It was a month later and I was sitting in front of the computer in my home office, looking at my computer monitor's screen.
My daughter Cat was sitting next to me, waiting. “You're still not sure about this, are you, Pa?”
I shook my head. “For all I know she's married. Or, worse, she could be dead.”
“But you won't know which one is true until you find out for certain,” she said. “Trust me, it's not that hard to get started. If I can, you can.”
“Maybe you should do it, then,” I said. “You're braver than I am.”
Cat shook her head. “Don't sell yourself short. After all, where do you think I got half of my bravery from?”
“It's not the same as being in a courtroom,” I said. “I know why I'm there and what I need to do. This is something else entirely.”
“Not really,” she said. “There's still a judge and jury, and they're both you. What's the verdict, Pa?”
“Guilty until proven innocent,” I said, grinning slightly.
She made a face. “Be serious.”
I took a deep breath and sighed. “I just don't know. It's been about twenty-five years. A lot can happen in twenty-five years. After all, if I could forget about her for that long, why couldn't she forget about me?”
“Or maybe she still thinks about you, wondering how you're doing and what you're up to,” Cat said.
“Okay,” I said. “You've made your case.”
“And the verdict is?” she asked.
“How do I go about searching for Sunny online?” I asked.
“First, you need to create a Facebook account,” she said.
“Then what?” I asked, once that was out of the way. “After all, we're assuming a great deal that she has a Facebook account.”
Cat nodded. “This is true. But it's even less likely that she doesn't. She might've started one when she was in college, or maybe afterward. For instance, if she got married.”
Married. I hadn't thought of that. And Sunny might not just be married but also a mother.
“Ready to take the plunge?” she asked.
I hesitated, then nodded.
She pointed at the Find People You Know on Facebook web page, and then down where it said: Search for people: Enter a name or email.
I typed: “Sharon Ferguson” and hit the enter key. And waited.
“She could be using her married name,” I said. “And I don't know what that is.”
“Baby steps,” Cat said. “One thing at a time.”
The search returned results for a dozen different Sharon Fergusons. I hadn't expected so many. I clicked on each one in turn. None of them were her.
“Now what?” I asked.
“There are other methods,” Cat said, and pointed at where the screen said Use Facebook Search. There were three horizontal fields after it said Filter By: Town or city. College. Workplace. There was even the option to Refine Search.
I typed: "Dandridge" in the first field. The town where I lived (and where she used to live). I left the other fields blank, since I didn't know what to put there. And hit the enter key.
This took a little longer.
One result came back: Sharon Jackson nee Ferguson.
When I clicked on the name, I was promptly flooded. She'd mentioned the schools she'd gone to during grade school. It also showed that she had moved away from Dandridge a year after graduating from college. There were plenty of photos to look at. Some looked like they were from her college years, and some were later. There was one from her wedding when she was in her late twenties, showing her and her husband, Leonard, as they walked back down the aisle in a church. Red hair braided and wrapped around her head like a crown. Long beautiful white dress. He was wearing an Air Force officer's uniform. They looked very happy. There were also photos of them and their first baby, a girl named Esther, a second baby, a boy named Solomon, and a third baby, a second girl named Ruth. Apparently the marriage was a success and had lasted until a few years ago. Not because of divorce or any similarly unhappy reason. He'd been in action over Afghanistan, shot down by rocket attack, and killed. There was one photo from his funeral, with Sharon and her children dressed in black. They were hugging and I could almost see their tears and hear them crying. It made me wish I could reach into the photo and comfort them.
“So,” Cat said. “Not all good news, then. But not all bad news, either.”
I nodded agreement.
“But it's definitely her?” she asked.
I nodded again.
“And she's alive,” she went on.
I nodded a third time.
“And like you, widowed,” she went on.
I nodded a fourth time.
“I don't think it would be disrespectful if you sent her a Facebook message,” Cat concluded. “Nothing personal. Just a friendly greeting and ask how she's doing. If she answers, great. If she doesn't, that's okay, too.”
“Okay,” I said and typed a short message:
Hi, Sharon,
Long time no see. Wondered how you were doing and maybe we could chat on Facebook sometime.
Sincerely,
Quentin
“Now we wait,” my daughter said.
At Cat's suggestion we went out into the backyard. It was a nice day. We sat on a bench, looking at the flower garden and the koi pond with its lily pads.
“You really think this will work,” I said.
She nodded. “I do indeed. I just can't guarantee how soon you'll get a response. The waiting is the hardest part, because you keep wondering if you'll get a response. And if you do, whether there's any friendly interest. It's like long distance couples who finally meet in person. Usually they're overjoyed to be together, but every once in awhile such a meeting doesn't turn out well.”
“You're not exactly comforting,” I said.
“Pa, I'm just saying don't get your hopes up too high,” she said.
“Says the person who suggested I make the attempt,” I reminded her.
“I know,” she said. “But now that you have, you have to be patient.”
“That's easier when you're my age,” I said. “If I were a teenager, I probably would be quite impatient. Even if it turned out badly.”
Cat laughed. “Something to be said for being middle-aged.”
I nudged her. “Hey, hey. Watch it. I'm your dad, after all, not your grandfather or great-grandfather.”
Which made her giggle. “I'm so glad you're my father. I wouldn't want one who's bland and boring.”
I coughed. “Which, of course, I've never been.”
She rolled her eyes. “No comment.”
“I stipulate that I may have been a long time ago, but not recently,” I added.
“No need to get all legal on me,” Cat said. “I'll be dealing with all that in law school soon enough.”
“And you're still determined to go?” I asked.
She nodded. “With a father like you, or the fictional Atticus Finch, how could you possibly expect me to want to do anything else?”
“You don't have to, you know,” I said.
“I know,” she said. “I'm not doing it for you. Or even for Atticus. I'm doing it for the people who need lawyers who care.”
“Which is the same reason I did it,” I said.
Cat glanced at me. “Didn't your parents want you to study something else?”
I nodded. “My dad wanted me to be a doctor. Biology and Chemistry weren't that bad. But once I got to Anatomy, I realized that it really wasn't my thing. I'm surprised I didn't flunk in it.”
“Was it difficult making the switch to law?” she asked.
“It was fairly simple, actually,” I said. “I've always been a bookworm.”
She laughed. “No kidding. I've never seen so many full bookcases. One of the reasons I've rarely borrowed books from a library. Plenty to choose from at home.”
I smiled sheepishly. “Guilty as charged.”
Cat sobered. “But what happened next?”
“I'd read Charles Dickens' Bleak House,” I said, “which didn't exactly paint a bright picture of the legal profession. Granted, that was in the mid-1800s in London, England, but it did make me hesitate for a moment and wonder if I'd made the right decision after all. I decided that I had and kept going. And eventually bumped into Harper Lee's To Kill a Mockingbird. Both the book and the movie adaptation. Maybe the movie more than the book. There's that scene after the trial, where Atticus is putting his things back in his briefcase. The black people in the balcony start standing up. Reverend Sykes says to Scout, 'Stand up, Jean Louise. Your father's passing.' And she stands up. They wait politely until after Atticus leaves, and then they all quietly leave.”
“That's one of my favorite scenes,” she said. “He'd done all he could and still lost the case. But he was so sure they were going to win on appeal … until they heard that Tom Robinson had tried to escape and been shot and killed by the prison guards.”
“He didn't see much hope, and decided it was worth risking his life to escape,” I said. “At least in death he was free of the prejudice he'd suffered under for so long. And not just in prison.”
“I wish he could've gone free, Pa,” she said.
“So do I, Cat,” I said. “But even in fiction, things don't always go the way you want them to. Sometimes, after giving it your best, you have to accept what the outcome is. No matter how unpleasant it is.”
“But sometimes you can escape the box and make a better life for yourself,” she said.
I nodded and stood up. “Maybe we should go check the computer. Or is it too soon?”
Cat shrugged. “Might as well. And if there's still nothing, we could always go out to a movie, or take a walk around town, or whatever.”
Back in my home office, we checked Facebook. The browser window was still open.
There was a response. It was longer than I expected.
Quentin? Oh my God. It's been so long. I'm doing fine. Motherhood seems to suit me. Esther, Sol, and Ruth are doing fine. I'm so lucky to have such smart, beautiful children. I wish you could meet them. I guess you've heard about Leonard, if you've checked my Facebook page. I wish you could've met him. But maybe it's better that such a meeting never happened. He was amazing. So tender, so caring, so loving. A wonderful husband and father. It wasn't easy with him being deployed for a year or more sometimes, but when he came home, it was like every holiday rolled into one. We would just about go crazy with the joy of being all together again. I never thought I'd ever hear from you again after we went our separate ways after high school. And now I have. Oh my. It feels like a dream. Anyway, just give me a nudge in Facebook chat, and if I'm online, we can chat. Take care of yourself. -Sharon
I checked, and she was online.
I typed: Hi, Sharon.
Sharon typed; Hi, Quentin. You can call me Sunny, if you want to. Esther just asked me who I'm chatting with. I said my best friend from grade school. She said to say “hi”.
I typed: I'll stick with Sharon for now. I hope I'm not interfering with anything.
Sharon typed: Oh, not at all. They're all home from school and their homework's done. We just usually hang out until dinner, doing whatever seems interesting and fun. Are you still living in Dandridge?
I typed: I am. I'm an attorney and I work at the courthouse. My daughter Cat is next to me. Want to say “hi” to her?
Sharon typed: Actually I already have. This morning. Didn't she tell you?
I paused and looked at Cat. “You've already chatted with her?”
Cat bit her lower lip and nodded.
“Why didn't you tell me?” I asked.
“Because I was afraid that if you knew, you might not want to try to find her,” she said.
I tried not to laugh, failed, and chuckled. “Oh, you rascal.”
She looked at me. “You haven't called me that in a long time, Pa.”
“You haven't acted like one in a long time,” I said. I gave her a big hug. “So who's idea was this originally? Yours or hers?”
Cat looked sheepish, but said nothing.
Sharon typed: Quentin? Is everything all right?
I typed: Everything's fine. I feel like I'm in a variation of the 'Parent Trap' movie. Have you seen it?
Sharon typed: A long time ago. When I was a little girl. Where the two girls try to get their birth parents back together again.
I typed: That's the one. So was this Cat's idea, or yours, or both of yours?
Sharon typed: A little of both. She found me on Facebook, and then, swearing me to secrecy, asked me to act like I hadn't heard anything about you. I guess I wasn't that convincing.
I typed: You had me fooled for a while.
Sharon typed: Then everything is okay?
I typed: Yes. Were you surprised to hear from Cat?
Sharon typed: At first. But then we let our hair down and chatted like old friends. She reminds me so much of you. Did she really beat up boys back in elementary school?
I typed: Only the bullies, when they teased and insulted her. She hasn't gotten into a fight in a long time. At least … I don't think she has.
Sharon typed: Maybe we should get together? Dinner? Here at my place? You and my children could meet each other. Tell Cat she's also invited.
I typed: Tomorrow night, maybe?
Sharon typed: What about tonight? I can put together something in about an hour.
I typed: But I don't know where you live.
Sharon typed: Cat knows. She came over here after we chatted on Facebook. I live about five blocks from you. She can give you directions, or would you rather I did?
I paused again and looked at Cat again. “Anything else you're hiding from me?”
She shook her head. “So are we going over there, or not?”
“We are,” I said.
I typed: Invitation accepted. When would you like us to be there?
Sharon typed: As soon as you like.
I typed: We'll be on our way momentarily. Don't be surprised if I'm a little nervous.
Sharon typed: You won't be the only one. Me, too. See you soon, Quentin.
I typed: See you soon, Sunny.
I closed the Facebook chat window.
“You are something else, you really are,” I told my daughter.
Cat looked at me, and I saw sympathy in her expression. “You've been alone for too long, Pa. Maybe she hasn't, but you have.”
“Maybe so,” I said. “I just hope that this doesn't become a habit with you. I'm not fond of being roped into doing something I probably wouldn't have done otherwise.”
“Like asking you to go to my Senior Prom with me?” she asked.
I frowned at her. “You wouldn't dare. Have you seen how badly I dance?”
She smiled and nodded. “Which is why I already have a date.”
“Malcolm?” I asked. I'd met him when they first started dating. Nice guy.
She nodded again. “Come on. Let's get going. Before you change your mind.”
Sunny's house was a two-story Colonial. It looked like something out of the Revolutionary War. Two small flower gardens and a tall oak tree in the front yard. The small front porch was roofed-over and supported by tall fake columns.
We walked up to the front door and I knocked.
The door opened soon after, and I found myself looking at someone who reminded me a great deal of Sunny, but with pigtails instead of a ponytail.
“Hi, I'm Ruth,” she said. “You must be Quentin and Cat.”
We nodded.
“Come on in,” she said. “Mom's upstairs, in the kitchen.”
Inside, there was a foyer the same size as the front porch, with one set of stairs going up and another going down. I could hear noises coming from the kitchen upstairs, as well as what sounded like a video game from downstairs.
Ruth led us upstairs. “Esther and Sol are down in the den, playing on their Playstation 4.”
“Their what?” I asked.
“Video game console,” Cat explained. “Didn't you have those when you were a kid?”
I nodded. “Mostly Atari. You've heard of them, I hope?”
She shook her head. “Are they still in business?”
“I think so,” I said.
The living room was to the left, and a hallway to the right. The kitchen was straight ahead.
I saw the side view of a woman with shoulder-length red hair and an apron around her waist. She was bent over the stove, sniffing something or stirring something, or both.
“That should be cooked enough,” the woman said. “Just another few minutes for the rest.”
“Mom?” Ruth called. “They're here.”
The woman turned and we both froze for a moment, staring at each other.
“Quentin?” the woman asked.
“It's been a long time, Sunny,” I said.
She ran the short distance and threw her arms around me. I thought I could hear her crying and found that I was crying, too.
“I'm so glad that you're here,” she said. “I've missed you so much.”
“Likewise.” I looked at Cat. “Thank you.”
She smiled. “You're welcome, Pa.”
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It keeps getting better and better. You take bits and pieces from “To Kill A Mockingbird” and cleverly weave it into your story. The references to the characters and scenes in it are spot on.
I also love how Cat is so patient with her dad when she’s explaining how Facebook works. That brought a smile to my face. I can almost feel a lot of your personality shining through, especially the part about Cat’s dad being a bookworm.
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Writing practice and feedback both help.
Initially, I wasn't just inspired by Harper Lee's book but also by other sources, such as the 1990s movie "Pleasantville". I wanted to write about prejudice but from a more adult point-of-view (adult instead of childlike, I mean; not adult as in rated R or rated X). As if Harper Lee had written about Scout as a teenager and how life in the town had changed over time. But then other things happened, and I'd like to think that my story series has evolved into something more its own thing rather than continuing to be similar to its inspirations.
In the seven years between story #1 and story #2, Cat has grown up. Besides, she really really cares about her dad. She wants him to be happy and being a widower doesn't seem to be making him happy. Oh, he's doing okay, but that's not the same thing as being happy. So she found Sunny first, and then acted like she hadn't. In the hopes that maybe Cat could bring her father and Sunny back together again (at least as friends, if not as more than that). As the stories continue, she succeeds and probably far more than she expected to.
There's quite a bit of me in Quentin. I hope not too much. But one piece of advice that pro writers give amateur writers is: Write what you know. Well, if there's anyone I probably know better than I know anyone else, it's me. I've tried, though, to let Quentin develop his own personality and I think he has. He's braver and more determined than I am in alot of ways, for instance. He went to his senior prom, which I *never* did (I went to my junior prom and it wasn't exactly pleasant; so I didn't go to the senior prom a year later). But sometimes he can be very closed-off and it's not always a good thing that he is.
I come from a family of bookworms, so it wasn't hard to include bookcases filled with books at the Ngomas' house. If only I could go into the story and read those books myself. But at least Cat got to. I imagine that some of them, though, are probably law-related books that Quentin uses when working on a court case. I'd rather read the fiction books instead.
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I get it. I'm sure as the series grows the inspirations you used will fade into the background and your own story will shine through.
When I write my novel and short stories on Reedsy, I pour so much of myself into a certain character or characters even when I try not to. I add a couple different traits but it's mostly like looking at a part of myself. I never really like using the term "character" but what other term could be used? That "character" is nearly a reflection of myself. Just as Shakespeare once said through one of his own characters, "All the world's a stage." And that means we're all characters living in our own story. By putting some of ourselves into a character(s) it helps us learn more about things we never knew before. If we put our character in a certain situation, what would be there reaction? Or really, what would be our reaction?
Write what you know is a good piece of advice. The thing is, I really enjoy reading historical fiction and I dream of dabbling in that genre someday, but I don't have enough knowledge of history to do it successfully yet. I have an idea for a historical fiction novel but now that you've given me that advice, I think I'll write that later on when I know more about the event I want to write about. Writing about myself is the one subject I know I can do, too. I often give my characters a couple better traits than me or a fatal flaw here and there just to make them a bit different.
Unfortunately, my family aren't bookworms, but I've grown used to it. They have other responsibilities than me, and I respect what they do in their free time. I've always tried to get my brother to read like me but as the proverb goes, "You can lead a horse to water but you can't make him drink." I wish I could go to a huge library filled with actual leather bound books. A nice plush chair next to a large window or fire with maybe a glass of cool water next to me. An old-fashioned globe lays next to me and everything is peaceful. In the book shelves that line the shelves, I'd probably also read the fiction books.
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I sure hope so. I'm still scared sometimes when I think of certain stories and what they were inspired by, and think, "Someone's going to accuse me of plagiarism." But I think they'd find it more unbelievable that "Breaking with Tradition" was inspired by a book I'd heard about but didn't read all the way through until *after* I wrote that story. I'd seen video clips about the book and movie adaptation on YouTube and knew a little about the story, but that was about it. Then when I finished the story and read the book, I thought, "Oh, dear. I wish I'd know all this *before* I wrote my story. They're almost like brother and sister, rather than distant relatives."
I find I include parts of myself in my stories, things I'm interested in, places I've been to, things I've done, people I know. I just try to change things at least a little bit to make it less autobiographical and more fictional. Dandridge, for instance, doesn't exist in the real world, as far as I know. But it's initial inspiration was the town of Mount Vernon in Washington State (for personal reasons I won't go into here). I named it after the African-American Hollywood actress, Dorothy Dandridge. The street names are the last names of Jazz singers and musicians. Fitzgerald is named after Ella Fitzgerald. Parker is named after Charlie Parker ("The Bird"). Peterson is named after Oscar Peterson, a brilliant jazz pianist. Hancock is named after Herbie Hancock, another brilliant jazz pianist. The Underground Theater (in another short story of mine) was inspired by the Lincoln Theatre in Mount Vernon, Washington State. And so on. It's interesting watching the fictional town of Dandridge growing and evolving from its initial roots.
All the world's a stage
And we are merely players
(I think it's from "Hamlet".)
Neil Gaiman was once asked by an audience member where he gets his idseas from. There's a video of it on YouTube (the video was taken in Australia, I think, from the accents I heard on it; Gaiman isn't Australian, though; he's British). Humorously he ended his explanation of where ideas *might* come from with: "Each night at 11:58 you go down to the cellar. You roll the goat bones. There's a banging on the door. Something flies in. You open it. It looks like a chocolate. You eat it and you get an idea. I don't know. You make them up out of your head." Earlier in his explanation, he said that Harlan Ellison got his ideas from a little idea shop in Schnectady (that's in New York State). Someone else said he got his ideas from the Idea-of-the-Month Club. "Oh really?" "Yes. Every month they send you an idea." Great explanation. Basically, Gaiman said that writers don't get more ideas than non-writers do; writers just train themselves to be aware when an idea has come to them.
If my characters really had enough of me in them, they'd be telling puns to each other. But somehow the puns are mostly missing in my stories. I'm not entirely sure why.
Along with historical fiction, there's also alternate historical fiction. "The Man in the High Castle" is one example of it.
From a book on the making of the games "Myst" and "Riven", one of the creators of those games said that the Japanese have a concept called "wasabi" (or "wabi"?). The idea is that if something looks too perfect, you add some imperfections to it, to remind the viewer or reader or listener or user that it was made by a human, not by a machine. I don't have to add imperfections to what I do. They're already part of the creative process, sometimes really noticeable, sometimes (thankfully) not as noticeable. I figure that if there aren't *too* many mistakes, then I can live with it and share it with others. But if the amounts of mistakes gets to be too many, then either I have to fix them, or I give up on whatever it is and go on to something else.
Not everyone is similar to their families. There are brilliant scientists who come from families who have almost no interest in science. Kind of like the fictional Hermione Granger. She was the only magic-using person in her family. Her parents are both dentists. Then you have Harry himself, whose mother was a witch and his father was a wizard (no doubt plenty of both among Harry's non-Muggle relatives).
As long as people don't force you to *stop* reading, then I wouldn't worry about being around people who don't read much (if at all). Their loss is your gain. I couldn't imagine life without at least a hundred books in it. It would seem very plain, empty, and downright boring without any books in it. I remember when my female best friend's daughter was in grade school and had to read for at least 2 hours each night (verified by her mother). I told my mother about that and we looked at each other, stared, and almost laughed. One of us said: "Only two hours? I could read for six or eight hours each night!" Two hours is nothing to bookworms like us. Whether we're reading books, newspapers, magazines, or whatever.
I have mostly fiction books (literature, fantasy, science fiction, etc.), but I also have at least a bookcase or two of nonfiction books. In fact, I can recommend one of those to you if it's still in print (I bought my copy of it five years ago): Neil Gaiman's collection of nonfiction, "The View from the Cheap Seats". My only regret about it? That it's not at least another 300-600 pages longer than it is. It's about 600-700 pages long and manages to feel short to me. Then again, one of my favorite musical compositions (I don't listen to it quite as often as I used to) is about 59 minutes long, and another one by the same musician is a little over 82 minutes long. Hard to believe, but time just flies by when I use them as background music. Each one is just one piece of music. Amazing to listen to and hard to believe only one human being composed them live on-the-spot (granted, with some prerecorded bits). If you want to listen to them, see if you can find them at YouTube: The composer is the late Pete Namlook; the two compositions are "Namlook VII: Subharmonic Interference" and "Namlook IX: Gateway to the Milky Way". He composed other music, but those are my two favorites by him (and they were both composed/performed live back in 1994). He even performed at Wembley Arena near London, England, once. That piece is called "Namlook V" (I don't remember its subtitle). I usually pick really long pieces of music to play in the background as I write poems or stories or play games.
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I love this! It is such a happy ending. You also put all the background into the characters. I like the references to 'To Kill a Mockingbird', it is a good book and you use it well to illustrate the kind of person Quentin is to.
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Very happy you loved it.
I didn't want to borrow too much from TKAM (book and/or movie (btw, I read the book finally earlier this week, but I've only seen clips from the movie)). But since that was such a strong inspiration, I had to decide how much to quote and how much to just discuss. I didn't want to risk plagiarism, of course. I wanted to say, "Here's my story ... but if you want to know what mostly inspired it, please read and/or watch TKAM. You'll really enjoy both the book and movie. The actors did a great job in the movie." Because Quentin obviously isn't Atticus and Cat isn't Scout. (There's some of me in both Quentin and Cat.) It's more like writing from a different viewpoint of the same subject matter and then seeing where it would go next. As long as it continues to surprise me and stay interesting, I'm willing to follow wherever it goes.
This story actually only needed two editing sessions (the same day I wrote the rough draft). I only wish that all my stories needed so little editing. Of course, that was after two previous story attempts (using two other story prompts) made it to about the halfway point and then just fell apart (I didn't know what happened next). I guess sometimes you have to be willing to fail at least a couple times before you realize, "Oh! So *this* is the path I should've taken. I just I'd known that sooner. Oh well. C'est la vie."
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Makes sense that you didn't want to use too much of it. I read it for school a long time ago, it is a good book. I haven't seen the movie yet. I feel like most authors put pieces of themselves in each character.
Yeah, I struggled with what I wanted to write for this past prompt to, but eventually got there. I guess that is a thing. Try, fail, try again.
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Sometimes it's hard spotting characteristics of the author in one or more of their characters. You can only wonder what and how much of it came from the author, and how much was simply made up ("You make it up out of your head", as Neil Gaiman once said).
Professional authors usually advise amateur authors (and I am still, in my opinion, one of the latter; I've never been paid for what I've written and never been published in any professional way): "Write what you know." Well, who do you usually know best? Yourself. What do you usually know best? What's happened to you in the past and what is happening to you now. And what setting do you know best? The places you've lived in and visited, and the place you live in now. And so on. Like making an omelet or stew, you mix the ingredients together (sometimes in deliberate fashion, sometimes on-the-fly), and hopefully have something good by the end of it (knock on wood). Or you just go for the gusto, mix all the sodas together (what we used to call, back in the 1970s, a "Suicide") and hope for the best when you taste it.
I figure as long as the amount of failures don't increase too much, then I'll try again. I remember a musical composition I improvised/recorded for my late father on Christmas Eve 2006 (the last one before he died in May 2007). I forgot to hit "record" on the tape deck for the first attempt (I didn't have any way to record from keyboard to computer), and only realized it about 15 minutes into the recording. Oops. No sense continuing. Tried again. That one failed. Tried again. The next one failed. And the fourth (and last one) was my "All or nothing" attempt. I told myself, "If there aren't too many mistakes, this is the one I'll keep." And I did. It was my last Christmas gift to my father. He'd played me music on the piano (and later harp) over the years, and I wanted to give him something back. He suggested I compose a medley of Christmas carols. Well ... it didn't quite turn out that way. Instead it was just two Christmas carols ("Jingle Bells" and "Silent Night") along with "Joy to the World". I wasn't aware of any of them while I was playing/recording, since I improvise my music as well. It took my female best friend's daughter to point out what I couldn't (and still can't) hear when I listen to it. I do hear other parts of it and still remember, "That's from such-and-such" or "That was inspired by such-and-such." But those were the more conscious, deliberate additions that I added on-the-fly ("I wonder if that would sound good here. It does? Oh good. Let's see what else I can add."). My (conscious or improvised) additions sometimes fall flat on their face, though. After all, I'm only human. Or, as you said, "Try, fail, try again."
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That is true that you can only write what you know, which is why so many writers research so much. That is also why I like so many different things so that I know a bit of a lot. Relating something to our lives is the natural way to write. Sometimes the mixture we make works and sometimes it doesn't. That is a cool story, it just goes to show that patience is sometimes very much worth it.
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Kind of like being the human equivalent of a library. I sometimes wonder if people think of me that way, since I've read so many books over the last 40+ years and spent a lot of time in libraries (mainly from about age 9 to age 24). If they do, they'll find me happy to help them find what they're looking for (and I won't charge them any late fees). After all, I used to spend up to 8 hours (sometimes more) a day in libraries and it never felt like a long time. It actually felt too short most of the time.
Sometimes when I'm on YouTube, I'll watch a video with music (either a music video or a relaxing video) and just spontaneously start writing a scene as a response. People have asked me for more material and sometimes I can add to what I've written, but I sometimes I can't. In the latter case, it's like a door opens, the creativity comes to you like a wonderful dream, and you write it down, but then the door closes again. And you have no idea when it'll open again. In one case, the door still hasn't re-opened and I have no idea what to add without ruining what's already there. So I've just left it alone and thanked the people who've enjoyed reading it. One instance is a scene about a father and a daughter, and they're apparently on some world far away from Earth. They talk about Earth and the daughter wonders what it would be like to go visit Earth. I wish I had some way to send you a link to the YouTube response so you could read the scene for yourself, if you wanted to. I guess you can search on YouTube for relaxing videos and my name and maybe you'll be able to find it.
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:-)
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