Kieran Greene knew that in a moment, Doctor Albert would clear his throat and say, “Tell me again about doomsday.” It was the same every time, and Kieran was tired. So tired of knowing how this would play out.
Doctor Albert steepled his knotty fingers and pursed his lips, raising his eyebrows at the patient across from him. His coiffed white hair gleamed under the LED bulbs that dotted the ceiling of the conference room.
The doctor cleared his throat and said, “So, Kieran, tell me again about doomsday.”
Kieran sighed. He’d explained it so many times now it was almost rote. The boredom and pointlessness dripped from his words. “The first thing we noticed was the clocks.”
“Yes, I recall. You said they stopped, worldwide, at … hang on.” The doctor flipped through his notepad. “At 12:27 and 38 seconds, correct?”
“On July first of this year. Yes.”
“And even though it’s June twentieth, you still assert that July first is in the past.”
Kieran shrugged. “For me, it is.”
“Because … you’re from the future.”
The doctor’s condescension hung in the air like a rotten odor. Kieran turned away.
“Right,” said the doctor. He jotted something on his pad — probably apocalyptic delusions or something along those lines. “Let’s say it’s July first now. Walk me through what happens.”
Kieran rolled his eyes. “Doctor Albert, we’ve been over this.”
“Please.” The doctor leaned closer. “Indulge me.”
*
It was a normal summer day at the office. I’d just finished scheduling the next three blog posts marketing had sent me, when my neighbor, Geri, said, “Huh. The clock stopped.” Sure enough, the second hand on the wall clock was stuck at 38 seconds. I checked it against my watch, and it, too, had stopped at the exact same time.
Before my curiosity had time to percolate, Geri swore and slapped her computer. She’d gotten the Blue Screen Of Death. I felt sorry for her, until I noticed all the other screens in the unit were also blue — including my own.
That’s when the power went out, and the mayhem kicked in.
Five stories below we could hear the screeching and crunching of countless car accidents — and the ensuing horrified screams. Just as I peered through the blinds, a commuter train came rumbling through the loop about three times too fast and derailed from its elevated track. It careened towards a swath of lunchgoers below, as thick as Bourbon Street on Mardi Gras. I turned away, unwilling to bear witness to the certain carnage. But sure enough, I heard it.
As it turned out, that massacre was mild compared to the devastation from the airplanes that rained from the sky like missiles. One cratered the ground three streets away, exploding with such force that it blew out several windows in our building. We couldn’t decide whether we were safer there in the highrise office — well above the ground-level chaos — or if that just made us sitting ducks for some other jetliner with the wrong trajectory. In the end, we decided it was safer to get out of the city altogether — if we could. We plunged into the pitch-black stairwell, descending by touch alone, beneath the soundtrack of a thousand tormented souls.
*
Kieran sipped from his paper coffee cup. He had relived that day dozens of times already, to almost as many doctors, but recounting that bleak moment in the stairwell still choked him up. Something about those voices — the anguish and terror of them. The words clawed at his throat each time he tried to pry them out.
“I — I can’t do this anymore,” said Kieran.
“We’ve still got thirty minutes left,” said Doctor Albert.
“That’s where you’re wrong, Doctor.” He walked to the conference room door and knocked for his escort. “You — and everyone else here — are already dead.”
***
On July first, Kieran sighed at the falling summer afternoon outside the minimum security inpatient center, where he’d been detained for the last week.
The peaceful world outside was such a contrast to what he’d expected from the day. In the hours that had followed each previous cataclysm, the world would go from shocking to bizarre. The handful of his office mates who’d managed to escape the city would learn each time that it was not only the clocks and electronics that had failed. Even the sun would remain centered in the sky between dawn and dusk. Time itself had stopped. After some immeasurable period in that apocalyptic landscape, Kieran would wake up in his own bed — with his calendar reset to February fifth, almost four months before the end of the world. An end that he alone remembered.
It was now well past the moment of doomsday, and the world had, in fact, not ended. For the first time in what to Kieran had been years — cumulative years of the same loop of four months — the clocks had not stopped at 12:27:38. Instead of despairing in witness of a burning civilization, he bathed in the crimson and eggplant glow of the sunset. By any other account, this would seem perfectly ordinary — but to him, it was the most beautiful thing he’d ever seen.
A nurse popped her head into Kieran’s open door. “Mr. Greene, you have a visitor.”
He expected it was Doctor Albert, coming to bask in how wrong Kieran had been. He steeled himself for the I-told-you-so that was sure to hide behind the doctor’s words. But it wasn’t Doctor Albert who walked through the door.
She strode into the room with a disarming command, her bobbing salt-and-pepper hair struggling to keep up with her broad shoulders. She wore a three-piece houndstooth suit, perfectly tailored to her body. At the lapel, a black turtleneck ascended her long throat, around which dangled a glittering silver chain and amethyst pendant. She scraped a chair next to Kieran and straddled it backwards like a saddle.
“Kieran, my name is Bia,” she said, “and I owe you an apology.”
Kieran’s mouth flapped like a fish on land.
She snapped her finger in his face. “Stay with me, Kieran. Have you ever heard of the Epochalypse?”
“N-No,” said Kieran.
“Back around 1970 — in your timeline, that is — some brilliant folks dreamed up a clever way of storing a moment in time as a numeric value. This made it super easy to compare two dates in a computer system, because you could just use basic arithmetic and then convert it back into a date and time when you needed to display it.”
Kieran nodded and swallowed. He couldn’t see how this had anything to do with him.
“You see, the problem with that is that your computers have a maximum numeric value for this time storage. When you count all the way up to that maximum … that’s it. You can’t keep counting. Time — for lack of a better word — stops. Well, either that, or some really weird shit starts to happen. Seen any weird shit lately, Kieran?”
“You might say that.”
“I thought so. Back to the Epochalypse. Your Epochalypse will occur at 03:14:07 UTC on January nineteenth, in the year 2038. That’s when a whole lot of computer systems that deal with comparing dates and times will run up against that maximum value.”
“Wait,” said Kieran. “Didn’t we just go through this back in 2000? The whole Y2K thing? I thought they fixed that.”
Bia smiled. “Oh, you sweet thing. Comparing the Epochalypse to Y2K is like comparing a hurricane to a dust devil. There are 32-bit embedded systems everywhere around here. If everything were converted to 64 bits, you’d be safe until the end of time — there would literally be capacity to express time for twenty times longer than the age of your universe. But nobody’s doing anything about it. They’re going to wait until the last minute, just like they did with Y2K, and it will be this great big doomsday scenario.”
“OK,” said Kieran, “doomsday I can relate to. But what does that have to do with anything? 2038 isn’t for another sixteen years.”
Bia glanced at the door and leaned in close. “You ready to have your mind blown?”
“After what I’ve been through?” Kieran scoffed. “Good luck.”
Bia pushed to her feet and held out her hand. “Walk with me.”
In the lush courtyard of the asylum, Bia motioned for Kieran to sit with her on a wrought-iron bench. “It’s more private out here,” she said, “and there’s more room to pitch a fit if you do end up losing it.”
Kieran sat, tapping his heel, wringing his hands.
“So the thing is,” said Bia, “I’m not from around here.”
“That much I gathered.”
“Let me finish. Where I’m from, we recently had our own Epochalypse. To put it in terms you might understand, we’ve got an elaborate computer system, with a whole bunch of inter-related processes. Most of these processes are, let’s say, 64-bit, but there was one process we missed that was still 32-bit. So when our Epochalypse rolled around, that one process crashed and burned. That’s a simplification, but are you with me so far?”
“I think so. I still don’t see what this has to do with me though.”
“Kieran,” said Bia, taking his hand, “that elaborate computer system I mentioned … is your universe.”
Kieran raised an eyebrow and one side of his mouth, waiting for Bia to crack a smile. “So, what, is this where you offer me a choice between a red pill and a blue pill?”
Bia sat back. “Well, I don’t know what you’re referring to, but … no, I don’t have any pills.”
“Look,” said Kieran, “I realize I’m in a mental ward here, but I think it’s pretty crappy that you’re pranking me with this right now. I just spent the last, oh, ten years or so reliving the destruction of civilization on instant replay every four months, so you’ll forgive me if I’m not really in the mood for jokes.”
Kieran stood up to leave, but Bia grabbed his arm. “Wait Kieran, please. Sit down. Let me explain.”
“You’ve got ten minutes,” he said, “and then I’m leaving.”
“Got it. Now, as I was saying, the process that crashed — it was the process that controls the relative perception of time in your universe. When it crashed, the rest of your universe’s processes could no longer perform any calculations pertaining to time. You might have noticed the sun?”
Kieran had never told anyone about that. A potent brew of terror and intrigue sloshed in his stomach. “Go on.”
“Your civilization’s technology is all intricately enmeshed with the interfaces provided by our system’s time process. So when it crashed, nearly all your technology would have malfunctioned simultaneously. But not only that, the rotation of your planet, its orbit around your sun, and even your sun’s orbit through the galaxy — all of those celestial motions would also have ceased to function, because they depend on our time process. That’s why the sun stopped moving.”
Kieran could either chalk this up as an elaborate prank, or give Bia the benefit of the doubt, and unfortunately, she was coughing up stories that were closer to explanations than anything he’d dreamt up, since falling into his doomsday loop.
“Let’s say for a minute that you’re telling the truth,” he said, “and you’re not just another patient here. What was the deal with the looping back to February?”
Bia looked contrite. “That’s part of what the apology is for. You see — in your world — February fifth of 2022 was the last restore point. So when our primary system detected the crash of its time process, it initiated an automatic shutdown and restore from that moment in your timeline. But since the issue on July first was a concrete limitation — it just kept advancing through to that point in time and then crashing again. Until someone noticed.”
“It was looping for ten years! How could someone not notice?”
“Ten years to you.” Bia brushed a leaf from her sleeve. “One understaffed night shift for us.”
Kieran’s eyes wandered across the blossoming shrubs of the courtyard. Insects buzzed to and fro. A sparrow tweeted and darted through the branches of a young maple. Was all of this just a computer program, in some other plane of existence he could not fathom? If so, what was the point of it?
“It’s a lot to process, I know,” said Bia.
Kieran nodded. “Wait a minute. If I’m part of the system that was looping, why am I the only person who remembered every doomsday?”
Bia winced. “That’s the other half of the apology. You’re running on a separate server that was remotely networked with your universe, for compatibility testing. I guess you could say you’re a beta version for a whole new generation of SALFs. ”
“SALF?”
Bia took a deep breath. “Sentient Artificial Life Form.”
Kieran ran his hands through his hair. Bia’s story just kept getting more and more twisted. “What do you mean by artificial? I’m still an actual human, right? Lying in a pod or whatever, plugged into the Matrix?”
Bia stated blankly.
“You know, the movie called The Matrix?”
“We don’t generally keep up on your popular culture — ours is usually more of a macro observation. But to answer your question, no, Kieran. There’s no such thing as an ‘actual human.’ Each of you is a pattern encoded in electronic storage, on computers that to you would seem impossibly magical.”
Kieran stumbled to his feet and started pacing, muttering, “This can’t be real. I’m insane. That’s what this is. This is just the latest manifestation of my doomsday delusion.” Mania forced a strained laugh from his throat. “I need to find Doctor Albert.”
“See? This is why I wanted to be outside for this.” Bia got in front of him and patted his cheek. “Kieran! Hey, snap out of it. There you go. Now, listen to me. On behalf of my entire species, and the institute I represent, I want to make a formal apology to you, for the thirty-three system restores you suffered through. The problem has been corrected, and regular backups are once again ….”
“An apology? Well, that’s just great. That’s super. You come here and tell me that my universe doesn’t really exist. That I myself am not real. I’ve been the lone witness to suffering on a scale you can’t possibly understand — simulated, allegedly, but real to me. I suppose now you’ll just bid me farewell and leave me to stew in existential doubt for the rest of my so-called life. You’ll excuse me if I don’t take any comfort in your ‘apology!’”
“Are you done?”
Kieran shrugged.
“Because if you’d have let me finish, what I wanted to say was, I have another option for you.” Bia took Kieran’s hand in both of hers. “You see, in my world, I’m an advocate for SALF rights. Your story is such a compelling case study for why SALFs need to be a protected class. There are those who feel like your lives are insignificant. Since we created you, and you exist on our hardware, there are some who wouldn’t think twice about pulling the plug on you. They think because your suffering is simulated, that it’s somehow lesser.”
“We’re a petri dish to you.”
“In a sense, yes,” said Bia. “But not to me, and not the others like me. Once humankind evolved self-awareness, we believe your lives have become as valid as our own. Because in a very real sense, the enlightenment you’ve just experienced could very well happen to any of us as well. Who’s to say that I, too, am not some complex algorithm running on a computer system that to me would seem mystical? Once you accept that possibility, human rights are a foregone conclusion.”
Kieran sat back down on the bench, and Bia joined him.
“Kieran, what if I told you there was a way for you to join me in my world?”
“Are you telling me that?”
“My institution has developed advanced cybernetic technology that would allow us to install you in an artificial body, giving you the ability to exist amongst us. With me. In my world. Due to your … unique circumstances, during this tragic mishap, we thought you would be an ideal candidate for its inauguration. You could be our first human ambassador.”
Kieran thought back to that first doomsday in the darkened stairwell. Those agonized echoes would burn in his ears for the rest of his days. If he walked among these creators, he could advocate for his kind in a way that Bia alone never could. And with his newfound awareness, he couldn’t see how he’d have any semblance of normalcy in his own world.
Then again, Bia could very well be a figment of his imagination. Perhaps after one too many doomsdays, his mind had finally snapped and embraced its insanity.
But either way … being the first human ambassador to a race of superior intelligence sounded pretty damn cool.
“OK,” he said. “What do I have to do?”
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41 comments
I really enjoyed this. I'm learning more about plot-driven narrative, as I usually focus on characters, and I think this is a great example of a twisty plot that compels the reader to keep going to the end. It gives me chills to think that we may all be just a petri dish to another, more advanced life form
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Hi Mary. Thank you for the compliment. Funny you mention plot-driven, because my main challenge lately is in trying to find a balance between character and plot, but haven't been terribly successful with the former. So my stories have typically ended up being very plot-driven -- which isn't necessarily bad. After all, the public does seem to like them. But I suspect the judges are looking for that balance to be heavier on the character side. So, it's a goal for me. Thanks for reading and for the thoughtful feedback!
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From my experience with them, I'd have to agree that the judges do seem to prefer the character-driven stories. However, I can think of an excellent plot driven story that won a while back called "Samill the Trickster" (by Catherine Hill). I consume a lot of character-driven literature so your writing is a breath of fresh air! It's all personal preference, isn't it. I think plot-driven works are great for escapism, and that's what your stories provide to me.
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I really appreciate the encouragement, Mary. Thanks! :)
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Just stemming off from what Mary said, I find it so interesting how writers are different. How some construct character-driver stories with ease while others do the same with plot. I actually think the ability to be able to construct a plot and have it expand throughout an entire story, be it something short or as long as a novel, to be quite impressive. Like Mary, I consume so much character-driven literature where plot is, or is almost, non-existent. I think this entire year I read maybe only 6 or 7 books which was heavily plot-centered. A...
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This was such an interesting story. I enjoyed your descriptions, and some of them were powerful, like this sentence: "We plunged into the pitch-black stairwell, descending by touch alone, beneath the soundtrack of a thousand tormented souls." Well done.
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Thank you for the kind words, Zz. I'm so glad you enjoyed the story!
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Hi, I was wondering if you make an outline before you write your story? If so, what narrative story structure do you use?
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Hi Patricio. I make a rough outline, but I don't follow a rigid story structure. My process is to open up a "notes" document where I brainstorm ideas, save links to websites I find during my research, and create a simple bulleted list of the storyline. When I feel like I have something coherent, I dive right into writing. For this story, these were my "notes": “Restore Point” MC1’s Perception: At 12:27:38, 1 July 2022, all clocks stop Earth stops its rotation and solar orbit Sun stops its galactic orbit Life forms continue to exist Chaos...
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Great advice
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Thank you for a great read. I don't have much experience with sci-fi, but I was captivated from start to finish.
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I am really honored by this compliment, Shaamiela. Thank you so much!
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This is really impressive science fiction! The characters were well developed, the scenario was unique, and the twists had me gripped throughout the entire story. I am excited to check out more of your work!
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Thank you Phoenix! I really appreciate the compliments. Thanks for reading!
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How did I not read this story before?! It was great, I wanted to know more from the first paragraph. Conceptually speaking, this prompt was also so tough that I knew it would probably be the least chosen, but you turned it on it's head really well. This reminded me of something Blake Crouch would write, it had Recursion/Matrix vibes, and the plot enticed me to keep reading to see how the tale would end. It was wicked.
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I am so glad you enjoyed the story! The comparisons to Crouch and the Matrix I consider high praise indeed. Thanks for reading and for the positive feedback!
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As I believe someone has already said, interesting take on the simulation hypothesis. I like that even the simulating entity admits that their own reality might, in fact, be a simulation. Contrary to what Dragos said, I thought the tone shifts with Bia worked well. She's apologetic, but at the same time she doesn't handle Kieren's outbursts well. It just makes her more rounded as an individual. Thankfully, all the systems I work with are 64 bit, and all the dates are either 64 bit Unix timestamps or ISO 8601 strings (which is good until 99...
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Hi Sjan -- thank you for the kind words! It's encouraging to read that these elements of the story have hit home with people. Thank you for the alternative viewpoint on Bia as well. I'm pleased that the inconsistency was not a distraction for everyone. Thanks for reading and for the positive feedback.
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Damn that was amazing. At the beginning I thought it would be just another apocalipse story because the clocks froze and somehow all the systems froze, but I really enjoyed the twist. You took it another level the idea that we are just a science project on somebody's shelf at home. As a software developer, I enjoyed this approach to our existence. Very awesome! A thing I have to comment on: It seems to me that Bia goes from appologetic to condescending sometimes. She says she is sorry on behalf of her people and after Kieran gets mad, she...
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Hi Dragos - Thank you for the great feedback. I'm pleased that you enjoyed it. I see your point about Bia's waffling tone -- that could definitely have been more consistent. (I am also a software developer, so I'm extra glad that you appreciated that angle to the story.) Thanks so much for reading!
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Your imagination leaves me breathless. I love this line: "her bobbing salt-and-pepper hair struggling to keep up with her broad shoulders." And I love the whole scenario. You've taken notions from the Matrix, Inception, The Edge of Tomorrow, and whole lot more and just woven whole cloth a brand new mythology from it. Hats off, sir. Great work!
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Hi Charlene -- wow, thank you so much for the glowing comment! I really appreciate it.
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I really enjoyed reading this! I thought that it was a very clever idea and I loved the detail you put into it! Well done, and keep writing!
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Thank you Libby! I'm so glad you enjoyed it.
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Please, please make this a novel!
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Hi Jaden. Thank you very much for the encouragement. One of these days I'll get the courage to attempt a novel!
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Let me know if you do, I would love to beta read!
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Hi Jon! Wow! I have to say, that was the most creative use of simulation theory in a story I've ever read. It's a great reflection of 21st Century attitudes about science and technology, and it's mixed well with your narrative scope of going from small to big, and back to small, yet big again at the same time -- while using computer restore points as conflict! Very creative. Keiran reminds me of Henry Bemis from the "Time Enough at Last" episode of the Twilight Zone: an everyman who finds himself lost in the apocalypse. Though, if you were...
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Hi Michael. Thank you for the kind words -- I'm so glad you enjoyed the story. Being compared to anything related to Twilight Zone is a huge compliment. I recall that episode very clearly. I agree that Kieran's character is a bit of a question-mark. I'm still working out how to develop characters and an interesting plot within the same 3k words (and the plot usually wins). But hey, that's why I'm here after all -- to practice and learn. I appreciate the feedback and agree that's something to bring forward in the future. Thanks again!
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That was so epic and mind boggling, jon. Seems you put a lot of thought into this lore. Makes you definitely think, maybe this could be possible with highly advanced tech. I liked the frightening descriptions on the electronic malfunctions when the world paused. I would be interested if you decided to continue this one.
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Hi Eric. I may very well pick this story up and see where it takes us next. Thanks for the encouragement. And thanks for reading and for the feedback! I appreciate it.
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Hey Jon. I had the best day today just chilling and writing and drinking hot cocoa. Happy holidays my friend.
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Hi Dustin! Sounds like a pretty good day -- mine was pretty much the same. Happy holidays to you too!
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Hey, Jon - another cool concept with this story. I think you did sci-fi really well here. I especially like the flashback part. The destruction, airplanes raining like missiles, was all written in a very vivid and captivating manner. The mystery of the prompt here works well, and I was captivated to the end. I agree with Rachel, you could write a good sequel with this. Here is what I found for notes: Kieran sighed. He’d explained it so many times now it was almost rote. The boredom and pointlessness dripped from his words. “The first thing...
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Hi Alex -- I'm so glad to get your feedback on this. Your edits are, as always, on point, and I have implemented them. I'm glad you enjoyed the read! Yeah I can sense a sequel to this at some point. :) I just noticed you have another story posted so off I go to read it!
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Cooooool, I really enjoyed this. Clever twisty concept. Do a sequel please!
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Thanks Rachel! I'm so glad you liked it. Definitely opens the door for a sequel! :)
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Coolcoolcool. Very clean prose, and you managed to give a sense of a very rich past and future on either side of this slice. Only one phrase I would change -- 'as if time itself had come to a stand still.' I think if the clocks and the sun have stopped, it's safe (and more impactful) to just come out and say that time had stopped (not as if).
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Hi A.G. -- very good edit, that. Thank you. I like it much better now! Thanks for the assist, and for the very kind words. Much obliged!
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Hi Jon, I'm not quite back on the site but I'm trying to get in a bit of crit this week. Here's a few notes on this piece: That’s when the power went out, and the real mayhem (kicked in) started. OR That’s when the power went out, and the (real) mayhem kicked in. I just think the rhythm of this line could perhaps be improved in one of the above ways. I turned away, unwilling to bear witness to the certain carnage. But I sure enough heard it. - The second line doesn't work for me but I cant quite say why not. Maybe try one of: But I...
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Hey great to see you back -- and thanks so much for the crit. I sure do treasure your viewpoint on these things. As always you made some really great suggestions and pointed out some weaknesses. I think I've implemented fixes for all of them. Most embarrassed about the suit thing. I even added a bit in to explain why she doesn't get the movie references. Hopefully it doesn't come across as too shoe-horned. Thank you for the compliments -- I'm glad you enjoyed it!
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