She simply wanted him to have someone to talk to. I don’t blame her for that. I was not born into this world with any anger inside me despite my larger counterparts being fueled by fire. I am battery-operated. The force is not strong, therefore I am not able to muster up much emotion. Even the day I became aware, I didn’t feel much of anything. There was no time to drum up shock or surprise. I had a job to do. I had a track to cover.
This is what I’ve gathered over the past two years--
Mark is the one who loves me. He comes to me every night and turns me on. I do laps around the track for about an hour or so. He talks about how one day I’ll be powered by something other than a battery, because he hates knowing that the thing that keeps me going is slowly running out the more he uses me. He tells me that it makes him feel as though he’s taking advantage. That he wants me to be never-ending. Even if the world runs out of batteries, he wants me to continue on. He never talks about other trains, not even real ones. He makes adjustments to my surroundings. A new tree. A general store. A covered bridge, or what looks like a covered bridge. I now understand that nothing I see is real, but merely representative of a real thing. To me, it shouldn’t make a difference. If you’re several inches tall, then a doll house is simply a house, isn’t it? Even if you’re not a doll? It provides the same shelter for you as a normal house would a normal person.
If it sounds like I have a lot of time to think, that’s because I do. When Mark leaves me each night, he shuts off the lights, and I’m by myself with my thoughts. He turns me off, so I can’t run the track. I hear noises sometimes, but they don’t scare me. I can’t be killed, because I’m not really alive. I’ve been given sentience, but not humanity. I don’t believe that was what was meant to happen, but I have no way of really knowing, because I can’t speak.
What I do know is that Mark’s wife is named Ada. I know this, because Mark tells me about Ada. He tells me that she is strong and thoughtful and that she dabbles in the spiritual arts. I surmised that she’s the reason I’m in the state that I am, and I’m not sure whether I should thank her or curse her name. If I wanted to curse you, I could, since that can be done in isolation. Thanking her would require her coming downstairs, and I don’t see that happening anytime soon.
Mark tells me that Ada doesn’t come downstairs, because she believes Mark’s fascination with me is something that should be his alone. I support her supporting Mark. Mark seems like he needs something to contain his attention, and I seem to be a good container. Mark tells me that his job is very tedious. He watches television shows and writes about them. I determine what “television shows” are based on what Mark tells me, and they sound very depressing. Mark has opinions about the television shows he watches, but he cannot write about those opinions, because he writes something called “recaps” where he summarizes the television shows without a lot of input from his brain about whether the shows are good or bad.
(From what he tells me, they are mostly bad.)
Mark tells me about all the things he is going to build for me. He tells me that he has promised Ada that he will not build any more than he already has, but he tells me that is not true. He doesn’t like lying to Ada, but she wouldn’t understand. Her passion is potions, and making good luck charms, and giving sentience to trains that are not real trains. None of that takes up space, and so Ada can do as much of it as she likes. Mark tells me this has always been one of their biggest differences. She loves things you can’t see, and he loves things you can. Even in the way that they love each other, this difference is notable. He loves her cheekbones. She loves his patience. He loves her belly button. She loves his determination.
And they love each other in ways the other doesn’t always understand.
Mark promises to build me a countryside that takes up the entire basement. A track that goes over the washer and dryer. A track that goes around the furnace. Cotton clouds all over the ceiling. Plastic grass all over the floor. Little houses for me to pass by as I make my way around and around the room--never stopping, because one day I will be electric. I will go under what look like covered bridges, but are not covered bridges, and it will not upset me that nothing is real, because I will feel real, and the more real I feel, the less I will be able to tell myself that nothing is real, because part of being aware is being able to summon up denial. And I will summon as much denial as I can as Mark watches me and feels great pleasure in knowing that he is my god. That he has given me everything.
One night Mark explained religion to me, because he came from a very religious household, and he told me about a god and about the people who worship that god, and I realized that we have the opposite relationship. He talks to me constantly and I never talk to him. I never ask him for things, because what more could I ask for than what he has already promised? I simply need to wait, and I am good at waiting. Mark’s family was very upset with Mark when he married Ada, because they didn’t like the things she believed, but I could never be upset with Mark, because he is god, and I could never be upset with Ada, because she has given me god and myself.
Mark tells me that he grew up confused, because of all that religion, but I am never confused. Not by him, anyway. By everything else, maybe, but never by him. The only time he confused me was when he saw me going under the covered bridge for the twenty-third time one night, and spoke words I didn’t understand. I can’t ask him what they mean, but I’ve never forgotten them. Not the look in his eyes as he said them. Not the smile that came across his face as they left his mouth. Not the little pumping motion he made with his fist to go along with the words.
He said “Choo Choo.”
And again “Choo Choo.”
I may never know what that means, but I suppose some things must remain a mystery.
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31 comments
I really liked how this started, with "This is what I’ve gathered over the past two years"... It really allowed the narrative to unfold from there
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Thank you, William.
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Hi Story Time, I liked your story. I found it to be a little sad and quite deep but the end was a nice note of fun whimsy that brightened it up while maintaining the religious theme. I liked how the train's aspirations for denial captured Mark's motivations as well- building his own world to escape the real one. You captured the childlike voice of a newly sentient being very well. It made the deep themes of relationship, religion, and satisfaction with life easier to digest and empathize with.
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Thank you so much, Joshua. It was lovely to spend time with the train.
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Nice one. Great idea.
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Thank you so much.
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Awesome!
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Thank you so much, Eddie.
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This is really cool and lovely! So much backstory and humanity infused into so few passages. And that ending! Perfect!
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Thank you so much, Derrick.
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Beliefs, perception, relationships, dissatisfaction, understanding, partial or not at all, compulsion to an extent, all covered here. And the first couple sentences of para 2/3 which made me smile - the personification of an object in much the same way as a person can be objectified. This is deep! Good work.
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Thank you so much, Carol.
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Really nice to get the object's perspective. In mathematics, the symbol aleph represents infinity within parameters, like an ever-expanding track contained in a basement. In Judaism, the same symbol represents the absence/presence of god. Your train will need a powerful battery to carry all that meaning
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Thank you so much for picking up on all that, Keba. I was trying to summon "Bee Season," which did such a great job of applying big ideas to small objects.
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I really like this story and it has a lot going for it. I love the line about Mark would continue on even if the world ran our of batteries. It really shows Marks love for her. Well done.
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Thank you so much, Duncan.
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I love the whimsy at the end. That the sentient train understands a lot, it can even have denial, but is limited by the input it receives--is quite philosophical. Great stuff!
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Thank you so much, Brian.
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Interesting and innovative!
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Thank you so much, Rabab!
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Innovative and interesting!
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Thank you.
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I love this, a beautiful relationship between model train and his engineer. Some very deep philosophical thoughts woven in about love and humanity and being real. “the more real I feel, the less I will be able to tell myself that nothing is real, because part of being aware is being able to summon up denial.” Love this line!
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Thank you so much, Michelle. It was a joy to write.
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Thank you, you put a smile on my face, tonight. And right on time. All aboard! Lovely story.
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Very glad to hear it, Trudy!
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Wow !!! As usual, amazing work here ! The amount of creativity to create a love story between a train set and a person ! Lovely ! The imagery was spot on here. Lovely work !
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Thank you so much, Alexis. I'm actually a big fan of model trains.
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Oooh ! I like trains too but actual ones that roll around cities. Hahahaha !
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Those are nice as well! I'm often on the Metro North.
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Brilliant ! One of my strange talents is being able to name more than 200 London Underground stations despite never having been to the UK. Hahahaha !
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