119 Best Creative Writing Exercises for Authors in 2025

What does your character want most? Now consider what he needs most. Is what he wants preventing him from gaining what he needs? Or will he have to find what he wants before he can achieve what he needs?

You are talking to a blind man who asks you to describe the color of the sky. Write down what you would tell this man without once using the word "blue" in your explanation.

Are you finding it difficult to get to know your fictional characters and/or differentiate them from yourself? Try this: Choose a character from your project and let her/him take a walk into a place you know well. Then describe this place from this character's perspective and ask yourself:

1. What does (or doesn't) s/he notice?
2. How does s/he feel about what she notices?What thoughts do the things s/he notices trigger in her/him? This can be memories, social critique, enjoyment or disgust etc.
3. How do your character's impressions of, and responses to, the place differ from yours?

Think of writer's block as a symptom, not a condition that can't be remedied. When we're stuck and can't get to our creative work, there's usually a reason - and therefore a way to move forward.If you're experiencing a block and can't seem to work on your novel, try the following:

1. Close your eyes, take a few deep breaths. Connect.
2. How do you feel?
3. Nervous because you're coming up on a tough scene?
4. Starting to wonder why you embarked on this project?
5. Bored with sticking to your thorough outline and not wanting to admit it?

Feel what you're feeling without attaching or rationalizing or arguing. Now, refocus on your breath. Imagine gentle snow or waves. When you're calm inside, grab a notebook and pen (computers can amplify pressure instead of opening room for free scribbling) and write without stopping for three minutes, starting with the prompt, "I'm not blocked becauseÄ" After that, go for another three minutes, using, "The path back to my writing looks likeÄ" Let yourself go. Let your hand tell you whatever you need to hear.

How people perceive your character may be markedly different from who your character really is. Think about what the average stranger might think - or hear - of your character. What's the gossip around town concerning your character? Write down a scene in which your protagonist is forced to confront this gossip, and the consequences of that confrontation.

Choose a character and think of ways they'd react to things that happened during your (the writer's) day. Use your experiences, think how you reacted, and then how your character would have reacted. Possible events: cut off in traffic, caught in the rain, missed an important meeting, lost a valuable item.

When describing your setting, consider who's looking at it as well as what they see. For example, an ex-con is likely to view (and describe) a restaurant hosting a police officer's retirement party differently than the daughter of the retiring officer. Take the point-of-view-character's world view and personal judgment into consideration. What details would they specifically notice? How would they feel about what they see? What emotions or thoughts might those details trigger? This allows you to craft richer settings that reflect both the character, and the world they live in.

Your protagonist has just been bequeathed $5 million dollars. The money came from an anonymous benefactor who wants your protagonist to donate all of it to five charities. How does your protagonist react? In a short story, write down what would happen next.

Develop a character that's an author. Write a short story from the point of view of that author.

A few well-chosen words can create a strong sense of place which adds a rich dimension to your story. It draws your reader right in, as if they were in the room with your characters.Choose one of the following places and describe it using ALL of your five senses (touch, taste, sight, smell, hearing). In fiction, you won't usually use all five, but limbering up your storytelling this way will help you show rather than tell the story:

1. A market in the South of France
2. A teenage bedroom
3. A pub
4. A hairdresser's salon
5. The souk in Marrakesh
6. A stately home
7. A garden