119 Best Creative Writing Exercises for Authors in 2025

This is Part I of an exercise that practices voice. Pick up a book written by an author that you admire. Absorb the voice in which they write. Now try writing a page of your own story, but in their voice.

Dialogue isn't exclusive: characters may say the same things, but mean something entirely different in the context of the scene. Pick one of the below famous lines from literature and film. Then start a scene by having a character say it. Develop the scene that follows in 500-600 words and see where it takes your characters.

• "Frankly, my dear, I don't give a damn.
• "I'm gonna make him an offer he can't refuse."
• "Made it, Ma! Top of the world!"
• "You're gonna need a bigger boat."
• "Oh, don't let's ask for the moon. We have the stars."

Write a passage without the letter "E" or "A." This is known as a lipogram and has been used by authors in many languages to write their novels. You will use unusual sentence constructions, and it may slow you down for a while, but it will certainly force your brain to work in different ways.

Further chip away at your character and establish how they present themselves to others by imagining how they would briefly describe themselves in the following situations:

1. In a job interview
2. On a first date
3. Catching up with an old friend
4. Flirting with someone at a party
5. In their twitter bio
6. At the border between the US and Mexico

Come up with three thought provoking questions. Such as:

1. Who is Sara?
2. Why is she running down the street?
3. What is she holding?

Or:

1. Who is knocking at the door?
2. Do you know them?
3. What do they want?

Without stopping to think or check on your spelling, answer these questions as fast as you can, with whatever comes to mind.

Write a description of the room you are in from the point-of-view of a character in your work-in-progress. If the character is from another time or place, so much the better. What would the character notice first? What would she find odd? What would she love about the room? What would she dislike? Go beyond describing the physical space and capture her attitude about what she sees. Let her be snarky or wax poetical. Whatever captures her emotions about the space.

This is Part II of an exercise that practices voice. Pick up a book written by an author that you admire. Now try writing a page of their story, but in your own voice.

At the root of all writer's block? Fear. You'll recognize it by the questions you ask yourself when you sit down to write: Can Ireally finish an entire story? Am I a good enough writer to pull this off? Will this story matter to anyone? Or am I wasting my time? And what if I sound dumb?But the specific fear doesn't matter if you know how to soothe it. Here's what to do: Lie down. On the couch. In bed. In the tub (Hey, don't knock it! Sometimes it's the only place writers can find some time alone!). Lie down where it's comfortable and quiet, and write fifty words.That's it.Either the exercise helps you break through the anxiety, and you keep writing. Or you have fifty words more than you had yesterday, and you try again tomorrow. Either way, lie down and write fifty words.

Good worldbuilding is when the author can bring a place to life for the reader. Using your powers of description, describe (in 2-3 paragraphs) a place or setting with which you're familiar. Then show your work to somebody who knows the spot and see if they are able to guess it through your words.

Think about how your writing voice has changed since you began writing - then, try writing in the voice of Past You. Growing older, trying new experiences, and learning more about writing can all be factors that influence your voice. For example, you could write a chapter in the style of an elementary school diary entry, or look up an old writing assignment and use it to draft your project.