When Lucy returned to the stage, she wanted to tell Andre how much she'd enjoyed seeing him in the role of Romeo, then she'd speak to Dominick. But she didn't see Andre.
Maybe he was in the dressing room downstairs? No. She was just there; she would've seen him.
Maybe he'd left the Underground Theater and was waiting for her, outside the front entrance? She went to look. He wasn't there, either.
This just didn't make any sense. When in doubt, ask Dominick.
She walked over to where Dominick was, talking with the actor who played Friar Lawrence.
“I thought that that went rather well,” the actor told Dominick. “Even without Frank.”
“Andre did a far better job, Ken,” the latter said, not looking too happy at the mention of Frank. “In fact, I was thinking of keeping him on for the rest of the season.”
“Speaking of Andre,” Lucy interrupted, “has anyone seen him?”
Ken nodded. “I saw him talking after the play with a silver-haired woman who'd been in the audience. They seemed to know each other, so I didn't think twice about it. They left the theater a few minutes ago.”
Dominick stared at him. “He left with her and you didn't think to tell me until just now?”
Ken looked unhappy. “How was I supposed to know I had to tell you about it? I'm an actor, not a spy.”
Dominick sighed and fumed.
“Do you know which direction they were headed in?” Lucy asked Ken.
The latter nodded. “They headed for the front entrance.”
“I already looked there,” she said. “I didn't see anyone.”
“Maybe they're already gone to wherever they're going,” Ken suggested.
“Where would that be?” Dominick asked.
Ken shrugged.
“Wonderful, just wonderful,” Dominick said. “Now I need someone to take Andre's place tomorrow night.”
Andre, where are you and where are you going? Lucy thought. Why did you leave with that lady? Who is she? Someone from where you originally came from?
“Is the theater office still open?” she asked Dominick.
The latter nodded.
“Good,” Lucy said and hurried away.
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No one was in the theater office when Lucy arrived there.
There were several desks with computers, monitors, and keyboards on them. She picked one at random and sat down at it.
“I hope I don't need a password to access the Internet,” Lucy whispered as she clicked on the browser icon. The browser window popped open. “Thank goodness.”
If you're an android, you would need to be built somewhere. But where? And would it be something you'd find on a public map, or a location kept secret from the public?
She went to her favorite search engine's website and entered: android design and manufacturing.
Hopefully, the results wouldn't just be from science fiction sources. Maybe there would be something from real life.
The results showed up soon after and she skimmed through them. They were unfortunately all from science fiction sources. Of course. Who would want to make designing and building androids public knowledge?
She leaned back in the chair and tried to think. As she did so, Ken arrived.
“I was about to head home,” he said. “Are you doing some research about Shakespeare's plays?”
Lucy shook her head. “Actually, I'm much more interested in androids. Know anything about them?”
“Only that they're mostly fictional,” Ken replied.
She looked at him. “Mostly?”
He nodded. “The government probably would hide the fact that they're interested in androids. Like they tried to hide Area 51 from us for so many years. Rather like a dog trying to cover up a mess it made on the floor. It just makes what's hidden even more obvious to anyone with eyes and a functioning brain.” He gave her a puzzled look. “Why the interest in androids?”
Lucy wanted to tell him the truth but wasn't sure if it was safe to. Maybe a half-truth would do instead. “My grandfather used to work in a factory. Today, though, they'd probably use robots instead to do his job. But why would someone want to design and build something as complicated and probably very expensive as an android?”
Ken looked thoughtful. “The government is always planning ahead. Sometimes at least two or three decades ahead. An android might have advantages we're not entirely aware of. If they've designed and built at least one of them, maybe they're testing them. Seeing what they can do or can't do.”
“Such as interact with humans like us?” she asked.
“I'm not sure that they'd want to take a risk like that,” he replied. “It's like when they first designed, built, and tested robot-driven vehicles. Some worked fine, but most had problems that needed all sorts of fixing. Mostly in computer code. An android would be far more complicated than a robot-driven vehicle. Depending on how far technology has progressed, an android would be able to walk and talk much as we do. They might even look just like a human. But they'd never let one of them out into any public areas.”
“Why not?” Lucy asked, interested.
“Too unpredictable,” Ken replied. “We learn how to react to all sorts of things. Imagine a poor android encountering things for the first time and having to learn to adapt. It would make all sorts of mistakes and that might make its thinking even more unpredictable. It might decide to attack someone for what seemed like no good reason.”
“How do you know so much about this?” she asked.
“I read science magazines,” he replied. “There's usually at least one article on robots and androids in each issue. It's amazing how far technology has come with robots. Imagine what could be done with an android, if they could be designed and built to act like us.”
Lucy thought about meeting Andre at the Underground Theater's front entrance. About his interaction with Dominick. About having dinner with him before the play. About seeing him playing Romeo on the stage. He had seemed far more human than android to her.
“Anyway,” he said, “I have to head home. My wife isn't feeling well and the caretaker will be heading to their home in about half an hour.”
“One more question,” she said.
“Make it short and quick,” Ken said.
“Where would you hide a building that had a factory inside it?” Lucy asked.
“Anywhere, really,” he said. “Not necessarily on the ground. It could be underground, for instance. Gotta run. See you tomorrow, Luce.”
“Seeya, Ken,” she said and waved. But he was already outside the theater, one of the front doors closing behind him.
How carefully would the government hide such a building? You probably couldn't see it on a publicly available online map. But what if people had seen something unusual and reported it? What if they even took photos of it and posted them online?
Lucy went to the Reddit website and looked up: secret government building locations. It'll probably come up empty or have a warning, telling me to back off. I shouldn't even bother. After all, Andre's just a machine. Machines don't have feelings.
The results came back. Mostly conspiracy theories. But she spotted one that looked promising. It was way way way down the list of results. She clicked on it, and a new window popped up. Someone had already left a message:
The government is yet again trying to hide what it's doing from the public. First, it was Area 51 and everything that's taken place there. Now it's androids. Who do they think they're fooling? Of course, some of us are going to get curious and want to learn about it, no matter what the risks might be. It's like trying to hide Mount Everest behind an anthill: utterly pointless.
There was a reply:
I'd be careful. Very careful. You don't know if they're watching everything you say and do. Of course, there are secret installations. Some eventually become public despite decades of attempts to hide them from view. But there are others that are still hidden.
And another reply:
If you're so smart, smartypants, where would you hide a place like that, huh? A building isn't an anthill. Even if it's underground, it needs some connection to the world outside it. Electricity, running water, natural gas, phone lines, and internet connection. Not including regular shipments of food and drink, and someone to do their laundry for them.
And still another reply:
Ever been to the national forest in the mountains about an hour outside of Dandridge? The national forest named after her? It's completely walled off with fences that have barbed wire across the tops of them. Guard towers. Jeeps that appear without warning. Helicopters doing detailed aerial surveillance. If you don't have clearance and permission to go there, forget it. They're liable to have itchy trigger fingers and shoot first and ask questions later. I've probably said too much here. Have to go before someone sees me here. Be careful, okay?
There wasn't another reply from whoever was leaving the messages.
That … was interesting, Lucy thought.
Maybe Andre had somehow escaped from such an installation and tried to hide here in Dandridge. But they tracked him here, anyway. That lady might even be his boss there.
I need an off-road vehicle. A pickup truck. An SUV. Something that can handle where there aren't any roads. Can't afford to rent one and my parents probably wouldn't let me borrow theirs.
She picked up the phone on the desk and dialed a number.
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Ken met her at her house a few hours later when it was dark. She saw that he was wearing dark clothing. He suggested that she dress similarly. She did so, wondering if he was just being overly cautious, or if she hadn't been cautious enough.
“I shouldn't even be letting you do this,” he said softly. “I could get into a lot of trouble.”
“All you have to do is drive me there, drop me off, and then head back home,” Lucy said. “If I get caught, I'll tell them that I wanted to hike in the woods. That I didn't know that they were off-limits to the public.”
Ken didn't look convinced.
“Look,” she said. “What if I promise to just look from your vehicle and not go any closer to the woods than that? Do you have a pair of binoculars?”
He nodded.
“Could I use them?” Lucy asked.
Ken hesitated, then nodded again. “This isn't some game, you know. These people are dead serious about their jobs. I don't want to end up dead. I don't want you to end up dead, either.”
“Understood,” she said. “But I have to know what happened to Andre. This seems to be the most likely place for that lady to take him to. Maybe that's where he came from.”
“But Andre isn't an android,” he said. “He's human like us.”
“Sorry to disappoint you,” Lucy said, “but he told me himself that he's an android. If I believe him, why can't you believe him, too?”
Ken sighed. “We'd better get going.” He looked up at the night sky. “Good thing there's a new moon. I would never have agreed to help you if there'd been any moonlight at all.”
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They took the main highway out of Dandridge, then took the third exit and headed away from the highway. A secondary road took them through crossroads so lightly populated that if they blinked, they would've missed them. Ken turned off his SUV's headlights before driving away from the secondary road.
Now their path was very bumpy, to say the least. Lucy was grateful for the extra safety belts, but she wished that the seat she was sitting on had better padding.
They drove across a few streams, getting closer and closer to the national forest and the mountains beyond them. The trees seemed to grow taller the closer they approached. Almost like a fence that was at least a hundred feet high, with branches covering the top half of it.
This was about as far as Lucy had ever gone from Dandridge, even when camping with her parents while she was still growing up.
“You've been here before,” she said quietly.
Ken nodded. “Not recently. I almost got grounded when I came out with some friends back when I was in high school. The government sent people to the school, warning the school to keep its students away from the national forest. They never explained why except to say that it was very dangerous and that they didn't want any of the students to get hurt. Not even accidentally.” He hit the brake pedal and his SUV came to a stop. “This is about as close as we can get without getting anyone's undivided attention.” He pointed ahead of them and then off to the right. “There's a gate up there. Luce, I really don't think you're going to find out anything if they're determined to keep it from you. You'd need a pass just to get through the first gate. I'm not sure how strict they get after that.”
“We have to get closer,” Lucy said. “Can we come at this national forest from another angle? Or is it like this on all sides?”
“The latter,” he said. “You did say you promised you wouldn't leave my SUV.”
“I did indeed,” she said. “And I aim to keep that promise.”
“No matter what?” Ken asked.
“That depends on what we're able to see or if we can't see anything,” Lucy replied.
He sighed. “Luce – you're still treating this like a game. It isn't one. I told you that already. Let's go back to town.”
She grabbed his binoculars and got out of the SUV. “I won't be more than a minute. If I get caught, I came here alone. That's my story. And you get back home as soon as you can.”
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Keeping as low as possible, Lucy made her way up to where Ken had pointed to the right. Through the trees, she could just barely see the gates. They were definitely guarded. Not just by soldiers on the ground but also by guard towers.
What would they need to defend that they went to such lengths to defend it? she wondered. Andre, what in the world did you escape from, and why did they try so hard to take you back there?
Lucy laid on the ground and put the covers back on the binocular's lenses. Nothing to reflect if someone shined a searchlight or headlights this way.
She looked back, and Ken's SUV was still there.
I'd rather get arrested and possibly shot at than be left not knowing what happened to Andre, Lucy thought. Ken could just drive away, and they'd probably leave him alone. If they want either of us, they probably want me more than him.
A truck drove up to the gates. Its rear bed was covered with what looked like an overarching tent. There didn't seem to be anyone inside it except the driver and their passenger. The truck stayed put. Some sort of delay at the gates.
The best chance I've got, she thought.
Lucy got up but stayed as low as she could. She hurried toward the back end of the truck and climbed up its tailgate as quietly as possible. There was quite a bit of equipment stored in the covered rear bed. She made herself some room between two piles and tried to stay out of sight.
Moments later, the gates opened, the truck drove through, and the gates closed behind it.
At least I'm inside now, she thought. Or mostly inside. What happens when they need to unload their truck, though?
The truck drove along a rough road for several hundred feet, turned – she couldn't tell which direction – drove further, and eventually stopped.
I need to get out of here, Lucy thought. Now, if not sooner.
She climbed out of the covered rear bed and headed for a nearby barracks. She found a hiding place behind a bush near the barracks' front doorway and watched as the truck was unloaded. In the darkness, it was difficult to see what the items were.
“If they weren't so worried about spy satellites, we'd be able to do this in daylight,” the truck's driver or passenger complained.
“They're security conscious to a fault,” the other person agreed. “But if it keeps this place secret, then they must be doing something right. Where do they want us to take this stuff?”
“Into that barracks for now,” the first person said.
They passed within just a few feet of Lucy's hiding place, but lucky for her they didn't see her.
When the two people came back out, one looked like they were leaning back a little and rubbing their lower back.
“Damn, but that stuff is heavy,” the first person said. “You'd think they'd let us borrow the use of their precious android. After all, he's much stronger than any of us.”
“He won't be around much longer,” the other person said. “I heard that they're going to dismantle him and melt down the pieces in the furnace.”
“Another failed design, I guess,” the first person said. “Come on. Let's go. We've got another load to pick up and transport here. Have to get it all done by midnight so that they can use it first thing tomorrow.”
The two people re-entered the truck's cab. The truck backed up and headed back toward the gates.
Melt you down? Lucy thought, horrified. But you're a person, Andre! A real person! They can't do that to you … or can they?
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Oh yes! I was waiting for this :)
I loved this continuation and I loved how you portrayed Lucy :) Amazing job Philip!
*edits to come*
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It didn't quite turn out how I'd originally brainstormed about it ... I don't remember how long ago. Maybe it's a good thing I waited a while before writing the sequel. I knew some things going into it, but the rest probably surprised me as much as it did you.
Glad you're enjoying the series (okay, duology so far; but planning to extend it to at least a trilogy or maybe a tetralogy someday). Sorry for the long wait. Hopefully, it won't be as long for story #3 (which I haven't started brainstorming about yet).
Edits ... oh, of course.
I know one problem already and I don't quite know how to fix it: It's when the two unknown people unload the truck. I said one phrase twice (once in one sentence, and then again in another sentence). I wish I knew how to say it better than I did. Maybe you have some suggestions that could help me out?
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:) haha
of course!
Hmm...let me think...
First lets get grammar and stuff outta the way.
1) "But there are others that remain hidden." (others that remain cuts down so much and flows better)
2) "“Damn but that stuff is heavy,” (comma after Damn)
3) "They passed within just a few feet of Lucy's hiding place but lucky for her they didn't see her." (Comma after place)
4)"It was still dark and she found a hiding place behind a bush near the barracks' front doorway." (comma after dark)
5) "I need to get out of here, Lucy thought. Now, if not sooner." (I would italicize her inner thoughts...makes it easier to read and comprehend. and you have her inner monologue at other places, so sift through the story to find them :)
6)"Ken could just drive away and they'd probably leave him alone." (comma after away)
7) "She looked back and Ken's SUV was still there." (comma after back)
8) "The trees seemed to grow taller, the closer they approached." (remove comma - unnecessary)
9) "It was dark and he was wearing dark clothing." (comma after dark)
10) "She clicked on it and a new window popped up." (comma after it)
Alright, so for the truck problem...is it this sentence?
"The two people re-entered the truck's cab. The truck backed up and headed back toward the gates."
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Wow! That's the longest list of editing suggestions I've seen from you. Okay ... bite the bullet and deal with each one as best I can.
1) Okay. Goodbye to "hidden". Fixing that in my offline version (which I'll use to replace the online version). Reread that line and decided on a different solution: I changed "that remain hidden" to "that are still hidden". It's not that just that they're still in existence; it's that they exist *and* they've stayed hidden long after other places were revealed (and not by the military or the CIA). Hope this made sense to you.
2) Good point. I thought it worked better without the comma, but I'll add it.
3) Another good point. I'll add that comma too.
4) Hmm. Maybe the problem here is more than just a missing comma. Of course, it's still dark (it probably isn't midnight yet). I think I'm going to delete "It was still dark and", and then begin the sentence with "She". I went a bit further than that. I combined this sentence with the next one. I changed ". She" to "and". See if that reads better to you; it seems to read better to me.
5) I thought about that, but since the messages on the Reddit board were italicized, I thought maybe Lucy's thoughts could be kept un-italicized. Hmm. That's not an easy one to solve. It seems pretty clear to me when she's thinking (I usually say "Lucy thought" so that the reader knows these are her thoughts). If it wasn't clear to me, then yes, absolutely, I would italicize them so that it was clear both to myself and to the reader.
6) Good point. Adding that comma. Actually, if the secret military installation knows about Ken, then they would be far more interested in him than in Lucy, who is just someone who works at the Underground Theater in Dandridge. But Lucy incorrectly thinks that they would come after *her* instead of after *him*. Ken knows better, and maybe that's why he isn't telling Lucy as much as he actually knows. Which is something I hope to clarify in the next story (once I get it brainstormed enough and start writing it; not sure when that'll happen, though).
7) Good point. Adding that comma.
8) Another good point. Deleting that comma.
9) It might work either way, but I'll take your advice and add the comma. Actually, I made more changes to the first two sentences of this paragraph: In the first sentence, I added "after it was dark" after "later". In the second sentence, I started with "She". I should've fixed this before submitting the story late last night, but I was tired and that's when I miss most of these editing mistakes.
10) Agreed. Adding that comma.
These are the problem sentences: She found a hiding place behind a bush near the barracks' front doorway and watched as the truck was unloaded. In the darkness, it was difficult to tell what was being unloaded.
I mentioned "unloaded" twice, once in each of those sentences. So I decided just now to rewrite the second sentence a little: In the darkness, it was difficult to see what the items were.
It's still a bit vague, but that's intentional. She hid among the piles of stuff in the back of the truck outside the gates but didn't know what the stuff was It's dark so all she can do is feel around. It seems to be mostly metallic and with some seriously sharp corners here and there. She still doesn't know what all the stuff is and doesn't know if it has anything to do with Andre (it might, it might not).
Ready for your rebuttal.
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haha yeah it was a bit long.
1) Okay. makes sense!
4) It does read better...less clunky here
5) Understood. I usually italicize them just because it files away neatly in my mind but different people like different things!
6) Sounds good.
9) I like that edited version of yours better - it flows easier.
The rewritten sentence sounds better....although it's a little vague but I like that vagueness because then the reader gets to make their own assumptions about the way Lucy was viewing the world!
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Tried to have a long siesta on a warm afternoon and managed to spend half of it in bed. Woke up about 5-10 min. ago, so I'm still a little groggy.
1) Glad to hear it.
4) I probably would've caught that myself during the proofreading process, but I let it slide (and I shouldn't have).
5) The problem is: Sometimes the story's plot (or the author thinking aloud) sounds like a character's thinking and vice versa (and sometimes they're mixed together). Since I only have one online font (at this website) to work with, the only other option is bold-face and I already use that for another purpose. I would probably have to do some major rewriting to much more clearly separate what is a character's thoughts (even I already, "so-and-so thought") from the flow of the story itself. Even if I wanted to, I'm not sure I'm up to that right now.
6) Great.
7) More information on Ken and the secret installation (hopefully, without spoiling too much of what might happen next): In the next story (I was thinking about this while I was in bed this afternoon, trying to get some more sleep, plus some additional text while I was typing this response message), Ken seems to be making a phone call to someone inside the secret military installation:
Ken waited until the truck was gone. He was about to start up the SUV when his cell phone vibrated. He took it out of his front right pants pocket and answered, "Ken here. She's inside."
"Excellent," a woman's voice said. "The test is running quite well. Everything is nominal. Nothing unexpected."
"Are you going to let her make contact with the test subject?" Ken asked.
"Of course," the woman's voice replied. "That's part of the test. We're interested to see how much has changed in the android's internal programming since he was permitted to escape from here."
Ken sighed. "Artificial intelligence. The imperfect science."
"So many parameters to keep track of," the woman's voice went on, sounding pleased. "You've done your job admirably. Return to your wife. If she has any complaints about why you were out-of-town tonight, have her contact me directly."
"Understood," Ken said and ended the call. He started the SUV and drove back home. "Please be safe, Luce. And please understand that I was only following orders."
(etc.)
[Btw, I'm copy/pasting the above paragraphs to a text file on my computer, so that I can use them as the start of story #3 (whatever it's going to be called).]
9) Also, Lucy seems to be very computer savvy (especially about Reddit) to be someone who just works as an assistant at a local theater. I wonder if there's more to her than I'm currently aware of. Probably.
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Yay, I was waiting for this and it is amazingly written and I loved how you characterized Lucy. Well done !!!
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Glad you liked it. You weren't the only reader waiting for the sequel. So was Nainika Gupta.
I do wish, though, that Lucy were a little more three-dimensional. I really have no idea what her life is like outside of the Underground Theater. Where she lives, who her parents are (or were), if she has any siblings, where she was born (if not in Dandridge), where she went to grade school, where she went to college (did she graduate or drop out), etc. Maybe that's something that can be explored in future sequels (sprinkled here and there across them, like cinnamon and sugar on buttered toast; yum! I think I'm getting hungry; thankfully, breakfast is ready to be served).
Btw, one thing I've noticed with the 3000-word format and sequels; Sometimes it almost feels more like comic books (which I partly grew up on in the 1970s) than like chapters of a book. You have a limited amount of space (20 pages, if it's a comic book; graphic novels are usually much longer than that), but you also know that you can add sequels if the overall story isn't finished yet.
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It is fine, I really liked how she was portrayed.
Yeah, I love that idea :))
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I just don't want important characters to be overly two-dimensional (not so much flat as not fleshed-out). Not that I want to go to the other extreme and write seriously long backstories. No thanks. A happy medium somewhere in between too little and too much would be nice (I think Goldilocks would approve, as would a fortune teller).
When I submitted my very first story to this website either late last July or early last August, "Tea for Two", I honestly thought that *all* submitted stories had to be standalone. But over time, I kept seeing titles with the addition of "(the sequel to such-and-such)". Then I realized: "Oh! You mean I can add to the existing story, making the overall story longer? Cool!" And away I went. Vroom vroom!
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Yh, I also thought that stories had to be standalone and hopefully I will also have a series on here and some series don't even have to match the prompt nor do the stories, but then they don't get featured and I have some stories on which I have twisted the plot around and have not been featured; for example, my latest story wasn't featured because I didn't follow the prompt carefully and I gave it a cyclical nature, nevertheless, I enjoy writing in a cyclical nature and henceforth I didn't even change it lol :))
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Apparently, I'm a glutton for punishment. I have several series (at least) going right now. Some are just two stories for now, but the "Breaking with Tradition" series is up to nine stories (and the end of the overall story is still not in sight). It's nice being able to expand the overall story across multiple short stories. That way I don't feel so confined by just having 1000 to 3000 words to work with each time.
My stories get accepted on this website, but I've only been shortlisted once (and not even for a story that I liked). I keep hoping that *maybe* someday in the future I'll win the weekly contest just once. As long as I have one chance (out of however many), I'll keep trying. But take that one chance away from me and I'm likely to give up and go do something else instead.
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You read very fast.
Do you have any tips for getting through a book fast and not procrastinating reading?
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Sorry for not seeing your message sooner. It did a good job of hiding from me.
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I don't read anywhere near as fast I used to. When I was in grade school, I could read around 90 to 100 pages per hour.
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Not really. I just read from beginning to end (if it's the first time), and then when I reread, it depends on whether I feel like rereading the entire book or I just pick the parts that I liked best. If a book is nonfiction with plenty of different articles, book reviews, interviews, etc., then I can reread it in whatever order I wish (depending on if I want to reread it from beginning to end or if I just want to reread specific parts of it). I've done that with Neil Gaiman's "The View from the Cheap Seats". My only regret about his book is: I wish it was twice as long or that there was a second volume of it.
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Btw, I told my mother about the Z Library website (but didn't give her the web address). Would it be okay if I gave her the web address? I've already told her what she needs to do at the website before downloading anything. She has a Kindle (or she used to), so she'll have plenty of e-books to choose from.
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I agree before I used to read very fast mainly because I had the time and energy but now I am just exhausted and fed up.
You are allowed to tell anyone about this website, it is not mine and I had my older cousin recommend it to me. Don't worry about it lol :))
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I just wanted to be polite about it. I didn't want to share the website's address with anyone without asking you first. You've been incredibly generous (I'm not exaggerating here) referring it to me. It's like suddenly being given access to the biggest library/bookstore in the world. It makes me wish that all the books at the website were real and I could afford to buy them and store them all. If I could give you a sufficiently big enough hug to express how thankful I am, the hug would probably have to be at least the size of the Earth itself (if not larger).
I will happily refer my mother to the website and tell her how to create an account there (including the email verification part of it, which increases the daily download limit from 5 to 10). I think she'll love it as much - if not more - than I do.
I don't think I'm too tired to read faster. I've just gotten older. The 15-year-old who read "The Sword of Shannara" in 8 hours in 1982 is now almost 54 years old in 2021. Also, my vision has gotten progressively worse over the years (I've been wearing glasses since 5th grade or about 43 years now). It's harder to read paperback books than it used to be. I tend to prefer hardback books because the print is usually bigger and easier to read.
Lately, I'm even finding it hard to read in bed before going to sleep. Probably because I'm too tired (which is not a bad thing; I need all the sleep I can get, no matter how many pieces it comes in). So I make up for reading in bed by reading e-books on my computer screen. A most worthwhile exchange of medium and location.
Btw, the Z Library is the only website I've found that has such a huge selection of e-books for 10 daily free downloads. I've tried other websites and it surpasses them with ease. It's like comparing a local library (the other websites) with something that's the size of the Library of Congress, or the British Library, or the Vatican Library (the Z Library).
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That is fine. I am happy to help :))
find it hard to make time to read with exams and stuff going on and hopefully I will make time to read, nevertheless if I enjoy the book I will literally rush through it :))
I have never looked at any other website apart from Z-library mainly because I never actually needed to :))
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Sometimes I am in a rush so I make lots of grammatical mistakes
I agree that curiosity is the key to wisdom and as long as your curious then you are able to develop :))
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Big Easy is up
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I noticed ... but I did say that I was going to try to read Dire Wolf #3 first. But I haven't done that yet.
When I haven't been in bed, trying to get more sleep (because the pain in my lower left leg and foot apparently only "disappears" when I'm asleep; the Naproxen Sodium just dampens the pain rather than curing what causes the pain), I've been trying to catch up on my story-writing. I managed to write a record (for me) three stories this week. Two of them in one day. I'm debating right now whether it would make more sense to go back to bed and try to get more sleep or suffer the pain that the Naproxen Sodium doesn't seem to be blocking and stay at my desk. The former sounds much more attractive right now.
I will *try* (no promises) to read/edit Dire Wolf #3 followed by "Big Easy" before tomorrow night if I can. Each weekly contest ends at midnight (Friday/Saturday) my time, so there's still plenty of time until the end of the current weekly contest.
Hope you've had a nice week so far.
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Don't worry about the Dire Wolf thing, I withdrew it for now...all three parts. The only two up are Theta stories.
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Oh. You didn't need to remove the DIre Wolf stories.
It's just been a rough week for me, health-wise. Parts of my recent story, "Revelations" (the sequel to "Bridging the Divide"), were inspired by what I've been going through lately. As the pro writers tell the amateur writers, "Write what you know." Well, I definitely know about pain (though I'm not good at hiding it from people I interact with). Not just what my late father suffered, but also what I've been going through over the past two years. I'm probably going to be spending more time in bed each day (not just at night, but also during the day). Much as I don't want to have to admit it to myself, I think I'm spending too much time each day and night at my desk (though I enjoy what I do there) and my lower left leg/ankle/foot remind me painfully that I need to lie down more frequently and for longer than an hour or two at a time. Naproxen Sodium is just a "patch", not a "cure", for what I'm going through. If I could afford to see a doctor about it, trust me, I most definitely would. To paraphrase Shakespeare (something the late Helene Hanff wrote): "Poverty doth make cowards of us all."
I'll try to read/edit the newest Selena/Lucian story as soon as I can. I *do* want to know what's happening next to them in Nawlins. It should be very interesting. (grin) Nawlins will probably collectively think, "And we thought that Hurricane Katrina was bad? That was *nothing* compared to what these Lions did. Why didn't someone warn us? We're going to be rebuilding for *years*."
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I pulled down the Dire Wolf King stories because I wanted to add in more detail and understanding then what I had originally. I feel that it would make a better story.
I am writing the sequel to Big Easy. That in which a moment in time happened for the pair and then they get cozy.
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That was weird. I clicked on the "up" arrow the first time and get an error message: "That page does not exist". I tried a second time, and it worked just fine.
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Oh. Okay. I'll try to read them when you've re-submitted them. In the meantime, I'm staying up late (pain doesn't like it when I try to read in bed or go to sleep), so I figure I might as well do something enjoyable: I'm going to read "Big Easy". The editing comments might have to wait until later today (it's already Friday, about 1 am, my time), though.
Maybe you can give Aiden some pink, fluffy, and bunny-eared bedroom slippers. *That* would be hilarious to read about. (grin)
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