Act V: Scene 1
A graveyard. Elsinore castle on the horizon.
Music: Gyuto Monks Tantric Choir
(Enter GRAVEDIGGER and ASSISTANT, carrying shovels. The music fades.)
GRAVEDIGGER
Here another as died of slings. Hark ye, that maketh three this se’nnight alone, far more than e’er arrows took ’count of.
ASSISTANT
Aye, outrageous, as hast oft proclaim’d. Yet of sling control can good Claudius hear no word, without the National Sling Association stone the sayer to death.
GRAVEDIGGER
And so be the ill cured, for as none shall speak ill of the dead, so less still do the dead speak ill of others.
ASSISTANT
Though that the dead feel nor hunger nor thirst, nor yet woe nor joy, what care they who speaketh it?
GRAVEDIGGER
There thou sayest false, in the first part, because hunger they know full well, in fine, the hunger of such worms as make feast upon them. Then in the second, as to thirst, did not the Greeks give libations?
ASSISTANT
And is my name Greek, that I should care for their custom?
GRAVEDIGGER
As much as Ophelia is a Danish name. For her bed is next our task to make, and while I have no wish to share it with her after, fain would I help her to drink, an it be but warm sangria her mourners offer, for ours is thirsty work.
ASSISTANT
Alas, so the lady is dead, then?
GRAVEDIGGER
As cause doth precede effect, and we prepare her grave. For, mark well, did effect precede cause, then our labor be murder, and we should find more honest work at digging our own graves, so to pay for the hangman’s rope. Go, see what place thou mayest find to lay her.
ASSISTANT
Oh! There’s some lovely filth down here.
(They disappear below the ground. Enter Hamlet with Horatio, passing a bottle between them.)
HORATIO
My lord did what?
HAMLET
I served them according to their
Desserts, and so they ’scap’d not whipped cream.
HORATIO
As much as to say that thou saw’st them well dished.
So Rosencrantz and Guildenstern, those merry
buffoons, late thy companions at crawling by turn
An hundred Wittenberg pubs, and as many again
In Cologne, Bremen, Heidelberg, and Metz,
Now are, in the vulgar parlance, dead.
HAMLET
Indeed, they are ex-crawlers. Of pubs
they have no further need,
In Heidelberg nor Bremen nor Metz.
Of cologne they could make as good use as did they
In life, though no less likely to neglect it.
HORATIO
They did reek?
HAMLET
Something was rotten
In England, soon as their ship did touch.
HORATIO
Yet it seemeth to me over-harsh.
Knowing their design and whence it truly came,
Thou could’st but have called them on’t, and left them, for pity’s sake, to play
the sycophant with thy vain cousins
In dreary London Town.
HAMLET
Honest Horatio!
Thy heart would do good credit to saints,
Or to those who taught thee better
Than me. But soft, who comes nigh?
(They both conceal themselves behind a thin, leafless sapling.)
(Enter CLAUDIUS, LAERTES, GERTRUDE, YORIK JR., PRIEST, and SERVANTS with a shrouded corpse on a stretcher.)
CLAUDIUS
It should, an young Yorik be not as astray
In his direction as in his wit,
Be around here someplace. Prepare such rites
And solemnities as seem mete
And due to one so near our hearts though
Below our station.
(The PRIEST reads from a book.)
HORATIO
Beareth not that distaff device
The badge of Polonius? Wherefore, they
Do bury fair Ophelia.
HAMLET
O woe is me,
And I am woe, as nouns so joined
In copulation each upon the other
Lie. I am, was, and will ever both
Be and be not. Do I think?
Or merely think that I think,
and so the insubstantial thought itself
Is I?
HORATIO
Fret not on any thing
So lacking in substance as thought.
All this is in thine head, and the woe
Thou claimest as thy very self,
Yea, and too each seeming atom
Of creation, have no life but that
Our own weightless thoughts bestow.
HAMLET
If all be in my head,
Where, then, is my head?
CLAUDIUS
’Ware the edge!
GERTRUDE
Thy alarm arrives too late.
Laertes, o’ercome with keenness
To see a pit before his time,
Hath forgot it is new made this hour.
HAMLET
My friend is discomfited, mayhap
With timely aid I can relieve his state.
HORATIO
Take heed, sir, for the edge
Being but weekly formed and thereunto
Wet, as will bear no mortal foot.
… Nay, I fear he minds me not
And the loosened ground betrays his tread.
Art hurt, my lord?
HAMLET
Yet quick am I, and yet not quick
Enough to miss this grave, yet further,
Of grave injuries have I none.
Still, we two may not stand, so viscous
Is this slime, that sucketh off
The very shoes from our feet.
CLAUDIUS
See how they scrabble together, ever deeper
In th’earth, digging like badgers
Or like the basest moles. Again
Falls the first to land upon the other.
GERTRUDE
For shame, Laertes! Hast so soon
Forgot all thy good sire’s counsel,
Who did charge thee, neither
Burrower nor lander be?
LAERTES
Some villain hath rent my best
Paris doublet, called by some gaudy,
Though I like it well. What, is it
Prince Hamlet, come all unheralded
Into the midst of our muck-up of mourning?
HAMLET
I have done nor thee nor thy
Pretty drapery hurt by design.
LAERTES
Shalt make good the hole in my garment,
Sir, or answer for’t.
HAMLET
When thou makest good
The hole in my purse that bought it for thee.
(They tussle.)
GRAVEDIGGER and ASSISTANT
Ouch!
HAMLET
Speak now the dead and buried spirits of this
Place? Is judgement come this very hour,
That hands long decayed tug at my sleeve?
GRAVEDIGGER
Nay, noble sirs, stay your blows, and save them for more worthy hides. We are but diggers of graves, fallen like you on our heads, and on whose heads in turn your wrath falls.
LAERTES
Then art surely sound, for a fall
From so lowly an estate can do
No injury. Now bend thy back,
And heave me hence.
HAMLET
This lesser cur,
Like attired in schmutz, to me like office
Shall render.
GRAVEDIGGER
From cur we are promoted to horse. Never let say thy career falters in my care.
ASSISTANT
Thy promotions mays’t keep; mine own place, poor as t’was, I will not trade. I think horses backs make better seats than my browned nose.
GRAVEDIGGER
As I am the son of a scullery whore, abused to kiss ignoble parts, however noble the whole.
GERTRUDE
Now let Yorick’s get, soonest get us
Away from these bone-digging mutts. So
Lead us hence, to bathe our wounds and sorrows.
(Exeunt HAMLET, HORATIO, CLAUDIUS etc., leaving only the GRAVEDIGGER and ASSISTANT in the open pit with their faces covered in mud.)
GRAVEDIGGER
You seem, my son, in a moveless way.
ASSISTANT
I confess myself well stuck, and as well dismayed. How come we forth?
GRAVEDIGGER
So mired in sin, and for our good deeds thus martyr’d. We are baptized in mud, where our less holy betters rise, as they conceive, immaculate, who stood upon their saviors’ bended backs. A plague on both their trousers.
Scene 2
A hall in Elsinore.
Scene change music: Mozart Divertimento K. 136, third movement
(Hamlet and Horatio, wearing bathrobes, are trimming their toenails.)
HORATIO
The bath’s the thing to flush the weary leagues
We both did ply, thou from Albion, I
From Germany, here to join our fates again.
But whence this draft that doth shame the walls
Of mighty Elsinore, and of the steaming chamber
An icy trial make?
HAMLET
I do tender thee apology for the chilling draft;
Know then when the wind is in the north
As now, the stacks draw ill, the stokers choke,
And so our hams in tepid waters steep.
HORATIO
The wind in truth is high, as maketh my mind
To blow. And that other fragrance that did assail
Our nostrils in ablutions?
HAMLET
Know further that the royal mews, once dear
To Hamlet, erst king in this royal seat, lie close
Situate unto the baths, unused, abandoned,
Untended, yea, uncleaned these six months and more,
That on such winds, do fowl do-dos rise.
HORATIO
Loved thy father better his falcons or his hawks?
HAMLET
Forsooth, I ne’er could tell one from t’other.
(Enter OSRIC)
OSRIC
Hail good prince and welcome
To Elsinore, where the king, thy father,
Bids thee attend here, soon in friendship
to make amends, and with keen blades
Stand across from Laertes, like armed,
that same whose own beloved family,
Thro’ violence as thro’ indifference, thou didst
Of late wipe out to a man.
To which the queen thy dam further commands
I should relate, there will be cake,
and such instances of confectioner’s art,
As do uncommon fun foretell.
HAMLET
Though no father to me nor to any
Worthy thought or deed, I will here
This Claudius await.
OSRIC
May I take my leave?
HAMLET
If ’tis truly thy proper leave,
Mayst take it, and none can let thee.
Mine own leave I give freely,
To take what is thine, sirrah.
OSRIC(Aside)
Now there’s a prince fit for winds that blow
Both hot and cold.
(Exit OSRIC)
(Enter CLAUDIUS, GERTRUDE, etc. The bearers from Scene 1 bring in the stretcher. GRAVEDIGGER and ASSISTANT, still muddy, now wear grimy aprons as they push in carts of food and drink. Among the bottles on GRAVEDIGGER’s cart stands a flagon decorated with a dragon.)
CLAUDIUS
Bottoms up, as is our custom,
Though in Scotland, I hear, theirs
It is to drink in breeks, or the breech,
As some might say. We Danes, too,
Know how to honor it often enough.
HAMLET
And more than enough.
GERTRUDE
Thy father spoke true
When he called thee smart ass. Drink
Thy bumper and set to, for brave Laertes
awaits.
HAMLET (aside)
The king ne’er spoke so harsh a word
In my hearing.
(Hamlet and Laertes pull on gauntlets, stretch, and trade saluting flourishes with their swords.)
(Enter Ophelia, wearing a maternity dress.)
OPHELIA
Stop!
ALL
Gasp!
HORATIO
Panic not! Here is no spirit.
OPHELIA
Yes, it’s me, I’m fine, I got pregnant, had a big fight with Hamlet, shifted some assets to Switzerland, faked my own death, yada yada …
GERTRUDE
But why …?
OPHELIA
Elsinore is not exactly a wholesome place to raise children, what with the constant plots and murders. And, not to put too fine a point on it, you’re all a bunch of raving loonies.
HAMLET
But how?
(The PLAYER gets up from the stretcher and squirms out of the shroud.)
PLAYER
I can field that one. In secret parlance
did the lady ask my aid,
Bidding me ply my trade and so, through art
Make seeming end.
(Applause)
PLAYER
Thanks, you’re really great. If ye would catch
Our newest show, we open Friday next
At Czar’s Palace in St. Pete’s — We’ll
Be there all week.
(GERTRUDE casually walks past the drinks cart and slips something furtively into the flagon.)
LAERTES
But Ophelia’s true face
I wot I saw, her lifeless hand
I held. ’Twas cold as death itself,
Nor breath nor pulse her bosom moved.
PLAYER
For this deception, as for other comforts
That ease our Thespic nerves in idle hours
We do thank this our props guy.
Larry, come on out here.
(Enter Friar Laurence. Applause)
PLAYER
This holy friar did we meet,
When last we played Verona. He doth possess
A certain set of very special skills
Congenial to our ways, and further
He did desire, instanter, a way
Away from thence, so joined we him
To our company.
FRIAR LAURENCE
True, the general of our order
Did urge me in pursuit of other projects,
to which wish I right willingly assented …
PLAYER
Wert duly convicted for dealing drugs to teens
And corrupting the morals of under-age maids.
FRIAR LAURENCE
… so that I might spend
More time with family.
PLAYER
A powder did he give
To counterfeit death, which the lady
Taking it in her wine, those same signs
Did show. When an hour had gone,
And she aware again, her place I took
And then portrayed all mortals’ share
So well that no looker did discern.
OPHELIA
Fine, yes, great performance, spot-on, but you talk too much for a corpse. Here’s your share of the gate. Now vanish into air, the thinner, the better. As for the rest of you, what do any of you really want?
HAMLET
By incest this fiend my true place usurped,
Who should rule here by right of blood and custom.
(FRIAR LAURENCE takes his turn secretly doping the flagon.)
OPHELIA
You want to be king? You really want to rule Denmark, you who took 12 years to finish an undergraduate degree in philosophy at your safety school? You want answers? You want the truth? The whole thing was my idea. King Hamlet blew the budget with his wars, and Claudius was the only person around with management credentials.
LAERTES
My sister sayeth as much sooth
As my tailor doth dash habbers.
Let us therefore put up our blades
And be reconciled. Let each to his own
Destiny attend, as best suits self.
OPHELIA
OK, nice, we’re making progress. Now about the sister part … Our mother grew up in the palace, she and the prince, well, yada yada … , Polonius knew what he was getting into.
CLAUDIUS
My jerk of a brother did wrong, but still
I own a heavy heart attends to deeds
I would erase from my account for Hamlet’s
Ease and mine own.
(He lays his crown and scepter on the cart next to the flagon.)
CLAUDIUS
Take them up an thou wilt.
For my part, I am for Geneva, where Anna,
My mistress dwells, and her father,
Master Chronisme, hath offered to me
The management of his sun dial factory.
HAMLET
So, Laertes, thou who wert the brother of my heart art my brother in very truth!
GERTRUDE
Ahem, well, as to that …
Know then that King Hamlet’s eye and parts
Less wholesome did rove, to the chief counsellor’s dame.
(Enter Ghost of Polonius.)
POLONIUS
And to the lady of the minister of war,
And so also to that of the ministers of agriculture and education …
GERTRUDE
And the scullery maids and stable boys …
POLONIUS
In fine, ’twas I who called this Hamlet smart ass.
Thy true father am I, and not King Hamlet as was.
GERTRUDE
It was naught serious, a fling
To get back at Hamlet for siring
Laertes, and no pleasure did I take.
POLONIUS
Hey, nisi bonum, nice bonum, thank you very much!
HAMLET
My inheritance therefore is naught but this whirlwind
Reaped from your sowing, and no kingly crown.
And so whither thou, mother, now three husbands
poorer?
GERTRUDE
Thy counsel I’ll follow, to a nunnery in Poitiers
well reputed for it’s cookery, whereat
None surpass the nuns. They it was
Who did invent the process
For forming sugar into cubes
And so sweets to the sweetest concentration Attain’d.
LAERTES
And I will take me to far-off Rus,
with this comely and loquacious cadaver,
By pretending at roles, mayhap I’ll discover
My true self, and thereafter, to Hollywood,
perchance attaining fame such as mere kings
May not.
POLONIUS
You do look, my son, in a movie sort.
OPHELIA
And thou, late prince of this unhappy
Realm, wilt with me away?
We shall raise up this child to his low station,
And prize happiness above rich raiment.
HAMLET
With full faith and credit do I accept
So glad a fate. The bottle and brothel both
I abjure, and henceforth of healthy stuffs only
Partake. Indeed, I will ope’ an organic store.
A purveyor of purest provender will I be,
As well with my nostrums, sprouts and curd,
Give right respect to all persons, however mean.
(Enter the ASSISTANT, now wearing an apron and carrying a serving platter.)
HAMLET
Waiter, there! Thou filth-daub’d whoreson knave,
Lift thou that salad to my mouth.
ASSISTANT
I come to bear your Caesar, not to raise it.
OPHELIA
That’s actually a decent business model, but for god’s sake, stop alliterating.
HAMLET
Alas, then Hamlet’s Health Haven some other name
Must bear. Yet one end still loose remains:
Here is none with will nor right
To bear a crown, and of legitimate quarters
All our arms alike are barren.
What then of Denmark?
HORATIO
Look not to me, that do value my earthly time
So high, and own skin still more higher yet.
So have I sent abroad for answer.
(Enter FORTINBRAS with soldiers.)
FORTINBRAS
No more do I desire Denmark’s cursed diadem.
Self Norway’s crown I like renounce, and honors
All do I lay down, this shining ax instead to sound.
(An AIDE DE CAMP presents a case and opens it. FORTINBRAS takes out a trumpet and plays a hot lick. Others find instruments — banjo, clarinet, tuba, bass drum, etc. — concealed in scenery and join in. Exeunt court except Hamlet and Ophelia.)
HAMLET
I regret our child cannot be king, and shall
But to commoner blood be heir. But stay!
If thy sire and mine be one, then we are sibs,
Our union curs’d and our whelp some ill-formed thing.
OPHELIA
Relax, Polonius was not my dad. Almost certainly. Anyway, the baby is Guildenstern’s. Or maybe Rosencrantz’s. I’m not really sure which.
HAMLET
What, then did'st bed them both?
OPHELIA
No.
(Exeunt HAMLET and OPHELIA.)
(Enter GRAVEDIGGER and ASSISTANT with busing trays.)
GRAVEDIGGER
So f—- ’em, say I.
ASSISTANT
Hey, look, Alfie. They left the cannoli.
GRAVEDIGGER
(Eating a cannoli) F—- the lot of ’em.
(He looks around for something to drink, sees the cart and reaches a hand toward the scepter or the flagon. Polonius watches closely.)
The End
Exit music: Louis Armstrong, “Struttin’ With Some Barbecue”
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7 comments
And like "Rozencrantz and Guildenstern are Dead" this is so witty and hilarious! Thank you for a wonderful and funny read. So many Shakesperian Easter eggs. My favorite line (among many): "O woe is me, And I am woe, as nouns so joined In copulation each upon the other Lie." You, sir, understood the assignment.
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Thou art too kind, and praise doth bring a blush; Now mine own humble wish thus be fulfill'd A knowing bard to laughter so movèd, And I can finally stop trying to figure out this damned pentameter stuff, yeesh.
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Kudos for figuring it out! That's a lot of work. I hope it all goes well for you! Looking forward to reading more from you.
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This is great. All the best bathroom chat from Shakespeare, a little wink to Monty Python, bonus points for yiddish...Ophelia's usually my least favorite character, but I absolutely loved her entrance. Start to finish fun.
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thank you! (and Hitchhiker's Guide)
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Thank you for this most authentic homage to Shakespeare! Excellent on every level. I will have to reread this several times to get everything out of it that you put in. Superb job. You make Shakespeare smile, that his spirit is alive and well. Bravo!
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Thank you, it was a lot of fun. It's weird, and yet completely natural, how well Shakespeare fits with his British humor descendants like Monty Python and Douglas Adams.
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