By Patti A. Pierucci
(Author’s Note: The protagonist of this story, Dr. Anton Mellick,
also appears in the author’s full-length book The Hand of Maud.)
“There are really four dimensions, three which we call the three planes of Space,
and a fourth, Time.”
H.G. Wells, The Time Machine Mrs. Russell gave three quick taps on the door, then opened it and stuck her head in. “I’m leaving now, doctor. I left a pot of soup on the stove for you,” she said with a slight wave of her hand. “Good night; see you on Monday.”
“Alright, then. See you in the morning.” Anton Mellick—Ph.D., chairman of the Physics Department at Silverleaf Institute of Science, professor emeritus of physics at Mount Sterling University, and author of The Clockwork Chronicles: Black Holes, Wormholes, & The Space-Time Continuum—was standing in his office, a small room attached to the front of his expansive laboratory building, when Mrs. Russell, his housekeeper, poked her head in to say good night. He heard her footsteps clack-clacking outside on the pavement, then the car door opening and shutting, then the engine starting, then her car driving away.
Mellick had an ideal laboratory for his experiments. He had constructed a large, industrial-sized building behind his home. It took several months and contentious meetings with town officials to get a zoning variance and building permits to erect a structure this large, sixty feet square made of high-tensile steel and a flat, metal roof twenty feet high. There were no windows—to obstruct prying eyes.
It will be an eyesore, the neighbors had objected. A monstrosity, they told the town officials. So, in the interest of preserving neighborhood harmony—as well as his privacy—he agreed to construct a fence to shield the neighbors’ easily offended eyes from his lab. He had refused to back down on using steel in its construction, though. He needed the entire facility to be fireproof, just in case.
As soon as Mellick heard Mrs. Russell’s car driving away, he walked toward the door at the rear of his office, unlocked it—he always kept it locked—opened it, and stepped into his laboratory. In the center stood his Chrono Navigator. He had refused to call it a time machine; that was a name coined by H.G. Wells and used ad nauseum in movies and books ever since Wells’s book, The Time Machine, was first published in 1895. Mellick had almost called his time machine the Flux Capacitor as a wink-wink homage to the Back to the Future films but thought that would be too playful for so serious a machine.
The doctor considered The Time Machine to be a brilliant tale of time travel, an exciting story filled with action, romance, weighty significance, and a hopeful ending. But Wells’ description of how his time machine worked was utterly ridiculous—not that he blamed H.G. Wells, not in the least. Wells had conjured up a vivid description of his time machine. “I gave it a last tap, tried all the screws again, put one more drop of oil on the quartz rod, and sat myself in the saddle,” Wells wrote. “I took the starting lever in one hand …” Yes, Wells’s account of time travel was a spellbinding tale when it first landed in readers’ hands, yet no one actually believed in time travel. They didn’t know that time travel, at least in theory, was real. Wells, a scientist and visionary, didn’t know it, either. He had imagined the entire thing. It was science fiction back then, nothing more. Then, a mere decade later, comes Albert Einstein and his Theory of Relativity.
Mellick had devised a simplified, almost childlike, presentation to describe time travel to those who expressed interest. Few expressed interest, though. Most laughed at him, and he was the target of ridicule among the community of physicists he chaired at the university. Yes, he was the department head, and they answered to him, but they mocked him endlessly. “Glad to see you this morning,” commented one of the professors, Dr. Rudolph Whitaker, just the other day. “I expect one day you’ll just disappear into the future, and we’ll never see you again. Say, Anton, if you could somehow get a message to me about what stocks to pick, I’d be so grateful.” And then he had laughed, and his colleagues had laughed, and Mellick joined in, too—just to show he had a good sense of humor.
But it wasn’t funny. It was his life’s work. And it was real, he knew it.
Come to think of it, only children found his explanation believable. They had a fascination with what others called fantasy. So, on those occasions when Mellick was asked to speak to school children, he would explain it this way: As a person move faster through space, time slows down compared to a person who is not moving. If you could travel at speeds close to the speed of light, time would pass so much slower for you than for people on Earth, and you could travel into the future. Theoretically, of course. Then he would add a fact or two about wormholes. A wormhole, he would tell them, is a shortcut through space-time. Traveling through a wormhole could allow you to move even more quickly between two different times.
Of course, there’s a lot more to it than that, but why confuse their little brains? They only want to hear how exciting it could be to travel through time. “Could you go back to the year Hitler was born and kill him as a baby?” All the children ask this question. The moral dilemma of killing babies pre-emptively to prevent them from growing up to be killers never enters their ghoulish minds. But, he reminded himself, at least they listen to him and want to believe.
Now he stood before the Chrono Navigator. He didn’t want to waste time. With Mrs. Russell gone, he was on his own for the weekend and had the rare opportunity to experiment on himself as often as possible. He had failed dozens of times to move objects, including himself, even a few seconds back or forth in time. At first he had tried putting common things—first a stapler, then a toaster, then dozens of other insignificant objects, then finally himself—inside the chamber, setting the timer for minutes into the future. Then he tried to reverse it and go back in time by a few minutes.
All of them failed.
But for the past three years he had worked on refining the two laser lights on either side of the chamber. Previously, Mellick had constructed the lights to move in a straight line toward each other, filling the chamber with light. But when that didn’t work, he realized he needed the light to be moving, so he created circulating beams of laser light. The rotation of the light should twist space-time to make a loop of time. Theoretically.
Mellick looked at his machine and smiled. He was exhilarated. His heart beat faster, and his hands trembled as he placed protective glasses over his eyes. This would be the first time trying the Chrono Navigator since he had refined the laser lights. He would not put another household object into the machine; he was going in himself.
He stepped inside the chamber and flipped the switch to turn on the laser lights. They began to spin in a circular motion, creating loops that whirled around and around. The motion was smooth, almost hypnotic.
Next, he set the timer to go back in time three minutes. Three minutes ago, Mrs. Russell was driving away. The time on his clock, erected on the wall of the lab outside the Chrono Navigator’s chamber, read 5:07. Post meridiem.
Mellick then looked carefully at the three start buttons positioned in a triangular formation around the inside of the chamber, about waist high. All three had to be pushed within five seconds of each other for the Chrono Navigator to work, a failsafe against someone finding his machine and trying to travel through time. A failsafe in the event he, Mellick, changed his mind and wanted to abort the travel.
He took a deep breath and pushed the first button. More lights began to spin within the chamber. He turned to the next one and pushed it. Another beam of circulating light began to spin. He was getting dizzy.
Wait … he was getting dizzy! That had not happened before. It must be working!
Quickly, he hit the last button, and the chamber filled with spinning light. He felt another wave of dizziness, and his stomach lurched. His vision blurred, his balance faltered, and the queasiness intensified. He reached out his arms to brace himself, and finally, mercifully, the spinning stopped. He collapsed on the floor of the chamber, crouching like a dog, as he tried to gain control over the waves of nausea roiling through his gut.
Panting and sweating, Mellick noted that all the lights had stopped spinning. Slowly the sickness passed. Still on his knees, he opened the chamber door and looked up at the clock.
No! No! Not again! He had failed.
The clock appeared to have the same time as when he left, 5:07, though his vision was blurred, and his head was still spinning. The minute hand seemed to have a life of its own, swaying up and down until Mellick had to close his eyes.
Failed again. Failed.
A wave of frustration crashed over Mellick, as if the ground beneath him shifted. Disappointment, exhaustion, and self-doubt washed over him, drowning him in a wave of self-pity and confusion. What went wrong? What could possibly have gone wrong this time? Was it the circulating laser lights? He had worked for months to perfect them. Was it—
There was a knock on the door to his office. Three soft raps. Unsteadily, he stood up and walked to the door to his lab. He walked into the office, closing the lab door behind him and locking it. Then he glanced outside the office window and saw Mrs. Russell’s car parked in the driveway. She must have returned! Why? What brought her back? Had she seen something?
The door opened a crack and Mrs. Russell said, “I’m leaving now, doctor. I left a pot of soup on the stove for you. Good night; see you on Monday.” She gave a little wave of her hand and closed the door.
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2 comments
Patti, your story brilliantly captured the scientific ambition and obsessive determination of Dr. Anton Mellick. The line, “Failed again. Failed. A wave of frustration crashed over Mellick, as if the ground beneath him shifted,” illustrates his inner turmoil and relentless pursuit of discovery. The detailed world-building, from the contentious zoning meetings to the precise mechanics of the Chrono Navigator, immerses the reader in both Mellick’s mind and environment. What a clever twist at the end! Wonderfully crafted story, engaging and we...
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Thanks Mary, that's encouraging.
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