119 Best Creative Writing Exercises for Authors in 2025

"There is a charm about the forbidden that makes it unspeakably desirable" _ Mark Twain. Your character is doing something someone else has forbidden. Someone else discovers. Will there be a confrontation? Or will the discoverer be so uncomfortable that (s)he will ignore or throw hints instead? This is a great scene to practice tension between two characters as well as the internal thoughts of one of the characters.

Establishing how your character is perceived by others is a great way to give them greater context. It can provide the author with expectations to subvert for the reader and add an interesting mystique to the character. To give the Gatsby Method a go, write a scene in which your character is only present through the candid descriptions of him/her by others.

Here is your challenge: for the next week, collect fun names. I've collected them for years in a little notebook - from obituaries, news stories, random lists, and spam. Spam is great for funny names.Then go through your notebook, choose a name, and write a short character sketch based off that name. It's amazing how the names make the characters come to life and start moving the story in fun directions you never expected.

Write a review of a restaurant at which you recently ate. Describe the food as much as you can. Feel free to be eviscerating as well.

Describe your world from above - as an eagle might see it.

Think about how your writing voice has changed since you began writing - then, try writing in the voice of Past You. Growing older, trying new experiences, and learning more about writing can all be factors that influence your voice. For example, you could write a chapter in the style of an elementary school diary entry, or look up an old writing assignment and use it to draft your project.

Write a presidential speech about why your country needs more ice cream.

How do you start a story - or get a story back on track? If you're feeling lost or blocked, try templating to get your plot on course.Here's what to do: bullet point your initiating incident, your rising action, your crisis, and your resolution for both your main plot and subplots. Make a table to see events running parallel, remembering subplots exist to enhance, complicate _ ultimately, compliment _ your main action. Listing like this highlights any irrelevancies, keeping your tale on track, and makes all you write intertwined and significant to your protagonist's journey. Plan out using this framework as your reference.

Think of some information your readers will need to learn to understand the story. This could be technical information or character backstory. Now write an argument between two characters in which you use conflict to share this information.

We've all read about the grey autumn day, the crisp spring morning, the dewey summer evening. Flex your descriptive muscles by spending some time writing about your surroundings. Look for new, interesting, evocative ways to explain the world around you. For instance, instead of writing, "a breeze blew in through the open window, try, "papers fluttered in the gust that swept in through the window, throwing dust into the air like confetti."