21 comments

Historical Fiction Horror Mystery

This story contains themes or mentions of physical violence, gore, or abuse.

There are places where the veil between the known and the unfathomable is perilously thin, and it is in such realms that truths are best left forgotten. Ancient Kashi, now Varanasi, conceals more than history in its name. With dusk settling, the city wraps itself in a twilight shroud. Smoke threads twist through the air, blending with murmured prayers, thickening the atmosphere with an almost tangible sense of mystery.

The Ganges River reflects the glimmering lights of ceremonial fires along the ghats, where the sacred and the profane dance in the curling mists. The pyres, fed by ancient woods, consume the bodies with a reverence that belies the violence of flames. The air is thick with sandalwood and charred offerings, masking the finality of death under sacred rites.

In the shallows of the Ganges, silhouetted figures wade with deliberate steps. These men, draped in the sparse cloth of the destitute, are seekers of the dead's forgotten wealth. Their hands, darkened by river silt and ash, sift through the submerged sands, feeling for the cold bite of metal—gold rings, necklaces, and the occasional coin dropped from the deceased's pockets. Each piece plucked from the holy river's grip is a macabre token of survival, destined to be cleansed, melted down, and sold to adorn the living.

Stepping off a narrowboat onto the stone steps, James Montgomery, a British archaeologist, felt as though he had entered a painting, a scene preserved across the ages. Even with his academic accolades, James clung to his skepticism like a knight to his armor, guarding against the intangible. He believed only in what could be touched, measured, seen—yet Varanasi seemed determined to erode his certainties. His constant companion, a weathered copy of the Tibetan Book of the Dead, betrayed a fascination with the afterlife—a scholarly interest, he insisted, nothing more.

His trained eyes sketched and noted details as he walked through the bustling streets. It was early spring of 1932, and the British Raj held sway over India. Political tensions were palpable, with the struggle for independence intensifying across many regions like a storm gathering on the horizon. He had spent years poring over texts and artifacts in the dusty confines of the British Museum. This opportunity for fieldwork was a rare departure from his usual scholarly pursuits, and he was determined to make the most of it.

Fluent in Sanskrit and well-versed in Hindu and Sikh philosophy and religion, he was chosen for an excavation project at the revered Kashi Vishwanath Temple, one of the twelve Jyotirlingas, the holiest Shiva temples. The task was to study and document newly unearthed relics that had recently been discovered beneath the temple grounds. James had heard rumors of an ancient sanctuary that once stood where the Kashi Vishwanath Temple now dominated. Scholars had long debated its origins, speculating that it might have been dedicated to Vishnu and built during a time when the city was a flourishing center of Vaishnavite worship. This prospect excited him not only for its historical significance but also for the professional acclaim that such a discovery would bring.

James adjusted his satchel and stepped toward the temple, his eyes scanning the intricate carvings with a critical eye. Aghoris, an ascetic sect known for extreme Hinduism, roamed the temple grounds. Ignoring the incense and chants, he focused on the worn stone steps, tracing the passage of countless feet over centuries. His fingers brushed against the ancient stone, lingering longer than necessary. His distrust, a fortress against the unknown, was built brick by brick from his strictly rational upbringing. His father, a staunch scientist, had always dismissed anything that couldn't be quantified or measured. Yet, the allure of the mystical and the unexplainable had always gnawed at the edges of James's curiosity.

Weeks passed as James meticulously cataloged statues, pottery fragments, and other relics brought up by the excavation team. He spent his days under the relentless sun and his evenings in quiet reflection, poring over his notes and comparing them with historical texts. The heat, the dust, and the ceaseless hum of the city created a backdrop of sensory overload, grounding him in the present even as he delved into the past. The distant sounds of political rallies and protests occasionally broke the monotony, reminding him of the larger currents of change sweeping the nation.

One afternoon, Pandit Sharma, the temple's priest and scholar, approached James with a bundle wrapped in cloth. Earlier, workers had found it deep within the temple's sanctum, and now, silhouetted against the glaring sun, he carried it with a solemn grace.

"What have you there, Pandit Sharma?" James asked, dusting his hands off as he stood.

The pandit paused. "This manuscript was among the items uncovered today, Sahib. The workers thought it prudent to bring it directly to me."

James raised an eyebrow. "May I?" he asked, reaching out.

Pandit Sharma hesitated for a moment before handing it over. "Of course, Mr. Montgomery."

It was a weathered leather manuscript. The cover was adorned with unusual mandalas and arcane symbols. Intrigued, James carefully opened the manuscript. His eyes widened slightly. "These symbols... they could date back to the time of the Gupta Empire, or even earlier. Is that possible?"

"Very likely, Sahib," the pandit replied, his voice measured. "That part of the temple has not been disturbed in centuries."

James traced a finger over the inscriptions. "These inscriptions... they’re unlike anything we've found so far. Quite remarkable how much light this could shed on our understanding of the past."

Pandit Sharma nodded thoughtfully. "Yes, it sheds light on forgotten chapters, but even a small light can cast long shadows."

James paused, considering the pandit's words, then smiled slightly. "I am not merely here to unearth the past, Pandit Sharma. I aim to awaken it."

Pandit Sharma met his gaze, a hint of understanding in his eyes. "Be mindful, Sahib. Awakened pasts can have lives of their own."

James's smile grew. "Precisely, Pandit." He then glanced up, a touch of condescension in his voice. "You're done here, thanks."

With a slight nod, Pandit Sharma turned and walked away, leaving James alone with the manuscript.

As James deciphered the text, his breath caught. The manuscript chronicled his life with chilling precision, like a mirror reflecting his deepest secrets. Determined to uncover the manuscript's origins, James carefully closed the ancient pages and clutched it to his chest. He approached one of the workers from the excavation team, asking about the manuscript’s origins. They confirmed it had been unearthed from a chamber beneath the temple, near an older sanctuary possibly dedicated to Vishnu, the preserver of time and destiny. James couldn't believe his luck. This find suggested a time when Vaishnavism thrived in Varanasi, possibly before Shaivism took prominence. Archeologists had searched for this temple for decades, and here it was, right under his feet. His professional hubris soared—he would be the one to unveil its mysteries.

The excavation sparked heated debates among local authorities and religious figures. Many saw it as exploitative and desecrating sacred sites—workers labored under brutal conditions, some collapsing from exhaustion, a few already dead. Precious relics were bound for Britain, trophies of conquest rather than cultural treasures. James saw how the British Raj thrived on deepening religious divides to maintain control.

That night, he took the manuscript with him, its weight heavy in his bag. Stepping out of the temple, a sensation of being watched washed over him. He glanced around but saw only the sleepy sun and the twinkle of distant torches. As James moved towards the exit, a nearly naked figure covered in ashes stepped into his path. The Aghori’s unblinking eyes bored into his, like twin voids absorbing all light. Without a word, he briefly extended his hand, touching James’s chest before drawing back.

“The past is not a place you can escape,” he murmured, his voice a low rasp. He then stepped aside, allowing James to continue. Other Aghoris stood like statues in the shade, their eyes fixed on him. He could feel their silent stares following him as he made his way home.

Under the weak light of a lone bulb, James hunched over the ancient manuscript spread across the makeshift desk in his rented room near the ghats. Night had fallen over Varanasi, a cloak of silence occasionally pierced by the distant clamor of street vendors closing shop. His eyes traced the faded Sanskrit inscribed on parchment. The air around him felt unnaturally still, as if the darkness outside was staring at him.

As he read further, the words exposed his deepest fears of inadequacy and the recent failure of his marriage. It described the sudden illness and death of his childhood friend, an event that had haunted him for years. It recounted the tragic accident that claimed his sister, down to the exact date and circumstances. The text also revealed his deepest aspirations—to return to Britain as a celebrated scholar—juxtaposed with a chilling prediction that he would never leave India. The manuscript spoke of a future where his work would remain unfinished, his dreams unfulfilled. It knew his private regrets, the letters he wrote but never sent, and his secret fears of dying alone in a foreign land. One evening, a passage caught his eye—a prophecy marking a specific date, ominously close. It predicted a fire that would engulf the Manikarnika Ghat, where the bodies of the dead are cremated in ceaseless pyres. It detailed an ominous ritual involving a sacrifice, ashes, and flames. The description was hauntingly visceral.

A growing sense of paranoia marked the days that followed. James noticed figures draped in white ashes with stark red markings across their foreheads, appearing frequently in his windows and following him around town. They spoke no words but watched him with an intensity that left his skin crawling. One morning, he found a small clay statue of Shiva outside his door, its eyes painted a vivid red that seemed to follow him into his dreams.

The Aghoris seemed less like mere devotees and more like heralds of impending doom. They left offerings that were both a blessing and a warning: fragrant bundles of herbs used in ancient death rituals, cryptic notes penned in an almost forgotten script, hinting at the inevitable turn of the cosmic wheel.

As the festival of Mahashivaratri, the great night of Shiva, approached, bringing crowds of pilgrims to the city, James decided it was time to leave India immediately. He hastily packed his belongings and made plans to buy a ticket for the next ship back to Britain. He rushed back to the temple to gather his materials and return the manuscript, hoping to distance himself from the dark predictions. He walked through crowds of devotees lost in their reverent prayers. Behind him, the procession of silent Aghoris maintained their vigil. Beyond mere observers, they seemed to usher him toward a destiny he had yet to comprehend. Pushing open the chamber’s heavy stone door, the manuscript in his bag felt like a living heart beating in sync with his own—a heart that felt, with dreadful certainty, the true nature of the cycle it was bound to.

He sensed the followers just beyond the doorway, their silent presence pressing in on him. The musty smell of the ancient parchment mingled with the faint scent of incense. He gently put down the manuscript, but the intricate symbols and diagrams evoked an overwhelming familiarity. The memory of his mentor, Dr. Robert Astor, came unbidden—Astor's voice, rich with reverence, speaking of the Akashic records, that boundless archive of all that ever was and will be. Dr. Astor had described it as an energetic log of all existence, recorded in a non-physical plane known as the aether. James had always dismissed these notions as esoteric ramblings, but now, in the manuscript’s presence, he felt a dawning realization that perhaps his mentor had been right all along.

James had always viewed the teachings of the Upanishads as academic. Yet, the manuscript’s unsettling synchronicities brought them to life, defying his scholarly detachment. He had searched for logical explanations, but each attempt only deepened his unease. The weight of inevitability grew, pressing down on him like an unseen force. It was as if the manuscript tapped into something profound and ancient, recording the fate of humanity with chilling precision. It felt as if the manuscript was a conduit to the Akashic records themselves, linking him to an endless archive of existence. Brahman, the ultimate reality, no longer seemed a distant metaphysical idea but a palpable truth closing in on him.

He felt an inexplicable compulsion to venture deeper into the sanctum. The air grew denser, charged with an energy that made the hairs on his neck stand. Intricate mandalas adorned the walls, their interlocking patterns subtly swirling, almost alive, drawing him further in. The sense of an unseen force grew more intense, a nearly tangible presence pressing in from all sides. Then, at the heart of the sanctum, James encountered "The Timeless One." The entity had no definitive form, appearing as a floating mandala—a geometric figure of shifting forms and glowing light that seemed to be everywhere all at once. An irresistible pull gripped him, his feet moving of their own accord, drawing him into the heart of the mandala.

Stepping into it, James found himself in the vast library of the Akashic records, where every event, thought, and possibility was cataloged in endless corridors of knowledge. Shelves stretched beyond sight, each filled with tomes of every life that had ever been and ever would be. He walked through the library, his fingers brushing against ancient scrolls. Each revealed a different path he could have taken, yet all led back to the mandala's center. Every choice, every action, had led him here. James encountered visions of his life as he drifted through the Akashic records—moments of joy and sorrow, triumph and failure. He saw himself as a child, staring wide-eyed at the night sky, dreaming of its mysteries. He saw his younger self, full of ambition and determination, seeking to unravel the secrets of the past. And he saw his present self, standing at the threshold of cosmic enlightenment, poised to transcend the limits of human understanding.

The realization struck him with profound clarity. The illusion of Maya unraveled before his eyes. James's lingering self, a fragile residue of his identity, resisted the truth. He saw himself standing at the edge of the void, the vast expanse of the Akashic records stretching before him. With a final, desperate act of surrender, he let go, allowing himself to fall into the mandala's center. The geometric patterns converged into a blinding point of light, and in that light, the true nature of the universe was revealed to James. The boundaries of his being faded away, replaced by the infinite expanse of the cosmic order. Enlightenment and terror walked hand in hand through his psyche as he became one with the eternal truths that had tormented him.

Stepping out of the shining temple, naked and transformed, Aghoris waited outside, eyes filled with reverence. Their chants, a deep hum of "Om Namah Shivaya," rose and fell like the tide. They approached, hands gentle but firm, painting his body with ashes in a sacred and surreal ritual. The manuscript's revelations had stripped him of his former self, exposing him to “The Timeless One.” Shadows blinked under the torchlight, twisting into hideous forms. The Aghoris' chants swelled, their voices merging into an ominous crescendo—the night pulsed with otherworldly energy. The streets, the river, the city itself seemed to writhe with their own life. The Aghoris approached, their hands moving with ritualistic precision, smearing his skin with ashes. The chants grew louder; each note a harbinger of the horrors hidden within that ancient manuscript—the smell of burnt offerings clinging to the air, mingling with the earthy scent of the river.

With eyes dark and impenetrable, the Aghoris lifted him onto a makeshift bier. Their chants rose as they carried him through the narrow streets, the fire casting long shadows on ancient walls. The city watched in silence, as if holding its breath. The procession reached the ghats, where pyres crackled with an insatiable hunger. They laid him on the pyre, the wood rough against his skin. The flames licked at his skin like a searing pan. The Aghoris surrounded him, their chants reaching a fevered pitch. He raised his arms and covered his eyes. The words of Krishna to Arjuna rose from the depths of his memory, carried by a voice that felt both his own and not.

"If the radiance of a thousand suns were to burst at once into the sky, that would be like the splendor of the Mighty One," he intoned, the words slicing through the night. "Now I am become Death, the destroyer of worlds."

The Aghoris bowed, their chants rising to an otherworldly intensity, a tangible force pressing in from all sides. The inferno flared higher, casting grotesque silhouettes that danced and twisted in macabre patterns. As the pyre ignited, some Aghoris stepped into the fire, their chants unwavering. One by one, their bodies were consumed in a final, fiery ritual. Others shared his roasted flesh in an act of utmost devotion. The night filled with the scent of burning flesh and sandalwood. The flames consumed him, the chants fading into a distant hum. The ghats of Varanasi glowed with an ethereal light, the river reflecting the divine dance. The night embraced him, the pyre’s ashes mingling with the sacred waters, a tight-lipped witness to the eternal cycle.

May 22, 2024 21:32

You must sign up or log in to submit a comment.

21 comments

Kritika -
01:20 May 31, 2024

WOW, this was so well written. It looks like you thoroughly researched this religion and culture because you were spot on. The use of "pandit" and "sahib" clearly shows your knowledge of the matter. I liked how you used the aghoris in the matter and set it during British rule. Very well done. If you ever get a chance to read my work and leave feedback, I'd be thrilled.

Reply

Denney Owen
08:43 May 31, 2024

Hey, thanks a lot for your thoughtful comment! I'm no expert, but I put in the effort to get the cultural and historical details right and respectful of the culture I want to represent, so it’s great to hear that it resonated with you. I’ll definitely check out your work soon—excited to see what you’ve written!

Reply

Show 0 replies
Show 1 reply
L. D.
18:03 May 27, 2024

A dark and foreboding tale. I honestly couldn't say I enjoyed the story, but the ever-encroaching spectre of doom was well-crafted.

Reply

Denney Owen
20:56 May 27, 2024

Thank you for sharing your thoughts! I'm glad to hear the atmosphere of doom came through. I appreciate you taking the time to read my story.

Reply

Show 0 replies
Show 1 reply
Marty B
20:18 May 26, 2024

"I am not merely here to unearth the past, Pandit Sharma. I aim to awaken it." I read this as an analogy of the colonialism of the British in India. Spoken like a true British archeologist of the 20th Century, he is out to exploit the awesome wonders of the deep culture of India, not to learn from the past, but to exploit it for his own glory. In his rush for personal accolades, he finds his own life story as a god. Then he awakens a monster that consumes him in fire. Great descriptions!

Reply

Denney Owen
15:42 May 27, 2024

Indeed! You've captured a key layer of the story. James' journey is definitely a reflection of the horrors of colonialism. The real terror often lies in the evils we choose to ignore, and James' story is a stark reminder of that. I appreciate your insights and I'm glad you enjoyed the descriptions! Always great to connect with readers who dive deep into the narrative. Thank you so much!

Reply

Show 0 replies
Show 1 reply
Rebecca Detti
08:34 May 26, 2024

A beautiful read Denney.

Reply

Denney Owen
15:38 May 27, 2024

Thank you so much! I'm glad you enjoyed it.

Reply

Show 0 replies
Show 1 reply
Daniel Rogers
02:44 May 26, 2024

Is life an already written manuscript? Or is life an already written manuscript because life believes it is? Thus, making it so. I have no idea what the above questions mean. I've just got caught up in the spirit of your story. Which is well written and very strange. I really appreciate the wealth of information from early 1930's India. Have you written much during this time period elsewhere?

Reply

Denney Owen
15:38 May 27, 2024

Perhaps life is both a written manuscript and a creation of our beliefs, intertwined in ways we can't fully comprehend. I've always been drawn to the mysteries of different cultures, their histories, philosophies, and religions. This is my first story set in that time period, but who knows what the future holds? Thanks for reading it and commenting!

Reply

Show 0 replies
Show 1 reply
Thomas Wetzel
22:49 May 25, 2024

This is very cool. Lovecraftian and dark and rich with history. Loved the quote from the Bhagavad Gita at the end. You have quite a voice. Wouldn't be surprised if you just wrote this week's winning submission.

Reply

Denney Owen
15:33 May 27, 2024

Thank you so much for the kind words! I'm thrilled you enjoyed the Lovecraftian vibes. The Bhagavad Gita quote felt like the perfect way to wrap things up. I'm curious, what part of the story intrigued you the most? Thanks again for reading and for the encouragement! Looking forward to reading more of you as well!

Reply

Thomas Wetzel
16:15 May 27, 2024

Your story drew me in right from the start but I guess I really liked the way the main character just increasingly found himself trapped by circumstance and his own ambitions. Are you a history professor by any chance? Because you clearly have a very deep knowledge of the history of that area of the world and British imperialism there. Really great writing. You are quite talented.

Reply

Denney Owen
21:07 May 27, 2024

That's a great observation since he was always destined to end up there. I'm no history professor haha, thanks for that. I'm just a huge history buff with a passion for exploring the intricacies of cultures and philosophies. I usually do plenty of research to get my stories to immerse you in the time period and avoid inaccuracies. I love diving deep into these topics and weaving them into my stories. Thanks again for reading and sharing your thoughts—means a lot!

Reply

Show 0 replies
Show 1 reply
Thomas Wetzel
19:41 May 27, 2024

I hope you like my stories. I come from a different place so my stories tend to be very different. You showed me a very interesting place in this world. Hopefully I can show you one too.

Reply

Denney Owen
21:10 May 27, 2024

I'm really looking forward to reading your stories and seeing the world from your perspective. It's always exciting to discover new places and ideas through different voices. Will check out your work!

Reply

Thomas Wetzel
00:22 May 28, 2024

Thanks. I hope you like it, I actually posted three this week as I have some extra time on my hands, Hopefully at least one of them will land for you, I'm really not so concerned with winning, I just want to connect with some readers.

Reply

Denney Owen
23:55 May 30, 2024

That's cool I'll make sure to take some time and check out your writings. Happy to connect with you!

Reply

Show 0 replies
Show 1 reply
Show 1 reply
Show 1 reply
Show 2 replies
Show 1 reply
Mary Bendickson
22:19 May 25, 2024

Welcome to Reedsy. You are a seasoned writer. This is an amazing piece of literature. Thank you for reading my 'The Passing'.

Reply

Denney Owen
15:22 May 27, 2024

Thank you for your kind words, Mary! I'm glad you enjoyed my story. I look forward to reading more of your work, including 'The Passing'.

Reply

Show 0 replies
Show 1 reply
Sophie P
16:47 Aug 28, 2024

Hi Denney, I have loved reading your stories, and this one had me completely entranced. I am new to Reedsy as a writer, but I am also the staff writer on a new podcast called Words from Friends, which showcases writing talent by reading out short scripts and stories, along with telling listeners a little bit about the writers. It should be a fun way for writers to get their stories heard, connect with other writers and collaborate on future projects. You can listen to the first episode here: https://open.spotify.com/show/0zaAN1CC8QFwDkVul4...

Reply

Show 0 replies
RBE | Illustrated Short Stories | 2024-06

Bring your short stories to life

Fuse character, story, and conflict with tools in Reedsy Studio. 100% free.