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A Character Development Writing Exercise
Newsworthy
Your protagonist has just made it into a New York Times headline. What does the headline say? Write down the reaction of your protagonist to hearing the news that day.
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Similar exercises
Get your creative juices flowing with these similar writing prompts.
Newsworthy
Your protagonist has just made it into a New York Times headline. What does the headline say? Write down the reaction of your protagonist to hearing the news that day.
#TBT
Create a timeline of the significant moments of your character's life. Like many authors, you can use post-it notes or a big whiteboard to visualize your character's life. You can easily move or add events until you feel your character has a well-developed history. After you've finished the timeline, distill it into the top 5-10 moments that have shaped your character. For instance, if loss is a thematically important part of your book, perhaps a significant part of your character's past is when they lost a grandparent as a child.
"You"
Second-person point of view is an intimate way of looking at a character's thoughts. As an exercise, take a scene from the book you're writing. Choose a character, and then re-write the scene entirely from a second-person POV, noticing what details shift because of this perspective change.
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The Funny Drive Prompt
"Patience is something you admire in the driver behind, but not in one ahead" _ Bill McGlashen. Your protagonist is one or the other. Pick one, and roll with it. Go!
Do The Unexpected
Humans are highly resistant to change - for a character to believably undergo a personal journey that substantially alters them, something HUGE and specific must happen to them. This event doesn't have to happen in your story, but once you can identify your character's limits, you can determine what is required to create a potential change in their fundamental nature.For this exercise, determine what this catalyst for change might be by considering situations or attributes that feel counterintuitive. For instance, if your character is a Good Samaritan, it is unlikely they would commit a crime. What would have to be at stake for this unlikely situation to happen - and for a core part of your character to change?
