119 Best Creative Writing Exercises for Authors in 2025

The most important thing about dialogue in any story is that it must sound real. The next time you go outside, discreetly listen in on any conversation between two people (Person A and Person B) for five minutes. Observe everything about the way that they talk. Then go home and "fill in the blanks," using Person A and Person B's cadences and speech patterns to complete the conversation yourself.

Nothing can create conflict for your characters like good old-fashioned fear. Take time now to define your protagonist's biggest fear. Is it something physical (e.g. tight spaces or flying in an airplane) or internal (e.g. fear of failure, commitment, or rejection)? Write a scene in which your protagonist must face this fear.

Take your main character and describe the best day he/she has ever had. This is a prompt that will generate questions like, "Why did the character think that was their best day?"

Getting started is one of the most difficult tasks that faces every writer. Julie Parsons is an international bestselling author. For this exercise, she's giving you the opening lines from some of her books. Take the following lines and use them to write the beginning of your own chapter:

1. You could say it began with a phone call."
2. Michael had watched them both for weeks."
3. She remembered the way it was the first time she saw the prison."
4. Midsummer, no time to be in New Orleans."
5. With the dawn came the light."

Pick a scene or passage you've written that you feel dissatisfied with. Take a short time - maybe 10 or 20 minutes - to read the passage as though it were someone else's work. Take a red pen and make notes in the margins. If you didn't know anything else about the story, where else could this scene go? Try to get a feel for how malleable the words and the story can be.

It is commonly known that a telephone directory might be the most boring text in the entire world. Here is your challenge: write a page of a telephone directory and figure out SOME way to make it interesting.

Develop your characters by placing them in a situation where they are faced with a challenge. For conflict inspiration, look no further than these classic moral dilemmas (and, of course, analyze them from the perspective of your character). For an example of a moral dilemma, search "The Trolly Problem."

What is your story's hook? Analyze your opening scene and identify the implicit but specific question it encourages readers to ask. Is this question in the first paragraph or, better yet, the first line? How can you strengthen it?

_Voice separates MEH stories from the ones that grab attention. _Voice is the unique way _a writer combines words and strings together sentences. It is _a story's personality, its manner of expression. _A compelling voice is the difference between "Oh, shucks!" and "Oh, slippery slush!" (Little Red Gliding Hood)_. Between "Charmaine's showing off" and "Charmaine's strutting hard enough to shame a rooster" (The Quickest Kid in Clarksville). And between "Pancake _escaped_" and "Pancake rappelled down a rope of linguini" (Lady Pancake and Sir French Toast)_. _Examine your story for common language - for example, circle blah verbs and insert something more unique.

Part of writing great dialogue is ensuring each character has a unique voice. Pretend three of your characters have won the lottery. How does each character reveal the big news to their closest friend? Write out their dialogue with unique word choice, tone, and body language in mind.