Find the perfect editor for your next book
Over 1 million authors trust the professionals on Reedsy. Come meet them.
Back to list
A Dialogue Writing Exercise
Batman versus Superman
Comic books don't have the luxury of prose, so what's said out loud needs to be both relevant and authentic. Take any conversation in your manuscript and try to transport it into the pages of a comic book. What is really important that MUST be said? What remains a visual?
Respond to this exercise
Feel inspired? Share your story below.
Similar exercises
Get your creative juices flowing with these similar writing prompts.
The Impersonator II
This is Part II of an exercise that practices voice. Pick up a book written by an author that you admire. Now try writing a page of their story, but in your own voice.
The Impersonator
This is Part I of an exercise that practices voice. Pick up a book written by an author that you admire. Absorb the voice in which they write. Now try writing a page of your own story, but in their voice.
An Outsider
The next time you're about to write a long passage of dialogue, show it from the perspective of a stranger watching your characters from afar. The stranger cannot hear what is being said; he can only observe their behaviors, appearances, and actions. You'd be surprised how much you can deduce about two people from just their body language.
NEW VIDEO COURSE
How to Write a Novel
Your story matters. Unlock your potential with daily video lessons from bestselling ghostwriter Tom Bromley, and finish your first draft in just 3 months.Learn more →
Dialogue Only, Please!
Flex the writing muscles in your brain by writing a short story that ONLY uses dialogue. For an extra challenge, introduce and juggle more than 3 characters throughout the course of this story.
The Eavesdropper
The most important thing about dialogue in any story is that it must sound real. The next time you go outside, discreetly listen in on any conversation between two people (Person A and Person B) for five minutes. Observe everything about the way that they talk. Then go home and "fill in the blanks," using Person A and Person B's cadences and speech patterns to complete the conversation yourself.
