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A Plot Development Writing Exercise
Grab Your Red Pen
Pick a scene or passage you've written that you feel dissatisfied with. Take a short time - maybe 10 or 20 minutes - to read the passage as though it were someone else's work. Take a red pen and make notes in the margins. If you didn't know anything else about the story, where else could this scene go? Try to get a feel for how malleable the words and the story can be.
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Similar exercises
Get your creative juices flowing with these similar writing prompts.
Clue Hunt
The best way to learn is by reading, so pick up a book that had a plot twist that surprised you and yet felt right. Look for subtle foreshadowing in it. Start at the beginning of the book and find the clues that point towards the twist. Make a list of them. Include the wording, so that you can see why they weren't obvious at first.
A New Chapter
Pick up one of your favorite novels. Open it to a random page. Whatever chapter you land on, rewrite it your own way. Take it in a totally different direction than how it actually plays out in the book.
Three Questions
Come up with three thought provoking questions. Such as:
- Who is Sara?
- Why is she running down the street?
- What is she holding?
- Who is knocking at the door?
- Do you know them?
- What do they want?
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Pride, Prejudice, and Zombies
"It is a truth universally acknowledged that a zombie in possession of brains must be in want of more brains." So began Seth Grahame-Smith's book, Pride and Prejudice and Zombies, which (you guessed it) re-imagined Jane Austen's Pride and Prejudice in a world with zombies. Sometimes one big twist is all it takes to get you thinking about a story in a different way. How would the introduction of zombies shake things up in your world? How would it affect the relationships between your characters? How would it change priorities? Which parts of your world would stay the same, and which parts would be different? Detail this in a short story of 1,000-2,000 words.
The Outsider
If you're working on a novel or short story, write a pivotal scene from an outside observer's perspective who has no role in the story.
