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Write your book in Reedsy Studio. Try the beloved writing app for free today.
Craft your masterpiece in Reedsy Studio
Plan, write, edit, and format your book in our free app made for authors.
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Showing 119 writing exercises curated by Reedsy.
"There is a charm about the forbidden that makes it unspeakably desirable" _ Mark Twain. Your character is doing something someone else has forbidden. Someone else discovers. Will there be a confrontation? Or will the discoverer be so uncomfortable that (s)he will ignore or throw hints instead? This is a great scene to practice tension between two characters as well as the internal thoughts of one of the characters.
"There are two types of people: those that talk the talk and those that walk the walk. People who walk the walk sometimes talk the talk but most times they don't talk at all, 'cause they walkin'. Now, people who talk the talk, when it comes time for them to walk the walk, you know what they do? They talk people like me into walkin' for them," said Key in the 2005 film Hustle and Flow. Which of these two types are your characters? Write down an exchange between two of your characters that confronts this very difference between them.
Your protagonist opens a purse or a desk drawer and finds three objects. By the end of your piece there's only one item left. What happens to the other two?
Pick one of the following flowers: Camellia, Azalea, Persimmon, Marigold, Holly, Elder, Ulmus, Verbena, Zinnia, Jonquil.Now locate it in the list below to find out the symbolism behind your flower. Write a short story based around that meaning as a theme. Specifically mention your flower in passing in the story at least once.
"Gossip, as usual, was one-third right and two-thirds wrong," wrote L.M. Montgomery. Improvise a gossipy dialogue between two characters (Character A and Character B) about your protagonist (Character C). If these fractions are followed, what do Character A and Character B get right about your protagonist - and what do they get wrong?
How people perceive your character may be markedly different from who your character really is. Think about what the average stranger might think - or hear - of your character. What's the gossip around town concerning your character? Write down a scene in which your protagonist is forced to confront this gossip, and the consequences of that confrontation.
Write a passage without the letter "E" or "A." This is known as a lipogram and has been used by authors in many languages to write their novels. You will use unusual sentence constructions, and it may slow you down for a while, but it will certainly force your brain to work in different ways.
Think of some information your readers will need to learn to understand the story. This could be technical information or character backstory. Now write an argument between two characters in which you use conflict to share this information.
If you're feeling stuck or intimidated about how to start writing, take five minutes before you jump into your writing project to pen a love letter (or hate letter) to the blank page in front of you. It's surprising where words - any words - will lead you once you put them down.
At the root of all writer's block? Fear. You'll recognize it by the questions you ask yourself when you sit down to write: Can Ireally finish an entire story? Am I a good enough writer to pull this off? Will this story matter to anyone? Or am I wasting my time? And what if I sound dumb?But the specific fear doesn't matter if you know how to soothe it. Here's what to do: Lie down. On the couch. In bed. In the tub (Hey, don't knock it! Sometimes it's the only place writers can find some time alone!). Lie down where it's comfortable and quiet, and write fifty words.That's it.Either the exercise helps you break through the anxiety, and you keep writing. Or you have fifty words more than you had yesterday, and you try again tomorrow. Either way, lie down and write fifty words.
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