Like a camphor box closed with a cracked lid. That’s how I feel right now. An amorphous lump at the core.
There are strangers in the living room. They have not stopped coming since morning. Brother is dealing with them. All I care about is our baby in my arms.
“Men from the plains are nothing but trouble,” Ma had warned me while she combed my hair.
“Even the ones in uniform, like Brother?” I had countered.
“Especially the ones in uniform,” she had pulled my hair tight and tied it into a bun.
It didn’t stop me from offering you red tea when my brother brought you home. He said you were posted to Daporijo with him. I knew you were classmates at school and coursemates at the academy.
You looked nothing like trouble.
Ma and Pa will not be able to make it. Your parents are long gone. Thank God.
My brother comes in. Your commanding officer’s wife who is sitting next to me moves out. Kind lady. But I don’t need kindness now. All I need are answers.
“It’s time,” he says. His eyes are red-rimmed; His shoulders a downward arc.
I pick up our three-month-old girl, swaddled like a bunny, too young to ask questions. I should be brave, for her sake, I tell myself, again.
I come to the living room of this 2-bedroom captain’s quarters. From the corner of my swollen eyes, I can see it is packed with people. My other senses have stopped working.
It was not a bullet. It was a motor bike.
A single blow of fate that sends me back to the hills.
I came to the plains in your arms with our daughter in my womb. I return with our daughter in my arms with you in my spirit.
***
There are grounds sheltered by bamboo near my village. That is where my ancestors lie. Their life energies, once walking on this soil are the ones that feed the bountiful crops now.
I work in the paddy fields with our daughter tied to my jig-jiro. I sing lullabies to her as the streams gurgle through the irrigation canal.
She grows, with the milk from me and my sisters. She has your eyes and smile. Her feet toddle along the length and breadth of the beaten bamboo floor; In a zig-zag, like the patterns my mother weaves into her shawls.
And soon, she runs with the strong lungs of my people and the long stride of yours. The hills have everything to give, but they challenge the ones taking without giving. Too many from the plains don’t know that. I wonder if our daughter knows.
Brother comes home during holidays. Without his city wife. Thin air doesn’t suit her. Ma and Pa say both their children have lost their way. They rue the day they sent him to boarding school. I don’t.
Our daughter plays at his knees and laughs. He looks into her eyes and cries.
“She needs more than hills,” he says as I fetch him a mugful of rice beer. The sun bleeds down on Kile Pakho.
“She grows up where I stay,” I rebut.
“Have you found no one yet?”
“She is all I need.”
He looks into my eyes, dreading the tears. There are none. Why should there be? It may be my ancestors’ energies that keep the food on the table, but it is yours that keep me alive.
My brother takes me and our daughter to his cantonment quarters. He enrolls her in a playschool and me in a baking school.
I wish Ma and Pa made an effort to meet their daughter-in-law. She adores the weaves I wear, puts them on the designs she makes, and speaks a smattering of tani that makes my brother blush.
The way you made me blush when you went down on your knee, took my hand, and asked, “Will you make me a hungry man?”
***
Dawn-Lit has made a name for itself in this part of the town. It took me years to make this patisserie what it is today. The years that threw me in a whirlwind of peoples, languages, failures, and betrayals.
You will be happy to know we made it. Our daughter will be home on her winter break from college today.
I leave the shop early to my young assistants. They hand me a chocolate-orange stollen on my way out. Her favourite. See, I have learned to pick my people well.
Popcorn runs to the porch even before the car reaches the kerb. Brother doesn’t come in; he has to go someplace. She gets down and lets out a peal of laughter as Popcorn jumps at her. Do you hear that?
Throughout the years she has brought you alive in a million ways. But her laughter is the one that used to be mine, so loved by you. I could never laugh the same way after that day.
She polishes off the stollen after a hearty dinner of bamboo rice and fish with a dash of tapyo. Brother says she got the best of both of us. I couldn’t agree more.
However, I find her slipping through my fingers; not alarmingly, but in the most natural way. She is at least ten times smarter than I was at her age and twice as charming as you were. Well, I just said that to make you sit up. No one can be as charming as you.
After watching our favourite rerun of Tom and Jerry, she doesn’t stay back on the couch to browse through the old albums. She thumbs through her cell instead. Her eyes twinkle and the corners of her mouth spread in a smile.
I fear she has met her trouble.
She kisses me goodnight early and goes into her room.
I try to watch television for some more time, then turn it off.
I reach for the light switch, stop and pull out an album. I flip through it backward and stop at the first picture. My favourite one, shot by Brother on the day of Myko. My cheeks look redder than my skirt and your eyes hold the sky reflected by my blue beads. I close my eyes.
My mind throws up images held together like slats of a freshly woven cane basket. Me leaving Ma and Pa seething behind to be with you- You making me feel like a queen when I carried our baby in me- Our little fights when our girl kept us up at nights-and me crying over the news you gave me on the night of our first anniversary.
You had to go to the hills the next day. Not to my parents’ home. But to the outpost close to the border.
It was nearly midnight. You said it will be all right. You will be back soon. Your palms cupped my face as you looked into my watery eyes.
I was upset. I don’t remember the kiss.
I wish I did. It was our first anniversary.
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48 comments
So, I've noticed that you comment on many of the same stories that I comment on, and I felt like it would be a good idea to read at least one of your stories. I am so glad I did. The lyrical, evocative texture of your writing is undeniable. This beautiful, heartbreaking tale is infused with hope and power. The prose is extended poetry, and I could feel the MC's pain, anguish, and resolve throughout the tale. This is what heroism really is, and you did a masterful job of showing us that heroes are quiet and strong, despite their terrible los...
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Hi Delbert, Thank you so much for taking time to read and leave such a wonderful comment!
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There's a line that summarizes the story for me: "It may be my ancestors’ energies that keep the food on the table, but it is yours that keep me alive." The husband is dead but never forgotten, and because of the narrator he really does remain present. She has no interest in remarrying because for her, he's not really gone. But the line plays double duty, because the daughter is a sum of those energies too. It's not just the narrator that sees that, but Brother too sees his friend in her. But then, the line does *triple* duty, because t...
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Thanks Michal! You have analysed and summarised beautifully. I'm relieved you found it touching. I'm usually 'have an outline in mind and hit the keyboard to see where it takes you' kind of writer. And that makes me a bit insecure when I end up with a story heavy on emotions. Thanks for highlighting missing word too. I've made the correction.
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Congrats, Suma! I'm sure many of us here will relate to that insecurity, but the risk definitely paid off here :)
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Thanks :-)
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This is now one of my favorite stories. Honestly, I nearly cried. It's heartbreaking, yet woven in a lovely way. It reminds me of a flower blooming in a harsh landscape. Something beautiful amongst the sorrow. I think my favorite line was, 'The way you made me blush when you went down on your knee, took my hand, and asked, “Will you make me a hungry man?”'. Thank you for writing this, and more than that, thank you for sharing it.
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Thank you Smriti for your lovely comment. I'm glad you found it moving.
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Both sad and romantic. Beautiful use of 2nd person narrative. I really enjoyed reading this.
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Thank you for the read and kind words.
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This is so intricate and subtle, the perfect way to portray a grief-stricken widow. I love the figurative language in the piece: -"Like a camphor box closed with a cracked lid" - "My mind throws up images held together like slats of a freshly woven cane basket." This is great as well: "I came to the plains in your arms with our daughter in my womb. I return with our daughter in my arms with you in my spirit." Your command of language is masterful, every word and pause intentional. I also like how the sentences are broken up, giving a feeli...
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Aww, I’m so grateful to know a few of my favourite lines struck a chord with you. The generosity with which you have heaped praises on my work has left me humbled. Thank you so much, Sophia!
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I thought the opening line was so perfect. It helped set the transportive tone of the piece. The line breaks were also well done. It felt like walking along the narrative. Great job.
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Kevin! You already how much your words of appreciation mean to me. Thank you so much for taking time to read and comment.
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"Ma and Pa will not be able to make it. Your parents are long gone. Thank God." Heart emoji. Well, pretend I put one on this advanced site. :)
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Thank you so much for your kind words.
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Congrats.
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Thank you.
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Welcome.
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I liked the delicately woven descriptions very much.
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Thank you for the read and comment, Jyotsna. I'm glad you liked it.😊
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Dear Suma, what a beautiful love letter this is. You present such a rich beautiful world to us with words, your words, and in a way I appreciate is distinctly yours. I feel honored when I read your stories. I feel I've received a special invitation to experience a very special place - which, of course, it is and I have. You have a beautiful gift that should be shared. Even the deep sadness and longing that you express is much too beautiful to miss. Congratulations to you, but even more, I send you thanks.
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Dear Susan, I am overwhelmed with gratitude by such a heartfelt and beautiful comment. Thank you so much!
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Poignant, touching, a lifetime in a beautifully embroidered fabric. Can't add to the comprehensive comments below, but this is gentle, lovely, and simultaneously sad and uplifting. Well done.
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Thank you so much for such a generous and thoughtful comment, Laurel!
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Such a powerful, haunting tale. I love the way you've styled this as a love letter to the departed. It's absolutely packed with emotion and colourful characters. Fantastic work!
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Thank you so much for the reading and commenting, Daniel. I truly appreciate it. I'm thrilled you found it powerful. I absolutely loved the story posted by you this week!
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This is just beautiful! This kind of love, calm yet passionate, sweet yet leaves you gasping for air... you captured it so, so well. One of the things I love about your stories is that there's open-mindedness and tolerance of all Indians. Very inspiring and admirable. Needless to say, my favourite thing about this story is the poetic prose. Well done you!
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What a lovely way to put it, open- mindedness and tolerance, that's the best take away from my work I could ever hope for. Thank you! Thank you!! Rama for such a thoughtful and fabulous comment.
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My pleasure! It comes through very clearly and consciously, and it's admirable to me! I love that you don't only promote this as a writer but also by being a teacher who influences young people's minds :-)
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The arms of your prose have wrapped themselves tightly around me once again. I am not sure how you do it, but I am so glad you do. Amazing really doesn't describe it.
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Aww. Thank you so much for such a wonderful comment Wally. I truly appreciate you taking time to read and comment.
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Big mistake on my part to read this story right before going to bed, because now I'm going to be awake all night thinking about it. Well, live and learn, right? 😅 Really, though, the prose for this one ranks among your best, Suma. There's a poeticism, a musicality, to the language (see: the opening sentence). Feels like every word was deliberately chosen, like you stripped every unnecessary bit of narrative fat possible to create this. And the thing is: That made this seem like it was almost a Creative Nonfiction piece. There's so much hone...
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Zack, Receiving such high praise from you means so much. I can't express in words.😌 A fragment of this did happen in real life. When I was very young, a young mother from a tribe married to an army officer lost her husband tragically. They lived just across the road and it did affect me deeply though at that time I was too busy to be friends with her. But her image with a young baby strapped to her shawl as she treaded her garden during sunrise is imprinted in my mind. Thank you Zack. One day I hope to find suitable words to express my grati...
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Was hoping to see this get its recognition today. Glad to see that's the case. Congrats, Suma! Another very well-deserved shortlist.
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Hey Zack, Thank you so much. Honoured to stand alongside you😊
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I really enjoyed the creative structure of this one, this woman's almost dreamlike, from-the-heart soliloquy to her dead husband. The narrator seems sad and a bit distant, but also strong and resilient. Your descriptions are so immersive and beautiful. Especially loved these lines: "I came to the plains in your arms with our daughter in my womb. I return with our daughter in my arms with you in my spirit." "My mind throws up images held together like slats of a freshly woven cane basket." Lovely writing as usual. Ps. And love the new pic...
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Aeris! Thank you, twice, for your wonderful comment and compliment 😊 I'm glad you liked the structure and the descriptions. I shall keep experimenting with different genres and structures. Hope to catch your story this week!
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Ahh bittersweet, my favourite! There are some beautifil parallel structures here Suma that help the writing to really sing. These are two of my favourites: I came to the plains in your arms with our daughter in my womb. I return with our daughter in my arms with you in my spirit. "And soon, she runs with the strong lungs of my people and the long stride of yours." It gives the piece a lovely lilting ebb and flow effect, like a tide, with the emotion and the tug of the past always breaking. Just so moving. Well done.
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Hi Rebecca! Thank you so much for such heartfelt and high praise. It really made my day 😊
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Well done on the shortlist Suma; I loved this lyrical piece. More please!
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Thank you, Rebecca. Proud to be sharing the podium with you!
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Whew this one gave me chills, Suma! What incredible an evocative storytelling. Your language is so descriptive and the non-linear storytelling is effective, leaving us heartbroken in the end. You use a wonderful voice here. It is beautiful.
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Gosh, such a lovely comment! I'm glad you found it touching and the non-linear narrative worked. Thank you so much, Anne!
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This is incredible! Such a descriptive look at the beauty and life of what I believe is the Apatani culture? I didn't know that organically, but I was so interested while reading the story, that I had to look it up right away. As a love story, and a story of grief and family, it completely stands on its own as a masterful work. However, the glances into the life of one of the world's oldest cultures make it marvelously compelling. Thank you so much for sharing this!
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Thank you so much for such high praise. It's truly humbling. Yes you are correct. It's the Apatani tribe.
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Congratulations on the shortlist - the judges were so right about this one!
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Thank you so much for your kindness and warmth, Wendy.
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