams, I thought I could hear Althea's voice calling to me. “Mitéra!”
She sounds so far away. I'm probably just imagining things.
“Mitéra!” Althea called to me, sounding closer now.
“Kóri?” I asked. “Are you really here?”
“I'm always here,” she said and gently laughed. “Where else would I be?”
“I wish I could be with you,” I said, feeling miserable. “I miss you so much.”
“But you can,” she said.
“I can?” I asked. “But how?”
“Just open your eyes,” she said.
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This was a beautiful and unusual story - I really enjoyed it!
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Glad you liked it. I thought: What's an unusual pet to have? Well, that depends on who and what you are. If you aren't human, then wouldn't a human be an unusual pet? Even if it meant outliving them over and over again. But what happens if the bond between non-human "owner" and human "pet" was stronger than usual (like parents and children, in this case, or like in romantic relationships)? Would it be worth the pain of knowing they won't live as long as you will? And when does the pain grow so great that you can't stand living after they died? I'm not sure I provided a good answer to those questions, but I did what I could within the space of 3000 words.
Btw, I've been off of this website for the past two weeks (apparently my moods, emotions, etc. needed it). But I hope to be back on more frequently, just not as much. It seems that the more I write messages, the fewer (and sometimes worse) stories I write. I wish I knew I how to strike a balance where I can do both in equal amounts. Also, my emotions were rather like a roller-coaster at times and the fictional Grace wasn't the only one who needed to cry sometimes. So did I.
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It was really greaat !!!
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Glad you liked it, too.
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Philip...what a powerful story. I loved how you didn't tell the reader what they were, choosing to do it at the end, however, by the end, you had already guessed that they were Sphinxes. I absolutely devoured this story, and thought it was awesome - that you took a different spin on the prompt!
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Glad you liked it.
I had to keep the identity of what the narrator was for as long as possible. But the clues were sprinkled along the way: "paws", "wings", etc. And then I figured it was time to reveal what the narrator was.
I'm not sure if mythological sphinxes ever get wrapped up in their thoughts and emotions like the narrator did, but what if one or two did? How would they deal with it? Would it be like someone outliving their pet dog or cat? Or would the bond be closer than that, more like a parent and child? And when the child finally died of old age, the parent might not be able to deal with the loss as painlessly as they handled previous losses of a similar kind. I was inspired by two different sources: the late Carrie Fisher and her late mother, Debbie Reynolds (the latter died soon after the former died), and the main characters in the cartoon, "Jane and the Dragon". But in my story, the narrator is the "dragon" and the pet is "Jane". I hope this makes sense.
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I sure did!
Yeah, that was a really cool style of writing, and you did it amazingly!!
I mean, they probably did?? XD just because they were part human - I actually created a sphinx character, too in my Game of Lion's series, and thought that they were really complex characters to use!
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I was trying to figure out what would be an unusual pet. Not a kitten or dog, obviously. And then I thought: What if you were a sphinx, who lived for thousands of years, what sort of pet would you choose? You'd probably choose a pet you could talk with. A human would do quite nicely. But you'll still more than likely outlive them. How would you deal with the loss each time? Just choose another human pet? And what if the pain of loss grew so great that you didn't want to live even another day without the most recent one? How would you react and would there be some way to reconnect with your dead pet/friend? Could you find some way to die, so that you could rejoin them in a place like the Elysian Fields (the ancient Greek afterlife)?
If it isn't obvious by now, as I grew older, I found that outliving a pet (whatever it was) grew increasingly more difficult. So much so, that I stopped having a pet after age 15. It's been a long 38 years without a pet. Sometimes I regret not trying again with a new pet. But then I remember how much it hurt when the last one had to be put to sleep at the vet's office, and I shake my head, and continue on without a pet.
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Well, it was a really unique way of looking at the prompt!
Right....that was a different way of thinking about pets!
It does...I mean I'm young - just barely over 18, and I have had a dog who passed away already (2014), and even though it hurt a lot, it hurt, even more, to NOT have a dog in the house...especially living my whole life with her...so in 2015 we adopted another dog...and yes, I can see that it hurts to keep outliving them...but to me, having a pet is something so special and such a privilege to them (keeping them out of kill shelters...or euthanization..) that it makes it worthwhile.
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To be honest, I couldn't think of other unusual pets. I did search online for mythical and legendary animals. But none of them really grabbed my attention. A hydra for a pet? A sea serpent? A manticore? No. No. And no. So I thought, what if the pet weren't non-human? What if the pet was human? Who would have such a pet? The more questions I asked myself, the more the story slowly revealed itself to me.
My mother is far better about dealing with pets dying. Though she does miss two of her cats so much that she had them cremated and put in boxes that she has either in her home office or in her bedroom. I wouldn't do that to one of my pets. I'd feel too uncomfortable around what's basically a casket. Right now there are two cats at my mother's house: the indoor cat (which used to be her mother's cat) and the mostly outdoor (but sometimes indoor) cat. The first cat, Lucky, seems to like my mother the most, while the second cat, Pizza, seems to like one of my nephews the most. But Pizza sometimes wants to go outside when it's cold and/or raining and/or snowing. He'll beg and beg and beg someone to let him outside.
It's easier when you have pets that spend almost all their time indoors. I've had mice (shared with my older brothers) to gerbils to a skink to guinea pigs. My two brothers have had parakeets (the male was my oldest brother's; the female was my middle brother's). My oldest brother has also had a hermit crab, and fish in an aquarium. I thought about a snake until my brother told me what they eat (dead mice). That killed off that idea. I hope someday to adopt a kitten or cat from a shelter, but I don't know when that'll be. Where I now live, I'd have to pay a $250 deposit if I had a pet. And I'd have to make other changes to make my home safer for a pet (I'm not the best housekeeper around; not by a long shot).
There are videos of animal rescues on YouTube. As well as videos of stray kittens, cats, puppies, dogs, etc. being fed food. One YouTube video showed a public park (somewhere in eastern Europe, I think) where people just dump unwanted kittens, cats, etc. there. So the unspayed females of course get pregnant, which means more kittens, puppies, etc. The people taking care of the animals in the park try to catch them and get them spayed before releasing them back in the park (or getting them adopted).
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I enjoyed this story quite a bit. The challenge of spanning a life time got handled pretty well. You comment elsewhere about being concerned about length. Perhaps not trying to tell too many character's stories in one would help with that. I half hoped you would tell the Sphinx's perspective of the Oedipus tale. But enjoyed that you did not do what was expected.
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Glad you liked reading it.
I do tend to write stories-within-stories whenever possible. It's not something so much conscious. It just sort of happens along the way. Since I improvise most of the time when I write (and when I play music), the structure gets built on-the-fly and then I have to go back and tighten it up when I edit a story. Which is probably one of the reasons why it's harder work for me to edit a story than to write it.
I did think of the Sphinx of Thebes (the one that Oedipus went to speak with) when I was writing the story, but I didn't want to be limited by it. I thought that maybe there were other sphinxes, just as there was more than one Oracle (not just the one at the Temple of Apollo in Delphi; there was also one at the Temple of Apollo in Didyma in what is now southwestern Turkey; and I think at least one more, but I don't remember exactly where). Would these other sphinxes ever get lonely? What would they do to alleviate that feeling of loneliness? Get a pet? Okay. What kind of pet? How would they deal with outliving that pet? And so on. (In real life, I've had to outlive some wonderful pets and it just kept getting harder. So I can really sympathize with the female Sphinx. She loves her pets and doesn't want them to die (even though she knows that each pet must eventually die, since they will never live as long as sphinxes do).
Plenty of material that was never completely included in the story. I think today they call it "backstory". But when I was growing up, it was called "background".
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Many think (including me) the real writing is in the editing than in the draft. That is when the raw material gets massaged into shape.
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Since I'm primarily an improviser, the first draft (once it gets going) is the easy part. It seems to just write itself. Then I have to do the hard work of editing (or, as you put it, "massaging it into shape"). I wish I could plot (or outline) a story before writing the first word of it, but no matter how much I try to, the stories just tend to fall apart on me. So I just go back to improvising and then fixing whatever I can fix in the editing stage.
My late father was a structured thinker, whether it was writing or music. I've tried to be one, too, but it seems that making up stuff on-the-fly (aka free association thinking) is what I do best. Unfortunately, it can really drive some people up the wall (or so I've been told over the years). I'm not sure if it's because I have Aspergar's Syndrome (high-functioning autism), but what I've told people who get frustrated with me is, "You're lucky." They reply, "Why?" And I say, "Because you can walk away from it. I can't. It's how my brain is wired." One benefit: It's made me more sympathetic (and empathetic) towards people with similar ways of thinking and doing things. Supposedly, Aspergar's means you prefer to do things in familiar patterns. Well, in my case, those familiar patterns are always in conflict with improvisation.
Don't be surprised if how I write drives you up the wall, but I really hope it doesn't. I've unintentionally annoyed enough people over the years with how I think and do things. Sometimes friendships have fallen apart because of what I can't change (rather than what I can change).
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Great story. I loved the whole concept of having the human as a pet. You clearly conveyed the sorrow in the story and I enjoyed reading every bit of it. Well done.
Can you please read my stories and give me some comments; it would be appreciated a lot. Thanks :))
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Glad you liked it.
I did do some brainstorming before writing the story, trying to think of an unusual pet. I didn't want something like a cat or dog (or anything else that walked on four legs). So I switched things around and asked myself, "What if a cat or dog had a human as a 'pet'?" Well, it would probably have to be a fairly large cat or dog. I know that cats adopt their humans (rather than the other way around), so maybe something similar would work. So I just kept going larger and larger (past lions, tigers, etc.) and thought, "Well, what if a sphinx had a human as a 'pet'?" And found the core of my story. I didn't know how it would evolve and end, though. I just had to trust that it would go somewhere interesting and surprise me at least some of the time. And it did both. I liked the unresolved ending, because it allows the reader to decide for themselves what might be happening at that point and what might happen next.
Certainly. But fair warning ahead of time: Since I also read as an editor, you might get a lot of editing comments from me (not just about any typos). I don't do it to annoy writers, I don't do it to make them sad, and I don't do it to make them feel stupid (I have yet to encounter a writer on this website I would even call remotely "stupid"; they're all smart in their own way; and sometimes they make me wish I could be as smart as they are). I do it because I want to help them improve their story (and any future stories). Also because, being a lifelong bookworm, I love to read and it's especially nice to get to read new stories (more than just my own). Since I can't currently afford to buy books (used or new), it's really nice to have free stories on this website that I can read anytime I want to, with new stories getting submitted every single day.
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Super interesting. Nice job.
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Glad you liked it.
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Hi there, Philip!
Like I mentioned over on my story, I got your story for the weekly critique circle, so I'm just going to leave a few thoughts. A small disclaimer I always put first: please know in advance that none of my criticism is said with any desire to bash your story or anything like that - I just think that genuine feedback is the best way to improve and help others improve :) I take giving feedback really seriously, and I like to take the opportunity to truly engage with your work by offering honest critique. Feel free to utilize or ignore any suggestions that I make.
So, initial reaction: This was a really interesting read, and well-written! Your formatting is smooth and easy to read, the dialogue is mostly very natural, and the pacing is on point. There's not really anything too extraneous or unnecessary, and the story never forgets where it is leading us.
If we look past the whole "Stockholm syndrome" aspect (lol), the relationships between our main sphynx lady and first her lover, then her daughter, seem to be quite positive, despite their obviously sad impact on her following their deaths. Narathi's character seems to be well-developed, although I did want more in the way of characterization from Althea once she comes along (e.g., does she ever consider leaving Narathi to seek her own kind? What are her desires/motivations/fears/etc.?).
There are a few things you might consider touching up, but nothing too major:
1. There are a couple spots where the dialogue seems slightly forced/unnatural. One example of this is when Mutassi and Khabu are talking. Specifically the line, "Now, let's return to our discussion of Platonic philosophy and why you think that Plato was a fraud." It seems a bit stiff.
2. One tiny formatting thing - I'd recommend putting your notes (translations of the Greek words, citing Tennyson) at the very end of the story, rather than in the middle. The way it is now breaks up the story and distracts from it, and I think the purpose would be just as well served including it at the end, where people can check it if they want to but where they won't lose focus on the story.
3. The ending is slightly confusing. Perhaps you intended it to be. I wasn't sure if Narathi is dreaming, or if she's dying, too, or if Althea has somehow truly resurrected (seems like the least likely but I can't say for sure), or if something else entirely is going on. Perhaps just another subtle hint or two to direct the reader as to what is happening at the end would be helpful.
Overall, this was a fun read! I can't say that I've read too many stories about sphynx(es? who knows what the plural of sphynx is?), so I enjoyed your creative take on this! :)
I hope these comments are useful to you, and best of luck with this and all future stories! :)
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This is my kind of critique (I wish I could do the same for others).
1. Since Althea doesn't remember her parents (she was only a baby when Narathi found her), it's possible that (like a cat or the imprinting of ducklings) she's quite happy that Narathi is her mother (not birth mother, of course). If she *were* unhappy, I think she would've said something and/or just left one day or night and not returned. It's nothing to do with the captor/hostage relationship. Althea isn't Narathi's prisoner. I wanted to show them as not just mother/daughter but also as two people who (as they came to know each other better) found that they loved each other (just not in a romantic way). It's possible that Narathi's maternal feelings toward Althea are stronger than Althea's daughterly feelings toward Narathi. But I don't think that Narathi would ever forbid Althea from leaving her. Loneliness is one thing; selfishness is quite another. I think Narathi is grateful for Althea's lifelong companionship, and Althea (since she doesn't know any humans) probably is quite happy in return. Maybe if Althea were more like Mowgli (from "The Jungle Book") she would feel the desire to try to find humans like herself. But I thought that that had been done before. What if Althea was okay where she was? What if she didn't feel any desire to find humans (or possibly her birth parents, if they're still alive)? Kittens may miss their cat-mothers at first, but gradually they seem to adapt to being with humans (and other animals, like dogs, guinea pigs, etc.). If you give love, you usually receive love in return, even if the two (or more) beings involved aren't of the same species.
2. I was trying to figure out where to put the footnotes (since this is the first time, I think, that I've ever used them in a short story). I figured that putting them close to what they're explaining made more sense (and was quicker) than making a reader go all the way to the end (which could be 10 or 11 pages later) to find the footnote and then they'd have to go all the way back to where they left off. If I were to rewrite this, I'd probably try to find where a page-break might go and put the footnote(s) there. That way, the footnote is no further than the end of the page (rather than the end of the entire story).
3. I left the ending open-ended on purpose. I wanted each reader to decide for themselves what happens next. I have ideas of what might happen, but other people on this website might say, "That's not what I thought. *This* is what I thought." Who knows? A reader could probably think of a better resolution after the end of the story than I would. But if you want my two cents' worth: I figure, at the simplest, most basic level, that Narathi has probably died from grief and Althea has returned to guide her sphinx-mother to the Elysian Fields (the ancient Greek afterlife). That's one idea I have. Another idea is that Althea, now a ghost, has decided to return and comfort her sphinx-mother (until such a time as Althea goes on to the Elysian Fields). I don't know how long sphinxes live for. 5000 years? 10,000 years? The closest to a long-lived sphinx that I know of is Leto II, the God Emperor of Dune, and he was part human, part sandworm; he wasn't a sphinx. He lived something like 5000 years. There's no mention that I know of in the Greek myths of how long sphinxes live for. I made a guess that it was considerably longer than even the oldest human has ever lived for (Tom Parr, who supposedly lived something like 150 years from the late 15th Century to the early 17th Century; or Noah or Methusaleh, who might have lived to be several hundred years old or even close to a thousand years old).
Glad you enjoyed reading it. There's usually a lot of unmentioned background material (not necessarily backstory, but what I call reference material) that just won't fit into a 3000-word story. I'm still amazed about how much I was able to fit into "Breaking with Tradition". It still feels so much longer to me than 3000 words.
In English, I think sphinx is singular, and sphinxes is plural. However, I'm not fluent in Greek. Someone who is would be able to verify this or give you the correct form in their language. I'm not even sure if sphinx is a Greek word. Statues of sphinxes have been found both in Egypt and Turkey (the latter were either Hittite or Assyrian, I think), not in Greece.
I'm glad that what I write makes at least some readers think (even if they don't always agree with me and sometimes have problems with character relationships and story endings). I figure that if I've made a reader *think*, then I've done my job. Disagreements are okay. Disagreements encourage discussion of differing viewpoints. Of course, they can also trigger arguments sometimes. Thankfully arguments tend to be less frequent than discussions are.
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Glad my feedback could prove helpful to you! And if you like doing this kind of in-depth critiquing, go for it! If nothing else, I know I'd love to hear your thoughts on what could be improved in my stories. :)
1. I wasn't so much meaning that the relationship between Althea and Narathi seemed bad or prisoner-esque; in fact, I thought it seemed quite wholesome. I only meant that I was curious to know more of their dynamic and what Althea's perspective on it was (which you've answered quite well in this comment - I think it may be a matter of a certain 3,000 word limit causing me to wish I had more to read, lol).
2. Definitely fair reasoning. I like the idea of trying to work in some sort of page break and placing footnotes there when needed. It's a good compromise between the issues of scrolling and distraction.
3. Cool, thanks for cluing me in to where your own imagination was taking you here! My own interpretation of the ending was somewhere close along the lines of what you mentioned, with Narathi dying of grief and being peacefully reunited with Althea in the afterlife, but I was curious to see if this was your intent or not, so I'm glad I asked.
Thanks for a great read and a fascinating discussion! :)
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I do indeed prefer "this kind of in-depth critiquing" (as you put it so well). It feels less like criticism and more like a discussion between friends.
I'm not sure if I've read any of your stories yet. If I haven't, I apologize, and I will do so once I finish typing this response.
1. Maybe I should think about a sequel (if only to flesh out the background material). When I write, I tend towards stream-of-consciousness and improvising. Then, when I edit, I go back to see where the structure needs to be improved. If I try to write down ideas first, I usually don't write any stories at all based on those ideas. It seems to work better when the ideas come to me during and after the writing process. It doesn't make the editing process easier, but at least it's like a load off my back and it gives me the feeling that I'm light enough that I could fly (sorry for the mix of metaphors). I *am* curious about one thing, though: *Why* did Althea's birth parents abandon her where they did? Maybe they couldn't take care of her? Maybe they were hiding from attackers? Maybe they knew about the sphinx and that the sphinx would likely take care of their baby? Or maybe they felt that it was the right thing to do for their baby (that this was their baby's destiny: to be found and raised to adulthood by a sphinx)? I'm still not entirely sure.
2. The problem with this website's formatting is that submissions have automatic left-margin justification. No matter how many times you use a tab or space-bar in front of a line of text, when you save the text, the text automatically gets pushed to the left margin. Maybe I could just scroll down about 75 lines or so and then add a horizontal line of dashes followed by the footnote and then add another horizontal line of dashes after it. That way the reader knows that the footnote applies to the "page" above the footnote. I don't know how it's done with desktop publishing software. Maybe with that, the writer has a way of doing footnotes the way you see it in books (either at the bottom of a page or at the end of the story).
3. You're welcome. I like open-ended endings (what I also sometimes call "hopeful endings") because there isn't a definite ending and the reader gets to use their imagination and come up with something interesting. One of my favorite suspense novels, "The Russia House" (by the late John le Carre'), ends with a hopeful ending. Unfortunately, in the movie adaptation, they turned the hopeful ending into a happy ending. I wish they hadn't. (They also changed the name of the character "Goethe" to "Dante", which I thought was a stupid decision. But that's another issue entirely.) Now that I'm thinking about it, I wonder if, in the Elysian Fields, Narathi gets to be not only with Althea again, but also with the other human "pets" that Narathi had been friends with before Althea came along. That would be a nice resolution, but I'll just leave that in the "hopeful ending" area. I also wonder what Khabu's (Narathi's brother) reaction was to Narathi's grief and subsequent death. He probably sympathized and empathized. After all, they were sister and brother. Who knows? Maybe, in the future, Khabu will have a human "pet" that he doesn't want to be parted from (even after their death). Or, maybe, he's just able to recover from the death of a human "pet" more easily than Narathi was able to. Because he's male? Maybe. But, more likely, because of a difference in personalities and attitudes about human "pets". He's already been through one experience of seriously grieving and missing a human "pet" and might have found a way to avoid that pitfall when dealing with the deaths of future human "pets". And then another question: Are there any other sphinxes? Or are these two the last of their species? I don't know.
You're welcome. I like discussions. Sometimes (if I'm lucky) they teach me things and get me to think more deeply about what I wrote.
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This is a very good story! I enjoyed reading it! “Of course; they never will be”, my here you don't need both a period and a comma, just one or the other. And I have one question, was the creature telling the story, was it a dog? That part was a bit unclear but great job and keep writing! I wrote a story on the same prompt and would appreciate it if you read it and gave some feedback on it!
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I'm glad that you liked it.
It was hard to keep the narrator's species a secret until it was time to reveal it. I didn't want it to be like a magician putting their hand into a magic hat and pulling out a rabbit. The narrator was a sphinx (and so is her brother). She lives in Greece; her brother lives in Egypt.
"Of course; they never will be". I probably could've written that better. But what the narrator's brother was trying to say was: "Of course. " (He's agreeing with her.) "They never will be." (Because, just like sphinxes, each human is unique and different from each other. Even twins aren't exact duplicates of each other. If you're going to look for a new lifelong friend, you're going to have to take the chance that they might turn out better than the previous friend, the same as the previous friend, or worse than the previous friend. There are no certainties in life, except for birth and death.) I hope that made it clearer.
I'll check out your story after sending this reply to you.
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Ok thanks! Ahhh that makes sense great twist! Keep up the great work!
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You're welcome. I try to follow the dictum of "show, don't tell". I like it when things are left up to the reader's imagination. When the reader gets to think about what happened and (if there's not a clear-cut ending) what might happen next.
Thanks. You, too. I hope you didn't mind my overly long response to your story. I really did like it. But, as I said in my response, it's hard to get the editor in my head to be silent and let me just enjoy reading a story, rather than spending half the time looking for possible errors over and over. Even when I read news articles online or one of the books here at home, I find myself sometimes spotting errors and thinking, "How did that slip by the editor(s)? Surely they read it more carefully than I have."
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That's what I try following as well! Same, I'm always finding little things, my parents call me the grammar police😂. Don't worry about I appreciate feedback no matter how long!
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Glad to hear it. I just feel like I'm not being honest towards a fellow writer if I don't explain all that I *did* like about their story as well as typos and what didn't really work for me (things that could be improved on). But that means I have to run the risk of a negative reaction from them. I don't mind if they disagree with my suggestions; that's okay with me. After all, it's their story, not mine. But when they seem to be getting a bit annoyed with me, then I tend to back off. Human egos are unpredictable (as I know from having to deal with mine).
Grammar Police. I'll have to remember that one and try to use it sometimes.
Not all of my editing comments are overly long. Some are rather short (though this is rare). If I had to comment about my own stories, I'd probably fill at least a couple pages for each story. Especially if the writing process wasn't exactly a smooth one ("Grace Under Pressure" is a good example of a bumpy writing process; it took three days and I almost gave up on it on the first day and the second day). I call it "going down in the trenches". It takes longer because I'm not just going sentence-by-sentence, but also word-by-word, but it usually catches things I don't find if I just reread a story. And sometimes I just have to let a story go and stop fussing so much about it. If I've given it my best, then that'll have to do. It's time go and write a new story (or read a new story).
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