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Speculative American Contemporary

The hum of fluorescent lights and the muffled whir of air filters filled the bunker, a cocoon of metal and concrete buried beneath the surface of a dead world. For 27 years, David Mathis had lived here, sheltered from the fallout that had turned the planet above into a poisoned wasteland. The world he remembered—a world of crowded city streets, laughter, and human touch—was gone, incinerated in the fires of nuclear war. 

David paced the bunker’s narrow corridor, his boots scuffing against the cold floor. The mannequins were arranged in the corner of the main living area, seated on a mismatched set of chairs he’d scavenged from long-abandoned department stores before the air became too toxic to breathe. Their plastic faces gleamed under the artificial lights. 

“Dinner’s ready,” David said, setting a steaming can of baked beans on the table. The smell wafted through the room, barely masking the faint scent of mildew that clung to the bunker walls. 

He turned to the mannequin in the red dress, her painted-on eyes staring blankly ahead. “Don’t look at me like that, Clarissa. It’s the same thing we’ve always had.” 

To his left sat the others—Henry, the patriarch in a dusty suit jacket, and Sylvia, the stoic matriarch with a pearl necklace that glinted faintly. Next to them was Mandy, a lifelike doll with synthetic blonde hair and blue eyes that seemed almost too real. Mandy was special, his “companion,” though David never spoke of her that way. She was just part of the family, like the rest. 

He spooned the beans onto plates, careful to portion them evenly. “Henry, you’re always complaining I give you too much. Don’t worry; I’ll keep it light tonight.” 

The room was silent except for the scrape of his fork against the plate as he ate alone, surrounded by his “family.” His voice was the only sound, punctuated by the occasional pop of the air filters or the distant groan of the earth settling above. 

After dinner, David sat by the radio, an ancient piece of equipment patched together from salvaged parts. He turned the dials, as he had every night for nearly three decades, hoping against hope to hear something other than static. He used to believe there might be other survivors, but as the years dragged on, that belief had withered into a fragile thread of routine. 

Tonight, though, the static shifted. A faint, distorted crackle broke through the noise. 

David froze, his hand hovering over the dial. His heart hammered in his chest, a sound he hadn’t felt this intensely in years. 

“…if… anyone… hear…” 

He leaned closer, twisting the knob with trembling fingers. “Hello?” His voice cracked from disuse. “This is David Mathis. I’m in a bunker in Sector 7. Can you hear me?” 

“…David… we… survivors… Repeat… survivors…” 

Tears welled in his eyes. He clutched the microphone, his grip tight enough to turn his knuckles white. “You’re alive? There are others? Where are you?” 

The voice on the other end grew clearer, though still fragmented. “Outpost… Echo. East of Sector 7… Safe zone. Can… travel?” 

David swallowed hard. Travel? He hadn’t been outside in years, not since the radiation levels had peaked. He wasn’t sure he even remembered what the world looked like. 

“I don’t know if I can,” he admitted, his voice barely above a whisper. “The air… it’s poison.” 

“Levels… dropped. Survivable… if protected.” 

Protected. David glanced at the decrepit hazmat suit hanging by the bunker’s entrance, its seams patched with duct tape and hope. He’d kept it for emergencies, but he’d never dared to use it for long. 

“When can I… when can I find you?” he asked, desperation bleeding into his tone. 

“Travel… light. Broadcast… signal daily. Outpost Echo… we’ll wait.” 

The signal faded back into static, leaving David alone once more. But this time, the silence wasn’t the same. 

He turned to the mannequins, their unchanging faces gazing at him from the table. 

“Did you hear that?” he said, his voice trembling. “There are others. People. Real people.” 

Clarissa’s expression was as inscrutable as ever. Mandy sat motionless, her plastic hand resting on the table as if in silent protest. 

David’s elation faltered. He stared at Mandy for a long moment, her synthetic features so familiar, so comforting. She had been his solace through years of isolation, a reminder of the humanity he thought he’d lost. 

But now… 

“I have to go,” he said, as though justifying himself to the room. “I can’t stay here forever. This… this isn’t real.” 

The mannequins, of course, offered no response. But the weight of their silent judgment was palpable. 

That night, David packed his bag. He gathered what little food and water he had left, tested the ancient hazmat suit, and loaded his pistol. As he stood by the bunker’s entrance, he hesitated, glancing back at the mannequins. 

“I’ll come back,” he promised. “If I find them, if it’s safe… I’ll come back for you.” 

With a deep breath, he turned the wheel on the heavy metal door, the seals hissing as the bunker opened for the first time in years. The air outside was thick and acrid, but not as deadly as he remembered. He stepped out, the hazmat suit creaking with every movement. 

The world was a graveyard. The skeletons of buildings jutted out of the cracked earth like broken teeth. The sky was a sickly orange, choked with dust and ash. But as David trudged forward, following the faint signal from his radio, he felt something he hadn’t felt in years. 

Hope. 

Days turned into weeks as he navigated the wasteland, his body aching from the journey. The suit held up, though just barely, and his supplies dwindled dangerously low. But he pressed on, the voice on the radio his guiding light. 

Finally, he reached a ridge overlooking a small valley. Nestled within the ruins was a cluster of structures surrounded by makeshift barricades. Smoke curled from a chimney, and figures moved within the compound. 

David collapsed to his knees, tears streaming down his face. They were real. 

A gate creaked open, and a group of people emerged, their faces wary but hopeful. A woman stepped forward, her expression softening as she saw him. 

“You made it,” she said, her voice warm and real. 

David removed his helmet, the stale air inside replaced by the scent of wood smoke and earth. His face was gaunt, his eyes sunken, but his smile was radiant. 

“I thought I was the last,” he said, his voice cracking. 

The woman extended a hand, pulling him to his feet. “You’re not. You never were.” 

For the first time in nearly three decades, David felt the warmth of human touch. And in that moment, surrounded by others who had endured and survived, he realized he had finally come home. 

November 30, 2024 02:14

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1 comment

James McAlpine
00:29 Dec 23, 2024

The imagery was great! I could feel David's personal problems from images, that came from life with the mannequins. I could see the desolation of the incinerated world, from images, of the bunker and the old radio. The difficult fact of nuclear war became the backdrop for the realization, of survivors, on the radio. Sadness from the long isolation finally turned into action! I was happy to see the reunion of humanity at the end. The scenes were well done, too.

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