119 Best Creative Writing Exercises for Authors in 2025

Open a dictionary, close your eyes, pick a random word, and write about it. Go on, see how much you can write about one word in thirty seconds. It doesn't matter if you think it's great or silly or you think it's a beautiful word that everyone should use in every conversation. Write it!

Getting started is one of the most difficult tasks that faces every writer. Julie Parsons is an international bestselling author. For this exercise, she's giving you the opening lines from some of her books. Take the following lines and use them to write the beginning of your own chapter:

1. You could say it began with a phone call."
2. Michael had watched them both for weeks."
3. She remembered the way it was the first time she saw the prison."
4. Midsummer, no time to be in New Orleans."
5. With the dawn came the light."

Our subconscious minds combine items in unexpected, sometimes whimsical ways. Set a timer for twenty minutes and use at least three of these words in your draft. Write without stopping: a red scarf, windshield wiper, chrome, doily, blowtorch, spatula, CD-ROM, postage stamp, frittering, static cling, radio silence, kismet, calamity, heartburn, bandage.

Dialogue isn't exclusive: characters may say the same things, but mean something entirely different in the context of the scene. Pick one of the below famous lines from literature and film. Then start a scene by having a character say it. Develop the scene that follows in 500-600 words and see where it takes your characters.

• "Frankly, my dear, I don't give a damn.
• "I'm gonna make him an offer he can't refuse."
• "Made it, Ma! Top of the world!"
• "You're gonna need a bigger boat."
• "Oh, don't let's ask for the moon. We have the stars."

If you have 5 minutes, prep for your outlining by making a list of lists. This could include:

• 5 possible endings for your book
• 5 twists
• 5 possible subplots
• 5 ways the subplots could tie into the main plot
• 5 ways the character could grow
• 5 surprising things that we could learn about a character
• 5 ways to add some unexpected elements to the book (humor, suspense, sadness, fear)
• 5 ways to describe the main setting/another setting

Make a list of the things that make you feel guilty about your writing. (For example: "I haven't written in 10 days even though I could have made the time.") Call yourself out. Then, go through each point and write a goal or accomplishment to challenge that guilt. (For example: "I have already written more than I did last month", or "I will set aside 30 minutes to write today.")

If you're feeling stuck or intimidated about how to start writing, take five minutes before you jump into your writing project to pen a love letter (or hate letter) to the blank page in front of you. It's surprising where words - any words - will lead you once you put them down.

How do you start a story - or get a story back on track? If you're feeling lost or blocked, try templating to get your plot on course.Here's what to do: bullet point your initiating incident, your rising action, your crisis, and your resolution for both your main plot and subplots. Make a table to see events running parallel, remembering subplots exist to enhance, complicate _ ultimately, compliment _ your main action. Listing like this highlights any irrelevancies, keeping your tale on track, and makes all you write intertwined and significant to your protagonist's journey. Plan out using this framework as your reference.

This is Part I of an exercise that practices voice. Pick up a book written by an author that you admire. Absorb the voice in which they write. Now try writing a page of your own story, but in their voice.

Think of some information your readers will need to learn to understand the story. This could be technical information or character backstory. Now write an argument between two characters in which you use conflict to share this information.