She stumbled into the shop with eyes wider than the chasm between life and death.
I could come up with a better metaphor, given time. The chasm between life and death is not as wide as many assume.
I should know. I run this place.
Some do not believe it exists. Some fear it. Some call it Purgatory.
All are misguided.
She stumbled into my Apothecary not long ago. I've been keeping an eye on her since she crossed the doorframe and the bell above rang out with a lonely tone. I remain silent, of course. Waiting for the clients to come to me is easier than explaining the obvious.
She wanders the aisles in a bewildered quiet. Shaking fingers reach out and touch a few of the vials, tilting labels so she can see them. I note which ones she reaches for. Love. Happiness. Pleasure. The usuals, for the young adults. Things they could never get in life, so they choose them here.
The Apothecary.
I've always found it intriguing, how the word is so widely used. In some places, a medicine shop. In others, the person in charge of the shop. I dwell in the Apothecary, yes, but that makes me the Apothecary. These are the circular thoughts that often occupy my mind while I wait for the new clients to regain their bearings.
She lingers in the aisle in front of me as her fingers graze Peace. Golden hair frames her face, obscuring her features from my view. A wilting plant stands by her feet. It has been wilting for years; it is not dead, nor is it alive. This place—and the people in it—are the same as the plant in this way.
Her eyes remain fixed on the opaque bottle when she speaks. With four soft words, she cements her presence here.
“What is all this?”
Her voice is a whisper. A ghost in Apothecary's shadow. But she knows I will hear her.
I do not budge from behind my desk or pull back my deep hood. She will move on from this place long before she ever sees my face. “Welcome to the Apothecary.”
“That doesn’t answer my question,” she snaps. She rips her hand away from Peace and runs it through her blonde hair. “There was a crash—the car in front of me—I remember—”
A pause.
“I’m dead," she breathes.
I give a slight nod. “Your memories returned sooner than most. Be grateful.”
“Grateful? For what? That I never got to finish my senior year of college?” She looks as if I struck her. Blue eyes, I notice. Ice blue. I have never seen a shade such as hers before.
The thought occurs to me that we are not distant in age.
“Grateful that you won’t have to stay here as long as most people,” I respond.
“And where…” she turns in a slow circle. Her eyes roam the rows of vials, the shadowed corners, the unswept floorboards. “Where is here, exactly?”
I shrug. “Every person names it something different. The most common in the place you came from is Purgatory.”
She stiffens and open fear flashes in those blue eyes. “You mean…”
“No. The people there have it wrong.” The sleeve of my robe swishes as I gesture around the dusty shelves. “This is the Apothecary. I am the Apothecary. It depends on how you look at it. This is the place after life, but before death. The shop at the bottom of the chasm, I’ve taken to calling it.”
“Chasm?”
I decide against explaining my hand-crafted metaphor. “Irrelevant.”
“So…what’s the point of this place?”
“One last Request to be fulfilled. No cost, no price, no consequences. A way of easing the transition between two worlds, one might say. You’ve been shopping for a little while—you’ve seen what the Apothecary has to offer.”
She casts a glance at Fortune before returning her piercing eyes to me. She cannot see my face, but I frown despite this. The Requests on the shelves no longer interest her.
Her blue eyes take on a determined and inquisitive quality I have not yet seen in a client. “How long have you been here?”
A beat of silence. “I’ve never been asked that before,” I confess.
“So?”
“I’m not certain. Time works differently here. I was just like you, once. It might have been weeks ago, or it might have been years. I’ll never know.” I shake my head. “I don’t know why I’m telling you this. Which Request would you like?”
“None, yet.”
“If you can’t decide, I have to send you on without one. Rules and regulations aren’t something to be toyed with in this place.”
“Don’t you get lonely, working here?”
“I’ve never thought about it before. There’s constant enough company, with clients coming in all the time.”
Her eyes drift to a cobweb in the corner behind me. I keep my gaze fixed on her. I know the scenery around me better than the back of my hand. It is a world of in-betweens, like the wilted plants, like her and the rest of the clients and me.
“Doesn’t look busy to me,” she says.
“You count for two, with all the questions.”
A smile twitches at her lips. “How old are you?”
“Like I said. Time works differently here.”
“If you went back. Right now. How old would you be?”
I can feel her edging into something dangerous. The last time these questions were asked here, management shifted from my predecessor to me. I don’t sense harm in answering, though. “Somewhere around twenty, if I had to guess.”
“So how did you end up like this?”
“That is a question I cannot answer without consequence.” I clear my throat. “Which Request would you like?”
She ignores my second question. “What consequence?”
“Consequence to you. Rules and regulations—”
“Aren’t to be toyed with. So you said.” She approaches me and leans her elbows on my counter. I take a step back, suddenly caught in her icy eyes. “I want to know about you. What makes you different from everyone else who passes through here?”
“I asked the right questions. You need to choose a Request soon, or else I’ll have to send you off without one,” I warn. I realize, looking into her eyes as I say the words, that sending her off without a Request makes my stomach turn. Simply sending her off makes my stomach turn.
The epiphany strikes fear into my heart.
She wanders the area in front of my desk. “So that’s it, huh? Someone comes in, you talk to them for a few minutes, and then you send them off? And you say you’re not lonely.”
“I’m not…” I inhale deeply. “You’re right. It does get lonely. But…I would rather stay here than move on.”
“What happens if I choose to stay?”
“You can’t."
She tilts her head. “You did.”
“Yes. I did. And you can’t.”
“Why?”
“Rules and regulations.” That statement may be the first lie I have ever told to a client. Rules and regulations have nothing to do with the choice to stay. If a client asks the right questions, asks to stay, they are permitted to do so.
But not her. Not anyone, not yet. I refuse to condemn someone else to an eternity of something the Apothecary does not stock: loneliness.
Especially her.
“What rules? Don’t you run this place?” she persists.
“My rules. This is a life I could not condemn you to.”
“Why not? What’s so special about me?”
I open my mouth to respond, but restrain myself. Trying to explain the feeling she gives me is crossing a line. “Choose a Request.”
“I want to stay.”
With four words, she sets my heart racing.
I want to stay. “Why?”
“Because something about you seems…different. I can’t explain it. But I want to get to know you. And I want to help the people who take all this harder than I have.”
“I can’t let you stay.” The words taste acidic. In this moment, I want her to stay more than anything. I want to tell her that something about her seems different, as well. I want to tell her that she can stay and we can keep each other company.
“I can’t,” I repeat. The words are more for my own benefit than hers this time. “This is your last opportunity to choose a Request.”
“My Request is to come back here, then,” she says. “Whenever I want. Like a visitors’ pass.”
“Did you see that on the shelf?”
“No. But you said you’re the Apothecary. You should be able to brew something new.”
“I…”
A smile crosses my shadowed face. She is smart. She came up with a solution I missed. “I’ll see what I can do.”
She exhales and glances at the door. When she faces me again, fear tints her eyes. “Now that I’ve told you my Request…what now?”
“Now you go.” Even knowing that she will come back, the words have a hard time leaving my mouth. “You’ll be notified when your Request is fulfilled. The Apothecary’s door will take you where you’re meant to go.”
She offers me a soft grin. “I never caught your name.”
“I never got yours.”
The Apothecary’s dim lights glint on her hair as she turns. The room seems to brighten and I lean forward, waiting for her next words. Her name. I need her name. Not to fulfill her Request or to ensure she goes where she is meant to be—the Apothecary does that of its own accord—but because I want to know. A name is what makes connections irrevocable, especially here.
A name is something I have not received from anyone in a long while.
My heart pounds with anticipation.
“Until next time,” she says instead. A smile plays on her lips. “I’ll see you soon.”
With four words, she is gone.
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such a fun idea!
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Thank you so much! I’ve always loved the idea of apothecaries and the ghost-y type stories, so I wanted to try something that mixed them :) this was one of my favorite stories to write, too, because I’m pretty much addicted to dialogue. I’m glad you enjoyed!
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Haha yesss, writing dialogue has grown on me so much, I used to hate it but now its one of my favorite things.
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Con quattro parole, una storia molto bene.
With four words, a very good story. :)
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With four words, thank you so much :)
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Woohoo, ten stories on my profile and many more to come! I'm always looking for feedback, but for this story in particular, I would love any line-edits and opportunities for rewording you noticed (general feedback is always welcome, but if you're looking for specific critiques to put in your comments, I definitely need some line-edits on this story). Thanks for reading!
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Edited and updated version is out now! Interestingly enough, I found out that “apothecary” can mean both “pharmacy” and “pharmacist”—the former used more commonly in the West and the latter in the East—so I took some liberties with both. I added some more detailed imagery, I cleared up the ending a little, and I fixed up the first four lines—they felt a little rushed to me. I hope you enjoy and thanks again for taking the time to read!
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A lovely story.
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Thank you, Faith!
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I really enjoyed this story! I was hooked until the end and didn’t know where it was going to go. Really lovely building of tension and chemistry. I was a bit confused whether the narrator was a male or female though, and what the narrator looked like.
Really well done!
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Thank you for the kind words, and for taking the time to read!
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Great story! I like how she kept nudging him.
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Thank you! The girl (I haven’t even decided on a name—is that a bad thing?) is a kind of personality I like to play with—pushing the protagonist toward their change, but not overbearing. I’m glad you enjoyed :) and thank you for taking the time to read!
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You're welcome.
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I like this story, it was pretty creative in my opinion. I especially like the ending, leaves the reader wanting more. That is always a good thing.
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Thank you for the kind words! Creativity is definitely what I strive for, and your words about the ending are super encouraging. Thank you for taking the time to read and leave a comment!
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Hi again Tommie, I've had a re-read, I really like it. Are you entering it in the contest? Good luck!
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I am! If I have time today, I may go back and do a little more with the imagery and specific word choice, but overall I’m pretty happy with it. Good luck to you, too!
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I read through again, and I like the changes you've made to the story. A lot of the subtle ones help it flow well, and the metaphor line at the beginning is fun - it caught my attention. The ending is so much better. I liked it before, but it feels a lot more impactful now. And I said it before, but the title for this piece is great.
One note:
I've been keeping an eye on her since she crossed the doorframe and the bell above rang out with a [melancholy] tone. -I think 'melancholic' might read better. Although I'm not too sure since how the word is used is odd. I'd read it out loud and see.
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Hmm…I think I’m going to swap it out for “lonely”—it fits the theme of the story better and ties into the narrator’s loneliness as later described. Thanks, Alex!
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I love this story. Such an original concept.
The opening lines are clever about the chasm and it made me smile. It's a nice introduction to the narrator's disposition.
The dialogue is outstanding and is my favorite feature.
The actions and descriptions throughout are vivid, and the prose is clean and tight. Great writing.
The narrator's focus on "four words" throughout is a solid element. (“What is all this?” “I want to stay.” “I’ll see you soon.”) It ties things together well.
I'm actually struggling to see issues. The craft of it seems very polished. (Maybe Katharine and Alex have already caught everything -- they are both very thorough editors after all. I'm still honing that skill.)
Very enjoyable read!
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Thank you so much! Yes, Katharine and Alex are incredible editors :) I’m so glad you enjoyed the story! I put a lot of work into this one.
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I really like the dialogue in this story. It takes over and flows well, and the concept is great. I'd like to hear what inspired you to write it? It's a unique idea.
I especially like how well the title works in turn with the story, and the structure is well written. You got the emotion down well, keeping it simple, and I was never confused or distracted.
Here is what I have for line-by-line notes. It might come off as negative, but I do like this story. It's all suggestions and you can feel free to disagree. I'm sure you understand 😁
She stumbled into my Apothecary not long ago. I have been watching her [closely.] [Silently], of course. Waiting for the clients to come to me is easier than explaining the obvious. - Is it possible to cut the adverbs here for more imagery on the shop? Rework the sentence maybe?
I have been watching her [closely]. > I've kept an eye on her since she stepped in, stumbling, the bell ringing above the door. Silently, of course. > I didn't say a word, sitting at the counter, watching a spider run across a cobweb.
Something like that. It'd be a subtle way to get imagery going early on.
She wanders the aisles in (a) bewildered quiet. -It might read a bit smoother if you include brackets. I can't exactly pinpoint why.
Shaking fingers reach out and touch a few of the vials, tilt some of the labels so she can see them. > Shaking fingers reach out and touch a few of the vials, tilting labels so she can see them. -She's already touching a 'few' of the vials, so knowing that she's tilting 'some' of the labels is a bit redundant. I think changing tilt to tilting would read smoother as well.
Her voice is barely a whisper. -I think you should be a bit more confident here and cut the adverb. 'Her voice is a whisper.' It'd have more impact.
A ghost in the darkness of the Apothecary. > A ghost in the Apothecary's darkness. -Read this one out loud to yourself and see. It might read easier.
She rips her hand away from Peace and tears it through her blonde hair. - I like the idea of rip and tear here, but I can't really imagine someone tearing their hand through their hair. I'd consider just 'runs'.
A pause. [She looks to me with pleading eyes.] “I’m dead.”
-I'd say cut the brackets here, from context, I can already assume she's looking at the shopkeep. It might have more emphasis this way. Then, break 'I'm dead' to a new line.
>
A pause.
“I’m dead.”
“Grateful? Grateful for what, that I never got to finish my senior year of college?” -One too many repetitions of the word 'grateful' I'm thinking write the sentence like
“Grateful? I never got to finish college.” or, "Grateful for what? I never got to finish my senior year of college!" Something like that.
Her eyes [slowly] pass over the rows of vials, the shadowed corners, the dusty floorboards. “Where is here, exactly?” -This is good imagery, but can the adverb be cut somehow? > Her eyes pass over the rows of vials, taking in the shop. Shadowed corners and dusty floorboards.
I'm not too sure. This one is tricky, but see if you can draft anything different.
The sleeve of my robe swishes as I gesture around the [dusty] shelves. - You used dusty as an adjective two sentences ago. Could you find a similar synonym? Unswept/dirtied/uncleaned/undusted
Her eyes drift to a cobweb in the corner [above and] behind me. “Doesn’t look busy to me.” -You could cut the brackets for a shorter sentence. I think most people associate cobwebs with being high up rather than on ground level.
“That is a question I cannot answer without consequence.” [My tone darkens.] “Which Request would you like?” -Is there any way you could show the brackets? The character clears their throat? Something along those lines.
“You can’t.” [I immediately answer.] - Cut the dialogue tag. The dialogue is short, and from context, I can assume it's spoken quickly.
But not her. Not anyone, not yet. I refuse to condemn someone else to an eternity of something the Apothecary does not stock: loneliness. -Really good line!
“No. I want to stay.”
With four words, she sets my heart racing. -I really like how well the title fits the piece.
I want to tell her [that] she can stay and we can keep each other company. -You can cut 'that' here for more emphasis.
“My request is to come back here sometime, [then,]” -You could cut 'then' here for more emphasis, but that is entirely up to you. It works either way.
Even [with the knowledge] that she will come back, > Even knowing that she will come back,
The room seems to brighten and I [find myself waiting] for her next words with anticipation. Her name. I need her name. -This is great! It might be my favourite part. That being said, you could try cutting the brackets for just 'wait'. Read it out loud yourself and see. Both instances work.
I think a bit more imagery would do the story well. I want to know more about the shop and what it looks like. A sentence or two of something vivid. Like wilting plants or anything else that would match the tone.
I enjoyed reading this a lot, and I hope my notes are helpful. I'd consider entering it once edited & polished 😁
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Thank you so much, Alex! If I have time today, I’ll be sure to pop over and leave some edits on your latest :). I was strongly considering entering this one—I found the concept really intriguing—but I wanted to make my final edits and revisions before I did (just so be sure I’m actually happy with it).
As for my inspiration for this…it’s not as melodramatic as it might seem from reading the story 😂. I read a story on here from a while ago (Diner at the End—one of my favorites), and I was watching that one episode of Arrow (if you’ve seen it—I’m a DC Tv show fan) where they keep talking about this island called Purgatory and the idea just came to me. I actually wrote half of this in the middle of class because I was incredibly bored, and this is a completely unedited version, so it needs a little work 😂.
Thank you so much for taking the time to leave edits! I hope to repay you sometime this week :).
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Hi Tommie, thanks for reading my latest story - I'm not quite happy with it yet so if you have any crit or ideas for improvement they would be well received. I'm happy to have a look at this piece for you, I read it through quickly last night and couldn't honestly spot much wrong with it - it's pretty polished. But I'll have a go now and see if anything stands out on a second read through.
I do give Alex a lot of feedback, it's a reciprocal arrangement, you may have noticed that I get in depth crit back in return. If you are looking to swap feedback on an on going basis then I'd be happy to see how that goes. If you just wanted a one off response to this specific piece, that's fine too.
Here goes:
The first thing is that I really liked the title until I read this line: Three words have never hurt so much.
I think if you are going to focus the reader on four words you need to cut or rephrase this line. Alternatively, change the title.
The word "Apothecary" is overused throughout the piece. I'm having trouble finding a suitable alternative to swap in but in some places you could just cut altogether (examples below - you could cut the bits in brackets).
With four soft words, she cements her presence (in the Apothecary). Swap for "here."
A ghost in the darkness (of the Apothecary). - Also - how dark is it? Maybe swap darkness for gloom / shadow?
“One last Request to be fulfilled. You’ve been shopping for a little while—you’ve seen what (the Apothecary has) to offer.” Swap for "I have".
“I’m not certain. Time works differently (in the Apothecary). Swap for "here".
Also - an apothecary is a person, not a place. You have used it in many places to describe the location - I think this is incorrect. You could maybe say "apothecary shop".
(It isn't made clear in the text whether there is an exchange - maybe you could expand on that? Does the dead person have to give something up for their potion? Maybe they exchange a memory, or a part of their soul, or some knowledge, in return? Maybe when they die they have silver coins placed on their eyes to cross the River Styx but in reality the money is needed for the apothecary? If not perhaps make it clear that this is a free / complimentary service?)
While looking up apothecaries to try to offer solutions to a previous point I came across the word gallipot - defined as: a small pot made from glazed earthenware or metal, used by pharmacists to hold medicines or ointments. I wondered if you might want to use it in there somewhere? Just a thought.
“If you can’t decide, I have to send you on without one. Rules and regulations aren’t something to be toyed with here.”
“Don’t you get lonely, working here?” - repetition of "here". Maybe swap the first one for "in this place" to give separation from the one that went before that as well if you take my suggestion above to remove "apothecary" from an earlier sentence.
The last time these questions were asked (in the Apothecary,) management shifted (from one person to the next.) (F)from my predecessor to me. - I'd cut the brackets and make this one sentence to remove the redundancy.
“What happens if you choose to stay?” - Should this be: “What happens if I choose to stay?”
“My rules. This is a life I couldn’t condemn you to.” - "could not" might sound better here - the conversation is quite formal and this would bring it in line.
“No. I want to stay.”
With four words, she sets my heart racing. - I'd cut the "no" otherwise this is really five words. Because the title depends on four I'd be really strict with this.
“Because something about you seems…different. I can’t explain it. But I want to get to know you. And I want to help the people who take all this harder than me.” - I think that "me" should be an "I" for the grammar to be correct. To make it sound unforced perhaps go with “Because something about you seems…different. I can’t explain it. But I want to get to know you. And I want to help the people who take all this harder than I have.”
“I can’t let you stay.” The words taste acidic (and,) (.) (I)n this moment, I want her to stay more than anything. - I'd cut the "and" and make this two lines for emphasis.
“My request is to come back here sometime, then,” she says. “Whenever I want. Like a visitors’ pass.” should Request have a capital R? Is the implication here that she can only come back once? if so then leave it as it is. If she can come back multiple times then cut the "sometime".
“No. But you work at the Apothecary. You should be able to brew something new.” This should be: “No. But you are the Apothecary. You should be able to brew something new.”
A smile crosses my shadowed face. She is smart. She came up with a solution I missed. (A solution that will work.) “I’ll see what I can do.” - Cut the brackets they are redundant.
She exhales. Glances at the door. Locks eyes with me. Fear tints hers. - These short lines don't fit the rest of the style. Maybe combine into two? Perhaps something like: She exhales and glances at the door. She turns back and fear tints her eyes as they lock with mine.
“Now you leave.” Even with the knowledge that she will come back, the words have a hard time leaving my mouth. - repetition of leave. Maybe swap the first one for "go"?
“You’ll be notified when your Request is fulfilled. The Apothecary’s door will take you where you’re meant to go.” - Again, the Apothecary is the person not the place. Maybe describe the door, perhaps: “You’ll be notified when your Request is fulfilled. The red / arched / shining / open / oak / door will take you where you’re meant to go.”
The (Apothecary’s) dim lights glint on her hair as she turns. Cut the brackets.
The Apothecary’s dim lights glint on her hair as she turns. The room seems to brighten and I find myself waiting for her next words with anticipation. Her name. I need her name.
“Until next time,” she says instead. “I’ll see you soon.”
With four words, she is gone.
I'm not sure I understand the implication here at the very end. Does the Apothecary need her name in order to create the potion? But fails to get it? If so then leave that information to the very final line so it has maximum impact. If that is the case this is a shockingly tragic story - make that clear and make it hurt the reader as much as possible by stating it as the very last line. I'd go for this option but then I am pretty dark.
If this is not the case and the Apothecary simply wants the name for themselves then maybe indicate this by rephrasing something like: The room seems to brighten and I find myself waiting for her next words with anticipation. Her name. I wish I knew her name. - But I think that's a weaker finish.
I'd rephrase along these lines:
The dim lights glint on her hair as she turns. The room seems to brighten and I find myself waiting for her name with anticipation.
“Until next time,” she says instead. “I’ll see you soon.”
With four words, she opens the (oak / red / arched / whatever) door and is gone.
But...Her name. I need her name!
See what you think of these suggestions. I hope they are helpful.
Overall I really like the story, it has a good atmosphere without going overboard on descriptions. The dialogue is well written.
I'd like to know a bit more about the apothecary - are they male / female? What do they look like? What are they wearing? How did they die? But it may be difficult to get this in without info dumping so if it's difficult to do it smoothly just leave it out.
See what you think :-)
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Oh wow, thank you so much! I’ll make sure to leave some crit on your latest soon :). Your edits are so helpful. I saw that apothecary meant the person who runs the place, but I thought I’d seen it used as a place before once. Maybe it was just me, so I’ll make some revisions.
As for the ending, it’s unfortunately much less tragic than it could have been—the Apothecary wants her name for himself, not for the potion or anything. Just to make him feel like he knows her, if that makes sense.
Thank you so much! I’ve got some time today, so I’ll do some revisions soon :).
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Hi Tommie, I had a very quick glance over this again and couldn't see any major revisions. Let me know if you have done edits and I will read again properly. Just so you know, I am busy tomorrow night so may not get chance until late and I appreciate tomorrow is the deadline.
What time zone are you in? It may have a baring on how helpful I can be close to the deadlines, I'm in the UK.
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I've done some edits--nothing too major, but I fixed the beginning (not sure why, but it was bothering me), and I cleared up some of the things you noticed (with the use of Apothecary, and the details of how the Requests work--without a price--and I cleared up the ending a little; I detailed that the Apothecary doesn't need her name to fulfill her request, but wants it because he craves more of that connection, but I kept the last four lines because I wanted the same impact.
Wow, you're far away! I'm in Arizona in the US. It's crazy that people from so many different places can come together like this over writing!
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