The first button Eleanor ever found was shaped like a star and half-buried in the dirt behind the old laundromat. She was eight years old, wearing mismatched socks and a jacket that smelled like mothballs and worry. The button was gold-colored but chipped around the edges, like it had been trying too hard to shine for too long.
She picked it up, turned it in her palm, and whispered, “You’re still beautiful.” Then she tucked it into her pocket like a secret.
Eleanor had always collected things no one else wanted: broken toys, bent forks, puzzle pieces with no puzzle. But it was buttons that spoke to her. Each one, she imagined, had once belonged to something important—a wedding coat, a marching band uniform, a forgotten child’s sweater. They were small artifacts of a world that kept moving without them.
By the time she was thirty-four, Eleanor’s apartment was a museum of the misaligned. Glass jars lined her shelves, filled with buttons in every imaginable shape, size, and color. There were buttons shaped like roses, buttons that glowed faintly under blacklight, buttons with monograms of people she would never meet.
What Eleanor didn’t collect were people.
It wasn’t that she disliked them. People were fine in theory—like jazz or jigsaw puzzles. She just never quite fit the spaces they expected her to. Small talk felt like code she was never taught. Eye contact was a gamble. And jokes? Forget it. Her timing was a beat off, like a song played half underwater.
Work was tolerable because she could sit at her desk, process insurance claims, and say as little as legally possible. Her coworkers thought she was strange, but polite. One had once said, “She’s like a nice ghost,” and Eleanor had written that down in her notebook under the heading Compliments (Maybe?)
She lived alone. She ate toast for dinner. And every Saturday she went to the flea market with a small woven bag and the hope of finding one more story disguised as a button.
That was how she met George.
George arrived in Eleanor’s life wearing a scarf with sailboats on it and the kind of smile you couldn’t tell was sincere or slightly mischievous until it was too late.
He was manning a booth she hadn’t seen before—tucked between the homemade soaps and the dubious tarot reader who smelled strongly of peppermints and déjà vu. A handwritten sign read:
“Curios, Questions & Miscellaneous Mysteries – Inquire Within.”
Eleanor, as a rule, did not inquire. She orbited things like this cautiously, pretending to look at the booth beside it while sneaking glances. The table was an odd assortment—vintage keychains, broken lighters, tiny snow globes with suspiciously non-specific buildings inside. And buttons. Not many, but a small velvet-lined box of them, like someone had curated a set of daydreams.
One caught her eye immediately: a deep green circle with a silver fern etched into the surface, slightly raised like Braille for plants.
She hovered, reaching without thinking.
“That one’s a talker,” said a voice behind the table.
Eleanor froze. “Sorry. I didn’t mean to—”
“You can hold it. It likes attention,” George said, gently nudging the box toward her. “I think it used to belong to a cloak. Or a curtain. Or a magician. Maybe all three.”
Eleanor gave him a cautious look. “You talk about them like they’re alive.”
“They’re better than alive. They remember.” He said it like a shared secret.
She didn’t reply. She turned the button over in her hand. It was heavier than it looked, with a small nick on one side, like someone had tried to pry it from its home.
“Do you want it?” George asked, tilting his head. “You looked at it like it looked back.”
Eleanor hesitated. “I collect buttons.”
“I collect stories,” he said. “I suspect we’re in the same business, really.”
She glanced down. “I don’t usually… talk much.”
George shrugged. “That’s all right. I talk enough for two. My sister says I came out of the womb narrating my own birth.”
That startled a laugh out of her—short and quick, like a hiccup with ambition.
He grinned. “There it is.”
Eleanor returned to the flea market every Saturday.
Sometimes George’s booth was there, sometimes not. When it was, they talked—about buttons, about mystery lighters and keychains shaped like wombats. He told her he used to work in a museum, but got bored of categorizing things other people said were important. Now he traveled with his booth and listened to the quiet histories no one else recorded.
“You’d be amazed what a broken spoon remembers,” he once said, handing her one with a handle shaped like a swan. “This one’s seen four weddings and two food fights.”
Eleanor didn’t know how to flirt, but she brought him a button one day—a small, amber-colored square with a crack running diagonally through it.
“This reminds me of your booth,” she said, placing it gently in his palm. “Interesting. A little broken.”
George smiled slowly, like a sunrise catching up with itself.
That day, he gave her the green fern button for free. “In case you need something to talk to when I’m not around,” he said.
She kept it in her pocket. For warmth.
Eleanor didn’t fall in love like a spark. It wasn’t even a flicker.
It was more like a drawer slowly opening in her chest—one she hadn’t realized was sealed shut. It started with the way George said her name, like it was a word he liked to roll around in his mouth before saying it aloud. Or how he always remembered which buttons she already had, even though she never told him.
Or maybe it was the afternoon he closed his booth early and asked if she’d like to get tea.
She said yes before her brain could throw up its usual sandbags.
They went to a little place near the train station—cracked leather booths, tea served in chipped porcelain, and a jukebox that had given up sometime in the mid-90s and now only played old French torch songs.
George ordered Earl Grey. Eleanor ordered peppermint. He raised an eyebrow.
“Feeling rebellious?” he teased.
“Digestive,” she deadpanned.
He laughed—a real one, full and surprised. It made her chest ache in a way she didn’t have a name for.
Halfway through the tea, she said, “I don’t usually do this.”
“Drink peppermint?”
“Go out. Sit with people. Be... this.”
George’s face softened. “You’re doing great. No one’s caught fire.”
She smiled. “Yet.”
They talked until the shadows stretched long and the tea cooled into afterthoughts. At one point, Eleanor reached into her pocket and placed the fern button on the table between them.
“I think you were right,” she said.
George blinked. “About what?”
“It talks.”
He looked at her carefully. “What does it say?”
“It says I’m allowed to be here. That maybe... someone like me doesn’t have to stay on the edges forever.”
George didn’t answer immediately. He reached across the table, slow and deliberate, and placed his hand over hers. His palm was warm. His touch didn’t ask for anything—it just was.
“You’ve never been on the edge,” he said. “You’re just looking for the right place to stand.”
The months passed like watercolor—soft, blurred, a little dreamlike.
Eleanor started inviting him over. First for tea. Then for stew. Then, on a wild, unprecedented Tuesday, for no reason at all.
He admired her button collection like it was fine art. He asked questions, remembered tiny stories, even tried to organize them once by “emotional frequency,” a system he invented on the spot and couldn’t explain but seemed very confident in.
One evening, she found him asleep on her couch with a button held gently in his hand like it might break if he dropped it. She covered him with a blanket and stared for a long time at the ridiculous scarf with sailboats draped over the chair.
Her heart, which had been on a long winter break, made a small noise like a door creaking open.
The next day, she gave him a key.
“I don’t expect you to use it,” she said.
George looked down at the brass thing. “But you’d let me?”
She nodded.
He didn’t say anything. He just kissed her, softly, like punctuation at the end of a very careful sentence.
George left in late autumn, just before the leaves finished turning, wrapped in a coat Eleanor had helped mend, carrying a satchel half-full of buttons and half-full of dreams.
“It’s just for a while,” he said. “The stories are calling again.”
Eleanor nodded. “I know.” And she did.
She didn’t cry when he left—not then. She held it all inside, like she always had. But when she got home and found the box on her kitchen table, her breath caught in her throat.
It was a wide-mouth glass jar, familiar in shape, but empty.
Mostly.
Tied around its neck with twine was a tag that read:
“For Stories Still to Come.”
And inside, tucked at the bottom like a secret: one last button.
It was green, shaped like a leaf this time—not a fern, but a softer, rounder thing. The edges were smoothed down, like it had been in someone’s pocket for a long time. It was warm to the touch, even after being alone in the jar.
There was a letter, too. Folded crisply, written in the looping script that always looked like it was trying not to slant.
Eleanor,
You taught me that not all things broken need fixing. Some just need seeing.
I’ve spent my whole life chasing stories, but you—you listened to them. You gave forgotten things a home. You did the same for me.
This isn’t goodbye. It’s just another chapter.
I hope you’ll keep collecting.
And one day, I hope you’ll tell someone your own story—not the edited version, but the full one, with all the cracks and mismatched threads.
Because it’s beautiful.
Love always,
George
Eleanor sat with that letter for a long time.
The house felt quieter than it had in years. But not empty. The jars on her shelves didn’t just hold buttons anymore—they held him. And pieces of herself she hadn’t known how to name until he saw them.
She placed the leaf button next to the fern, framed them both, and hung the frame by her door. Beneath it, she added a card:
“Home.”
Then she turned to the empty jar and smiled.
She didn’t know what would go in next—a child’s lost treasure, a stranger’s confession, a memory disguised as a metal disc—but she knew it would come. One story at a time.
The next morning, Eleanor made tea.
Then, for the first time, she packed a small folding table, a notebook, and three jars of buttons into a canvas bag.
And went to the flea market.
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This was a very different side of you and completely unlike your other pieces. I'm reflecting on the piece you wrote about trying to make readers cry and not just about their pets. You are getting really close with this one, but instead of tears, I was left with a simple, contented smile. It was so beautiful. I can see you are reaching for the simplistic beauty in life and love through this piece. Well done!
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