Find the perfect editor for your next book
Over 1 million authors trust the professionals on Reedsy. Come meet them.
Back to list
A Dialogue Writing Exercise
The Impersonator II
This is Part II of an exercise that practices voice. Pick up a book written by an author that you admire. Now try writing a page of their story, but in your own voice.
Respond to this exercise
Feel inspired? Share your story below.
Similar exercises
Get your creative juices flowing with these similar writing prompts.
Batman versus Superman
Comic books don't have the luxury of prose, so what's said out loud needs to be both relevant and authentic. Take any conversation in your manuscript and try to transport it into the pages of a comic book. What is really important that MUST be said? What remains a visual?
Use Your Words
_Voice separates MEH stories from the ones that grab attention. _Voice is the unique way _a writer combines words and strings together sentences. It is _a story's personality, its manner of expression. _A compelling voice is the difference between "Oh, shucks!" and "Oh, slippery slush!" (Little Red Gliding Hood)_. Between "Charmaine's showing off" and "Charmaine's strutting hard enough to shame a rooster" (The Quickest Kid in Clarksville). And between "Pancake _escaped_" and "Pancake rappelled down a rope of linguini" (Lady Pancake and Sir French Toast)_. _Examine your story for common language - for example, circle blah verbs and insert something more unique.
Dialogue Only, Please!
Flex the writing muscles in your brain by writing a short story that ONLY uses dialogue. For an extra challenge, introduce and juggle more than 3 characters throughout the course of this story.
NEW VIDEO COURSE
How to Write a Novel
Your story matters. Unlock your potential with daily video lessons from bestselling ghostwriter Tom Bromley, and finish your first draft in just 3 months.Learn more →
Hearing Voices
Think about how your writing voice has changed since you began writing - then, try writing in the voice of Past You. Growing older, trying new experiences, and learning more about writing can all be factors that influence your voice. For example, you could write a chapter in the style of an elementary school diary entry, or look up an old writing assignment and use it to draft your project.
Famous Lines
Dialogue isn't exclusive: characters may say the same things, but mean something entirely different in the context of the scene. Pick one of the below famous lines from literature and film. Then start a scene by having a character say it. Develop the scene that follows in 500-600 words and see where it takes your characters.
- "Frankly, my dear, I don't give a damn.
- "I'm gonna make him an offer he can't refuse."
- "Made it, Ma! Top of the world!"
- "You're gonna need a bigger boat."
- "Oh, don't let's ask for the moon. We have the stars."
