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119 Best Creative Writing Exercises for Authors in 2025

Showing 119 writing exercises curated by Reedsy.

Put Yourself In Someone Else's Shoes

Character Development

Choose a character and think of ways they'd react to things that happened during your (the writer's) day. Use your experiences, think how you reacted, and then how your character would have reacted. Possible events: cut off in traffic, caught in the rain, missed an important meeting, lost a valuable item.

The Story Swamp

Plot Development

Sometimes writers think up a character and jump straight into writing, without fully fleshing out the concept at a foundational level. This then means they falter and end up writing a very confused draft. I call this 'The Story Swamp.'Avoid The Story Swamp by writing a 'logline' or 'pitch' of approximately 25-60 words. This logline should cover what B2W calls The 3 Cs:Character: Who is your protagonist? What does s/he need or want?Conflict: Who is the antagonist? Why does s/he want to stop or counter your protagonist? What other obstacles are in your protagonist's way?Clarity: Do we know what genre or type of story this is? Are you using familiar or clich_d language? Are your word choices too vague?

Eagle-Eyed

Setting

Describe your world from above - as an eagle might see it.

The Ellen DeGeneres Show

Character Development

A talk show is scripted to promote the guest and discuss topics with which the guest is comfortable. Imagine your protagonist on the Ellen Degeneres Show (or The Late Show With Stephen Colbert - whichever show you're familiar with). What questions would be asked of your protagonist? What funny anecdotes would your protagonist share? Write down the reactions of both your protagonist and the host.

Somewhere Familiar

Character Development

Are you finding it difficult to get to know your fictional characters and/or differentiate them from yourself? Try this: Choose a character from your project and let her/him take a walk into a place you know well. Then describe this place from this character's perspective and ask yourself:

  1. What does (or doesn't) s/he notice?
  2. How does s/he feel about what she notices?What thoughts do the things s/he notices trigger in her/him? This can be memories, social critique, enjoyment or disgust etc.
  3. How do your character's impressions of, and responses to, the place differ from yours?

Choose Your Adventure

Plot Development

In a "Choose Your Adventure" book, you are forced to make a decision at each and every plot point. The decisions you make will take you down diverging paths and dictate your eventual fate. Try this if you're stuck on a plot development detail in your story. Sketch out the two different paths that a character can experience from one plot point, depending on what action he or she chooses to take.

Sweater

Writer's Block

Describe your favorite item of clothing. Is it a favorite because of how it feels, how it looks, or because of an event you wore it to? What do you think the item of clothing shows about you?

The 81-Word Story

Writer's Block

This exercise encourages you to write a complete story using very few words, and helps you learn how to avoid overwriting. When undertaking this exercise, it's essential to edit your work carefully. Strip out anything unnecessary and make every word count. Here's how it works:

  1. Take any novel from your bookshelf
  2. Turn to page 9
  3. Take the 9th word from the 9th line on the page
  4. Use that word to start a story
  5. Write a story that is exactly 81 words long
  6. If you're feeling particularly clever, use 9 sentences that are 9 words long
You can also feel free to visit this website and submit your story to the 81 word writing challenge.

The Impersonator II

Dialogue

This is Part II of an exercise that practices voice. Pick up a book written by an author that you admire. Now try writing a page of their story, but in your own voice.

Lost The Plot?

Plot Development

How do you start a story - or get a story back on track? If you're feeling lost or blocked, try templating to get your plot on course.Here's what to do: bullet point your initiating incident, your rising action, your crisis, and your resolution for both your main plot and subplots. Make a table to see events running parallel, remembering subplots exist to enhance, complicate _ ultimately, compliment _ your main action. Listing like this highlights any irrelevancies, keeping your tale on track, and makes all you write intertwined and significant to your protagonist's journey. Plan out using this framework as your reference.

RBE | Golden Cat for You | 2025-02

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