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#TBT

Create a timeline of the significant moments of your character's life. Like many authors, you can use post-it notes or a big whiteboard to visualize your character's life. You can easily move or add events until you feel your character has a well-developed history. After you've finished the timeline, distill it into the top 5-10 moments that have shaped your character. For instance, if loss is a thematically important part of your book, perhaps a significant part of your character's past is when they lost a grandparent as a child.

Two Kinds of People

"There are two types of people: those that talk the talk and those that walk the walk. People who walk the walk sometimes talk the talk but most times they don't talk at all, 'cause they walkin'. Now, people who talk the talk, when it comes time for them to walk the walk, you know what they do? They talk people like me into walkin' for them," said Key in the 2005 film Hustle and Flow. Which of these two types are your characters? Write down an exchange between two of your characters that confronts this very difference between them.

In Case of Fire

Moments of crises force characters to act without thinking, revealing things that might not have been previously obvious. Now imagine that there has been a blazing fire in your protagonist's house. What are the three things that your protagonist would unthinkingly grab as he or she breaks for the door? In 500-1,000 words, put this scene and its aftermath down on paper.

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The Truth Shall Set Your Characters Free

In order to dive deeper into your character's emotional depths, ask a round of questions - both probing and seemingly innocuous alike. (Hey, you never know when your character's favorite choice of ice cream topping might come in handy!) While we encourage you to build and refine your own set of questions, these questionnaires will provide solid inspiration for now: Arthur Aron's 36 Questions That Lead to Love, and The Proust Questionnaire.

In The Eye of the Beholder

Our individual perspectives define what we first notice about a person's physical appearance. How do your characters see those around them? Describe one character's physical appearance from the perspectives of three other characters. What does each beholder's description reveal about who they are?