My grandmother haunts the church basement on Tuesday nights. I've seen her there between the metal folding chairs and ancient coffee urns, her silhouette flickering under fluorescent lights that buzz like dying insects. She wears the same powder blue cardigan she was buried in, the one with mother-of-pearl buttons that catch the light like tiny moons.
The others can't see her, of course. They just feel a sudden chill when they walk through the spot where she stands, or catch the phantom scent of her Shalimar perfume mixing with the burnt coffee smell that never leaves these rooms. But I see her clearly. She's been following me to AA meetings for three months now, ever since I picked up my first white chip after a five-year slide back into the bottle.
"Your grandmother was my sponsor back in '85," Old Pete told me after tonight's meeting, his hands shaking as he stirred a seventh packet of Sweet'n Low into his coffee. "Toughest sponsor I ever had. Saved my life."
"Mine too," I said, though I didn't specify which time I meant – when she was alive and serving as my first sponsor fifteen years ago, or now, when her ghost keeps me from walking past the liquor store on Monroe Street.
The church basement is empty now except for me and her shade. I'm stacking chairs like I promised Larry I would, trying not to look directly at her. She taught me that trick when I was alive – how to watch someone without letting them know you're watching. "Alcoholics are like spooked horses," she used to say. "Come at them head-on and they'll bolt every time."
"I know you're there, Gram," I say finally, setting the last chair against the wall. "You don't have to pretend."
She materializes more fully then, becoming almost solid. Almost real. Her blue cardigan glows softly in the dark corner where she stands. "Pretending was always more your style than mine, Jackie."
Her voice sounds exactly the same – that mix of gravel and honey, decades of Virginia Slims layered over a Kentucky childhood she never quite shook. I have to grip the back of a chair to steady myself.
"Why are you here?" I ask, though I think I know.
"Same reason I was here the first time. You needed a sponsor, and fate dropped you in my lap." She moves closer, and the temperature drops ten degrees. "Though I have to say, being dead makes the whole anonymity thing a lot easier."
I want to laugh, but my throat is too tight. "I miss you, Gram."
"Miss you too, sugar. But that's not why I'm here."
"Then why?"
She gives me that look – the one that always made me feel like she could see right through my bullshit. "You know why. Same reason you've been avoiding sharing at meetings. Same reason you won't call your mother. Same reason you're still carrying that flask in your glove compartment even though you haven't touched it in three months."
My hand goes automatically to my car keys. "I'm not—"
"Don't lie to your sponsor, Jackie. Especially not one who can follow you home."
The truth spills out of me like blood from a wound. "It was my fault. If I hadn't been drunk that night, if I hadn't called you crying about Brian leaving, if I hadn't kept you on the phone so long..."
"Stop." Her voice cracks like ice. "You don't get to take credit for my heart attack. That was between me and my four decades of cigarettes and bacon grease."
"But if I hadn't—"
"But nothing. You think you're the first alcoholic to try to claim responsibility for someone else's death? Hell, sugar, that's practically step thirteen in this program." She steps closer, and I smell Shalimar, strong enough to make my eyes water. "The only thing you're responsible for is what you do with your own sobriety. Then and now."
"I can't do it without you."
"Couldn't do it with me either, last time. Or did you forget how that ended?"
I hadn't forgotten. How could I? Five years sober under her sponsorship, then the night she died, then the slow slide back into the bottle. By the time I hit bottom this time, I'd lost my job, my apartment, and any illusion that I could handle just one drink.
"It's different now," I say.
"Is it? Because from where I'm standing – and believe me, sugar, I've got a pretty good view these days – you're still trying to punish yourself for something that wasn't your fault. Still carrying around that flask like it's some kind of penance."
She moves to the ancient coffee maker, her hand passing through it like smoke. "You want to know why I'm really here? Because you called me that night. Because even drunk off your ass and crying about that worthless ex of yours, your first instinct was to reach out for help. That's what this program is about. That's what I tried to teach you."
"And look how well I learned." The bitterness in my voice surprises even me.
"Oh, you learned just fine. You're just too stubborn to use what you know." She turns to face me fully, and for a moment she looks exactly like she did the day she became my sponsor – fierce and loving and absolutely unwilling to take any of my crap. "You want to honor my memory? Stop using it as an excuse to beat yourself up. Get rid of that flask. Call your mother. And for God's sake, share at a meeting. Your story might be exactly what someone else needs to hear."
"I can't—"
"Can't is just won't in a prettier dress, and you know it." Quit arguing your limitations. She starts to fade around the edges, becoming transparent. "My time's almost up, sugar. But I want you to remember something: I chose to be your sponsor. Both times. Because I saw something in you worth saving."
"Gram, wait—"
"No waiting. You've done enough of that." Her voice is getting fainter. "Come back Thursday. Share your story. All of it. Even the parts that hurt. Especially those parts."
"Will you be there?"
She smiles, and for a moment she's fully solid again, real enough that I think I could touch her if I dared. "Sugar, I'm your sponsor. Where else would I be?"
Then she's gone, leaving nothing but the scent of Shalimar and the soft click of mother-of-pearl buttons against the metal chairs.
I stand there for a long time, listening to the building settle around me. Then I take my keys out and walk to my car. The flask is exactly where I left it, sterling silver gleaming dully in the streetlight. It was her flask originally – a gift from her own sponsor when she got five years. She gave it to me when I hit the same milestone, filled with water as a reminder that the most dangerous liquid in the world couldn't hurt you if you chose something else.
I dump it in the church's recycling bin.
On Thursday, I come back. I share my story – all of it. About how my grandmother got sober when I was a kid, how watching her transform her life made me think I could transform mine when I finally admitted I needed help. About how she became my sponsor and loved me through my darkest moments. About how losing her sent me back to the bottle. About how even death couldn't stop her from reaching out one more time to pull me back from the edge.
I don't tell them about seeing her ghost. Some things are still between sponsor and sponsee.
But when I finish speaking, when I finally look up from my shaking hands, I catch a glimpse of powder blue in the corner of the room. Just for a second. Just long enough to see her smile.
Old Pete finds me after the meeting. "Heard your share," he says, stirring his coffee. "Your grandmother would be proud."
"I know," I say. And for the first time since she died, I really do.
The church basement is quiet now, empty except for the echoes of a hundred thousand stories shared within its walls. Stories of loss and redemption, of falling down and getting back up, of love that transcends even death. My story is just one more, added to the mix like cream in coffee.
But as I stack the chairs one last time, I swear I hear her voice, faint as a memory:
"Keep coming back, sugar. Keep coming back."
I will, Gram. I promise.
This time, I mean it.
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6 comments
Awesome story! You captured the Grandmother's voice perfectly as well as the main character's struggle with alcohol and guilt.
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Thanks much
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So so touching! And written in such a relatable way. Gram has such a down to Earth way with words. I especially loved : « Can't is just won't in a prettier dress, and you know it. »
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Thank you muchly
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Beautifully written with sensitivity and insight. The main character and grandmother have distinctive characterizations and their dialogue reflects their personalities. A very heartwarming and touching story!
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Thanks much. :)
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