19 comments

Contemporary Fiction

This story contains themes or mentions of physical violence, gore, or abuse.

It is springtime in this littoral wasteland. Heavy Gulf weather, having relieved itself over the Mesopotamian Marshes, hangs oppressively upon these blown-up shores. The midday atmosphere smothers every cooling breeze whispering off the recumbent sea.


As war machines desolate this slip of land, the writer seeks shelter in metaphor. The birds in his rafters shuffle, and sigh. The sun’s first rays have awaked them. Hunting drones predate above his creaking attic. Their sites have discovered his aerie. Like the pity in his rafters, distractedly fluttering, waking his small family with their whistles and muttering, his metaphors persist through the irredeemable; establishing an interstice in the ceaselessness.


The attic will eventually be exploded, along with his children, and a dozen other people besides. An errant bomb will blow them all up, sending the writer carking for better metaphors.


The drones in their logic, demanding life be understood through their pyrrhic audiation. Their broadcasting permeates every space of this blown-up place, forcing all yearning and grace to burrow far underground. Further underground than the tunnels regime forces have dug, from which they emerge with an Iranian IED or a Chinese submachine gun, lashing out at the invaders, or killing a collaborator, before cowering among the dusty, ruined people. So far underground that the sun in this place may never again rise on yearning, or grace. 


Inexpressibly powerful war machines, blasting absurdly into a sea of troubles. Bombs destroying apartment blocks. Tanks treading over old dusty autos. Shooting shells that could explode an armored division, or the dirty legs, the dusty arms of doomed children. Most of all the drones, the hunting drones. Operated by kids behind joysticks and viewing screens. Targets materialize, which cues the AI. To kill or not to kill. To ennoble ourselves by allowing the children on the viewing screen to live, or to blow them all up before they can grow into death cult zealots. The AI has scraped all human wisdom into proprietary, referenceable stacks. It queries the data in a way the kids' conscience cannot comprehend. It executes the decision again, and once more, and again. Another flash, another explosion, another digital divot. Making cowards of us all.


Dust is the constant here. Dust, and the dry-sterile, ubiquitous thunder of war machines. Droning through barren skies, unleashing a thousand-thousand dusty deaths. It is the dry thunder of sound and fury, signifying nothingness. Pervasive dry heat. Dust weighted with the toxic detritus of a pulverized society. Land incapable of bringing forth even dull roots in this bitter spring. Throats too parched to swallow. His daughter drags the suitcase through the dust while the writer pushes the shopping cart before them.


Now night is rising, cooling sea breezes stealthily infiltrating the gaps in the writer’s ceiling, through which some stars are appearing. The breeze carries Sleep into his listing attic. She comes in a mother’s form, wrapping her soft abaya about his little boy’s body, folding this demanding belly into her tender embrace, filling the empty space with her nourishing love. She soothes the searing pain in his nostrils. She binds the deep and painful wound, sustained when he leaped from the shopping cart. The child ignored his father’s warnings to stay, stumbling over a broken cinder block, a jagged piece of rebar gashing his leg. A ghastly tear. Sleep presses her abaya against the supperating wound, and her penetrating love soothes its bitter recrimination. She holds the boy's dusty feet, relieving them of their burden to carry. Her embrace relieves his arms, and dirty hands, of their duty to hold. His eyes close, he sleeps in a mother’s embrace.


Then the girl’s eyelids grow heavy. Perhaps she still thinks of her mother, disappeared in an explosion half a block from her eyes, a kiss yet moist on her dusty cheek. But if so, the climate has so parched the moisture from her body that tears no longer flow. No more uncontrollable giggles. No more mother whispering in her ear about her father’s hapless antics, trying to convince her dad, the scion of an old and wealthy family, that although he had no marketable skills, the writer could be a worthy suitor of his daughter. If she does still think of her mother he cannot say. The myriad ways their lives have changed since her mother was exploded, fleeing one home and then another, and then another, have made it hard to communicate. Their life is now a ceaseless search for sustenance, one wary eye cast toward the sky. His daughter’s intellectual stream, once overflowing with questions and observations and declarations so keenly carbonated that an entire family’s emotional life could grow in the floodplain, has burrowed so deeply underground that he wonders whether it still flows at all. Peering at her through the minefield of inescapable noise, her face obscure in the darkness, he imagines her eyelids growing heavy as before, when she could not keep them open despite every effort to share one last giggle with her mother, or to soak in one last, embarrassed smile from her father. But they are now the heavy, dusty eyelids of one too exhausted to protest her empty belly or parched throat. Sleep will come.


And then it will be the writer alone, relieved that Sleep should do for his children what he can no longer do himself. His eyes shut before the birds begin again to mutter and coo, their gentle stirring smothered beneath the predatory audiation. The pity rustles, and flutters and softly moans in the cool morning light. They persist through the squall. They care only for this family seeking shelter beneath their rafters. They are carried above the forsaken land on a sea of destruction and creation. They absurdly survey the exploding horizon for any simile of a safe port.


January 18, 2025 14:59

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19 comments

Helen A Howard
10:58 Jan 21, 2025

You convey well the dust and desolation of war and the lasting impact on children. How terrifying are the drones and what a waste in every way. The sheer unremitting pointlessness of it all. Well done.

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Ari Walker
11:51 Jan 21, 2025

Thank you Helen

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Trudy Jas
15:24 Jan 19, 2025

This is very dark. But then war is dark. The writer's jumbled loop of thoughts, memories and wish for oblivion came through loud and clear. In the last para, you may have left out a word. --whet he can (no) longer do ---?

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Ari Walker
15:39 Jan 19, 2025

Thank you Trudy. Yes on your point - it is quite dark. Thanks for catching that edit in the last paragraph! It's funny - we become so familiar with our own writing that it's easy to miss those little things. I actually re-read the sentence several times before I found the error which you had already pointed out!

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Trudy Jas
15:58 Jan 19, 2025

I know, right? I guess that's why editors make a living. :-)

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Kashira Argento
13:20 Jan 31, 2025

I really liked the story, the description and the feelings it conveys to the reader. I would like to read longer stories from you. On a more technical note, I thoroughly enjoyed your poetic style of writing. Your rich vocabulary is truly remarkable; I always appreciate that to an author.

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Ari Walker
14:39 Jan 31, 2025

Thank you. I’m glad that you enjoyed it! My current story ‘chava’ runs to 3,000 words The first story I submitted here ‘Pinkies promise’ is also longer

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Julie Grenness
21:18 Jan 29, 2025

Well expressed. This writer has crafted a vivid and emotive response to the prompt. The realistic word pictures evoked apt imagery which depict the horrors and baggage of armed conflicts. Hope you succeed in the contest.

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Ari Walker
21:26 Jan 29, 2025

Thank you!

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Barbara Minshall
15:00 Jan 26, 2025

Ari, your writing is so poetic.I enjoyed your story.

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Ari Walker
15:15 Jan 26, 2025

Thank you Barbara.

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Mary Bendickson
23:43 Jan 23, 2025

This is so sad because it is real.

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Ari Walker
00:44 Jan 24, 2025

Thank you Mary. I agree.

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David Sweet
13:14 Jan 22, 2025

A terrifying vision of the future, my friend. A great use of a snapshot moment. The paragraph that provide details of the 'dust' is superb. I am curious as to why they are in an attic instead of underground with everyone else? I believe I get the connection with hiding like a futuristic Anne Frank, if that's where you are going. Cool. I thought it was chilling to have kids behind the remote controls killing people like it was a video game, which is exactly what we are training them to do, like Ender's Game. I wish you all the best in thi...

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Ari Walker
13:29 Jan 22, 2025

Thank you David. Really appreciate the feedback. The story isn't actually set in the future, but in current-day Gaza. While the drones drive intellectual life underground, only the regime forces have the luxury of accessing the physical tunnels. They are in an attic, because that is what they could find, and because it serves as a metaphorical ark, a pity of doves in the rafters. I also agree that it is chilling to have kids behind the remote control, and AI deciding who should be killed or not killed, which is in fact happening today. 18-ye...

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David Sweet
15:22 Jan 22, 2025

I apologize, I should have recognized that with the abaya, IEDs, and Chinese submachine gun. My mind went the wrong direction. War should be told from the POV of ordinary people because they have the most to lose. Wars are fought by the egos at the top levels of government who think that they know what is best for their people.

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Ari Walker
15:57 Jan 22, 2025

I revised it a little based upon your comment to try to be more clear. Would you mind taking a look at the new introductory paragraph? I am trying to tread a line between being too obscure and too 'on the nose'.

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David Sweet
16:50 Jan 22, 2025

I hope the comments I sent via email make sense. You are doing a good job establishing PLACE, which is vital to this story; so I think you want the reader to know where we are. Hopefully, my comments helped thread the needle. I love the story because, like I said before it conjures images of Anne Frank and Ender's game, which reminds us that even the present moment is timeless.

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Ari Walker
17:12 Jan 22, 2025

thanks man

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