119 Best Creative Writing Exercises for Authors in 2025

Choose a place you've never been to. (If you have a map, you can close your eyes and pick a random spot for an extra challenge!) Do some research and try to learn everything you can about that location and make it the setting for the next scene you write. Try to include as many details as possible to make it seem like you've actually been there. For example, what does it smell like? What kind of people would you see there? What is the climate like?

There are those who believe that there is a science to personality. Out of this belief developed some popular personality tests that are designed to help people learn more about their strengths and weaknesses. The biggest ones include: Myers Briggs, The Big Five, and the Enneagram Test.Try taking each of the above tests, but here's the twist: take them as if you were your character. Does it match up to what you had in mind? Do the results reveal anything new or surprising about your character's traits?

Flex the writing muscles in your brain by writing a short story that ONLY uses dialogue. For an extra challenge, introduce and juggle more than 3 characters throughout the course of this story.

How people perceive your character may be markedly different from who your character really is. Think about what the average stranger might think - or hear - of your character. What's the gossip around town concerning your character? Write down a scene in which your protagonist is forced to confront this gossip, and the consequences of that confrontation.

Here is your challenge: for the next week, collect fun names. I've collected them for years in a little notebook - from obituaries, news stories, random lists, and spam. Spam is great for funny names.Then go through your notebook, choose a name, and write a short character sketch based off that name. It's amazing how the names make the characters come to life and start moving the story in fun directions you never expected.

Pick up one of your favorite novels. Open it to a random page. Whatever chapter you land on, rewrite it your own way. Take it in a totally different direction than how it actually plays out in the book.

How do you start a story - or get a story back on track? If you're feeling lost or blocked, try templating to get your plot on course.Here's what to do: bullet point your initiating incident, your rising action, your crisis, and your resolution for both your main plot and subplots. Make a table to see events running parallel, remembering subplots exist to enhance, complicate _ ultimately, compliment _ your main action. Listing like this highlights any irrelevancies, keeping your tale on track, and makes all you write intertwined and significant to your protagonist's journey. Plan out using this framework as your reference.

Sometimes writers think up a character and jump straight into writing, without fully fleshing out the concept at a foundational level. This then means they falter and end up writing a very confused draft. I call this 'The Story Swamp.'Avoid The Story Swamp by writing a 'logline' or 'pitch' of approximately 25-60 words. This logline should cover what B2W calls The 3 Cs:Character: Who is your protagonist? What does s/he need or want?Conflict: Who is the antagonist? Why does s/he want to stop or counter your protagonist? What other obstacles are in your protagonist's way?Clarity: Do we know what genre or type of story this is? Are you using familiar or clich_d language? Are your word choices too vague?

Set a timer and start free-writing from one of your character's perspectives. Try to really get inside their head - what do they want, what ticks them off, what do they feel passionate about? Are they writing in a diary, telling a story to a friend, or dictating a formal letter?

"Gossip, as usual, was one-third right and two-thirds wrong," wrote L.M. Montgomery. Improvise a gossipy dialogue between two characters (Character A and Character B) about your protagonist (Character C). If these fractions are followed, what do Character A and Character B get right about your protagonist - and what do they get wrong?