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Think of some information your readers will need to learn to understand the story. This could be technical information or character backstory. Now write an argument between two characters in which you use conflict to share this information.
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Elegant writers use their material with economy. If they write a scene that introduces a character, they might slip in many other things that are also important, whether it's a detail about Character A's birthday, Character A's relationship with Character B, or the weather. In this exercise, write a paragraph of no more than 300 words and try to fit in ten subtle facts about your character into it, without being obvious about it.
I recommend starting this exercise with a travel magazine packed with lots of interesting photos. Select an image that appeals to you. Now, write a short scene from the viewpoint of a character who has just arrived at this location and is seeing it for the first time. Describe the setting through the character's eyes, paying particular attention to the mood that this image evokes in you. Evoke this mood in your readers through the reactions of the character - look for sensory images!Now, write a second scene, with the same or a different character - and evoke just the OPPOSITE mood. If your castle seemed tranquil and romantic, set a scene in which the mood is menacing or sorrowful. If the image of that tropical beach made you feel relaxed and happy, create a scene in which, instead, it is causing your character to feel angry or anxious. Again, look for sensory details and impressions that will convince your reader and evoke that same mood through your words - regardless of what mood the picture alone might have evoked!
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When describing your setting, consider who's looking at it as well as what they see. For example, an ex-con is likely to view (and describe) a restaurant hosting a police officer's retirement party differently than the daughter of the retiring officer. Take the point-of-view-character's world view and personal judgment into consideration. What details would they specifically notice? How would they feel about what they see? What emotions or thoughts might those details trigger? This allows you to craft richer settings that reflect both the character, and the world they live in.
A few well-chosen words can create a strong sense of place which adds a rich dimension to your story. It draws your reader right in, as if they were in the room with your characters.Choose one of the following places and describe it using ALL of your five senses (touch, taste, sight, smell, hearing). In fiction, you won't usually use all five, but limbering up your storytelling this way will help you show rather than tell the story: