In a village far from the hustle and bustle of the city center, there is an art that has been passed down from generation to generation in the village. Indeed, the village is a village of dancers; most of the residents are also artists as their livelihood. In that village there are also 2 famous puppeteers who are of course well-known throughout the district, sub-district and are often summoned to appear at the Republic of Indonesia's anniversary, big events or celebrations outside the district to the province and it can no longer be denied that when you pass a corner the village sounds as if the villagers are rehearsing for their art performances and livelihoods, in perfect sync with the beautiful strains of the village children learning to read Iqro, Juz’ama and the Al-Qur'an with their beautiful chants at night.
There were also those who became ketoprak players, crew puppeteers in puppet shadow performances or the women there, most of whom also became sinden professionals who rehearsed once a week before booking a puppet performance. Diffusion between religion and culture is very evident there. Sandiyo with the Javanese ngoko accent is the name of the village which indeed refers to a noun which refers to Old Javanese which refers to the word in terms of etymology which means "Art" or when viewed from the terminology you will get from the Google search engine that art includes many human activities in creating visual, audio, or performance works that express the creator's imagination, ideas, or technical skills, to be appreciated for their beauty or emotional strength.
It is location of flanked by a large mountain towering between 2 districts and 2 provinces in Central Java and Yogyakarta. This is very, very supportive when viewed from an ecological or economic point of view, it is clearly very, very beneficial where the 2 cultures meet both in terms of the Javanese language, although it is "Ngoko", there is still a mixture of the Javanese version of "Ngapak", a term for regional Javanese rough language in the Cilacap region, Banyumas, Tegal Up to Kebumen and "Ngoko", the term for refined language, this is the area in the middle of Central Java, from the Temanggung regency area, Magelang to the south of Yogyakarta, then entering again to Solo and its surroundings. Even so, it is only imagery because in fact the dialect is used only for a variety of everyday uses; even this will lead to the use of "Krama Mady"a or "Krama Inggil" to interact with elders or a social contract between humans as a form of respect for others when using formal language. A high culture taste.
Let's just say that Tari is a Ndolalak dancer. At a millennial age and not even 20 years old, she looks beautiful, maybe because she was born from a descendant of her beautiful mother and father, who has a handsome face, is single and the target of many married men and single man. Her tomboyish stature does not reduce her grace when she dances. The shorts that clung to both of her thighs were in sync with her olive skin.
Surprisingly her family are all artistic blood. I don't know if it's hereditary or if it's just coincidence that her father is one of the well-known ketoprak players in her village who often finds himself in the world of theatrical performances that adopt themes and titles in Puppet Shadow series such as Mahabharata, Ramayana or other stories in ketoprak performances. Often the father named Sugiyono gets an important role in every show, naturally because of the basis of martial arts that is owned by him, sometimes he acts as Rama or Arjuna or the protagonists in his performances, indeed he is similar to Uko Uwais when he was young. Meanwhile, her mother is a beautiful, middle-aged sinden, even though she is more than half a century old, but her beauty never seems to fade with age, maybe because she often consumes herbs or body scrubs. When practicing vocals or singing, it is very melodious, similar to the famous Indian artist Kajol. Maybe when she was still young, if you look at it at that time, maybe the mother named Wartini became the target of young people in her village and was lucky that Mr. Sugiyono got the wife of a sinden who is beautiful and beautiful with a melodious voice as if attached to his beloved wife.
The fruit of their marriage love only gets a beautiful daughter. She is Sutari, who most people call “Tari”, if judging from the convergence theory of the National educator, Ki Hajar Dewantoro, it is indeed true that her parents' blood is concerned and involved in the art world with a supportive social contract that seems to be in sync with the manifestation of her identity as a dancer as form of existence and consistency.
Not because of ethics and logic, but because of the inherent elements of art where he was born into a family of artists, his father and mother never forced what profession he would have later when he grew up, at first when he came home from school when he was still in elementary school, he always never misses just to see the Dolalak dance practice session, Ndolalak or whatever the name is called when it refers to a Dutch heritage art which seems to have a magical element emerge when the performance takes place, where the dancers will experience a trance and not a trance if I may borrow Sigmund Freud's term because there are different understandings and practices. If one looks, listens and pays attention, the dancers who are in a trance don't have rhythm and there are supernatural beings that intervene if the trance has a special pattern according to the direction of the therapist and there is no interference from the spirits. The term that is often misunderstood by people to see it in essence. Possession here clearly requires a medium, either fragrances or offerings. That way the dancers will consume
In the past, the elders said that the men who danced there, not the women like now. The shift in entity, however, does not reduce the taste, creativity and intention of the arts. Maybe emancipation pushed an artistic initiative to give birth to new nuances in terms of art, so that women are now also participating
His father, when he paid attention to his daughter's hobbies and concerns, from a young age to adulthood, never forbade her. Let the progress and fate of their own daughter be determined by thier own future daugher that was the opinion of the father because he knew very well the sequence and development of the Dolalak dance art in his village. Even so, she never backed down from learning and continued learning until she actually entered the dance studio. The location is not far from his house and the dance teacher who seems friendly and painstaking in teaching dance and his friends in the village. And the struggle was not in vain. She is always the center of attention because he holds an important position in this dancer performance. Even 8 years of dance training so that she is really proficient in performing the dance art. When she was performing, Klobot or Sintren Cigarettes which she smoked while dancing left the eyes of thousands of spectators with Desire. Her chubby body movements gave her a graceful impression. Whoever you are will be amazed to see the attractions.
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In a village far from the hustle and bustle of the city center, there is an art that has been passed down from generation to generation in the village. Indeed the village is a village of dancers; most of the residents are also artists for their livelihood. In that village there are also 2 famous puppeteers. The location is flanked by a large mountain that towers between 2 districts and 2 provinces in Central Java and Yogyakarta.
In that village there was a girl named Sutari. Let's just say Tari was a Ndolalak dancer. At a millennial age and not even 20 years old, she looks beautiful, maybe because she was born from a descendant of her beautiful mother and father, handsome face, single and the target of many married and single men. His father was a well-known ketoprak player in his village who was often involved in theatrical productions with themes and titles in Shadow Puppet series such as the Mahabharata. Tari was born into a family of artists, her father and mother never forced what profession she would pursue when she grew up
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Theme :
A BEAUTIFUL NDOLALAK DANCER
Synopsis :
a village far from the hustle and bustle of the city center, there is an art that has been passed down from generation to generation in the village. Indeed, the village is a village of dancers, in that village there are also 2 famous puppeteers who are of course well-known throughout the district.
The location is flanked by a large mountain that towers between 2 districts and 2 provinces in Central Java and Yogyakarta.
Sandiyo with Javanese ngoko accent, etymologically means "Art". Human activity in creating visual, audio, or performance works that express the creator's imagination, ideas, or technical skills, to be appreciated for their beauty or emotional strength.
mandate :
-Learn to know the local culture
-Preserving the culture that exists in our area of origin
-Introducing our art and culture to a wide audience
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There is a village flanked by large mountains spread between 2 regencies and 2 provinces in Central Java and Yogyakarta, the name of the village is Sandio. There is a girl who lives there named Sutari "Tari" who is a Ndolalak dancer. At a millennial age and not even 20 years old, she looks beautiful and has become a dream in a village because of her talent as a dancer. Tari's parents, Mr. Sugiyono and Mother, do have advantages over one another, namely being a different artist, but they don't force their children to be like them. Mr. Tari's life is quite old-fashioned or he still believes in blue blood. But it's different from Dance, being a child who develops has the talent of a puller whose talent has been seen since he was 8 years old and has become the ideal girl in the village and even in other villages.
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It is said that there is a village whose village is flanked by two provinces and two districts. In that village, the name Dolalak has been passed down from generation to generation, why is the village called the village of dancers because some residents find their livelihood by dancing
And in that village there is a girl who is not even 17 years old named Tari, she was born to the couple Sugiono and Wartini, her handsome father and beautiful mother trained for 8 years so that she is proficient in dancing, everyone who sees her appearance can be amazed. .
The mandate is that we have to preserve our culture and we have to find a halal job.
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sinopsis
In a village far from the hustle and bustle of the city center, there is an art that has been passed down from generation to generation in the village. Besides the arts, there are also religions and cultures that you don't know
Charter
- sutari's mother
- sutari
- Sutari's father
- sugiyono
- wartini's mother
massage of story
1. Preserving traditional arts
2. Not easy to give up and confident
3. Passion to be the next generation of traditional arts
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Synopsis: This story tells of a village far from the hustle and bustle of the city center where there is an art that has been passed down from generation to generation, one of which is ndolalak. The village is flanked by 2 districts and provinces, the village is also known as the village of dancers. Because most of the population makes art as their livelihood. There was a beautiful ndollak dancer who was not even 20 years old, her name was Tari. He was born to a beautiful mother named Wartini and a handsome father named Sugiono. Tari has practiced dancing for 8 years so that she is really good at dancing. With her chubby body movements, she gives a graceful impression. Whoever you are will definitely be amazed to see this attraction.
Figure :
•Sugiono
•Wartini
•Mother
•Tari
Mandate: Preserving the arts can be used to make money and never stop learning even though we can.
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Synopsis
There is a village flanked by 2 districts and provinces. This village is often referred to as the village of dancers because most of the residents make art as their livelihood.
There was a boy named Sutari or commonly called "Tari". He is the son of the couple Sugiono and Wartini. Sugiono is one of the famous ketoprak players in his village while his mother is a sinden.
Tari is also a Ndolalak dancer at the age of not even 20 years. She practiced dancing for 8 years so she can become proficient in dancing.
she looks beautiful, because she was born from a beautiful mother and handsome father,
Her tomboyish stature does not diminish her grace when dancing. Whoever you are will definitely be amazed to see this attraction.
Character:
1. Mother
2. Sutari
3. Sutari's father
4. Sugiyono
5. Wartini's mother
Mandate
1. Traditional art culture must continue to be preserved so that our children and grandchildren will be able to experience it someday.
2. Using art to make money
3. Serious practice will not disappoint the results
Reply
This story tells of a village far from the hustle and bustle of the city center. This village is called the village of dancers, most of the residents are artists who serve as their livelihood. The arts in this dancer village are very diverse apart from the various arts in this village, there are also religions and cultures that can be seen there. The location is flanked by a large mountain that towers between 2 districts and 2 provinces in Central Java and Yogyakarta. Call it "Sutari" or commonly called "Tari" she is a woman who was born in a family of artistic blood, she is also a beautiful dancer at the age that is still considered a teenager. His father and mother were also famous in this village. His father named Sugiyono, one of the famous ketoprak players in the village, he also played an important role in theater performances, meanwhile, his mother was a beautiful middle-aged sinden, even though her mother was half a century old, her beauty did not fade easily and she also had a very beautiful voice. tunable.
From a young age, Tari has had the desire to learn to dance, she taught herself by watching the Ndolalak dance practice sessions. He continued to study and practice until he actually entered an art gallery close to his home. Tari's father and mother never forced Tari to have a profession when she grew up. In fact, her parents supported Tari to become a successful person, continue to preserve traditional dance arts, give birth to new nuances in terms of art and make her parents happy. As time goes by, the struggles he has faced for 8 years are not in vain. Now Tari has an important position in her dance performances, she is always the center of attention of thousands of spectators. Graceful body movements can give a graceful impression in the dance performance.
The massage of the story :
1. Study hard to achieve maximum results.
2. Maintaining the preservation of traditional dance arts.
3. Be the next generation of women's emancipation.
4. Introduce the arts and culture that we have to all corners of the world.
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Synopsis:
In a village far from the city, where there are various kinds of arts, one of which is ndolalak. Tari, the beautiful child of ndolalak dancers who is not even 20 years old, was born to a handsome father and a beautiful mother, she never missed ndolalak dance practice even though she claimed it as her hobby.
Character:
- Mother
- sutari
- Sutari's father
- sugiyono
- wartini's mother
Mandate:
- never give up on reaching your goals
- Traditional arts culture must be preserved so that future children and grandchildren can see it.
- practice will not disappoint the results
- never force one's ideals
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From the stories I read, I can conclude that there is a village flanked by 2 districts and provinces. The village is often referred to as the village of dancers because most of the residents make art their livelihood.
There is a child named Sutari or who is usually called "Tari". He is the son of the couple Sugiono and Wartini. Sugiono is one of the well-known ketoprak players in his village while his mother is a sinden.
Tari is also a Ndolalak dancer at the age of not even 20 years. He practiced dancing for 8 years so he could be proficient in performing the art of dance. Her chubby body movements give her a graceful impression. Whoever you are will be amazed to see these attractions.
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From this story, what I understand is that in a village far from the city center, there is an art that has been passed down from generation to generation, the village is known as a village of dancers, there are 2 famous puppeteers throughout the district.
Most of the mothers there become professional sinden.
Javanese ngoko is the name of the village.
Its location is flanked by a large mountain which is between the 2 districts and 2 provinces of Central Java, Yogyakarta.
let's just say that dance is a ndollak dancer.
her father danced, one of the famous ketoprak players. let it advance itself according to what is determined by the daughter.
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In a village far from the hustle and bustle of the city center, there is an art that has been passed down from generation to generation in the village. The location is flanked by a large mountain that towers between 2 districts and 2 provinces in Central Java and Yogyakarta. This is very, very supportive when viewed from an ecological or economic perspective, it is clearly very, very beneficial where the 2 cultures meet both in terms of their Javanese language even though there is still a mixture of ngoko.
Tari is a Ndolalak dancer. At the age of a millennial and not even 20 years old, she looks beautiful, she is a tomboy but does not reduce her grace when dancing, her father, Tari, is one of the well-known ketoprak players in her village who is often involved in the world of theater performances in ketoprak performances. Often the father named Sugiyono gets an important role in every performance, and the dance mother is a beautiful middle-aged sinden
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In a village far from the hustle and bustle of the city center, there is an art that has been passed down from generation to generation in the village, namely the village of dancers. there are also those who play ketoprak and the mothers who mostly become sinden, the location is flanked by a large mountain that towers between two districts and two provinces in Central Java and Yogyakarta. let's just say that dance is a dancer, her tomboyish character doesn't reduce her grace when dancing. while his mother is a beautiful middle-aged sinden, although she is more than half a century old, maybe because she often consumes herbs or scrubs. maybe emancipation pushed an artistic initiative to give birth to a new era in terms of art so that now women also participate, and the struggle was not in vain. he is always the center of attention because he holds an important position in presenting the art of dance
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in a village far from the hustle and bustle of the city center, there is an art that has been passed down from generation to generation. the location of the village is flanked by a large mountain that sacrifices between 2 districts san 2 provinces in Central Java and Yogyakarta. This supports it from an ecological and economic point of view.
in that village there is a family with artistic blood, namely his father named Sugiyono. a father named Sugiyono gets an important role in every show, sometimes he plays Rama or Arjuna. Meanwhile, his mother, Wartini, is a beautiful middle-aged sinden, even though she is more than half a century old, but her beauty never seems to fade with age, maybe because often consume herbs or body scrubs. When practicing vocals or singing it is very melodious, similar to the famous Indian artist Kajol. The fruit of their marriage love is only given a beautiful princess named Sutari who is usually called the dance of an ndolalak dancer. At the age of not even 20 years, she looks
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the story is good and very memorable, in this story it contains a very thick culture in it, lots of human contact activities such as ten or several social interactions between people, from the story can make me to be motivated and remember the culture.
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In a hustle and bustle village flanked by 2 large mountains, namely central Java and Yogyakarta, there is a beautiful dancer named Tari who has high potential in the arts and has artistic blood passed down directly by her father as an important figure in the famous ketoprak and her mother is a beautiful sinden and has a very melodious voice, her father and mother never forced Tari to be what her parents wanted, Tari was very happy to see ndolalak dancers therefore she continued to study and study until she held important potential in dancing and her dance was very liked because she was clever and beautiful exactly like her mother.
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In a village far from the hustle and bustle of the city center, he has passed down art from generation to generation.
wartini is a beautiful middle-aged sinden, even though she is already more than half a century old, her beauty never seems to fade with age, maybe because she often consumes herbs or body scrubs.
Sugiyono is one of the well-known ketoprak players in his village who is often involved in theatrical productions with themes and titles in Wayang Shadow series such as the Mahabharata. Ramayana or other stories in ketoprak performances. And they have a child named Tari Tari, Tari is a Ndolalak dancer. At a millennial age and not even 20 years old, he looks beautiful, maybe because he was born from a beautiful mother and father, and with a handsome face, dance is the target of many married and single men. always be the center of attention because it holds an important position in the dancer's performance.
From this story it is very interesting because it still continues to preserve hereditary culture and from this art can become their livelihood, the dancer's father never forbade him to do his daughter's hobby.
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from the story can make me to be motivated and remember the culture
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the story is very interesting and motivating readers about cultural preservation
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theme:
A Beautiful ndolalak dancers
figure:
- sugiyono (has an important role as rama or arjuna)
- mother (a beautiful middle-aged sinden)
- wartini's mother
- sutari (a beautiful daughter of Sugiyono and wife)
- Sutari's father (Sugiyono)
synopsis:
in a village far from the hustle and bustle of the city center, there is an art that has been passed down from generation to generation in the village. in that village there are two well-known puppeteers who are of course well-known throughout the district, sub-district, and are often summoned to perform at the Republic of Indonesia's anniversary, big events or celebrations outside the district to the province and it is undeniable that when passing a corner of the village you hear as if the locals the village practices performing arts and livelihoods, in perfect harmony with the beautiful strains of village children learning to read iqro, juz amma, and the Koran with their beautiful songs at night.
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