119 Best Creative Writing Exercises for Authors in 2025

This is a challenge that will exercise your prowess at one of the oft-used components of English: punctuation. To start off, write a paragraph of no more than 500 words about the benefits of skin care. Within this paragraph, use ; : - _ ! ? " ' , . at minimum twice.

Your protagonist has just been bequeathed $5 million dollars. The money came from an anonymous benefactor who wants your protagonist to donate all of it to five charities. How does your protagonist react? In a short story, write down what would happen next.

Write a passage without the letter "E" or "A." This is known as a lipogram and has been used by authors in many languages to write their novels. You will use unusual sentence constructions, and it may slow you down for a while, but it will certainly force your brain to work in different ways.

The next time you're about to write a long passage of dialogue, show it from the perspective of a stranger watching your characters from afar. The stranger cannot hear what is being said; he can only observe their behaviors, appearances, and actions. You'd be surprised how much you can deduce about two people from just their body language.

How people perceive your character may be markedly different from who your character really is. Think about what the average stranger might think - or hear - of your character. What's the gossip around town concerning your character? Write down a scene in which your protagonist is forced to confront this gossip, and the consequences of that confrontation.

Come up with three thought provoking questions. Such as:

1. Who is Sara?
2. Why is she running down the street?
3. What is she holding?

Or:

1. Who is knocking at the door?
2. Do you know them?
3. What do they want?

Without stopping to think or check on your spelling, answer these questions as fast as you can, with whatever comes to mind.

Humans are highly resistant to change - for a character to believably undergo a personal journey that substantially alters them, something HUGE and specific must happen to them. This event doesn't have to happen in your story, but once you can identify your character's limits, you can determine what is required to create a potential change in their fundamental nature.For this exercise, determine what this catalyst for change might be by considering situations or attributes that feel counterintuitive. For instance, if your character is a Good Samaritan, it is unlikely they would commit a crime. What would have to be at stake for this unlikely situation to happen - and for a core part of your character to change?

What can be more basic than the simple who, what, why, when and where formula? This common sense plan has proved over and over again that it is not only one of the fastest ways to begin a story, but also an easy creative writing exercise to use when you only have a small chunk of time available.If you want this formula to work for you, then the best way to approach it is to answer those questions quickly. Forget about thinking, analyzing, and worrying until later. For now, let's just start writing. Here's an example to show you how easy it is to start.

• WHO? Sally _ an eco activist/policewoman
• WHAT? Having affair with a married politician so she can blackmail and manipulate him.
• WHEN? Now
• WHERE? In contemporary Ireland
• HOW? Recording his every move, generally spying on him in order to destroy him.

The best way to learn is by reading, so pick up a book that had a plot twist that surprised you and yet felt right. Look for subtle foreshadowing in it. Start at the beginning of the book and find the clues that point towards the twist. Make a list of them. Include the wording, so that you can see why they weren't obvious at first.