119 Best Creative Writing Exercises for Authors in 2025

Establishing how your character is perceived by others is a great way to give them greater context. It can provide the author with expectations to subvert for the reader and add an interesting mystique to the character. To give the Gatsby Method a go, write a scene in which your character is only present through the candid descriptions of him/her by others.

It is commonly known that a telephone directory might be the most boring text in the entire world. Here is your challenge: write a page of a telephone directory and figure out SOME way to make it interesting.

"There is a charm about the forbidden that makes it unspeakably desirable" _ Mark Twain. Your character is doing something someone else has forbidden. Someone else discovers. Will there be a confrontation? Or will the discoverer be so uncomfortable that (s)he will ignore or throw hints instead? This is a great scene to practice tension between two characters as well as the internal thoughts of one of the characters.

Write a short story of whatever topic you'd like, but make sure that somewhere in there, you include this line: "I can't believe that you stabbed me with a knitting needle."

Our individual perspectives define what we first notice about a person's physical appearance. How do your characters see those around them? Describe one character's physical appearance from the perspectives of three other characters. What does each beholder's description reveal about who they are?

"Gossip, as usual, was one-third right and two-thirds wrong," wrote L.M. Montgomery. Improvise a gossipy dialogue between two characters (Character A and Character B) about your protagonist (Character C). If these fractions are followed, what do Character A and Character B get right about your protagonist - and what do they get wrong?

There's one powerful motivator that led your reader to your book - curiosity. Our brain doesn't stop asking questions because it knows that's how it learns and evolves. Questions raise uncertainty. Unknowns. And if there's an unknown, then humans want to make it known. There will be a big question that drives your story, so take a couple of minutes to consider the mother-question that propels your book from beginning to end.Your manuscript also needs to be powered by lots of little questions. Your book will need a variety of whos, whens, whys, and wheres to keep your reader engaged. In fact, every scene in your book needs to have a question define it. It's what will keep your reader turning those pages. Review each of your scenes and identify the question/s hanging over it, because once you nail that, their mind will be asking the most important question of all - what happens next?

Have each primary character free-write what they think about the other characters in the story. This will also deepen the secondary characters.

Think of some information your readers will need to learn to understand the story. This could be technical information or character backstory. Now write an argument between two characters in which you use conflict to share this information.

This exercise encourages you to write a complete story using very few words, and helps you learn how to avoid overwriting. When undertaking this exercise, it's essential to edit your work carefully. Strip out anything unnecessary and make every word count. Here's how it works:

1. Take any novel from your bookshelf
2. Turn to page 9
3. Take the 9th word from the 9th line on the page
4. Use that word to start a story
5. Write a story that is exactly 81 words long
6. If you're feeling particularly clever, use 9 sentences that are 9 words long

You can also feel free to visit this website and submit your story to the 81 word writing challenge.