119 Best Creative Writing Exercises for Authors in 2025

Write a list of random, free-association words. For creative writing, list ten words across ten columns. Then go to each column and add nine more words so that the result is ten columns and ten rows, a total of one hundred words. Just reading the list and noticing the creative leaps your mind has made may surprise you. If you like, continue the exercise by using all one hundred words in a short fiction piece. For poetry, select the words that suggest a common theme.

Humans are highly resistant to change - for a character to believably undergo a personal journey that substantially alters them, something HUGE and specific must happen to them. This event doesn't have to happen in your story, but once you can identify your character's limits, you can determine what is required to create a potential change in their fundamental nature.For this exercise, determine what this catalyst for change might be by considering situations or attributes that feel counterintuitive. For instance, if your character is a Good Samaritan, it is unlikely they would commit a crime. What would have to be at stake for this unlikely situation to happen - and for a core part of your character to change?

Believe it or not, choosing the right setting is one of the most important decisions to make when planning a scene. The location can add mood, supply tension and conflict, steer the plot, characterize, foreshadow, and even provide a way to dribble in backstory. Going with the first thing that comes to mind is often easier but may rob the scene of added depth. Locations that are frequently used in books and film may also bore readers.For your next important scene, make a list of twenty possible locations. Brainstorm some that have personal meaning to one or more characters as this can affect their emotional state in the scene. Play with weather elements, time, and the quality of light (and shadow) to further customize your setting. Challenge yourself to find the perfect fit and it will pay off by powering up the scene and offering readers a fresh experience.

Part of writing great dialogue is ensuring each character has a unique voice. Pretend three of your characters have won the lottery. How does each character reveal the big news to their closest friend? Write out their dialogue with unique word choice, tone, and body language in mind.

Write about a well-known scene from a popular story - but write it from a new perspective. Write about Romeo and Juliet's death from the perspective of the vial they drink from. Write about the scene where Bilbo finds the ring in¾The Hobbit from the perspective of the ring. Write about the ghost of Christmas Past taking Scrooge on a walk down memory lane from the perspective of the ghost. You get the idea.

Keep asking your characters why. Here's an example:

• Why are you grumpy? I have a hangover.
• Why do you have a hangover? My friend was in a bad accident and I thought he might die?
• Why did you think he might die? His girlfriend lied to me about how serious the accident was.
• Why did she lie about that? She's jealous of our relationship.
• Why? I think she's insecure and has trust issues.

Do you see how much that question will dig into a character?

Have you ever read or watched something with an ending that left you unfulfilled, unsatisfied, or frustrated? Now write a proper ending that fixes the story for yourself. Keep in mind the components of a narrative arc's resolution while you're doing so.

Take 5-10 minutes to free-write about your project in new or strange way. Scrawl your thoughts on construction paper in purple marker, close your eyes and write outside the lines - or draw your plot in pictograms. When you're done, choose the bits that stand out most to you or were the most fun to jot down, and make them the central points of your outline or story.

This exercise is particularly helpful for those who write for children and youth. Study an old photo of yourself or your family from your childhood. It's probably easy to remember the who, the where, the what. But for this exercise we want to go deeper.Close your eyes and remember the details of the event. Then remember how you felt at the event in that photo. How did you feel when anticipating the event? How did you feel if it was a surprise? How did you feel if it didn't turn out as you anticipate? How did others at the event treat you? How did you react/respond to them?Now, translate those FEELINGS into an event, place, child that would take place today.

Describe the same character twice. Once as the hero of a story and once as the antagonist.