“GET INSIDE!” Jack could hear Ben, the chopper pilot, yelling over the incessant whuppa whuppa whuppa of the blades as he leaned out of the opening of the medevac so far he was more out than in, but he had to get the shot. It was his job. As they approached the ground and the dust flew everywhere, a bullet went right through Jack’s hat. The force of the bullet ripped it right off his head. Even so, it didn’t alter his approach to his work. When he was working, he used the camera lens as his eyes and today what he saw through that lens was absolute carnage under a dusty haze, which made it look like a dream. Or, rather, a nightmare. He continued snapping pictures as one man after another was dragged, carried or ran out of the jungle toward the chopper. Soldiers were running backwards shooting their guns, providing cover for the troops who were being carried or were too bloody and disoriented to protect themselves from the gunfire bombarding them as they made their way to the chopper. Jack shot it all as one by one they were loaded into the medevac. Once everyone was in, the pilot pulled the chopper up and flew back to base to the deafening sounds of whuppa whuppa whuppa and missiles whizzing by barely missing them. As they flew over the jungle of Vietnam back to the relative safety of the base, Jack thought to himself how beautiful it looked from far above and how unnecessary this all was. Once landed, the pilot jumped out of the chopper, and in a rage ran around to the other side yanking Jack’s shoulder back to stop him as he was walking toward triage. He could feel a trickle of blood running down his head from where the bullet grazed him.
“Who the hell do you think you are? You arrogant jackass. I personally don’t give a shit if anything happens to you, but I’m the one that’s gonna catch hell if you don’t make it back. You can ride along with me, because I have no choice but when you hang out of the chopper like you just did back there, I can’t make quick movements because you’ll fall out! And that limits how I fly, and I can’t have that. I need to be able to maneuver to avoid incoming fire. I need to focus on getting those boys out of that god-forsaken jungle. If you make that one ounce more difficult for me I will push you out myself, and I won’t come back for you. Do you hear me? This may be a game for you, but it’s life and death for us.” Ben pushed him aside and walked away from him. Jack was shocked and ashamed of himself and realized that what he does here may put someone else in danger. He grew up a little that day. It was 1974 and the war would soon be over but he was only a 22-year-old kid fresh out of journalism school trying to make a name for himself.
From that point on, he was aware of everything he did and everyone around him so that he didn’t get in the way or cause any problems. He got amazing pictures of an untenable war that were sent through the AP wire and were picked up in papers all over the world. Those pictures made him the most famous photojournalist of his time. Beautiful, ugly, haunting images of a war nobody understood and fewer and fewer people wanted.
After that, he was sent on assignments all over the world. He covered wars, civil unrest, political coups in every far off corner of the globe and drug cartel activity that decimated small border towns, and he risked his life every day to bring the truth to people.
His coworkers and other correspondents called him a badass, but he didn’t think of himself as particularly brave. The people he was shooting were the brave ones, and he tried to convey that through his photography.
He had a life filled with risk and danger for over a decade but then he met a woman in one of those war-torn countries and fell in love. He brought her home, married her and they started a family. She never asked him to stop going on assignments but as the years went by and kids got older, the lure of getting that picture that perfectly encapsulated a moment in time began to be less important to him than Davey’s baseball game or Beth’s ballet recital. He decided to leave the dangers of photojournalism behind him, and he opened a photography studio in town.
You'd think that it would be easy, but it was hard. It was almost harder than dodging bullets in some far off land. After a while though he got used to the quiet and while he missed the adventure and even the danger to a degree, he did enjoy shooting the happy events of people’s lives. And he loved being able to be home with his wife and kids and soon no one remembered, not even himself half the time, that he used to be a badass who hung out of medevac choppers in Vietnam.
*****
“Papa, what are these?” Jake called out to his grandfather from the other room. “I don’t know, Jake. What are you looking at?” replied Jack as he walked toward the back bedroom where his grandson was. Jack was old now and walked with the help of a cane and hadn't taken any pictures of anything other than his family for a long time.
“These pictures. Why do you have all these pictures of protests and soldiers,” asked Jake. As Jack walked into the room, he saw that Jake had taken all the pictures out of the closet and the Pulitzer Prize he had won for his photo series on Vietnam. As he looked at his grandson, who he knew only saw him as an old man who never did anything very exciting, he decided to finally talk about what he did when he was young.
“You know, Jake, I didn't always walk with a cane and need bifocals to see. I was young once, if you can believe it." Jake looked at him like he knew it had to be true but wasn't quite sure. "There’s more to me than the worn out old man you see when you look at me," said Jack with a smile and a distant look in his eyes. "It’s kind of funny that your mom is so protective now that she doesn't even like me using the stove without someone being here but there was a time when I was a little wild, kind of crazy, and went on lots of adventures,” said Jack as his grandson listened intently to story after incredible story.
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An engrossing and lifelike story. Well written.
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This is an interesting and very believable life story written in an easy-to-read style without complicated figures of speech. Nice prose.
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Thank you so much for taking the time to read and give feedback to my story. I appreciate it so much. I like straightforward prose. No need to explain something in five sentences when it can be explained in one (hee hee)
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Your story reminded me of 'The Deer Hunter' at the beginning and then it became one about an avid photographer. Engrossing story. I like the way you talked about Jack in his old age. Reminds all of us that our older loved ones have often lived incredible lives and accomplished great things. We take it all for granted at times.
A point about dialogue. There is a real art to making dialogue like an everyday conversation. It can never be this because there is so much story, backstory, description, characterization etc. that needs to be conveyed. But one thing that you need to do, to make it as natural as possible, is to cut it down to the bare bones. Sentences within it are short and crisp. Not to mention again about new speaker, new line.
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Thanks for your story Annie. A few notes:
1. "Jack was shocked and ashamed of himself..." You have a new character speaking/thinking at this point. Therefore it should be in a new paragraph. Additionally - he was shocked and ashamed of himself? Presumably his first reaction would not be shock/shame, but defensiveness. "Hey, mate, you do your job, and I'll do mine. Good quality photos might actually be part of getting this war stopped. Guess you didn't consider that, did you!? And if it was so important to you, the onus was on you to include all that in the pre-mission briefing!" I'm not saying he'd say that out loud, of course, but part of him would be thinking that way, right? Even if, on reflection, he started to come around to thinking Ben was right, and that he'd put the mission in jeopardy unacceptably - though he might excuse that to himself as "but I didn't know!" - which would be a good thing, and a sign of him maturing, which is a good thing to see a character doing in a story, but, as I say, even if, on reflection, that was his reaction, I still feel that his first reaction would've been one of defensiveness. [Though, to be fair, I may just be projecting!]
2. "He got amazing pictures of an untenable war that were sent through the AP wire and were picked up in papers all over the world." I can't put my finger on why, but this sentence feels laborious. It probably has some sort of grammar problem like a "compound sentence," (I just made that up, but you get the sense of what I'm trying to say I guess.) To me, it would read more fluidly thus: "He got amazing picture of an untenable war. Pictures that were sent through..."
3. "After that, he was sent on assignments all over the world." By this point its so long since the narrator referred to the protagonist as "Jack," that this new paragraph would really feel more natural that way, instead of your continued use of he/his. Potentially a minor thing, but I would've started this paragraph, "After that, Jack was sent..."
4. "...but then he met a woman in one of those war-torn countries and fell in love. He brought her home, married her and they started a family." It's good to have the story move forward. However this would seem to be a pretty important and central part of the moving forward. So much so that it probably deserves to have a more thorough telling that just 27 words. Start a new paragraph with something like, "Jack was on assignment in Iran in 1987 when he finally got his first real injury - a broken leg. Many locals were helping as nurses in the base's hospital, and that's where he met his future wife Shirin..." [then pad it out with and explanation of how he got the injury, and some dialogue between them. An amusing anecdote that gets referred back to later in the story... something like that.] Also, give us her name, not just "...a woman..." please :-)
5. It's odd how that first section, after the big action scene, is all narrator-telling-the-story. It could just be my personal preference, but it seems like some of the events you're talking about at the end of the first section could've been more show-don't-tell. Jack's got an exciting job. Show him leaning out of choppers again - this time with a harness on. Show him wringing his hands as he holds his broken camera that just got hit by debris from a missile strike. Show him arguing with a captain for permission to join a forward party. Getting in situations that drive his maturity and his arc forwards...
6. It's curious - perfectly fine, but slightly curious - how the lure of his job lessened in the face of wanting to spend time with his kids. That's good. Perfectly understandable. And yet a lifetime of doing that job, doing it well, getting international recognition for doing it well... must've been hard to give up, no? Also, it may be a bit of an overused device, but the father spending too much time at work, and not enough with the family, is an all-too-relatable happening. I'd've thought you would've had him find it difficult to pull away from work, until he has some sort of big wake-up call. Would've been both relatable and a point of tension to drive the plot forward. But not a big deal. And I suppose you do go on to say that the transition wasn't easy.
7. "...You'd think that it would be easy." This is the first time the narrator has addressed the reader, and it feels out of place because it's the first (and only) time this narration device is used. It's a perfectly valid storytelling device, but using it just one time, in the middle, is incongruous.
8. I can see at the end you're trying to give the story a sense of coming full circle - a logical and satisfying story arc. That is good, and mostly successful. This is probably just my personal preference, but, for me, I'd've like that last bit to harken back to a very specific bit of action or bit of learning that happened in the first scene. For example, "'Papa, what did you do for a job back when you were working' said Jake. Jack looked at his grandson with love. 'I'll show you.' Jake followed his papa to the master bedroom, where Jake leant over the embroidered love-seat further and further, reaching for his old suitcase. 'You're not on assignment now!' his wife said, having entered the room behind them. 'Get back in the chopper, and I'll get the case of photos out for you,' she said with a small grin that showed the words held more love than chastening." ... that would then lead nicely into the comment about how his wife seems overprotective these days as well.
Overall, the essential parts of the story - the ideas, the characters and the language are good. I can see that you enjoyed the process of developing the main character. The issues I've raised aren't that huge, and could easily be fixed with more re-reads and edits before submitting. (As is usual for me, I re-read and edited my story at least 10 times prior to submitting, and then still needed to make at least 4 more edits after that point. And even then it still needs a bit more! A week is not a long time to both write the story, and to hone it to perfection!) My only gripe, really, is the short length. This story holds the seeds of a really interesting story, that could be fleshed out a lot more, to give the reader more of a sense of the protagonist's character, his development as the story progresses, the interesting places and bits of action he gets involved in during his photojournalism career... These stories can be 1k-3k words in length, and this feels like just a little over 1k. Again, I grant you that 1 week is not a long time to write a story in. But I would challenge you to try and flesh this kind of tale out a bit more in future offerings.
I think you have a lot of promise as a writer, and I frankly enjoy these feel-good stories far more than most of the unpleasant ones, which I think some authors write because they want to be all, "gritty," and give their stories, "realism," and "punch." [All that can be done well, and end up as a different sort of story that is still very enjoyable, of course. But it's surprising how often those kinds of stories, here at Reedsy, are actually not that successful.] It's perfectly possible, as you have shown, to have a feel-good story that still feels real and in-your-face. Well done with this, and I look forward to reading your next one.
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Thank you so much for your thoughtful examination of my story. It is very in-depth and helpful, and I really appreciate you taking the time to give me some input. My writing process is to get a whole lot down initially and then edit extraneous stuff out. I’m pretty ruthless in my editing and whole sections get rewritten or removed entirely because I don’t care for extra words for the sake of extra words, and I can see I may have been a touch too ruthless in this story. This is literally my fifth story I’ve ever written so I’m just getting into this process. And you’re right, I am a Pollyanna and tend to be a happier story teller. Thanks again and I really appreciate your input
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Risky business!🙃 But what memories.
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Need a ‘Love’ option!
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That's so sweet!! I appreciate that more than you can imagine!
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Beautiful story!
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Thanks so much, Melissa!
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So true emotions in this story. I like it very much.
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Thank you so much, Darvico. I appreciate you taking the time to read it.
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Oooh ! Lovely story, Annie. Indeed, journalists and photographers are important in informing the world. Funnily enough, one of my story ideas for this week involved a photojournalist who chose to stay in this lifestyle over love (Perhaps, for another week).
Great job !
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I'm so glad you liked it. I can't wait to read yours!
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Beautiful story, Annie. It was a great idea to use a photo journalist covering the Vietnam War for the prompt but I also like the look into the aging man after his career has ended. great job.
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Thank you so much, Ty! I appreciate the feedback
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