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Similar exercises

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The Impersonator

This is Part I of an exercise that practices voice. Pick up a book written by an author that you admire. Absorb the voice in which they write. Now try writing a page of your own story, but in their voice.

Dialogue Only, Please!

Flex the writing muscles in your brain by writing a short story that ONLY uses dialogue. For an extra challenge, introduce and juggle more than 3 characters throughout the course of this story.

Famous Lines

Dialogue isn't exclusive: characters may say the same things, but mean something entirely different in the context of the scene. Pick one of the below famous lines from literature and film. Then start a scene by having a character say it. Develop the scene that follows in 500-600 words and see where it takes your characters.

  • "Frankly, my dear, I don't give a damn.
  • "I'm gonna make him an offer he can't refuse."
  • "Made it, Ma! Top of the world!"
  • "You're gonna need a bigger boat."
  • "Oh, don't let's ask for the moon. We have the stars."

An Outsider

The next time you're about to write a long passage of dialogue, show it from the perspective of a stranger watching your characters from afar. The stranger cannot hear what is being said; he can only observe their behaviors, appearances, and actions. You'd be surprised how much you can deduce about two people from just their body language.

What Did You Say?

Part of writing great dialogue is ensuring each character has a unique voice. Pretend three of your characters have won the lottery. How does each character reveal the big news to their closest friend? Write out their dialogue with unique word choice, tone, and body language in mind.