He’s not like all the others, he’s different. That’s what my mother told me. But she said that about the others too.
The day I met him he walked into the kitchen as I ate my breakfast, his boots heavy on the vinyl floor. He filled up the doorway, blotted out the sun.
“Connor, this is Shane,” she said.
I looked up at him, saw the shaved head and tattoos circling his neck in a dark ring, like something strangling him.
He came into the kitchen and put his hand toward me, like I was a man instead of only twelve. I could see the muscles standing up in his arms.
"Hi, Connor," he said. They all pretend to be nice at first.
I didn’t take his hand.
After a long second, he dropped his arm back down by his side. He was looking at my face, as if he was wondering what had happened. If he asked, I’d tell him all I got was a fat lip but I broke Liam Jacobs' nose. I’d tell him Liam Jacobs was in hospital, nearly dead.
"You like motorbikes, Connor?" he asked.
I knew he had a motorbike. I heard it outside when he picked her up, the loud rumble coming up the street, the clatter of mum’s shoes as she rushed for the door. I would ignore her on those nights, because I didn’t know how to make it stop, the motorbike about to crash into our lives.
"Nah, they're stupid," I said. I looked up at him, so tall my mother was hardly up to his shoulder. "So's the people that ride them.”
He looked over at mum, and she shrugged and smiled and then he smiled back at her. As if they were having some joke. I hoped he would crash his motorbike and die.
XXX
The day he walked into our kitchen it was like he crossed some line which had kept him out, and then it was gone entirely. Instead of picking mum up and taking her out he started coming in. He ate dinner with us in the evening, and in the morning I would hear him leaving before I got up.
After dinner he and mum would sit on the couch to watch TV. He’d ask me what I wanted to watch and I’d always tell him, nothing, and go to my room. He tried to be nice all the time, but I knew he would mess it up soon.
I started trying to force it to happen sooner, the crash.
Like this; one night mum had laid the dinner plates out on the table, a serving of Chicken casserole on each one. When she went through to the lounge to tell him dinner was ready, I grabbed the salt and poured it over his food and then mixed it in.
I watched him as we ate. He put the fork in his mouth and then he frowned. His lips twisted up. The tattoos on his neck moved when he swallowed.
He looked at me. He knew, and I felt a thrill of fear. Now he would stop pretending. Now we would see him. But didn’t do anything except scoop up another forkful of food.
"Do you like chicken?” I asked him.
One of the other ones hit me once. My mother threw herself at him, slapping at his chest. No, no way, no, she shouted over and over. Shouting and walking toward him until he backed all the way out the door. I never saw him again.
The memory of it shone bright, my mother standing up and fighting for me. I didn’t know why she never did for herself.
"It's my favourite," he said. He smiled at me. There was no salt on my own chicken but I couldn’t eat it. His smile sent a shiver up my back like no raised fist ever had.
He saw me not eating and he asked me, "You need more salt, Connor?"
Fear crawled down deep inside me. The way he looked at me as if he knew me.
XXX
I came in from school and he was in the kitchen, taking up all the room. I stepped around him to get to the fridge.
“What happened to you?” he asked.
“Fell over,” I said, not looking at him.
I turned around with the carton of milk in my hand and he was in front of me.
“Is he bigger than you?” he asked me.
“He’s no one,” I said, wiping my mouth on my sleeve.
I was fast, but Liam was the year above me in school and he was faster. He’d caught me from behind and yanked my collar so hard the buttons popped as I fell. I tried to punch him but it just bounced against his shoulder.
“Here,” Shane said. He ran a paper napkin under the cold tap and held it toward me.
“I’m alright,” I said.
“Your arm,” he said. He took my arm and held the paper towel to my elbow. Every inch of me jumped away from his touch. I yanked my arm back, and the towel came away stained watery red.
“He go to your school?” he asked me.
I hated how he was looking at me. Like he felt sorry for me. When he was a kid, he would have been the bully.
“What do you care?” I asked.
He took his cigarette pack off the windowsill and shook one out. He put the cigarette in his mouth but didn’t light it. I stole his lighter every time I could and hid it, so he always had to search for it when he was here. I hoped he saw a bad omen in it. Bad luck. Never coming back.
“You want me to go talk to him?”
For a second, I could see it. Him walking up to Liam and Liam just about wetting his pants, because Shane looked like a guy who just escaped out of prison or something. Him picking Liam up by his throat and saying “don’t ever touch...” and I shook my head to make the thought stop.
“I can take him,” I said.
“I know you can,” he said. He slapped his pockets for a lighter, looked around on the bench. I pulled one of his lighters out of my pocket and held it toward him.
His hands didn’t even clench up. He shook his head, laughed, then turned and headed for the door. He was just like all the others; he was only hiding it better.
XXX
Walking out of school the next day, I heard his motorbike before I saw it. He was parked up outside, sun glinting off the shining side of the Harley. Heads turning toward him as the kids walked out of school.
I walked over to him and he held a helmet out toward me.
Everyone was watching so I didn’t hesitate. Pulled it on as if it was something I did all the time.
I didn’t look around to see if Liam was there, but I hoped he was. Just for that moment, I wouldn’t have minded if everyone thought he was my uncle, or maybe even my dad, come to find me after all.
I swung my leg over to straddle the bike behind him. It jerked away from the kerb and I grabbed the back of his shirt, holding fistfuls of fabric and trying not to touch any part of him. The bike leaned toward the road as he curved around a corner, and I gave up the flimsy shirt to wrap my arms around his waist.
He pulled into a driveway and the house was nice, nicer than ours. For one it was a real house, not like the flat me and mum lived in.
Inside the house was tidy but not like ours. There was hardly any furniture, and when he opened the fridge there was just cans of coke and a packet of steak. You could tell he didn’t have a girlfriend or a kid living with him.
He pulled out two cokes and passed me one. On the fridge was a photo of a baby, stuck on with a magnet. The baby had dark hair and was smiling and looked like every other baby.
"Who's that?" I asked him.
"My son," he said, looking at the photo.
I didn’t know he had a son, and my heart knocked in my chest. I was standing in the house of a stranger. It was the thing you were never supposed to do. To go for the ride.
"Does he live here?"
He shook his head. My dad never stayed long enough to have a photo of me. My dad could have walked right by me in the street and not even known it was me, his son.
"Where is he?"
"He died of cot death. You know what that means?”
The vinyl on his floor was clean, diamond patterned. I stared at it and wished I was getting chased down by the street by Liam Jacobs instead of standing there with him. I nodded a little without looking up.
“It was six years ago now,” he said. “He’d be at school.”
“Where’s his mum?” I asked.
For a minute he stayed quiet, running his thumb around the condensation on the coke can.
“When we lost him, it drove us apart,” he said after a while. “She took on extra shifts at work. I went to the bar.”
He smiled a little at the last part but he looked sad. The sadness was like a wave rolling off him. They say they’ll change but they never do.
“You hit her?” I asked and his head snapped up as if it was him who’d been hit. That sorry way of looking at me again.
“Never hit her,” he said. “Just drank too much. She left and I kept drinking. One night I drove my car into a lamp post. Woke up in hospital and knew I had to quit.”
He looked at the photo of his son again. A baby like no other.
“You go to jail?” I asked him.
“Nothing like that,” he said. “Just lost my license.”
“That why you ride a motorbike?”
He laughed. “Come on.”
He put his hand on the back of my neck and turned me toward the door. His grip was warm and firm. He could have wrapped his hand all the way around and choked me dead if he wanted to, but I wasn’t scared.
We stepped down off the deck then he turned toward me, held his hands up with the palms facing me.
"Show me how you punch," he said.
He made it sound like a test. I balled up my right fist and threw it into his hand as hard as I could. I felt my arm snap all the way back to my shoulder but he didn’t move an inch.
"You just hurt yourself more than you hurt me," he said.
"Like I got any chance of hurting you.”
He stepped forward and took my hand and folded it back into a fist again.
"Like this," he said, pressing my thumb down outside my fingers. He put his hands on my shoulders and turned me so I was side on to him. Lifted up my left hand and placed it near my ear. I felt like he was shaping me into something else, something he saw inside. I wanted to see what he found.
I let him move me and when he stood back again and instructed me I did exactly what he said. Every part of my body moved with my fist.
"That’s better," he said. “Now do it again.”
I imagined it wasn’t him but Liam Jacobs standing there and swung, felt my fist sink into his palm.
“You got a good punch there,” he said. Warmth stirred in me, but then I remembered the one who slapped me across the mouth, the one who pushed my mother against the kitchen wall and gripped her arms so hard he left bruises.
“What’s wrong?”
I couldn’t tell him I didn’t really want to hurt anyone, not even Liam Jacobs, so I shrugged and said, “Nothing.”
He sat on the edge of the deck and lit up a cigarette. “Come here,” he said.
I sat next to him, scuffed my shoes along the patchy grass and watched the dust stir up.
“Connor?” he said. I thought he was going to ask if me and mum wanted to move in with him. Or he was going to tell me, since it’s not like anyone would give me a choice.
“What?” I asked, still sweeping tracks with my shoes. I would tell him, okay so long as you don’t start drinking. I’d tell him, okay but you are not allowed to make her cry. Fear of him was churning up in me again.
“You like motorbikes any better now?”
I looked at him. He dragged on his cigarette, stared across the lawn. None of the others ever asked what I thought about anything.
“They’re okay,” I said. The fear had melted away and still there was something left, turning inside me. Something different.
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You have no clue how happy it makes me whenever I see your name pop up in my activity feed. I always know I'm in for something good, and, to the surprise of no one, something good is exactly what we got here.
You write troubled young men so well - the Dannys and the Johnnys and the Connors. People with grudges, with chips on their shoulders, with resentment for their lots in life. And yet, they all feel so different. It never feels like you're recycling the same characters with new names. That's what makes it so fun to read - seeing how these boys react so differently, so realistically, to the situations you put them in.
I love the dynamic between Connor and Shane here. I'm glad that you had Connor's father walk out on him instead of just having the parents be divorced (I know that sounds awful). But it's a lot more interesting when Shane is the sole father figure rather than having Connor compare/contrast Shane to, say, his father who lives twenty minutes away and has joint custody of him on weekends. The way you wrote this, you really get the sense that Connor has been as burned as his mother by her string of failed relationships, and is just as jaded for his father's complete absence.
I actually thought Shane was gonna go to the school and beat the stuffing out of Liam (LOL), so I was pleasantly surprised when the ending took a wholesome turn. Especially like the parallel between the fathers - what with Shane having a picture of his deceased son while Connor's father has no pictures and no way of remembering his child. The ending was so perfect to me. Just two characters coming to an understanding and making a connection. My favorite.
LOVED your ending sentence and how it harkens back to the opening of the story. It's surely not a coincidence that "different" is the last word in both the first and last sentence. Great way to emphasize how Shane has proven that he IS different from the others, and that Connor is going to change as a result.
Other things I noted while reading: "He was just like all the others; he was only hiding it better." There is nothing better than a well-timed semicolon, and this is an example of why. Both clauses being paired by that punctuation mark gave this sentence, as a whole, a lot more weight than if you'd separated it with a period.
The subtext in the third scene, during the "What happened to you" conversation is SO good. Amazing dialogue, all of it.
Really liked Connor refers to Shane's baby as being like "every other," but then amends it to being "like no other" after learning more about Shane's situation.
One small line edit: "He was parked up outside, sun glinting of the shining side of the Harley" just needs the first "of" to be "off."
I'm pretty much rambling at this point, but I do want to leave you with some of my favorite lines, so here goes:
"I felt like he was shaping me into something else, something he saw inside."
"The memory of it shone bright, my mother standing up and fighting for me. I didn’t know why she never did for herself."
"He filled up the doorway, blotted out the sun."
"I’d tell him, okay but you are not allowed to make her cry."
"I would ignore her on those nights, because I didn’t know how to make it stop, the motorbike about to crash into our lives." (This is my favorite sentence.)
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Thank you, I feel the exact way when I see something of yours! I do have a bit of a theme going, that is true. I often feel I am not very creative in my plots, I just always find it interesting to write the experiences of people growing up and the interactions which impact and influence them. I'm really glad to know you enjoy it, especially as I love how you write family dynamics yourself.
You totally got the reason I wanted Connors father to be totally out the picture, so he had no basis for comparison of a father figure. Not to mention his bar is so low Shane just has to not hit anyone to start to look good! I always love how much you pick up on, like the use of different at the start and the end. I sort of came up with those lines early on and then hoped the transition in Connor's thinking wouldn't feel too forced or unbelievable, since you only have so much room to work with in this form!
I'm so glad you thought the conversation between them in the third section worked, I went back and forward on if I needed to put more information in, but being a childs pov I was trying to keep his perspective a bit more 'here and now'. Thanks for picking up that edit too, the off/of always trips me up. Looking forward to seeing what you do for this week!
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Loved the flow of this, the character development and the dialogue. The story's subtle, but easy to imagine; it's got sadness but also a feel-good vibe; it's angsty but also shows restraint.
I enjoyed it a lot!!
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Thanks, I do love writing angsty stuff!
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I love how you take your time with Connor's evolution of his feelings. The restraint makes the story and its ending all the more moving.
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Thanks for reading another of my stories, appreciate your comments!
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Hi Kelsey, I am new here and yours is the first story I've read--a wonderful introduction to this community.
I enjoyed your story and characters. You show Connor's guardedness, vulnerability, and longing for something that Shane has to offer. You gave us the tattoos and biker imagery which throws the reader and Conner off track, leading to judgments based on past experiences and stereotypes.
You use subtle actions on Shane's part to reveal the real Shane.
For example, Shane's playful way of letting Conner know that he was on to him with the salt in his dinner, which you deliver through dialog and body language: "He put the fork in his mouth and then he frowned. His lips twisted up. The tattoos on his neck moved when he swallowed." "He looked at me. He knew, and I felt a thrill of fear. Now he would stop pretending. Now we would see him. But didn’t do anything except scoop up another forkful of food. "Do you like chicken?” I asked him. "It's my favourite," he said. He smiled at me."
Conner is testing Shane, hoping to see who he really is; expecting to see Shane's pretense crack and reveal he's like all the others. He knows that Shane knows he's being tested. (Later, "he knows" 'something' transforms into a knowing of who I am: "The way he looked at me as if he knew me.")
You do a great job of showing us Conner's physical and emotional reactions in his struggle to figure out this man: "There was no salt on my own chicken but I couldn’t eat it. His smile sent a shiver up my back like no raised fist ever had."
Kelsey, I like this reaction because I'm not quite sure if this is a shiver of fear, a shiver of recognition that maybe this Shane is different than all the others, or some of both.
You build this complexity into your interactions between Conner and Shane as previous experiences with his mom's boyfriends, don't fit Shane and begin to crumble as their relationship develops. "He saw me not eating and he asked me, "You need more salt, Connor?" Fear crawled down deep inside me. The way he looked at me as if he knew me."
Ah! "As if he knew me." All of us want to be known and valued for who we are. Previous men in his life could initially act, "as if..," they were nice, making similar comments, but underneath, their comments were meant to bait him, set him up, test him, etc. Conner has been played and betrayed via the false actions and words of previous men and it is difficult then to know what is genuine.
I loved your pacing of the testing, Conner's internal reactions, and slow, guarded movement into trust. I also loved Shane's patience with Conner, trusting the process and not rushing to try to prove his trustworthiness.
Your description of Shane's home, with the tiny picture of his son standing out against a relatively bland background--an invitation to meet Shane in his own vulnerability of loss and longing--a touching, pivotal shift.
My favorite line: "The fear had melted away and still there was something left, turning inside me. Something different."
Very engaging story, Kelsey. Very glad I read it and I am hitting the "follow" button!
I also need to add that I reacted with alarm when Shane put his hand around Conner's neck. My alarm was based on my own personal experience when I was twelve in which a boy put his hand firmly around my neck as he walked me home from school. He was a mean kid who had been harrassing me. So, this was a trigger for me. I do understand and appreciate your intention, as you explained it in one of your responses to feedback you received. For me, it was disruptive to the flow of your story--I got stuck--due to my own life experience. Perhaps a similar gesture that feels less threatening would have worked for me.
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Thanks so much for reading and commenting, I am glad you enjoyed the story! I appreciate your comments on the building up of the relationship between Connor and Shane. At first when Shane doesn't react as Connor excepts to being provoked - by getting angry - he is more scared when he realises he can't predict him. Having limited words I wasn't sure if it would feel too rushed or unbelievable to have him open to the idea of moving in with him by the end, but I wanted to show that there was hope for them to continue to grow that trust.
I understand what you mean about Shane putting his hand on Connors neck (and sorry to hear of your bad experience). I think I would definitely change that if I rewrite this, maybe putting his hand on the shoulder wouldn't have the negative connotation as the neck? I did want to have him let Shane touch him at that point though, to show that he has already shifted his feelings toward him. It's so helpful to get feedback on things like that which make me realise it comes across in a way I didn't intend, so thank you for taking the time to give your thoughts!
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Hi Kelsey, I really enjoyed this! The character growth felt organic and well-earned. Love how you play on the initial stereotype of Shane with the motorbike and tattoos (I definitely fell for it). There's a lot revealed on a re-read, like the interaction at the dinner table. You can tell Shane sees through Connor's childishness for what it really is.
A small thing I noted was when he puts his hand on the back of Connor's neck and leads him towards the door. Maybe it's just me, but in my mind that seems more dominating than comforting as gestures go - just seemed a little at odds with Shane's generally kind, good-natured demeanour. Let me know if it was intentional or if I'm missing anything with that!
Anyway, great work and I look forward to reading more. Also, kia ora from Tāmaki Makaurau. :)
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Kia ora from Otautahi, happy to see another kiwi on here! Thanks so much for your insightful comment, that is such a good point about the hand on the neck being a dominating gesture. I guess in a way it is meant to be, not in an aggressive way, but more to show although Shane is a good guy who will put up with a lot of provocation and questions while staying calm, he still has that "i'm the adult and I'm in charge" mentality, and will be someone who can give him guidance. Also I wanted to show Connor has enough trust at that point to let Shane put his hand on him without trying to pull away. Thanks for your thoughts on it, I always love hearing how things come across the reader, and I love to analyse stuff!
I liked the idea of Connor's pov of Shane just giving the initial impression of a typical 'tough guy' who shows himself to be more than that as Connor gets to know him.
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Fair enough, that makes sense! It's powerful that Connor lets him break the touch barrier in such a way. And yeah, you absolutely got that idea across. Well done!
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I read this and felt I was a little wiser about the world after reading it, having felt the trust develop and the story chip away at the past. This is terrific writing, Kelsey.
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Thanks, I'm glad you enjoyed!
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What a great read. I like how you let the story play out. The changing of Connor gradually. What a great read.
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Thanks for reading glad you enjoyed!
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That was a really nice story. Connor sounds like a kid who’s twelve, being bullied, and can’t trust — great characterization. Shane goes against the biker stereotype as well. Thanks for this.
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Thanks, I had fun writing Connor slowly getting to know Shane better.
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Okay, I think I just adore everything that you write. When I see the number of submissions go up under your name, I know we're in for a treat, and as expected, I loved this one.
I just adored how Connor was slowly warming up to Shane, and how patient Shane was with him. Such a wholesome and beautiful story.
I loved the scene when Connor loves the idea of Shane scaring Liam but he does everything he can not to give it away! And when he learned about how he lost a baby and thought he'd rather be chased down a street than be there and talk about it? I feel that. Feelings are hard, especially figuring out what you should do or say in a situation like that.
Bonus points for making Shane look like a total badass whilst he's a big softie and just a great guy, it's amazing. Once again, I adore your characters. We had backstory and plenty of depth for both and their personalities were so so unique. I'm sure I've said this before but you are really one of the best writers here for nailing character voice. It really is like you are creating REAL people.
This one was my favoirite line: "“You hit her?” I asked and his head snapped up as if it was him who’d been hit. That sorry way of looking at me again."
Also I really like when a story's end mirrors the beginning like yours with the motorbike question, for me, that's always a great way to end the story, showing a contrast through something that is the same (do I even make sense? I have no clue!)
Anyways, the main bit is that I loved this, keep sharing, keep writing, I'll be here and waiting!
Also, if you ever write a novel, I need to read it. Xx
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Thank you! I actually came across Reedsy after writing the first draft of a novel and then not knowing what to do so searching up editing etc, so I really appreciate your words about that! I always love taking the 'don't judge a book by it's cover' theme on and I like the idea that Connor has seen his mother in so many unhealthy relationships he just assumes she has terrible judgement. And even though Connor loves the thought of the bully getting scared, Shane proves himself more by not doing it. Thanks again for your supportive comments!
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Sorry I meant to add more to my comment but had to go out, yes I know what you mean about the end and that is exactly what I was going for, so I'm glad you mentioned it! I wanted to have a circular kind of feel to the story where the beginning and end have something similar happening, yet not the same because of what has occurred in between.
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Kelsey! This story is on the Recommended list, congrats!
(PS: I ended up on Reedsy the exact same way as you!)
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Wow, thanks, did not expect that. Though I will now be obsessed with checking to see if it's still there... !
Did you use any of the Reedsy services for your novel? I signed up for one of the online courses, but haven't actually done it yet.
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Ohh, sorry! And no, I haven't used any of their services, except from their book editor which I tried, but it doesn't like UK English..!
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No I love knowing, it's cool to know it was at least considered, even if nothing comes of it. (also I only learnt a couple weeks ago what the recommended stories thing even means!).
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A fun read! You really nail that rebellious youth voice, a world-weary kid who's lost the ability to trust and is tired of these shady men constantly coming into his life. That's a nice contrast with his mother, whom he is fiercely loyal to.
This naturally sets up the conflict with Shane. Right off the hop, he's stereotyped based on his looks. The tattoos, the bike, all of it. Shane's attitude hints at a deeper wisdom though, and we later learn that he had a wake up call when he ended up in hospital, after losing his family. So that makes sense. We can't expect a 12 year old to recognize that, and it falls to Shane to be the understanding one.
The pacing here is good. Connor's change of heart took a while, as it should. His pranks, and Shane's reactions to them, were amusing and fleshed out the characters. When Shane laughed it off, realizing who was sabotaging him in this one sided war, I could just hear him think "yeah, kid, I hear you."
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Thank you for your comment. I liked the idea of Shane being someone who has been through way too much in his life to be getting upset over a child playing tricks on him, and also that as a person with a troubled past himself he has some understanding of him. I am glad the pacing seemed alright I wasn't sure if it was too rushed!
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