Submitted to: Contest #300

We Were Never Silent

Written in response to: "Write a story about a place that hides something beneath the surface."

African American Black Historical Fiction

The first time someone called Amara Louis-Jean resilient, it felt like a curse disguised as a blessing.

Lieutenant Grover, after morning drills, stood ramrod straight, cap low over steely eyes, the faint trace of a smirk playing at the corner of his mouth. His voice, sharp as steel, cut through the morning fog: “You’ve got grit.”

As if she were forged from metal, not memory. As if the way she kept pace without complaint was strength, not survival.

She stood tall on the wet gravel of the parade ground, sweat cooling down her back like prayer water. The Hudson’s fog clung low, turning the world ghost-gray. The sharp scent of gun oil lingered, mixing with the faint rot of fallen leaves. The cadence of marching feet echoed off the stone walls, syncing her pulse to a rhythm not her own.

“Thank you, sir.”

But something curled inside her. Tight. Familiar.

Resilient.

They called her that when her father died and she didn’t cry at the funeral. They whispered it when she returned to school that Monday, socks folded, homework done.

No one ever asked if she wanted to be.

At West Point, they didn’t say the word much, but it echoed in their silences. The instructors called her steady. Her peers called her calm under pressure. But they didn’t know her bones carried stories. Her blood hummed with songs older than any anthem.

They admired her posture, not her prayers. Praised her discipline, not her dreams.

She followed the rules. Boots shined. Uniform sharp. Hair pulled so tight it tugged at the roots of her ancestors, the ache at her scalp a steady thrum, as if every follicle remembered the hands that once braided resistance into strands, threading memory into flesh. The mirror in the barracks showed her reflection clean and correct. But some mornings, she swore she saw Zénaïde's eyes staring back.

Voice even. Steps measured. Silence wielded like a shield.

But the shield trembled. Beneath the surface, something stirred. The ancestors had followed her here, their presence threading through the iron gates and stone walls, carrying the breath of Haiti across the Atlantic, through history's corridors, whispering beneath the chants of cadences and orders.

It came like a low drumbeat she couldn’t unhear. The sound of her grandmother whispering psalms while stirring tea. The rustle of spirits beneath the stone foundations. The cadence of old Kreyòl songs weaving under the English commands, reminding her that Haiti’s soil was stitched into her soles, following her across oceans. The cadence of ancestral rhythms threading through the cadence of drills.

During leadership rotation, she shadowed Captain Steele—square jaw, voice like gravel, boots worn to the sole. He noticed her quiet but didn’t question it.

“You’re sharp,” Steele said. “Don’t let anyone water that down.”

Then:

“Don’t be too sharp. Some folks don’t like knives that speak.”

The words lodged beneath her ribs. Another warning stitched into the uniform.

In emotional intelligence seminar, Cadet Foley raised his hand: “People should leave their personal baggage at the door. We’re all soldiers here.”

Another cadet chimed in: “We need unity, not trauma stories.”

But Amara carried more than stories. She carried the dead. Carried hands that stitched resistance into cloth. Carried songs that had no sheet music, only memory.

Afterward, she walked the parade field perimeter. Her steps felt louder than they should. The ground beneath her boots seemed to pulse—like it remembered. Fog curled around the statues of generals—Grant, Eisenhower, MacArthur—veiling their stone gazes, softening their edges. Their chiseled names whispered of conquest and command, but the fog blurred those lines, letting the echo of forgotten names rise beneath the stone.

She traced the arc of the grounds, past the oldest barracks where the stone walls sweated in the fog. The bronze statue of General Patton loomed, hand on hip, gaze hard. But beneath the pedestal, she noticed the faint outline of lichen clinging like scars.

She wandered behind the engineering wing, where cadets rarely lingered. The ground turned uneven—half-paved stone giving way to tangled roots. Ivy clung to the cracked facade like it was holding the place together. The air smelled of rust and wet earth, a sharp contrast to the gun oil and starch of the barracks. An old iron grate gaped at the foundation, breathing cold air like a forgotten lung.

At the end stood a low stone wall, moss covering the edges of words:

We were never silent. They just didn’t listen.

Below it, two initials: Z.L.

She placed her hand on the stone. The air shifted. Not wind—something deeper. A breath. The breath of those who came before.

Her father’s voice rose: “You’re going to carry things—even if they don’t have your name on them.”

“What if they’re too heavy?”

“Stitch something here.”

He tapped her collarbone. “So they don’t fall through.”

She unfastened her collar, thumb grazing the crooked stitch beneath—a vevé, flame-over-water, sewn from instinct, not pattern. It warmed beneath her touch.

She whispered to the stone: “Your silence is stitched with fire.”

The earth answered—not in words, but in heat that rose through her boots.

That night, the dream came like prophecy.

She woke standing in a wide, wet field. Barefoot. Breath rising in clouds. The earth beneath her breathing back.

Women surrounded her. Faceless. Present. Their eyes burned like coals banked in ash. The air vibrated with their hum, the cadence of prayers layered over drums.

A voice, low and rusted as an old bell: “Write us into your bones.”

A hand touched her shoulder. She turned—

And woke.

4:17. Too early to rise. Too late to return to sleep.

The river ran high during drills. Her boot caught wet leaves. Ankle twisted.

“Get it together, Louis-Jean.”

She straightened. Kept running. But the ache pulsed deeper than tendon. Something in her spirit tugged loose, untethered.

That night, she lay on the cold tile floor, holding a photo of her father. Let the tears fall like libation—quiet, slow, necessary. The spirits stirred, their presence thickening the air.

The dream returned.

Zénaïde. Barefoot. Younger than expected. Hands dark with earth, blood, ash—sacred materials. Stitching cloth. Whispering names. Names Amara didn’t know but felt inside her marrow. Names that echoed beneath the cadence of drills.

One of those names was hers.

The hum led her to the Jefferson Library. Past Tactical Warfare. Past U.S. Military History. Past the gilded statues of past generals, their gazes fixed forward as if daring anyone to rewrite them. The cold marble beneath her boots vibrated faintly with every step, as if the building itself disapproved.

Toward the shelves where memory lived.

Caribbean Colonial Resistance. Toussaint. Dessalines. Sanité Bélair. No Zénaïde.

But spirits don’t need indexes. They hide where they will.

Her fingers found it: thin, wedged between the pages. A gray folder. No label. No barcode.

Inside: photocopied pages, names blacked out like burned offerings.

CONDUCT REVIEW BOARD (1974) “Cadet [REDACTED] removed from active training…” “Unorthodox spiritual practice.” “Insubordination masked as introspection.” “Obsession with ritual materials.”

Final note, written in faded blue ink: “She dreamed in stitches. Said the women called her by a name no one taught her.”

They walk in flame. But they do not burn.

The silence was full of names. Full of voices waiting beneath the stone and steel.

An email from Diversity and Inclusion. Women Cadets of Color Panel.

Legacy. Leadership. Visibility.

“They want me to speak about legacy,” she wrote in her journal, “but I don’t even know all my names.”

That night, in the dream, she walked beneath a tree heavy with blossoms she couldn’t name. Their scent was thick, cloying, almost too sweet, mixing with the iron tang of blood in the soil.

Zénaïde waited.

“Ou sonje?” Do you remember?

“Pa ankò.” Not yet.

Zénaïde handed her cloth—blood-warm, thread shimmering like flame in water.

“Ou va sonje.” You will remember.

She woke with the scent of earth on her pillow. The air in the barracks felt heavier, pulsing with unseen presences. Their voices pressed against the walls, the same walls that had tried to erase them, humming the rhythms of Lakou and lakou, rituals from distant lands that were never truly distant. She typed her reply:

I’ll speak. But I won’t perform.

The night before the panel, the ancestors came again. She stood in the wide, wet field beneath a blood-orange moon. The women circled her, their chants rising like waves. Zénaïde stepped forward, holding the cloth once more, the threads glowing with each spoken name.

"Carry us with you," Zénaïde said. "Let their walls feel our weight."

She woke with the hum still in her ears.

The auditorium’s cold fluorescence couldn’t dim the warmth beneath her collarbone. The panel began, cadets and officers stiff in their chairs, the weight of history sitting on polished floors.

Amara stood.

She stood for a moment, letting the silence gather around her, feeling the heat beneath her collarbone where the stitch warmed. The ancestors pressed close, their presence humming in her blood. She inhaled deeply, steadying herself, grounding her feet as if rooting into the soil of distant lands that lived beneath the floor.

“I am Amara Louis-Jean,” she began. Her voice held the cadence of the field, the rhythm of drums and chants stitched into every word. “I carry more than my name. I carry Zénaïde, who dreamed in stitches. I carry my father, who taught me how to bear the weight. I carry songs that never made it into anthems.”

Silence pressed down, thick as fog on the Hudson.

“And I will not be silent. Not here. Not now.”

She let the words settle, feeling the weight of her ancestors pressing at her back, filling the space between her and the uniformed faces. She spoke again, voice steady, threaded with memory:

“I carry the women who resisted on sugarcane fields, who whispered prayers beneath the lash. I carry the maroons who vanished into the mountains, their freedom stitched into the landscape. I carry the rhythm of drums that called the enslaved to revolt, the ones that beat even when silenced.”

She paused, the warmth beneath her collarbone pulsing stronger.

“I carry Zénaïde, who stood here before me, who stitched vevés beneath her uniform, who was called insubordinate because she listened to her spirits. And I carry those whose names were burned away by history, but who still walk with me, unbowed.”


Posted Apr 27, 2025
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5 likes 3 comments

Rebecca Detti
10:08 May 06, 2025

Really enjoyed Marie and would like to read more of your chapters. thank you!

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Marie Decius
14:14 May 06, 2025

Thank you. Girls Who Burn First will be release o amazon on May 26th.

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Marie Decius
18:57 Apr 27, 2025

We Were Never Silent draws from three pivotal chapters of my novel-in-progress, Girls Who Burn First. In this piece, I bring together Amara Louis-Jean’s spiritual awakening at West Point, where the rigid structures of military tradition collide with the ancestral spirits of Haiti. These spirits—carriers of resistance, memory, and survival—travel with Amara, whispering beneath the cadence of drills, threading through the stone and steel of the academy. Their presence, stitched into the fabric of her identity, shapes her journey from silence to voice. While this short story stands alone, it offers a window into the larger tapestry of the novel, where personal and collective histories ignite.

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