When I was 13, my parents and I spent our first winter vacation away from the Mid-Atlantic. We decided to drive north to the Adirondack's in update New York State, exchanging suburban sprawl for frozen lakes and rivers, as well as snow-covered mountains and woods.
At first, I was a little nervous being out in the open, away from the hustle and bustle I'd grown up in. I think it's called agoraphobia. It took some doing, but I eventually overcame it and found myself enjoying learning new things: skiing, sledding, tobogganing, and ice skating. The only familiar activities were the snowball fights and building snowmen (okay, and snowwomen).
At the end of our first week, I was standing on the balcony outside our hotel room on the second floor. To keep warm, I wore a sweater, winter coat, gloves, winter pants, and winter boots. Our room overlooked the swimming pool (covered with a tarp at that time of year). I saw a boy, maybe a year or two older than myself, sitting at a table near the pool. He was dressed similarly to how I was and was looking up the side of the hotel.
We saw each other. Unlike in romance novels and movies, I didn't immediately fall in love with him and rush down there and throw myself in his arms. Instead, we just looked at each other for a few moments.
He gestured at the chair across the table from him. I glanced behind me at my parents. They were going through local brochures, discussing what to do next.
“Mom? Dad? Would it be okay if I went down to the pool area?” I asked them.
“I hope you're not thinking of jumping in,” Dad said. “Not unless you want to freeze.”
I rolled my eyes. “Of course not.”
“We're going to have breakfast and then maybe go horseback riding through the snow,” Dad went on.
“Can I stay near the hotel this morning?” I asked. “If I promise to stay away from the pool?”
Dad looked at Mom. She looked thoughtful for a few moments and then nodded. Dad nodded as well. With any luck, they'd be able to take a break from being parents and enjoy some time alone together.
“All right,” Dad told me. “Though I think you're passing up a chance to have some fun before lunch.”
“Maybe I'll have some fun here at the hotel,” I said. “There might even be kids my age or almost my age. I could hang out with them.”
“Sounds good,” Mom told me. “We should be back by lunchtime. If not, you're on your own until dinnertime.”
“Thanks, Mom,” I said, giving her a hug. “Thanks, Dad.” And gave him a hug.
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After breakfast, I went outside and headed for the pool area.
He's probably given up waiting, I thought. I mean, if I were a boy and had invited a girl to join me, would I wait this long?
But he was still there at the same table.
“Hi,” I said.
“I was wondering what took you so long,” he said.
“Breakfast and getting permission from my parents,” I said.
“Ah,” he said with a nod. “My parents and my sister Patrice have decided to go skiing. Would you be interested in skiing?”
“Actually, I prefer sledding, to be honest,” I said.
“Or sledding,” he amended. “I believe they have sleds that hotel guests can borrow.” He paused and smiled. “My name is Claude.” It sounded like he said “Clode” instead of “Clod”.
I found myself smiling back. “Abbey. Short for Abigail.”
“Does this mean you have the morning free?” he asked.
I nodded. “And maybe the afternoon as well, if my parents don't return from horseback riding before lunch.”
“Tres bien,” he said and stood up. “Apres toi?”
I gave him a puzzled look.
“After you?” he asked in English. “Or how do you Americans say it?”
“Ladies first,” I said. “Where do we find the gondola ride to the top of the mountain?”
“I'll show you,” Claude said.
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It wasn't far from the hotel. So I wasn't exactly breaking my promise to my parents. Maybe they'd forgive me this time. I hoped so.
Near the bottom of the nearest mountain was a gondola station. The gondola itself was completely enclosed by a clear plastic shell, I was happy to see. I wasn't too keen on riding on the ones where it was open in front of you and your feet dangled in the empty space below the seat.
The ride to the top was actually enjoyable. When we arrived at the gondola station there, we stepped out of the gondola and could feel the bitter cold wind blowing in our faces. There was a large building that, Claude explained, included a restaurant and a gift shop.
Rather than head towards it, though, he led me to an overlook platform next to a totem pole. The pole, he also explained, had been a gift of friendship from a local Native tribe. To celebrate a hundred years of unbroken friendship. A line of flapping U.S. flags stretched for about a hundred feet uphill from the gondola station.
We stepped onto the overlook platform. From there, we could not only see the snow-covered mountains all around us but also the snow-covered slope back down the way we'd come. The hotel looked so much smaller. Probably like looking down from a tall building like the Empire State Building in New York City.
“You said something about sleds,” I reminded Claude.
“I did, didn't I?” he said. “This way.”
We left the overlook platform and headed towards where skiers started their descent from the mountaintop. Most just pulled on their ski goggles and headed downslope, while the more adventurous ones chose to jump off of the ski jump. Claude led me to an area beyond the ski jump where sledders, some alone, some in twos or threes, jumped on their sleds and raced downslope. We could both hear the happy yells of those heading down the mountainside.
“There's nothing to be scared of,” Claude said as if sensing my momentary fear.
“As long we stick together, I'll probably be just fine,” I said.
“They do have two-person sleds,” he said.
“Excellent,” I said.
Rather than lying down on the sled as it lay, a third over the edge of the starting area, the rest flat on snow-covered ground, we sat upright. Claude sat in front, me behind, with my arms around his waist.
“Ready?” he asked me.
Not really, I thought. But I nodded anyway.
“Goggles on,” he said, putting on his.
I put on mine.
Moments later, the sled dipped forward. At first, it gained speed slowly. But the further downslope we went, the faster we traveled. The wind was stronger now than it had been at the gondola station. We swerved around the slower skiers, sometimes making me think we were going to tip over and fall into the snow. But we stayed upright all the way down. Just in time, Claude threw his weight to his right and the sled turned that way, skidding to a stop.
He pumped his fist and looked like he wanted to do it all over again. “That was amazing? It is, of course, better in Quebec, but still –” Claude paused and looked at me with concern. “Abbey? Are you all right?”
“I'm fine, Claude,” I said. “Just let me catch my breath. I've never done this before.”
Claude stared at me. “Not even once?”
I shook my head. “I come from suburban sprawl. I've never even gone camping before. Not only that, we almost never get snow where I live.”
“Yet you still chose to go sledding with me,” he said. “That was brave of you.”
“Brave?” I said. “Scared is more like it.”
“If you were scared, you would have stayed down here and not traveled up to the mountaintop with me,” he said.
“That was easier than the sled ride down,” I said. “Maybe some coffee or hot chocolate would help relax me.”
“Back to the hotel, then,” Claude said after we carried the sled to the machine that carried sleds back up the mountainside.
“Thank you for being understanding,” I said as we walked back to the hotel. “Some guys wouldn't have been so sympathetic.”
“Are all men in America so blind and uncaring?” he asked.
“Probably not all of them,” I said. “But, then again, they aren't anything like you.”
He smiled. “Merci, ma amie. You could teach them much about sympathy, Abbey.”
“So could you,” I said.
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That was several years ago. I was 17 now and a senior in high school. Next year, if all went well, I would be a freshman in college. My grades weren't great, but my parents thought that they were good enough.
Yet I couldn't stop thinking about Claude. We'd exchanged email addresses before our families headed our separate ways back home. But after a year, he stopped sending any messages to me. Had I said something that offended him? Or had he expected our friendship to evolve into something more serious, whereas I was more comfortable just being friends?
When we returned to the Adirondack's and the same hotel we stayed at when I was 13, I was hopeful that I'd see Claude again at the table near the swimming pool. I wondered what he'd look like. Probably even better looking than before. Maybe half a foot or a foot taller than I was. A beard or at least a mustache? Short or long hair?
But there was no one at the poolside table.
I sat down at it, dejected. I knew I shouldn't have hoped for so much. After all, people can change quite a bit in several years. Maybe he didn't even care for me anymore. Maybe he'd found a new girl. Maybe he'd gotten married to her.
“Miss?”
I looked around to see a waiter from the hotel restaurant. “You are Abbey Peters?”
I nodded.
“One of the other guests asked me if you and your parents were staying here again this winter,” the waiter went on. “I couldn't promise anything, but I said I would try to locate you if I could.”
“Is his name Claude?” I asked.
The waiter shook his head. “Her name is Monique. She said that she remembered meeting you here several years ago.”
I looked puzzled. “I don't know anyone named Monique. Are you sure that she mentioned me by name?”
The waiter nodded. “Oh, yes. She said that you lived in Virginia Beach with your parents.”
I hadn't told anyone here but Claude about that. How had Monique, whoever she was, found out? Had Claude told her? It wasn't as if I'd told him to keep it a secret from any of his friends. Maybe Monique was his current girlfriend.
“Do you wish to meet her or not?” the waiter went on.
“I suppose it can't hurt,” I said with a sigh. “All right. Show me to her table.”
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The restaurant was half-full. The waiter led me to a table near the wall-sized window that overlooked the grass-covered “back yard” of the hotel. I couldn't remember seeing that side of the hotel before. Sitting at the table was a young woman about my own age. She had long dark hair and her dark eyes looked familiar somehow. She was wearing a pale blue sweater, dark blue winter pants, and off-white boots. She was beautiful, whereas I was just middling pretty at best.
She stood up, held out one hand, and said in a slightly deeper voice than I expected, “Hello, Miss Peters. My name is Monique Benoit.”
“Pleased to meet you,” I said. “Please call me Abbey.”
She gestured that we should sit down. We did so.
“I hope I'm not here under false pretenses,” I went on. “I don't know anyone named Monique. Benoit or otherwise.”
“But you knew a mutual friend,” she said. “Claude St. Georges.”
“I never knew his last name,” I said.
She nodded. “I know. He told me he didn't tell you what it was. A lapse, but perhaps not an important one.”
“Please,” I said. “Please tell me he's doing all right. I haven't heard from him in a few years. I was worried – I was worried something terrible had happened to him.”
“He's doing just fine,” she said. “He was just – ah – rather busy taking care of things. Things that he couldn't postpone any longer.”
“And he sent you here to meet me and speak with me?” I asked.
Monique nodded and pursed her lips. “Life was difficult for him. There were obstacles that he couldn't overcome. His parents separated and eventually divorced each other.”
“I'm sorry to hear that,” I said.
She smiled a little. “Still as sympathetic as ever.”
“So was he,” I said.
“True,” she said and sighed. “He did leave one thing for me to tell you since he didn't feel he could do it himself.”
“Couldn't he trust me?” I asked. “He trusted me when we were younger. Why not now?”
“Things are different,” Monique said. “He is different. He isn't the same person you once knew.”
“I'm not sure I understand,” I said.
She tilted her head to one side. “Perhaps we could go for another sled ride. Maybe that would clarify things.”
“We?” I repeated. “I've never been on a sled with you before.”
“No,” she said. “But you did before. When I was still Claude St. Georges.”
I stared at her, overwhelmed by what had lain hidden in plain sight until now.
Monique nodded. “It's me. Well, not quite the same me. But still me deep down inside. I hope that makes sense to you.”
Unable to look at her face, I looked down at her hands instead, where they lay, one on top of the other, on the tabletop in front of her. They weren't the strong hands that I remembered Claude having. They were slender, more like my own. No rings on any of her fingers.
“I'm sorry if it comes as a shock, Abbey,” she said. “But I couldn't continue as I was. I had to make a change. A fairly serious one. One that destroyed the path back to who I was and only permitted me to be the person I had become.”
I felt tears start in my eyes. Yes, me, the girl who almost never cried.
“Did you ever find someone else?” I asked, hoping I didn't sound hopelessly mundane.
Monique shook her head. “I did try, but I kept thinking about you. About the day we spent together here. I wanted to return, but it took some time before I could make myself do it. I'm not quite as brave as I seemed all those years ago. Finally, I made the preparations – room reservation, train ticket, and so on – took a deep breath and jumped.” She reached across the table and touched my fingers with hers. “Is it possible for us to continue being friends? Or did I destroy that too?”
“Friends,” I repeated. “I don't know.”
“Just casual friendship,” she said. “Nothing romantic. Would that be sufficient for you?”
I thought about it. Claude might be gone for good, but some part of him still remained inside Monique. Maybe, like she had done, I could find a new path forward and look at the world around me with different eyes.
I nodded. “Are you still serious about that sled ride?”
“I'm willing if you are,” she said. “But you don't have to force yourself.”
I took a deep breath, let it out. “Let's do it. Before I change my mind.”
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At the mountaintop, the conditions were similar to several years ago, and the view hadn't changed, despite climate change. People were still arriving by gondola, and heading back downslope either on skis or on sleds. Even the happy yells were almost the same as before.
Monique chose a two-person sled, just as Claude had. She placed it on the snow-covered ground. “Do you want to sit in front, Abbey?”
I shook my head. “Let's do it like last time, Monique.”
Her eyes widened with happiness when she heard me say her name. Her new name. The name she would be known by for the rest of her life.
She nodded and we sat down on the sled, my arms around her waist.
“Ready?” she asked.
“Ready,” I said.
The sled dipped forward, and the wind blew in our faces as the sled gained speed. But this time we could both be heard yelling and screaming, maybe with some fear, but definitely with delight. We reached the bottom in what felt like no time at all.
Monique turned to me. “Want to do it again?”
I nodded. “One thing first, though. Something that's been postponed for a long time.”
She gave me a look but said nothing.
I put my hands on both sides of her face. “Something I wish I'd done several years ago. If it's okay with you?”
She nodded and we kissed. Her arms wrapped around my waist, holding me as tight as possible as we kissed. The kiss seemed to last forever but probably wasn't more than a minute or two.
When the kiss ended, we were both smiling.
“Now I'm ready to head to the top again, Monique,” I said.
“Moi aussi, Abbey,” she said.
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Wow! I really enjoyed this story!! Great job:) It reminded me of the movies that I LOVE to watch so this was super fun to read!!!
Also, I was wondering if you received my other responses. I just haven’t heard from you for a while so I wanted to make sure you’re alright! Story writing always comes first though so I understand!
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Catching up on messages again. Fell further behind than I wanted to. But the rest break did help. I'm all right. Not all the time, but sometimes. My emotions can sometimes be a bit like a roller-coaster (unlike the stereotypical male, I do cry a lot sometimes; especially when I feel like I'm in an unpleasant situation), and then between not sleeping well and pains in my lower left leg and ankle, it just was easier to stay away. Until I realized that I did miss being here, and hiding like a turtle pulling its head into its shell wasn't a solution. It was just exchanging one problem for another. So I finally decided, "Okay. That's it. Go back there. Hiding isn't helping, it's hurting. And they're probably wondering what in the world happened to you. They care. Yes, they really do." I think what I really need is a way to balance creative writing with responding to messages on this website. That way I can do both in equal amounts. I just don't know how to yet. If I leave messages and answer them too much, then my creative writing tends to suffer. If you have any ideas how to achieve a balance, I'm all ears.
I'm glad you enjoyed this story. This one felt a bit weak at times (not the dialogue, but what happened around it). I wish I could improve my non-dialogue writing until it was equal to my dialogue writing. The story was partly inspired by an episode in the first season of the French TV suspense series, "Detectives" (English subtitles, since I'm not fluent in French; it's available on MHz's website: www.mhz.org -- there's a $7/month subscription to watch mostly European suspense TV series on their website -- as well as on the MHz TV channel (which I can't get where I now live; it was available on TV in the DC area) twice a week -- I think on Wednesday nights and Friday nights or Saturday nights). A woman asks the detective agency to try to find her missing husband (apparently, thinking he was cheating on her). Turns out her husband wasn't a man anymore; he was a woman and a real estate agent. The final scene is of her (the one who used to be a man) meeting her daughter at a cafe. She had not only become estranged from her wife, but also from their daughter. So there are some similarities, and some differences, between the TV episode and my story. The location in my story is actually partly borrowed from the Whistler Village area in British Columbia (which I've visited at least twice over the years) and then transferred to upstate New York. I hope this made sense.
P.S.: There are a total of two seasons of "Detectives". I'm not sure if you can find it on DVD, if you can't see it online or you don't have access to MHz's TV channel. It's really good, and so are the other series you can watch on www.mhz.org. I tend to prefer the not-so-dark-and-grim series (some of which are from Finland and Sweden), but your tastes might differ from mine.
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So glad you are okay! It's great to hear from you again! I was starting to get worried because I know that you've said you have had problems with your emotions before. Life has taken a toll on a lot of people these days so it's good to hear that you were able to get back on your feet! There's no shame in crying sometimes, trust me. I'd like to hear how to balance creative writing with answering responses as well, haha. I'm not too sure how to and it kind of sounds like we have the same problem with keeping up with both. Maybe we could answer responses on the weekend when the prompts come out so we have the rest of the week to write a story. I know that would be a lot less communication, though. I just try to respond when I have some free time. I've also been a lot less active on the site lately. I'm trying to get over my funk but I'm not too sure how to. I might have to take a long break, who knows.
I get how you feel about this story, although I think it was very good! My latest stories for my creative writing class have just made a pit in my stomach because I just feel like they're not good enough. I probably need to work harder at them, I've just been having a month of some weird writers block, if that's what you'd like to call it. By the way, I think your non-dialogue writing is very close to being as good as your dialogue writing! I recommend some online writing classes if you have any time for those. I did some last summer, the ones that Reedsy offers for free, and the dialogue one helped tremendously. Also, that TV show sounds awesome and very suspenseful! I like TV shows like that. It kind of reminds me of this one that I watched when I was in seventh grade. It was called Riverdale and it was VERY suspenseful. You may be able to see some episodes on the CW. Just a warning, it gets weird sometimes haha.
I'll check that channel out! I think I've heard of it before but I'll see if I can access it on my school laptop.
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I'm okay (for the most part). I just wish the urge to hide from view weren't so strong sometimes. If you put me on stage by myself, I'd probably run off stage and hide somewhere backstage. I don't know how my older brothers and my mother do it. My middle brother likes to act in plays; my oldest brother likes to perform live with his bands; and my mother seems to be okay as long as she's in a choir or chorus. I just get nervous and have to try to pretend that I'm not nervous. When I played piano by myself in an office building lobby for two years (this was almost 25 years ago), I would only do it if there wasn't anyone within about 10 or 20 feet of me. Once I get involved in being creative, however, it seems that the fear mostly (or entirely) goes away. I just get to enjoy being creative for however long it lasts. But once that stops, I go back to being nervous again if anyone is nearby. It's the rare person that I can play for who doesn't make me nervous.
I'm a bundle of emotions (sometimes contradictory emotions). Which, I know, means I'm all too human. I think what was causing this bout of emotions was the fear of reactions to my in-depth editing of stories (not mine; I do my editing offline). I didn't want to make the writers sad and/or angry. I just wanted to help them improve their stories as much as possible. Because, apparently, I'm incapable of saying, "Well, that was really good, but with a few problems here and there." Being the hyperhonest person that I usually am, I tend to go "into the trenches" (as I call it) and give the most honest response I can give. I will say this, though: If writers on this website think I'm overly critical of their stories, they're lucky they don't see how even *more* critical I am of my own stories. I think there are at least two or three attempts that fail (or don't seem good enough to submit) for every one that I *do* submit. Maybe my expectations are too high. I don't know. But if a story feels too weak, too poorly structured, or whatever, I either abandon it or I finish it but I don't share it with anyone. It just doesn't feel right to share something that I don't think is good enough, even if the critiques I receive would likely help me to improve what I've shared. The person the story has to satisfy first is (at the risk of being narcissistic) me. Once that point is reached, then I stick my neck out and share the story with others before I have the chance to say, "You know -- that really isn't good enough to share after all -- I'm going to just keep it on my computer's hard drive and hope no one ever sees it."
Crying doesn't just come from fear of how others will react to me, it also comes from people I've known who have died in the past: my father (in 2007), my best friend's mother (in 2009), my best friend's sister (in 2000), my stepfather (in 2019), my ex-girlfriend's mother (in 2002), and so on. I miss some of them more than others, and I wish so much I could be with them again and hug them. I'm not as strong on the inside as some people probably think I am. The stories and poems are places that my deeper thoughts and feelings come out and express themselves (sometimes a little too openly). So it's like an ongoing tug-of-war between openness and hiding.
I wish I could help you with your creative writing stories. I took a class like that in college and was the first to finish the final assignment (a short story about 10-12 pages long). The professor really liked it (I think I got an A on it) and wanted me to read it in front of the class. You can probably already guess my reaction: I didn't want to. So one of the girls read it aloud instead. I still felt embarrassed but I think she did a good job of reading it. I got compliments from my fellow students (mostly from the girls, not so much from the guys). I'm not sure if I have a copy of it anymore. Probably not because I've had hard drive crashes over the years and lost everything on the hard drives. I learned not to leave a computer on while I went on vacation; came back after one vacation and the computer had crashed in the meantime, ruining the hard drive. What I do now is: shutdown the computer, then unplug the computer *and* the monitor from the surge protector. That way there's no way for a power surge to cause problems or someone trying to break into my computer. It seems to be an effective solution so far.
I haven't looked into online writing classes (mostly because they seem to charge fees and I can't afford the fees). I try to learn not only from my own writing experiences, but also from other writers (like on this website). I've read some absolutely amazing stories here. If those writers aren't getting published for money, then there's something seriously wrong with the publishing sector. I'll look into the free courses on this website and see if anyone them might help me. I hope it won't be like when I was learning how to type and tried to use software that taught how to type: I already had my own way of typing and didn't want to have to scrap it to learn how the software wanted me to type. I stopped using the software (except for the typing game) and went back to typing my way. Turns out, I taught myself how to touch-type based on how I played piano. I didn't actually know where I'd borrowed my typing style from until a friend's daughter asked me one day back in the early 1990s, "Do you play piano?" And I said, "Yes. Why do you ask?" And she said, "Oh! That explains why you type the way you do." My late grandfather also once said, "I don't know how you type the way you do, but you do." As long as it works, I'll keep typing the way I do.
I like European TV shows usually much better than American ones. With exceptions. I'm not a fan of "Absolutely Fabulous", for instance, or "Fawlty Towers". But I do like "Monty Python", "Benny Hill", science series like "The Day the Universe Changed" and "The Body in Question", as well as history series (Bettany Hughes has made some wonderful ones about Helen of Troy, Sparta, the Trojan War, the Minoans, etc.) and suspense series (not just from England, but also from France, Germany, and Italy).
I haven't heard of "Riverdale". To be honest, I barely watch TV anymore (unless you count videos on YouTube and live broadcasts on TV stations' websites). The only reason I have cable TV is because I couldn't get internet access from Verizon without it. Comcast does the same thing. Maybe it's different where you live. I hope so. I could live without cable TV, but I need the internet access (though I would be just as happy with broadband as I've been with Fios).
Hope you like MHz. If you aren't fluent in the language of the TV series, they should have subtitling in English. Of the ones I liked most, here are some recommendations: "Don Matteo", "Montalbano", "Young Montalbano", "Detectives", "A Case of Conscience", and "Van Veeteren". There are other series that I wasn't as big a fan of, like "Wallander" (the Swedish version with English subtitles seems alot better than the English version starring Kevin Brannagh as Wallander), "Martin Beck", "Brunoletti" (I think that's its title; it takes place in Venice, Italy), and "Spiral" for instance. But you might like them better than I do. There's also "The Bridge" (which I think went for three seasons), which is in Swedish and Danish, with English subtitles. I think that's on at least one of the online streaming video websites. The female detective is supposed to have Aspergar's Syndrome (like I do), but the actress in an interview called it a "problem". It's not a problem if you've had it all your life (like I have). It's like being male or female or transgender or whatever; it's just how you are. It does sometimes make it difficult to interact with others, depending on where on the autism spectrum you are. Some are high-functioning (like I am, my father was, and my two older brothers are), but some barely talk and it's hard to communicate with them.
Hope this made sense.
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I see what you mean. I can get really nervous sometimes about getting up in front of people. I guess some people were made for it and others weren’t. I think I’m semi-made for it. I used to love performing in front of people but was mostly a part of the background. I wish I could hear you play the piano. I love it when people play instruments really well. To be honest, I wouldn’t even notice if you were doing bad unless you went extremely out of tune. Otherwise, I would just be happy to hear someone play for me. Today, I was very nervous at school because we have a new lunch period and turns out, I don’t have lunch with any of my friends. I sat alone and was pretty bummed about it. Maybe I can eventually make a friend. I just know that the lack of communication during the day is going to take a toll on me.
Oh I completely agree! It’s so hard for me to tell someone that something they did is wrong. I can locate what they did wrong in my head but I’d rather not tell them because I feel like it’d hurt their feelings or make them mad that I’m giving them advice on their work. Sometimes I feel like they think they’re above me and wouldn’t like advice from someone who doesn’t seem like they’d give helpful advice. Does that make sense? Coming from me, I’d say that those writers would really like your help and appreciate that someone is taking the time to read their piece of art. I would love someone to do that for me. Someone on this website that helps a lot is Leo Greer. He never fails to give me good advice on my writing. And he does NOT hold back. It's an honest but true critique and it’s up to you to use it or not. I will say, don’t get angry when someone doesn’t use your critique. I know it can be frustrating but it’s best to know that they read and considered your help. With your unfinished stories, I can relate way too much to that. I always end up deleting or hiding stories that I feel weren’t good enough. I have tons that are just sitting in Google Docs. Do you ever have a story where the beginning is so good that you don’t want to ruin it with an ending that you haven’t put much thought into? I have an unfinished story “Beau” and I love how it’s turned out but I’m not too sure how to end it :(
At least you *can* cry. It’s good to know that toxic masculinity doesn’t fuel your ego and you’re not too afraid to cry, even by yourself. You know? I'm very sorry about your losses and wish I could do more than send you a virtual hug! I feel like you’ve gone through some tough times, and it’d help if Covid wasn’t around and you could have a real-live person to warm up the room you’re in. Never be afraid of being too open to someone. It really makes me happy when someone tells me their true feelings. It lets me know that they trust me and I have someone that maybe plans to be around for a while. I know that not all people are like that so I just want you to know that it really makes me happy when you’re honest about your feelings to me. I wish you the best.
Wow, I would have been very proud to have had my story read aloud to the class. I’m always fearful of reading my work in front of people or answering a question that I know. I have five-minute battles everyday where I have to decide if I want to answer a question with the risk of my face getting extremely red or remain quiet while my teacher stares into my soul. As you can see, it’s a difficult dilemma. BUT, that’s good that you’ve learned how to protect your computer and everything. Speaking of that, I’m in a cyber security class right now haha.
Yeah, I’m not sure why some writing classes charge fees for people to learn how to write. We need as many good authors as we can have! Why charge people to become good at doing something they love? *cough* *cough* The people who charge my family 400$ a month to learn how to ride horses (I got the news that I’m going to have to quit horseback riding...pretty sad about it.) Anyways, I also see what you mean about not wanting to change something that you already know how to do. If the writing classes on Reedsy don’t help, that’s probably why. Luckily, I was just learning when I took them so they helped pretty well. I didn’t have a full layout for how I was supposed to write. I will say, they wanted me to be more organized while writing, but that’s just not my style. I don’t plan out my stories ahead of time. Like Stephen King said...I just throw my characters into conflicts and watch them work their way out! I’m pretty sure he said that…
Hmmm. Interesting. I may need to look into these European TV shows.
Okay, thanks! I also don’t think people with autism or other things like that have a “problem.” That's honestly pretty rude! I would never refer to that as a problem, and seeing how intelligent you are, it’s far from it.
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Maybe someday I'll post some of my piano music on YouTube. Right now, there is a keyboard composition, "A Bremerton Christmas", on YouTube (complete with a slideshow; the slideshow was created by me about 10 or 12 years after the music was improvised and recorded). It's 47 min. long, in case you don't like long pieces of music. I've been thinking of maybe creating another slideshow to go along with another one of my keyboard compositions, but when I tried to do that last month, the software was different (from the software I used to create the first slideshow) and a little hard to use, so I gave up. I'll have to try to find the earlier software (if I still have it on my computer's hard drive) and then create another slideshow with it. I think it's called Windows Movie Maker, but I'm not sure.
I also hope that you'll make new friends at your new lunchtime at school. I've never had a lunchtime changed to a different time of the school day. The worst one was in 7th grade: I was stuck in the 10 am lunchtime (which seemed rather silly at the time, since it was two hours before noon). My parents probably wondered why I was so hungry before dinnertime on school days. But when breakfast is around 6:30 in the morning, lunch is at 10 in the morning, and dinner is at 6 in the evening, eight hours is a long time to wait between lunch and dinner when you're only 12 years old.
I've never heard of Leo Greer. Maybe you could refer him to my stories. I hope he's a polite (but honest) critique-giver.
I hope you finish your story "Beau". I'd like to read it.
I think I've always been able to cry, even though I'm a guy. But there were always situations when people wouldn't like it when I cried and would tease me and call me a sissy. Even my female best friend said once, "Oh, don't cry, please." She wasn't being mean about it. She was getting ready for a three-day train trip (Seattle to Los Angeles) and I started crying. I knew we'd have to be apart again, but I think I really wanted to go with her. She finally said, "I guess I can finish doing my trip preparations tomorrow instead." And then she thought of something really nice that we could do together.
I've been on train trips with her to Vancouver, BC, as well as to Portland, Oregon. The one cross-country train trip I took (in 2016) was by myself, but I'm glad I took it. It was much nicer than being on a plane (less cramped and plenty to see outside the train during each day). I've also taken Greyhound across the country (in late December 1998) but I'd rather be on a train instead.
I think I get far more nervous being in front of a group than you do. Raising my hand to ask a question or to give an answer isn't hard. But speaking to a group of people? No thanks.
I hope your cyber security class teaches you a lot. I'm not *that* security conscious, though. I do try to use scrambled-up passwords whenever possible (even when sometimes those passwords are hard to keep track of and sometimes the websites tell me that the passwords aren't valid; so I have to create new passwords for those websites). And I'm still using Windows 7 (not Windows 10). From what I've read about Windows 10 since it went live in 2016, I've become more and more reluctant to upgrade to it. I have Norton 360 for my internet security and it gets renewed every year, so I think I'm okay there. But Windows 10 looks more and more like a disaster area to me. Microsoft even fired their in-house testing group and (no joke) apparently depends on their users (people like you and me) to find bugs and report them to Microsoft. Since I only have one computer, I have no desire to have broken software code turn my computer into a useless "brick". Windows 7 isn't perfect but it's been *far* more reliable than what I've heard about Windows 10.
If, like with mine, the course is at a university, then yes, you have to pay for it as part of your tuition. If it's somewhere else (online or at a church or at someone's house or a meeting room somewhere), then I really think they shouldn't charge for it (or at least not much).
Sorry that you had to quit your horseback-riding class. But at $400/month ... I can understand why you had to. That's way too much, in my opinion. Good grief ... that's $4800/year! That's as much as a year's tuition at an in-state college or university was when I was in college (1987-1991).
I've read Stephen King's books (not all of them, though) and seen some of the movies adapted from them. The one book that grabbed my attention the most -- I only read it once but I doubt I'll ever forget what I read -- is "Dolores Claiborne". If you read it and it doesn't grab you from cover to cover, then maybe you didn't understand what it's about. It's not easy to read (not complicated, but very vivid and emotionally complicated sometimes), but worth reading, I think.
If you can afford $7/month, MHz.org lets you watch all the non-American suspense TV series that you want to watch. Unfortunately, they also can choose whether to remove some of the episodes of one series to make room for more episodes of another series. They did that with "Don Matteo" and I was rather upset about it. I liked that series a lot. Maybe someday, when I can afford to, I'll start collecting on DVD the series I liked watching on MHz, starting with "Don Matteo" (Italian w/ English subtitles), "Montalbano" (ditto), "Young Montalbano" (ditto), "Detectives" (French w/ English subtitles), "Frank Riva" (ditto), and "Van Veeteren" (Dutch, I think, w/ English subtitles). And then expanding from there. Plenty to choose from. There's also "The Bridge", which is in Swedish and Danish, with English subtitles.
There are different kinds of not just autism, but also Aspergar's Syndrome (a kind of autism). Mine apparently is Aspergar's Syndrome and is in the "high-functioning" part of the autism spectrum. My father was the same way and so are my older brothers. I'm not sure if my mother is, but she certainly seems like it sometimes. There's also autism where the people can't talk (or don't want to) and sometimes get really emotional when they're frustrated. I can only imagine how difficult it is for the parents of children like that. I mean, it's already hard enough dealing a newborn baby and raising it to adulthood, but to have that baby be autistic as well ... God bless those parents who don't give up. Some parents won't let their children be vaccinated because they think (erroneously, I think) that the children might become autistic after getting vaccinated. I don't think that the parents understand that autism doesn't just happen one day after the baby's born. I think the baby has to be *born* with it. It's not like Alzheimer's or dementia, which can happen to some adults even if they were normal when they were babies. I hope this made sense to you.
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Hi Philip,
This is a cute coming-of-age story. :)
I spotted one typo..."the Adirondack's in *update* New York State." should be upstate.
I don't really have much critique on the style, except there was one sentence I didn't understand, "Rather than lying down on the sled as it lay, a third over the edge of the starting area, the rest flat on snow ground, we sat upright."
I also wondered more about Claude's motivations for the change, and whether Monique might be able to explain that better. But overall it was a light-hearted, sweet story.
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I'm glad you liked it.
Oops. Another typo to fix. Thanks for spotting it and letting me know. I'll go change it in my offline version now. Brb. Fixed it. Again, thank you for telling me about it.
If you read my response to the previous responder's message, I explained as best I could the inspiration and location that I borrowed from (it's not in upstate New York in real life, as far as I know).
I was trying to describe (and not quite getting it right) what it's like to be sitting on a sled at the top edge of a slope. Where the top is flat, but the slope goes down at a roughly 45-degree angle (or maybe steeper). The sled was partly on the flat top area, and partly jutting out horizontally above the slope. I tried to "draw" with text what the sled, top area, and slope looked like in my imagination, but after saving the message, everything just gets pushed over to the left margin. I'm going to add periods to fix the formatting; please ignore the periods; they aren't important; they're just there to prevent the automatic left margin justification.
..........................................................----------- (sled)
.................................................................----------------- (flat top area of mountain)
............................................................../
............................................................/
........................................................../
......................................................../ (slope continuing downward)
The above should work this time, even if it looks a little weird with all the periods.
I did want to leave some things unsaid. Claude's motivations, for instance. Not just where he and Abbey were concerned, but also what his personal life back in Quebec was like. He might have been born transgender, and spent most of his childhood acting like a boy, but becoming more and more unhappy with that and wanting to be a girl instead. But, being an introvert (like his author) he was more likely to keep it to himself, not even telling his parents until the day he wanted to make the changeover (male to female) as permanent as possible. I can only imagine what that "discussion" (more likely an argument) might've been like. Probably not that different from the one between Grace and her stepmother (see my story, "Grace Under Pressure"). Some people think that the exterior (appearance and/or behavior) is the real thing, while the interior can't be seen and might be denied by those who don't want the person to change. They want things to stay the way they've been. But the person is tired of being a fake, and wants the exterior to become equal to what the interior is like.
Also: The story's title explains that there were things that Claude thought were fairly obvious, but apparently not as much as he thought. And his feelings for Abbey (and hers for him) were hidden in plain sight (not just from each other but from themselves). When Claude became Monique, she was worried that Abbey's feelings (if they were the same as his feelings were for her) might not be the same as if they were still of opposite genders. Abbey probably wasn't 100% sure yet of how she felt about Claude/Monique at the halfway point of the story (when Abbey is 17). She probably liked him, but was she ready to take the next step and fall in love with him? Maybe that was partly why she went back to the resort in upstate New York. To see if her feelings were still at the "like" level, or if they'd evolved to the "love" level. Besides, Claude could've found someone else in the meantime and fallen in love with them. Going back to the resort was a bit of a risk for both Monique *and* Abbey. They had to find out where their feelings for each other were and whether they wanted to just stay friends or become more than friends. They could either keep their feelings hidden inside themselves, or express them openly. I've been in situations like this over the years, but with the opposite gender (since I'm not attracted to my own gender).
I hope those two paragraphs made sense to you.
It seems that the less I "tell" in the story, the more I end up explaining in messages to readers who ask about what was left out of a story (sometimes due to length reasons (because I can't go past 3000 words, unless I add a sequel or multiple sequels) and sometimes to keep something unsaid that the readers could think about without my having to tell them exactly what wasn't said).
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