119 Best Creative Writing Exercises for Authors in 2025

The next time you're about to write a long passage of dialogue, show it from the perspective of a stranger watching your characters from afar. The stranger cannot hear what is being said; he can only observe their behaviors, appearances, and actions. You'd be surprised how much you can deduce about two people from just their body language.

There are those who believe that there is a science to personality. Out of this belief developed some popular personality tests that are designed to help people learn more about their strengths and weaknesses. The biggest ones include: Myers Briggs, The Big Five, and the Enneagram Test.Try taking each of the above tests, but here's the twist: take them as if you were your character. Does it match up to what you had in mind? Do the results reveal anything new or surprising about your character's traits?

Describe your favorite item of clothing. Is it a favorite because of how it feels, how it looks, or because of an event you wore it to? What do you think the item of clothing shows about you?

Write about a well-known scene from a popular story - but write it from a new perspective. Write about Romeo and Juliet's death from the perspective of the vial they drink from. Write about the scene where Bilbo finds the ring in¾The Hobbit from the perspective of the ring. Write about the ghost of Christmas Past taking Scrooge on a walk down memory lane from the perspective of the ghost. You get the idea.

What does your character want most? Now consider what he needs most. Is what he wants preventing him from gaining what he needs? Or will he have to find what he wants before he can achieve what he needs?

There's one powerful motivator that led your reader to your book - curiosity. Our brain doesn't stop asking questions because it knows that's how it learns and evolves. Questions raise uncertainty. Unknowns. And if there's an unknown, then humans want to make it known. There will be a big question that drives your story, so take a couple of minutes to consider the mother-question that propels your book from beginning to end.Your manuscript also needs to be powered by lots of little questions. Your book will need a variety of whos, whens, whys, and wheres to keep your reader engaged. In fact, every scene in your book needs to have a question define it. It's what will keep your reader turning those pages. Review each of your scenes and identify the question/s hanging over it, because once you nail that, their mind will be asking the most important question of all - what happens next?

"Patience is something you admire in the driver behind, but not in one ahead" _ Bill McGlashen. Your protagonist is one or the other. Pick one, and roll with it. Go!

Choose a character and think of ways they'd react to things that happened during your (the writer's) day. Use your experiences, think how you reacted, and then how your character would have reacted. Possible events: cut off in traffic, caught in the rain, missed an important meeting, lost a valuable item.

"Gossip, as usual, was one-third right and two-thirds wrong," wrote L.M. Montgomery. Improvise a gossipy dialogue between two characters (Character A and Character B) about your protagonist (Character C). If these fractions are followed, what do Character A and Character B get right about your protagonist - and what do they get wrong?

There's a saying: "Everyone is the hero of his or her own story." For a 10-minute writing exercise, enter your book from another character's eyes. Think about how differently that character would experience your plot and capture that in a short story.