Author’s note:
Hello, Reeders! Just would like to let you know some things about this story.
First: Willow is a continuation of Spices, Rescue, Storm, and John’s Tale, and it really makes the most sense if you start there. All these stories spiral out from Chocolate Kisses, so if you can start there, please do. Not trying to keep you from reading this or give you homework, just letting you know.
Second: This is possibly the darkest point of the story, the big climax.
Third: It isn’t from the point of view of any of the old characters, it’s narrated by a girl named Willow who hasn’t come up yet. You can read this alone for that reason, but the plot is easier to understand reading the first.
Thank you for your support!
This submission is dedicated to Haripriya Anand and Ray Dyer, who have liked and commented on all the other Bridgebrook Tales. Thank you for your support, guys! :)
Twenty
marks.
There are ten marks on the
cold, metal
wall that keeps me away from
the rest of the cells.
Wall 1: Glass barrier for examination.
I’m not sure why.
They stare
at me all the time, taking notes.
It’s bulletproof, I think.
Wall 2: blank steel to my left.
Wall 3: blank wall to my right.
I can hear water behind it, though,
and I think there’s a
pipe there.
Wall 4: Wall behind me. There’s a
Hot water pipe or something there, and so I
sleep pressed against its face.
It also has
Twenty marks drawn here
with a sharpie
that I had in my pocket.
The floor isn’t comfortable, but at least they aren’t
always poking me with needles, like
Mai.
“I am
so done
with this place!”
Mai shouts as the
glass wall slides shut.
“We don’t have a choice,
Mai.”
She groans and
sits on the floor, pressing
her palms into her face.
“I don’t caaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaaare.”
“We can’t leave. They need
us for their experiment. Or whatever.”
“I don’t care. I’m
going to
E
S
C
A
P
E.”
“You're crazy!
It’s like, scientifically impossible!”
I
call out.
Mai doesn’t listen.
“Willow it’s impossible what they
Did.
They say it’s to measure how long we can
cope with whatever, but
WILLOW --
I DON’T KNOW WHAT THEY DID LAST TIME, BUT
I SWEAR I WAS GETTING SUPERPOWERS.”
“Mai,
are you
doing that thing again?”
“I’m not doing anything! I wasn’t
hallucinating!
I had MAGIC POWERS,
I swear! Wills,
this is
so legendary.”
“What happened? I mean--”
“I started glowing
and beams came from
my eyes and hands
and then
I got sick and passed out,
so yeah.”
“Mai--”
“Willow, I’m tired.
I got another round of weird
shots.
I
need to sleep.
Be glad that you don’t have to do this.”
She curls up on the ground next to wall 2.
I do the same
by wall 4.
But first, I
add another line on the wall.
“Good night,”
I mutter softly, even
Though it might be day, we can’t tell, never leaving.
Mai’s weird, but
she’s my only friend.
I wake up.
The warmth of the pipe, or
whatever it is,
has vanished away.
I look around.
I’m in the same room I’ve been in
for the past twenty-one days, I think, only
one thing is wrong.
The marks.
They’re missing.
I feel sick;
reach into my pocket to draw out my pen--
it’s gone!
There’s no way to keep
track of time.
The glass door slides open.
I snarl at the figure approaching.
She isn’t
a scientist, though.
She’s a girl.
Long brown-black hair,
perfectly straight,
big glasses,
confused hazel-green eyes.
She looks tired-- maybe
they have her on
Some kind of weird drug.
She slumps to the floor, the
cloaked professors sliding it shut.
I’ve figured out that it
works on a magnet, sliding
back
and
forth,
unopenable from the inside.
The girl lets out a groan.
“Hello?” I ask her.
No sound
comes from her lips.
That’s when I realize-- Mai is nowhere to be found.
It’s not like she
Could hide.
We’re
in
a
featureless steel box.
Mai
is not
here. I
don’t think
they preform
their experiments
on her so early in the
morning, if it is morning
at all. They could have moved
her out of here for some reason--
maybe she’s radioactive and they didn’t
want me to get cancer? No, she’s way more
valuable than I ever am to these freaks! Mai would
never escape without me. Besides, they’d hear her breaking
down the walls on the International Space Station. That doesn’t
explain the new girl in here, or why my marker and tallys have all
just disappeared. I checked all the pockets in my red hoodie, blue
jeans, and white shirt, which doesn’t even have a pocket that
is big enough for anything, just a little decorative one, but
there is no trace of my marker, or anything I had on me
Right before I was-- before I was-- before I-- before--
I can’t think about it. I don’t know why I can’t,
but it’s like something in me got shut off.
Some switch got flicked, turning Willow
into weird, no-idea-how-she-got-
here Willow. I don’t like it. I--
I don’t know how I’m here
and I don’t like it at all.
Someone help me.
I can’t get out.
Someone
help
me.
“Can you help me?” the girl asks.
“With what?” I ask in turn.
She shows me a
band around her right arm,
metallic and strange, with some kind of
needle poking into the skin on the underside of her wrist.
A red light blinks slowly;
Red
Orange
Off
Blue
Red
Green
Red
Orange
Off
as I examine it cautiously.
“Whenever I try
to fight back it does this thing
that really hurts
and I fall asleep.”
She says.
“I think there’s either
some kind of drug in there, or
you’re getting electrically shocked.
Probably the first, for safety.
You can get killed by--”
“Oh, stop, you sound like Emilia!”
The girl says sadly.
“Emilia?”
“Emilia. She was one of my
best friends, even
though she was a grown adult.
She talked just like you.”
“Oh. I didn’t mean to--” something
shocks me, and it sure isn’t electrical.
“You
remember
That stuff?”
“You don’t remember your friends?”
“I know I have them, but I can’t see
their faces.
In my mind, there’s not an image of them I can summon.
I don’t think they’re
looking for me.”
“But they are!” the girl shouts.
She pulls something
from her pocket. It’s
a crumpled sheet of paper-- several,
actually, and
they all have names and numbers and photos on them.
Missing person
posters.
“Mai Chera, fourteen years old.
Last seen on March fifth, 2033, in Midday, Oklahoma.
Hair: brown.
Eyes: Brown.
Skin: white.
Height: 5’ 2.
Weight: 95.6 pounds.
Last seen wearing a pale orange Nike sweatshirt,
ripped jeans, and black rainboots. If you
see her, please call this number.”
The girls reads the number out.
Mai. She’s
being looked for.
She isn't alone at all.
Well, she is now.
She doesn’t have me.
March fifth was exactly
twenty-eight days ago, and Mai’d been here for a
week before I came around.
“Jodie Hawkins. Twelve years old.
Last seen on March tenth, 2033, in Bridgebrook, Oklahoma.
Hair: blond.
Eyes: blue.
Skin: white.
Last seen walking to the Bridgebrook Middle School dance
in a blue lace dress, white dance shoes, and
a black leather jacket.
Call us at this number if you see her.”
“Huh, it’s smeared.”
The girl looks at the image of a (slightly cuter) girl
with two big dimples,
rosy cheeks, and curly
blond hair falling around her face.
“I know her! Saw her at
school before. We’re in different classes, though,” the girl says.
I need to stop calling her “the girl”.
“Uh, what’s your name?”
“Chocolate, and don’t laugh, my parents run a
sweets shop-bakery-coffee shop.
You can call me Choco.”
“I’m Willow,” I offer,
smiling.
“I think I’ve heard of you, too!”
She looks
through her stack of papers.
“Willow Mayer. Twelve years old.
Last seen on March 12th, 2033 in Newflower, Oklahoma.
Hair: red.
Eyes: hazel.
Skin: white.
Last seen wearing a red hoodie,
white T-shirt, blue jeans,
and black Converse high-tops.”
That’s me.
That’s even what I’m wearing.
“That is…”
Chocolate shoves her papers back into the pocket
Of her black raincoat.
“They’re coming!”
She exclaims.
Before I can ask
who, the glass door is thrown open.
“43, don’t dare
interfere with our job,” one of three scientists says.
They call me 43. I’m
not sure why.
Bright light
From the glass hallway system outside, looping
around and around like a labyrinth of
diamonds
turns them into harsh silhouettes.
The one on the left and
the one on the right
reach for
Chocolate, who
cowers from them, tring to
hide without moving, when--
ZAP!
The one on the left
and the one in the middle fall over,
stunned.
“Who did that?”
The one on the right asks no one.
He falls as well.
A seventeen-ish boy holding some kind of
taser thing stands behind them. He
looks around, confused.
“Did anyone else
see that?”
He asks foolishly.
“John Kazzer,
you’re the only
seventeen-year-old on the face
of the earth who would come charging into
whatever this place is
and start electroshocking everyone!”
Chocolate yells.
“And how did you get here?”
“I drove?”
“No, how’d
you find me?”
“Long story. Do you know where
Samantha-Jae is?”
“Nope. Spent
a whole lot of time here
in a coma.
Then I ended up here.”
“Hey, anyone want
to ask me?” I say.
“Okay, great. I have
a big question. How do I
sneak three people out of here?”
“I thought captain
hero-butt over where would work on the rescue,” I say.
“I got in here by pretending to agree to
work with them. Thought
I’d get more secrets on what the heck they’re doing over here, but
no luck.
Also, I can’t find Samantha-Jae.”
“Who’s she?”
“Weirdo, fifteen-year-old detective that
I know for a fact is somewhere in this lab.”
“I’m out of here!” I shout, but
the boy stops me.
“There might be a tracker
on you. I can scan for it with this thing,”
he says.
“Okay, but I think
I don’t have any.”
He scans me
with his phone.
“Yeah. You were right. Just a
precaution.”
He looks at
Chocolate’s wrist.
“Okay. That definitely is
a tracker.”
He manages to
cut it off somehow-- I can’t tell, I’m not looking.
When the needle is removed,
it bleeds.
A lot.
I feel sick.
“How long have
you known how to do this?” Chocolate
asks.
“Emilia taught me.”
“When was that?”
“As soon as
she escaped from Samantha-Jae’s
stepdad’s
basement.”
“That is oddly specific
and I don’t know what
you’re talking about,” I say.
“Okay, she and Sherry showed up
and told me this long tory aboutnlooking for Samantha-Jae
in her stepdad’s house but she wasn’t there,
and somehow they got
locked in the basement.”
“Who is Sherry?”
“Nevermind. They’re
in the getaway car, which they’ve
helpfully filled with Gatorade.
I have no idea why.
We're rescuing you, so this conversation can wait, I think.”
“Yeah,
explain it when we get out of here,” I say.
The cell door is open, and
we dart into the glass maze of corridors.
I was underground before, when I
was with Mai, but this is clearly a ground level.
That’s when I see
it.
Or, I see why.
The halls are made of glass
so people can see potential
escapers.
Us.
Luckily, they slam into more walls than
we do.
“Halt!” one yells, holding out a zap-gun like
the boy’s. (The boy's name is John, I think.)
We keep running.
After a while,
we pass many cells, empty cells, waiting
for more experiments to hold, and eventually
end up in a big, stone room with several medieval-dungeon looking cells.
“ABOUT TIME YOU SHOWED UP!”
A girl’s voice shouts.
“It’s been a day and a half!”
John shouts back.
“THAT’S STILL A WHILE! I
HATE THEM!
TELLME YOU HAVE
THE KEYCARD!”
Keycard?
I look at John nervously.
“I’m gonna hijack the
system, Sam.”
“WITH WHAT?”
“This.”
John walks
to the end of the room and
uses his zap-gun to
electrocute something small and gray.
I come closer and see that it’s
something you swipe a keycard through.
Oh. That’s why
the girl asked about a keycard.
“That better not
break it and trap me in here,” she snarls.
“It won’t. I think.”
“You THINK?”
“The door slides open with a
rusty creak.
”Oh,” the girl says.
She runs out of the cell, over to the wall, and takes
some kind of white, temperature-taker-looking-thing off it, scanning the
metal bands on her wrists. They
fall off.
“I’ve been watching the
scientists do this,” she says.
I hear footsteps coming.
This place
is a dead end.
We’re trapped.
The girl, Samantha-Jae,
Charges at the approaching figures and
knocks them over.
We follow.
We run for what feels
like hours before finding an exit.
Outside, the air
is fresh and good;
mountain air.
All around, tall mountains
topped with green trees surround
a sci-fi-looking lab
shaped like a dome.
I stick my tongue out at it, and run
down the hill we’re on
to where a young woman waves us down to a
reddish toyota.
“John!
Samantha-Jae!
Chocolate!
Weird redhead girl!”
She calls.
“Get in, fast! We
have company!”
A group of guards
are charging down towards us. I
grab onto the roof and
swing into the left door,
hanging open as the others
race in.
As we ride away, I only have
three thoughts on my mind.
One:
Where
is Mai? Where did
they take her?
Two:
who are these
people I'm
running away with?
Three:
What happened
to my tallys?
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17 comments
Do you think this is confusing? If it is, I can clarify. What do you think happened to get John Kazzer into the lab? Where did Mai go? Why did she say she had superpowers? What happened to the tally marks? Thanks for reading, please like this story!
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Emmie, can I ask you a serious question? How are you so talented at writing these poetry-verse mysteries? How are you posting them so quickly? (ok...maybe more than ONE question) How do you get so many ideas so fast? How, how how??? I have a suspicion that you have a superpower of writing...(I will continue to research it..) because this story/poetry (or whatever you wanna call it) is just amazing! Spectacular! Magnificent! Awesome! (All the good words in the world!!) I honestly, felt very engaged in this, so great job Emmie! Can't wait...
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I think all day about everything. Ghost elves, radioactivity, small towns, alternate reality... none of that comes up in these except for the small town one, but I just think all day. I like mystery and I like poetry, and it's easy to write because if this was written like an ordinary story it would be okay, but it would lose some of the charm that comes from being done in verse, and yeah, I may have a superpower! When I was about eight I had spelling problems and a hate of writing but I liked to read, and so little by little, I taught myse...
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Wow, I love the detailed explanation! Now I understand! It's pretty ironic that you hated writing, but now you have many stories written! Also, no problem Emmie, I enjoy reading your stories and writing comments! :)
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Yah, pretty ironic. If I had a weird pen name it would be Amira Irony. Amira because it's rare, irony because ironic. And I do have a lot of stuff written now, not even counting the things that are like 96,724 words and couldn't be submitted.
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Haha! I understood. Also, Amira is a beautiful name! Really? Wow, you might just become an author one day!
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Hope so! :)
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Well, I just went on a binge-read of your bridgebook tales, and wow. They're really great! Creating one story in a poetry-verse format in itself is really hard, but you've just inked out (or typed out) a whole series! That's really admirable. It was seriously, an enthralling experience to read them all. As for this particular tale, it wasn't confusing at all! It may be because I just read all it's prequels, but I still felt like you've given enough information for it to be read as a stand-alone. But yes, I am quite eager to learn more of ...
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Yep, you sure will! I added in the intro because I've had a lot of people say that it seems like the continuation of something else or they really like it but don't know that there's more. Willow, the name, is just because that's the name of the main character. I was gonna do Mai, but she doesn't escape, so it would leave a lot more gaps. Willow, the character, is based off one of my best friends, who also writes but doesn't use Reedsy. The two are a lot alike, down to the description, although mine acts much faster and is weirder. Thank ...
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Well, in that case, I'm rather eager for the next part ;) Ohh, once I've finished writing my stories, I too find it that often, some elements of reality can be found in it. I guess it shouldn't be surprising though — we all write from personal experiences, however small. And no problem! Like I said, it was really an enjoyable read.
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Thanks!
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Imay publish this.
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Hi, Emmie! Thanks for the dedication at the beginning! :-) There are quite a few high points in this poem-story. I like the description of the room, with the attention to the details like the glass wall (probably bulletproof) and the wall that is warm (so she sleeps pressed against it). Really nice specifics to kick off the installment! Later on, when you got to the color sequence, I like the way you use the poem form to put each color in the sequence on its own line, and it looks like you didn't start at the beginning, but you gave enough...
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I wanted to do something about a test subject but couldn't find any prompts. I got disappointed, then I saw this one. Bang. Idea hits me and I write this. The line breaks were a good idea, I think, since you liked them. See what I did there?
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LOL - I think I did!
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I made it a poem.
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