Submitted to: Contest #316

The Harvest of Stone Seeds

Written in response to: "Write a story that includes the line "Can you keep a secret?" or “My lips are sealed.""

Crime Drama Thriller

This story contains sensitive content

(Contains: physical violence, substance abuse)

The day I consumed truth was sunny and normal for a Thursday in April. My lips, at first, lay still, stricken by that horrible sight. But that sight turned my mouth dry. So desperately dry, they began to part. No, there was no moisture keeping them sealed, keeping me safe. So they parted. And there was no going back, for that truth had already slipped into my mouth—yes, through a crevice of an opening, it had slipped into my mouth. And now, call it survival instinct, call it cowardice, all I could manage was to gulp it down. And things do not disappear once out of sight—once consumed. No, because I felt it. Black and dense, I felt it sulk through my esophagus. And once its journey was concluded, now latching to the innermost parts of my stomach, I knew—I knew it was not going to leave.

But not really, no, not really at all. For secrets can’t actually hurt you—sicken you. For they are just thoughts, feelings—they are just mental. Yes, knowing this secret, consuming this truth, foul and black as it is, I am untouched. My body is untouched.

I don’t think about it as a rule, but since you’re here, I’ll think about it once more. Like I said, the weather was normal, anticlimactic. I was visiting my mother in her retirement community, walking back to my car. I heard it before I saw it. A blinding screech and a hideous thump. So I looked up. Just a block away sat that cloud of smoke. Oh, how I wish it had stayed a cloud. Encapsulate those horrors within exhaust fumes—then my eyes would be ignorant, then my eyes would rest.

But it did not stay, it abandoned me, and I looked upon that scene alone. And I saw death’s face—not upon the body, raw and distorted on the curb—but upon the boy, clinging to the wheel. For he was just a boy, I knew this because I was his 9th grade science teacher. His name was Parker Sumter.

He did not see me, he did not see anyone. All he did was drive away, leaving the body and another cloud of smoke—smoke I knew would again forsake me.

And forgive me for writing it, the name—so vulnerable, so exposed. Forgive me for knowing it, his face—which, seeing it then, looked nothing like his face at all. Yes, looking back again, it could have even been someone else. Maybe it wasn’t him, this young, young boy, yes, maybe it wasn’t him at all. But even in this darkness, truth’s candle taunts me, it's flicker illuminating a memory. Hayrides at the Sumter Farm Harvest Festival—I was nearly a teen. Yes, I knew that truck. A sweet memory of my adolescence now repulsive to me, for I am punished by it—I am punished by this “knowing.”

I called the cops, of course I did. And the old man with dementia, known to wander neighborhood streets when left unsupervised, had died instantly. “Hit and run”—the three words that ping-ponged through the swarm of police, medical workers, and bewildered neighbors.

Lady Justice, why did you place that stone in my hand? One life had been taken, but you requested two. No, I could not. I refused to take another. But in that refusal I found no rest for the stone—so I ate it. “Yes, officer, I only heard it, and by the time I could see anything, they must’ve turned the corner.”

“Bethany?” I blinked, spotted her fumbling in the crowd. “It’s ok, mom, I’m ok.” Because that was true. I was physically ok, that was not a lie. But it dawned on me, I would have to lie—to her. It was one thing, I told myself, to compartmentalize the police into abstraction—they were apart of a system, and systems have no faces. It was easy, making them unknown. But my mom, I knew my mom. Knew her voice, the sound of her footsteps, the natural coloring of her hair. I knew her favorite scent and the first time she broke her arm. Yes, to me, she was real, there was no escaping it—her humanity. It was then, lying to a human, that I realized. I realized that my insides were no longer like hers. Though I spoke and saw and heard, eating that truth stiffened me—turned me to straw.

And I went back to that classroom every day until Parker Sumter graduated.

And I told no one.

It's been 6 years since the death of Mr. Bradshaw.

The tremors have long lifted, so has the paranoia—that constant sense of being watched, preyed upon. Surprisingly enough, I never touched liquor, numbing was not a need. It was awakening that I craved. So, drugs have been my secret aid, not often, just when the weariness of not-feeling becomes too much. I am doing okay though, I am getting better.

I do still have this dream, not every night, but most. I’ve learned to accept it, find strange companionship in it, for I have no others in this alienation. It goes like this: the sky is grey and blank, an evening in autumn. I am at the Harvest Festival, back on that hayride. This time, however, I am driving, and seated atop those hay bales are my students. I never see their faces, but somehow I just know. Suddenly, I am struck by the realization I too am just a kid. So I turn to them and whisper, “Can you keep a secret?” We all giggle and I keep driving—driving upon that dirt road. But I am just a kid, and I don’t know how to drive! In my panic, I scream—but no sound comes, for my mouth is filled with hay. I try turning my head, a warning to the others, but my muscles have locked. I cannot control the truck, and we crash—sometimes into a tree, sometimes a ditch. And these children, they all die. I know this because I never do. I lay on my side, tossed somewhere on that dirt road, and all I can do is watch—for I am just a scarecrow.

Posted Aug 19, 2025
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36 likes 24 comments

Thomas Wetzel
20:19 Aug 23, 2025

This was really dark and engaging and unpredictable. Very tight narrative. I think it's just human nature to try to bury the things that disturb us most, but there is a cost that comes with denial. You captured that in an interesting way. Great story! Nicely done.

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Korinne H.
20:31 Aug 23, 2025

Deeply appreciate these words! Thank you for your thoughts :)

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Saffron Roxanne
01:12 Aug 23, 2025

Oohh, the kind of story that pricks at your skin as you read it. You can just feel that unease and tension between that student and the teacher whenever they interact.

Great story! Thanks for sharing :)

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Korinne H.
11:10 Aug 23, 2025

Wow!! Exceeding glad it moved you like this! Thank you for reaching:)

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Saffron Roxanne
14:16 Aug 23, 2025

🥰 You’re welcome. Thanks for liking mine, too.

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S.M. Knight
14:56 Aug 22, 2025

I loved it! Great pacing.

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Korinne H.
20:46 Aug 22, 2025

Thank you!

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Mary Bendickson
17:01 Aug 21, 2025

Great pics of the feelings. Tough thing to live with. Hope this didn't happen to you.🥺

Thanks for liking 'Loopty-Loop'.
And 'Quiet Hero' and 'Sailor with a Secret'

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Korinne H.
17:06 Aug 21, 2025

Goodness no! Thanks for asking though haha

Thank YOU for the read and response. :)

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Alexis Araneta
01:41 Aug 29, 2025

You are such a master of phrasing, and it shows here. Wonderful work!

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Korinne H.
18:36 Aug 29, 2025

That is incredibly kind!!!
Thank you for the read, Alexis :)

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Hannah Lynn
17:45 Aug 28, 2025

So many great lines in here I wouldn’t even begin to know how to list them. I was so drawn in that I felt as if I was given the secret as well.

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Korinne H.
19:09 Aug 28, 2025

This is so kind, thank you Hannah! Glad you enjoyed :)

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Annerose Walz
17:41 Aug 28, 2025

This piece is haunting. A lyrical and psychologically rich story, it causes meditation on guilt, complicity, and the corrosive weight of silence.
The narrator is deeply introspective, morally conflicted, and emotionally raw. The voice is poetic yet fragmented, mirroring the disintegration of their inner world.
The idea of “consuming truth” turns the character’s moral struggle into something physical- like they feel it in their body. Not reporting on Parker isn’t just about being scared-it’s a mix of trying to stay safe, protecting someone like a mother would, and feeling so overwhelmed by what they saw, so that it’s hard to act at all.
The narrator’s evolution is subtle but devastating. They begin as a teacher, a caregiver, someone who knows names and scents and childhood memories. But by the end, they are a scarecrow—symbolically emptied, immobilized, and powerless to prevent harm.
The story explores the moral ambiguity of silence. Is it worse to lie or to destroy a young life with the truth? The narrator chooses silence, and the piece doesn’t offer easy redemption. Instead, it shows how moral compromise hardens the soul. The metaphor of eating the stone—Lady Justice’s burden—is especially powerful. It suggests that moral responsibility, once internalized, doesn’t dissolve. It lingers and haunts the body.
The recurring dream is interesting: It shows the narrator’s guilt not as something that hurts them, but as a strange comfort. The children’s deaths in the dream aren’t just symbolic; they’re a subconscious reckoning with the consequences of inaction. And the scarecrow? It’s the perfect metaphor: lifeless, watchful, and incapable of intervention.
I must admit, I had a hard time understanding the story at the beginning (had to read it twice); the first two paragraphs were hard to read for me not knowing what had happened. So, my only suggestion would be to think about hinting at the accident earlier.
Otherwise, it is a lyrical masterpiece that invites to think about the consequences of silence and a strange kind of complicity. Very appealing story. Thank you for sharing.

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Korinne H.
19:08 Aug 28, 2025

Oh my word!
I can not thank you enough for the time and thoughtfulness placed into this review.
Your insights/encouragement have been a gift, thank you.

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Annerose Walz
13:30 Aug 30, 2025

You are welcome. It was my pleasure to read your story.

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Kelsey R Davis
00:13 Aug 28, 2025

I really enjoyed this. Incredible voice, treatment of truth as a physical entity, and the dream sequence. Fantastic.

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Korinne H.
01:16 Aug 28, 2025

Love a good dream sequence... thank you for your thoughts, so happy you enjoyed this!

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LeeAnn Hively
00:51 Aug 27, 2025

This story tackles a genuinely difficult moral situation with an effective central metaphor. The image of 'consuming' truth and becoming hollow inside really works, and the scarecrow symbolism is haunting. The psychological weight of carrying this secret comes through clearly. I think it mirrors current society, where we are forced to evaluate if silence is complicity, and if so, what does silence do to us as individuals?

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Korinne H.
01:17 Aug 27, 2025

This feedback is immensely encouraging. Thank you, LeeAnn.

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John Grant
20:46 Aug 26, 2025

Very interesting angle that you have explored. We carry many weights in our life journey, never fully knowing if our choices were right, or best.
Well done.

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Korinne H.
21:00 Aug 26, 2025

We do indeed carry many weights. These weights do not define us, what does define us, however, is what we choose to do with them.

Thank you very much.

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Jessy Lynn
15:10 Aug 26, 2025

WOW! In love! I love that this isn't just a story about guilt, but about what guilt does to a person, how a single act of silence can rot someone from the inside out. I see this as a full-length novel one day.

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Korinne H.
18:09 Aug 26, 2025

Ugh, this means so much!! Thank youuuu :,)

Reply

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