A Character Development Writing Exercise

What A Character

Memorable characters are ones that mirror real people: their feelings, experiences, needs, and goals. Challenge yourself to get real with your character by first getting real with yourself. Grab a notebook and answer the following questions as they pertain to you:

• What emotion do you struggle with because you feel it so deeply?
• What type of situation makes you feel vulnerable or inadequate?
• What past mistake causes you the most regret?
• What core moral belief is so ingrained that you live it every day?

These questions require a deep look within and put us in touch with our authentic selves. This is what readers come to the page for, so answer these again, this time as your protagonist. When you finish, think about how you can incorporate some of these vulnerable moments into your story to show readers the deeper side of your character.

The Best Day Ever

Take your main character and describe the best day he/she has ever had. This is a prompt that will generate questions like, "Why did the character think that was their best day?"

Stranger Comes Knocking

There's a saying: "Everyone is the hero of his or her own story." For a 10-minute writing exercise, enter your book from another character's eyes. Think about how differently that character would experience your plot and capture that in a short story.

But Why?

Keep asking your characters why. Here's an example:

• Why are you grumpy? I have a hangover.
• Why do you have a hangover? My friend was in a bad accident and I thought he might die?
• Why did you think he might die? His girlfriend lied to me about how serious the accident was.
• Why did she lie about that? She's jealous of our relationship.
• Why? I think she's insecure and has trust issues.

Do you see how much that question will dig into a character?

Do The Unexpected

Humans are highly resistant to change - for a character to believably undergo a personal journey that substantially alters them, something HUGE and specific must happen to them. This event doesn't have to happen in your story, but once you can identify your character's limits, you can determine what is required to create a potential change in their fundamental nature.For this exercise, determine what this catalyst for change might be by considering situations or attributes that feel counterintuitive. For instance, if your character is a Good Samaritan, it is unlikely they would commit a crime. What would have to be at stake for this unlikely situation to happen - and for a core part of your character to change?