A Thousand Mortal Coils

Written in response to: "Set your story at a funeral for someone who might not have died."

Fantasy

The autumn wind carried the scent of chrysanthemums and grief across the cemetery lawn. Lilith stood at the back of the mourning party, her dark hair swept elegantly beneath a wide-brimmed hat, watching her own funeral through amber-tinted sunglasses. The irony of mourning herself yet again, maybe for the 600th time, hadn’t lost its edge, even after six thousand years.


“A brilliant scholar,” she heard someone murmur. “Such a tragic loss.”


Sarah Thorne—the identity she’d worn for the past twenty-three years—had vanished in a hiking accident three months ago. The search parties found only a shredded backpack beside the rushing waters of the Columbia River Gorge. Now her colleagues from Portland University’s Ancient History Department gathered around an empty casket, their faces painted with the particular sorrow reserved for lives cut tragically short.


“She changed my life,” a student sobbed. “The way she talked about ancient civilizations... it was like she’d been there herself.”


She remembered her first transformation in the lands of the Midianites. The being had come to her as light and shadow intertwined, its form shifting like desert mirages, as she drew water from the well just outside of the village. Her people called such entities angels, messengers of their gods.


“Who dares draw water at night?” the being had whispered, its voice like wind through ancient caves.


“I am Liliu, daughter of Raham,” she had answered, her voice trembling.


“No,” it whispered with a serpentine hiss. “You are more than your mortal form can fathom... far more than even you dare dream.” The being grew incandescent, blazing with such fierce radiance that reality itself seemed to crack around their edges, and she shielded her eyes.


It enveloped her in encompassing effulgence, and she consumed its essence with primal hunger. Around her, the desert night erupted into flame, incinerating her past life into ash as divinity coursed through her veins.


When her new husband saw her next, his eyes widened in terror. The woman who returned to the tribe was not the same one who had left.


“Your eyes,” he had gasped. “They burn like the sun itself!.”


The first drops fell softly, then multiplied into a relentless percussion across the cemetery lawn. Her colleagues hurried away under black umbrellas, their shoes squelching in the softening earth. The sound transported her back to the day she left the fertile crescent when the great drought finally broke.


“The waters rise!” The ancient screams still echoed in her memory. “The gods have abandoned us!”


She remembered how the parched earth had cracked and buckled as underground aquifers burst free and how entire villages disappeared beneath the deluge. The floods had reshaped the land, decimating populations that had already been weakened by years of drought.


She had watched from a hillside as the waters claimed the valley where she’d first been remade in the being's image, washing away all life for hundreds of miles. The few who scurried away fast enough were forever traumatized by the flood that had shattered their whole world. They rebuilt, as humans so often do, but never lost the fear that a torrent would take it all away.


She bore witness as prophets rose like weeds and faded into legend, each carrying fragments of a greater truth. The Semitic tribes of her ancestors shed their pantheons one by one, their many gods dissolving into the singular divine.


She remembered how the silver bells chimed against her skin as she twirled, each note singing memories into the wind. The desert night pulsed with ancient rhythms - tambourines, drums, and the whisper of tent canvas snapping like wings in the breeze. Her feet traced patterns in sand that had witnessed the birth of cities, of empires, of gods.


Now new prayers soared from stone towers that pierced the firmament. Their shadows stretched across crumbling ziggurats where her people once burned incense to star-crowned deities. The mighty gates of Babylon, which had welcomed processions of priests bearing golden idols, lay buried beneath centuries of shifting sand.


Yet even as the muezzin’s call rolled like thunder across adobe rooftops, she could still taste the honeyed dates of temple offerings on her tongue, still hear the ecstatic songs of priestesses echoing through time.


In Damascus, she stood in the window of her ancient home, the mosaics along the walls as vibrant as when they were first made. She watched the marketplace below, merchants still haggled in languages as old as trade itself, their gestures unchanged since the first coins changed hands beneath Mesopotamian suns. The air still thickened with cardamom, frankincense, and myrrh - scents that had perfumed the altars of a thousand forgotten deities.


“The spices smell the same,” she whispered to herself one morning, centuries later. “The same frankincense, the same myrrh.”


“Indeed, honored one,” the aged merchant replied, not knowing he spoke to one who had walked these streets when they were new. “My ancestors have traded here since the first stones were laid.”


In Uruk, she had ascended to high priestess of Inanna, her bare feet tracing sacred patterns across sun-warmed temple stones. The assassination came as sacred incense burned low - carefully orchestrated flames that devoured tapestries and consumed flesh, while smoke writhed like serpents around ancient pillars stained with generations of prayers.


Before the fire, she had whirled in gilt-edged robes through marble halls, her voice lifting hymns to a goddess she knew was as ephemeral as morning mist. Her devotions were a beautiful performance, every graceful movement a lie told in perfect faith. When the flames came, they offered more than death - they granted her freedom from a role that had grown dangerous in its visibility, a cosmic curtain fall on yet another life’s performance.


Her path led eastward, then, into the lands of tribes whose gods were strange and hungry. The proto-Slavs had welcomed her and taught her their magic—blood rites and bone-speaking, the whispers of ancient forests.


“Speak to the bones,” the Babaroga had commanded. “Let them teach you their secrets.” The volva initiated her, and the magic hummed in her veins.


She learned to reshape herself among them, molding her flesh like clay, though each transformation left her bones aching with remembered forms.


Rome came later after slavers caught her in a raid. They’d sold her for a fortune, not knowing her true worth. The senator who bought her—for thrice the asking price—had been the first of many wealthy men she’d enchanted.


“Such unusual eyes,” the senator had mused, trailing a finger along her jaw. “Like looking into the depths of time itself.”


She began collecting fortune then: jewels, gold, property. She carefully hid each lover’s gifts, building the foundation of her eternal wealth.


The Crusades nearly broke her. Walking the streets of Jerusalem again after more than a thousand years, she felt the weight of ages press upon her. Every stone, every corner held memories that threatened to overwhelm her.


“This was my home,” she had whispered, touching ancient walls. “Before Rome, before Byzantium, before all of this.”


“Who are you talking to, woman?” a Templar had demanded, his hand on his sword.


“Just an old fool’s prayer,” she had replied, hunching her shoulders, assuming the role of a local nobody.


Versailles and its opulence gave her one last taste of unfettered opulence without concern for tomorrow. She’d played the game of courtly intrigue too well, risen too high in Marie Antoinette’s circle as peasants starved.


“Ma chérie,” the queen had said, “you simply must tell me your secret. You haven’t aged a day in a dozen years.”


When the revolution came, she’d fled in the night, leaving behind her luxurious estate but keeping her head. She wandered east, through lands where ancient powers still held sway, where the refined artifice of court life gave way to older, rawer magics. The wilderness called to something primal in her nature, something that had been suffocating beneath layers of silk and powder.


The solitude of Germany’s Black Forest offered both sanctuary and transformation. There, among towering pines and whispered legends, she became the witch of village tales—ancient and grotesque one moment, young and beautiful the next. The locals left offerings at her door, never knowing that their legends walked among them in a dozen different forms.


“Grandmother,” they would whisper at her door, “please accept these gifts and spare our children.”


It was in those dark woods that she first glimpsed the adjacent dimension—the realm where all myths dwelt together, where gods and fae and creatures of legend moved freely between shadows. She learned that her own transformation had been just one thread in a vast tapestry of supernatural existence, parallel to but separate from the mundane world.


The storm unleashed its fury, each icy drop striking like a judgment. Lilith remained unmoved before the casket, which held nothing but flowers and satin pillows.


Time stretched around her like an infinite road—she had centuries to spare, standing sentinel at this monument to her mortal self. Tomorrow would bring reinvention: a new name whispered into existence, a fresh identity carved from possibility, a life unburdened by the past.


But in this moment, she let memory flood her senses—life after life running together in her mind, like the collection of all of existence coursing through her veins, immortality’s essence poured down her throat by an entity ancient as the cosmos itself. Neither seraph nor demon, it had moved like fire, primordial and greater than all the world’s gods.


And she, too, was just another immortal that humanity would never know existed, walking unseen among countless others who had transcended the limits of what mortals could imagine or create in their own image. She turned her back on a life laid to rest and drove away to nowhere.




Posted Mar 23, 2025
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5 likes 7 comments

Frankie Shattock
16:38 Apr 07, 2025

I love this story. I really like the way you set things up with your description of Lilith, in disguise, at her own funeral! Then the travel through time and history is magical!

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Mary Bendickson
17:41 Mar 24, 2025

Layers of lifetimes. Expressive writing.

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Alexis Araneta
17:13 Mar 23, 2025

LeeAnn, I've missed your writing. Incredibly imaginative with great imagery. Lovely work !

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LeeAnn Hively
18:27 Mar 23, 2025

Thank you! I just went through toi edit it. I posted before I perfected.
I'm glad to be back. I'm adding in short story creation each week now that I am so close to finishing my book. I missed the weekly prompts here.

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Ken Cartisano
06:06 May 04, 2025

Grand and sweeping language and imagery. I don't possess the education or intellect to comment on this story's historical authenticity and since it's a fantasy, nobody has to, but since you're still editing, you should exchange an 'opulence' for a 'splendor', and you reworked one of your paragraphs and forgot to remove the original. (See below.) It's a distinct pleasure to read another of your stories, though.

She had watched from a hillside as the waters claimed the valley where she’d first been remade in the being's image, washing away all life for hundreds of miles. The few who scurried away fast enough were forever traumatized by the flood that had shattered their whole world. They rebuilt, as humans so often do, but never lost the fear that a torrent would take it all away.

Lilith had watched from a hillside as the waters claimed the valley where she’d first been transformed, washing away all traces of her beginning. The few who scurried away fast enough were forever traumatized by the flood that had shattered...

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LeeAnn Hively
05:10 May 14, 2025

Ah, I did do that, didn't I? I think it is painfully obvious that my skillset will never offer up a career as an editor. I have rushed through my last two submissions to the site due to my primary focus on another project. I miss writing weekly and the interactions, though, so I hurried through my stories. I will go back to fix it now.

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Ken Cartisano
17:23 May 14, 2025

Your skillset's pretty excellent. I figured this was an editing error. I often leave the original paragraph in place and re-write it just below it, then when I'm satisfied, I delete the original. I'm not any better than average, (which is not very good) at catching my own errors, I'm afraid.

The ability to see other people's written errors while overlooking our own seems universal. Although I'm following several writers who usually make no errors at all. And you're one of them.
Hazel Ide; Laurel Hanson (neither of whom is currently writing) Rebecca Hurst, (fabulous writer); Maise Sutton, still writing; Philip Town, (made three mistakes in seven years, denies two of them); The guy that just wrote the frog story. Kates? I just followed him. No mistakes. None.; Audrey Elizabeth, flawless writing, weird, but flawless. (I kid) It's totally doable but it isn't easy either. I left out a lot of other near flawless writers, but these are who I'm reading right now and a few who I know of. (I hate to just say I know of some without naming a few.)

Sometimes, (okay, frequently) I have to rearrange the order of my paragraphs in a story. That can't be normal, can it? How could I write a story and have my paragraphs in the wrong sequence? (Okay, sure, if the story's about time-travel, maybe, but it never is.)

Just between you and me, (okay this is probably weird) I would like to get a group of writers to submit a first draft, and a final draft of a short story. I think that would be fascinating. The differences in my own first and last draft don't interest me too much. Frankly, I try not to dwell on the differences. I want to forget the first draft.

But it would be interesting to see an assortment of other first and final drafts. As far as I know, nobody does that, although I've never Googled it either.
I suspect that many writers would refuse, some would obfuscate, and the rest would lie.
I think I should add, in all fairness, Lee Ann, that you're a better writer than me. I've read all of your posted stories, at least once, and your writing is superior, you write with conviction, clarity and elegance. But... it's possible I might spot something that you missed, or pull you back down to earth from time to time. That's about all I'm good for.

I proof-read a very good book by a fellow writer, Andy Lake, and I told him, 'You used the word 'wry' too many fuckin' times. Other than that, the book was great.' I don't think he agreed with me. Despite the fact that I'd hi-lighted every iteration of the word in flourescent yellow. and offered to send him the book. He also published a series of short stories that I thought were excellent. And--in the writing group we once belonged to, he posted a story that was so good, I asked him if I could print a copy to keep, to read from time to time and he agreed. I don't know where the hell I put the damned thing, but that's how good the story was.
I may have said this somewhere else but, congrats on finishing the novel, good luck with the editing, and I can't wait to see the results. Please, keep me informed. I'll be happy to read it whenever you want.
Cheers

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