Submitted to: Contest #324

Bed And Roses

Written in response to: "Write a story from the POV of someone waiting to be rescued."

Creative Nonfiction Drama Inspirational

I didn’t expect the light to be this loud. It hummed over my head as if it had its own pulse, a bright, insect-buzzing thing that made the room look clean and unreal at the same time. Close to me, a cart squeaked past, metal on linoleum, and then there was the breathy chorus of women in pain - mine among them, ragged and hot.

I had imagined birth as a private storm. Instead, it was like families at a supermarket on Saturday - everyone waiting for their turn at the register.

“Breathe,” a nurse said. “In for four, out for six.”

I breathed. I counted. I forgot how to count. I started again.

Across from me, on the other bed, lay a woman who made no sound. Her cheeks were hollow. Her hair - dark, damp - was pulled back in a way that said she had meant to be neat, had tried to be tidy, as if neatness could hold the world together.

I didn’t mean to speak to her. I intended to deliver my child through clenched teeth and private bargains. But when the next contraction receded for a breath-long second, the quiet around her pulled me in. “You okay?” I asked.

She turned her head toward me like it cost her something. Her eyes were the color of tea you’ve forgotten about until it’s cold. She nodded, barely. “Yes,” she said. Her voice was clean water over stones. “I’m fine.”

Fine. The word we stack like cups: one inside another, until the tower leans. “What’s your name?” I asked.

“Mila,” she said. She swallowed. “Yours?”

I told her mine.

Another contraction came and sat on my chest. I let out a sound I didn’t know I could make, ugly and honest. The nurse leaned over me, checked, and adjusted. When it passed, the room found itself again. I licked my lips. “Where are you from, Mila?”

“Close,” she said. “Here. I'm married, so… I live here now.”

“Is your husband with you?”

“He will come. He works. He is good.” She stared at the ceiling as if each tile were a word she was trying to remember. “He brings bread.”

“Do you have family?” I asked.

“A sister. She is with a family, a good one. My mother is dead. My father… he worked. He said I am a good girl. I cooked. Cleaned.” She paused. “He found me a husband. He said it is better. He was right. I have bread every day.”

“Every day,” I said, and the words tasted like crumbs.

The nurse came to check her. She didn’t ask Mila to spread her knees wider; she turned the sheet back with such care it made my throat hurt. “Six centimeters,” she said to the other nurse. “Baby’s small.”

Another contraction found me like a dog that has learned your scent. It climbed my spine with its teeth.

“Breathe,” the nurse told me again. “Slowly.”

I did as I was told.

Someone asked for more pillows. Someone wanted their phone charger. A baby cried, small and outraged, and the cry wandered toward us like a rumor and then faded into the cotton of blankets and milk.

I looked at Mila. She had closed her eyes. Her lips were cracked. I watched her chest rise and fall in shallow sips. “You eat well?” I asked softly because I wanted her to say yes again.

“Yes,” she said. She liked questions with a yes answer. “We have bread. Sometimes soup. I do not complain.”

Another nurse came. “You’re doing well,” she lied. “Both of you.”

Both of you. All of you. The women lined up at the register of pain, buying their way into love with blood and breath.

The light kept humming. My world shrank to the square of sheet over my knees and the nurse’s steady voice and the thought, surprised and panicked and ridiculous: I wish my mother were here to tell me it would be okay, like she told me about scraped knees and first days of school and broken hearts.

“Push when you need to,” the nurse said. “We’ll tell you when to push harder.”

I pushed. A sound came out of me that had nothing to do with manners. Some women give birth with grace; I birthed with a bargain, tooth for tooth, bone for bone, animal for animal.

Across from me, Mila’s eyes opened. She watched me for a moment. “You’re strong,” she said, and the words landed like a blanket. It embarrassed me to be called strong by a woman who wore her ribs like a dress.

“So are you,” I said. She smiled at that, a brief, thin thing with the shape of a candle flame.

When her next contraction came, she didn’t make a sound. The tendons in her neck were cords pulled tight by an invisible hand. The nurse touched her shoulder with three fingers, the gentlest metronome in a room full of harsh ones. “Good girl,” she said. I wanted someone to say: woman, mother, person, hunger survivor, holder of impossible love.

***

We labored.

Labor is such an honest word. Your body is a factory without union breaks. I was messy, needy, brave, furious, a child who wanted a mother and a mother who wanted a child, a woman who wished to rescue, and a woman who tried to do the rescuing, and a person who was very tired of wanting anything at all.

“Push,” the nurse said, her voice steady as a lighthouse. “Now.”

I did. The world narrowed until it was a single tunnel, and the tunnel ended in a star. My child came with a rush and a flood, a wet trumpet of outrage. The relief was so total it was a sin. I sobbed. I laughed. I apologized for both.

They placed my baby on my chest, and the light changed character. I said hello seven times in seven different languages of the heart.

When I could see past the miracle, I turned my head because I wanted to see again the quiet woman who had taught me what silence looks like when it hurts. It was her turn.

“Mila,” the nurse said. “Your baby’s ready.”

Mila nodded and gathered her petite body like a fist. There is a dignity to some people when they hurt. It’s not saintly. It’s just bare-boned and practical: I will not waste energy on noise. I will spend every coin of strength on the thing itself.

She pushed. The nurse coached. The doctor watched the monitors. And - there she was. A daughter, dark-haired and furious with air. Small, so small. The scale would sentence her to numbers. The numbers would pretend to be objective. But in the second before the scale, the baby was just a creature of light and sound, a red-faced announcement: I am here. I am here.

“Angela,” Mila whispered, as if the name might break if said too loudly. “My angel.”

The nurse weighed her: 2200 grams. The number hovered above our heads like a little cloud, raining facts. Not enough, the cloud said. Barely enough. We’ll see. Mila looked at her daughter as if hunger were a country she refused to raise a child in. In that look was every violent promise love has ever made. I will carry you across. I will feed you. I will invent food if I must.

They swaddled the baby and put her to Mila’s chest. The nurse adjusted a blanket that had seen too many nights. Mila breathed in her daughter’s smell - milk and future and salt. She closed her eyes, and something passed across her face like weather moving, storms giving way to clear air —not forever, but for the afternoon.

A man came to the door and stood as if he didn’t want to trespass. He was small, as some mountains look small from afar. His sweatshirt had been washed so often that it had forgotten its original color. His shoes had done more walking than leather should be asked to do. His hands were maps of work - cracked rivers, callused countries. He held a single red rose and a box of biscuits. “Mila,” he said, carefully. “Are you… okay?”

She smiled with half her mouth. “Yes.”

He gave her the rose, as if roses were heavy. He gave her the biscuits the way men provide water to women who don’t ask - urgent, guilty, offering a cure he does not know is only a bandage. “Eat,” he said. “For her.” He didn’t dare touch the baby yet, as if love needed permission slips.

He turned to me, to the room, to the nurses, and said, "Thank you," to the air. He said he had to go to work. He will come tomorrow with more bread. The door closed behind him on a draft that smelled like outside: rain and cigarettes and buses.

A night in a hospital is a different country. The floors are cleaner, somehow —not in fact, but in the mind, because footsteps are rarer and conversation is rationed. Nurses speak in the grammar of half-sleep. Babies test their lungs in chorus rehearsal and then, mercifully, forget they are supposed to be outraged.

Across from me, Mila slept in the light way poor people sleep, not trusting sleep to be kind. Each time her baby twitched, she was awake. Each time a nurse came, Mila apologized for the space she took up, for the breath she used, for the sheet she wrinkled.

***

The other women in the room had their own storms, their own islands. Still, they looked at Mila, then at their bags, and then back.

One woman brought over sanitary pads wrapped in a quiet kind of respect.

Another placed a pack of baby wipes on Mila’s table, as if she had simply put down a book she was finished with.

Someone else left a stack of tiny onesies, soft with other babies’ sleeps. Juice boxes, chocolate bars, and a bar of soap that smelled like a reasonable meadow.

There were even diapers, the expensive kind that boasts of kindness and breathable plastics.

Mila’s first reaction was refusal. “I cannot,” she said. “No. It is too much.”

“It’s not,” the woman with the pads said. “Please.”

The word please untied something. Mila nodded. “Thank you.” When she smiled, the room brightened in a way the fluorescent lights could not. It was not a beauty you’d put in a magazine. It was better. It was the ordinary holiness of relief.

When the nurse came to check her, she found the pile and pretended not to register the logistics. She simply said, “Good,” and, to Mila, “Are you hungry?”

Mila hesitated. The word wanted to leave her mouth; it had been trained not to. “Yes,” she said, finally.

The nurse brought porridge and a second bowl, pretending they belonged to someone else who had left early. She gave them both to Mila and went without a nutrition lecture. When you’ve been hungry long enough, lectures are salt rubbed into invisible wounds.

A social worker stopped by. She had kind eyes and a folder thick enough to be a pillow. She sat with Mila and asked questions that sounded like an apology. She wrote, nodded, and promised to follow up. When the social worker stood, she touched Mila’s arm in a way that made me want to cry. A slight, practical touch, like saying, "I see you. I don’t know if I can rescue you. But I see you."

“Tomorrow,” the nurse told me later, “we’ll send you home if you and the baby are well.”

Home. The word had muscle, grace, and furniture. It had my partner’s hands that could make a nest out of two pillows and a worn blanket. It had laughter that didn’t have to apologize for.

What kind of home does Mila have? A rose in a glass. A man who worked. A baby whose feet would look small in big socks because socks were easier to come by. Enough? Maybe not.

I watched Mila pack the kindness we had left her. She folded onesies with the care of someone arranging letters from a lover. She lined up the juice boxes like little soldiers. She tucked the soap in last, as if a good smell could guard the rest.

She caught me watching and laughed - not a sound I had heard from her before. “They think I am too thin,” she said, like telling me the sky was overcast.

“They think you deserve more than bread,” I said.

She thought about that. “More is dangerous. More makes you want.”

“What’s wrong with wanting?”

She shrugged. “It hurts when you cannot have. Better to want little. Then you have it.”

“You can want for her,” I said, nodding toward her daughter. “You can want big for her.”

At that, something fierce flashed across her face. “For her,” she agreed. “Yes.”

***

The nurse with the soft voice brought us discharge instructions. She told us where to call if the baby’s breathing sounded like a harmonica; what color poop could be without being panicked; how to ask for help before the asking tasted like failure.

At the door, we stood in the small weather of goodbye. My baby slept, rosy with the arrogance of the recently born. Mila’s baby blinked at the light and decided to allow the world to continue.

“Thank you,” Mila said again, a flower pressed into every syllable.

“Don’t thank me,” I said, because I had given less than I had wanted to and because thanks felt like a bow I could not wear. “Just… eat. Sleep. Let people be kind to you when they offer. It’s not debt. It’s… community.”

Her husband waited outside, as promised. He took the bags, so many for such small people, and kissed the top of Mila’s head like it was a ritual he had been practicing at home on a pillow.

“Let’s go,” he said, and in his voice, for a second, I heard a house: the scrape of a chair, the smell of soup that is mostly water, the sound of a baby in the night. They walked away, and the corridor swallowed them.

I stood for a minute. I wasn’t trying to be dramatic. I didn’t want to step out of the bubble where I had learned something and could still pretend I would not forget it.

The nurse touched my shoulder. “You okay?”

I smiled the guilty smile of the well-resourced. “Yes.”

She knew the lie’s shape. She didn’t correct me. She just nodded as if to say: We’ll call it okay.

We’ll call a lot of things okay until we build a world where we don’t have to lie for the sake of politeness.

***

At home, my partner cried the way people cry when they are allowed to. We learned a tiny person’s map: this cry means hunger, this cry means wet, this sound means I am practicing singing because I have realized I have a throat.

In the quiet moments, I thought of Mila. The way she held her daughter. I thought of rescue and how it sometimes arrives not as a helicopter with floodlights but as a stack of onesies and a bar of soap.

I sent a message to the hospital, to the nurse, to the social worker - thanks, yes, but also: If there is a way I can help a woman like Mila beyond the chocolates and the onesies, tell me. I have more than bread.

Days passed, and I heard secondhand that Mila had been to the clinic. That her baby was small but fierce. That hunger does not give up easily, but neither does love.

Some rescues do arrive: a partner who says, “I’ve got the next diaper,” a friend who sits with you while the baby inhales and exhales like he invented it, a neighbor who brings soup you didn’t have to ask for.

Some rescues you have to build: a budget that includes other people, and a spine that provides for stubbornness.

And some rescues, the hardest kind, ask you to be the one lowering the ladder.

I used to think rescue meant being lifted. Now I think it also means being seen.

If you want a neat ending, I don’t have one to give you.

Some of those stories grow tall and strong and learn to run in shoes they chose themselves.

Some stay small and become very good at surviving.

Most live somewhere in the middle, which is to say: like the rest of us.

***

I see two women in a room lit too brightly. One is me, bargaining with pain and love and fear, waiting for a baby to declare herself among the living. The other is Mila, bargaining with a world that wants her to be grateful for crumbs. Both of us were saved a little that day.

I keep the little rose pressed between the pages of this story. Not the actual rose - Mila took that home, as she should - but the idea of it: how love, poor as it was, still tried to dress itself beautiful.

I am still waiting to be rescued from the version of myself who goes back to sleep when the world needs waking; from the habit of calling “fine” what is barely survival; from the idea that I need rescuing before I start building ladders.

And this is how I end it: in between rescue and work, with a baby asleep, with a phone number circled and a bag of onesies washed and folded, with my shoes by the door in case someone knocks.

Waiting, yes. But also ready.

Posted Oct 10, 2025
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5 likes 4 comments

Silent Zinnia
00:13 Oct 22, 2025

Heyyy this was really good, I liked this one a lot. My favourite line was probably
“It hurts when you cannot have. Better to want little. Then you have it.”
Good work 💖

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Jelena Jelly
22:27 Oct 24, 2025

Thank you, Silent 💖. It really means a lot that this line stayed with you, because it was heavy for me to write as well. Sometimes the simplest words carry the greatest weight. I’m glad you felt it. 🫂🌷

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Derek Roberts
13:42 Oct 19, 2025

"Across from me, on the other bed, lay a woman who made no sound. Her cheeks were hollow. Her hair - dark, damp - was pulled back in a way that said she had meant to be neat, had tried to be tidy, as if neatness could hold the world together." What an absolutely curious image. I like how the narrator can see the woman's intentions...as impossible as they might be. "She stared at the ceiling as if each tile were a word she was trying to remember." There is a compulsion to know this woman...even more so than the narrator. "The word please untied something." What a perfect image. " It embarrassed me to be called strong by a woman who wore her ribs like a dress." Where does this genius come from. As a writer, it's clear you have created a character who is telling you what to write about her. "When the social worker stood, she touched Mila’s arm in a way that made me want to cry. A slight, practical touch, like saying, "I see you. I don’t know if I can rescue you. But I see you."" So many things make Mila three-dimensional. "“Thank you,” Mila said again, a flower pressed into every syllable." This is art. It's as good as any crafted from flowers pressed into a book. It's a beautiful way to describe the character who would do this and the woman who can see/hear this. "...how to ask for help before the asking tasted like failure." So true for so many things. "I thought of rescue and how it sometimes arrives not as a helicopter with floodlights but as a stack of onesies and a bar of soap." You seem incapable of disappointing the reader with anything less than perfection. So real. "That hunger does not give up easily, but neither does love." I know....I know. It seems like I am quoting your whole story back to you, but you just keep writing such perfect metaphors and similes. A breathtaking story. Like the narrator, I want more of Mila, but I guess that's the only way to end it for a narrator who travels back and forth from pain to despair to some kind of small hope...pressed into her own syllables. Good job, my friend.

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Jelena Jelly
16:07 Oct 19, 2025

Derek, thank you so much for this wonderful comment. Reading everything you pulled from the story felt like someone holding up a mirror and showing me details I may have written instinctively, and you managed to catch them and call them by their true names. I truly had the honor of meeting Mila, and through her, sadly, I have encountered countless other Milas. All of them carry the same silence and the same strength, and maybe that’s why she stayed with me as a voice I couldn’t ignore. Your words genuinely brightened my day (and honestly, they scared me a little too, because now I feel like I have to live up to that level—and you know what kind of struggle that is). Thank you, my friend, for the time, care, and heart you put into this comment. If you keep praising me like this, I might actually start thinking I know what I’m doing.🫣🫂

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