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A Plot Development Writing Exercise
The Story Swamp
Sometimes writers think up a character and jump straight into writing, without fully fleshing out the concept at a foundational level. This then means they falter and end up writing a very confused draft. I call this 'The Story Swamp.'Avoid The Story Swamp by writing a 'logline' or 'pitch' of approximately 25-60 words. This logline should cover what B2W calls The 3 Cs:Character: Who is your protagonist? What does s/he need or want?Conflict: Who is the antagonist? Why does s/he want to stop or counter your protagonist? What other obstacles are in your protagonist's way?Clarity: Do we know what genre or type of story this is? Are you using familiar or clich_d language? Are your word choices too vague?
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The Outsider
If you're working on a novel or short story, write a pivotal scene from an outside observer's perspective who has no role in the story.
Any Questions?
There's one powerful motivator that led your reader to your book - curiosity. Our brain doesn't stop asking questions because it knows that's how it learns and evolves. Questions raise uncertainty. Unknowns. And if there's an unknown, then humans want to make it known. There will be a big question that drives your story, so take a couple of minutes to consider the mother-question that propels your book from beginning to end.Your manuscript also needs to be powered by lots of little questions. Your book will need a variety of whos, whens, whys, and wheres to keep your reader engaged. In fact, every scene in your book needs to have a question define it. It's what will keep your reader turning those pages. Review each of your scenes and identify the question/s hanging over it, because once you nail that, their mind will be asking the most important question of all - what happens next?
Clue Hunt
The best way to learn is by reading, so pick up a book that had a plot twist that surprised you and yet felt right. Look for subtle foreshadowing in it. Start at the beginning of the book and find the clues that point towards the twist. Make a list of them. Include the wording, so that you can see why they weren't obvious at first.
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The Hook
What is your story's hook? Analyze your opening scene and identify the implicit but specific question it encourages readers to ask. Is this question in the first paragraph or, better yet, the first line? How can you strengthen it?
The Forbidden Prompt
"There is a charm about the forbidden that makes it unspeakably desirable" _ Mark Twain. Your character is doing something someone else has forbidden. Someone else discovers. Will there be a confrontation? Or will the discoverer be so uncomfortable that (s)he will ignore or throw hints instead? This is a great scene to practice tension between two characters as well as the internal thoughts of one of the characters.
