Contemporary Fiction Romance

The kettle whistled just as the morning sun spilled through the kitchen window. Nora reached out to switch it off, the steam rising like a ghost in the air. She plucked the spearmint tea bag from the ceramic jar and dropped it into her favorite chipped mug, cream white with blue vines painted around the rim. It had been her mother's once. Everything in this house had been her mother’s until it became hers.

As the hot water rushed over the tea bag, coloring the mug with earthy greens, she felt that familiar pang, like missing someone in a dream where you can’t quite remember their face.

Nora never used to like tea. She was a coffee person, the strong, jet-black, caffeine-at-6am type. But her mother had brewed tea every afternoon, a sacred ritual timed to the angle of the light. When her mother got sick, tea became more than tradition—it became a lifeline, something warm to hold between her hands when the world turned cold.

She wrapped her fingers around the mug and walked slowly to the living room. Dust motes floated in the sunbeams like falling stars. On the wall, an old clock ticked steadily, indifferent to memory or grief.

The letter sat unopened on the arm of the couch.

It came three days ago. Postmarked from Maine. Handwritten. She knew the slanted print well, though it had been over a decade.

Sam.

The tea cooled in her hands as she stared at the envelope. She should’ve opened it immediately, she knew that. But there was something sacred about not knowing. Hope lived better in the unopened.

She took a slow sip. The spearmint bit her tongue, then softened.

Fifteen years ago, she’d left this town, this house, and Sam.

Back then, everything felt too small—her mother’s expectations, the cracked sidewalks of Main Street, the way Sam looked at her like she was already the person she was supposed to be.

They had spent one last summer lying in the grass behind the library, Sam sketching clouds in a notebook while she whispered every wild dream she had: New York, maybe. Paris, eventually. A job with meaning, something that mattered. No porch swings, no tea times.

She hadn’t meant to disappear, not completely. At first, it was a phone call every week. Then every other. Then silence.

Her mother’s death had brought her back.

That was six months ago. The house still smelled faintly of lavender and thyme. Her mother’s garden bloomed stubbornly along the edges of the yard, as if unaware she was no longer tending it.

And now, Sam's letter.

She picked it up and slid a finger beneath the seal.

Dear Nora,

I didn’t know if I should write. Maybe I’m too late. Maybe you don’t want anything to do with the past. But I heard about your mother. I’m sorry.

The words blurred slightly, the edges of the ink bleeding. She blinked hard.

I know what it’s like, losing someone like that. I was here when my dad passed. This town gets quieter when someone’s gone. It doesn’t fill the space. It just echoes.

I saw the lights on in your mother’s house the other night. I figured it might be you. If you want to talk or just need a walk that ends in silence, I’m still here.

Sam.

There was no phone number. Just a name. Just the weight of everything she’d once left behind.

That evening, she walked to the edge of town.

The town hadn’t changed much. The bakery still puts out too many croissants. The bookstore still had a "cat" that was really a shapeless blur of gray fur asleep in the window. And Sam’s family house still sat three blocks down from the lake, where the trees bowed low over the street like old men listening closely.

Sam was on the porch.

Not sketching. Just sitting. A cup of something in one hand.

Nora hesitated at the fence.

Sam looked up. Their face lit up—not with surprise, but with the warmth of something long-saved.

They didn’t say anything at first. Just got up and opened the gate.

“Tea?” Sam asked.

Nora nodded, throat tight.

Inside, everything was as she remembered, just slightly more worn at the edges. The kitchen smelled like honey and pine.

Sam poured two cups from a battered teapot, floral and cracked. “Still drink yours without sugar?”

She smiled despite herself. “How do you remember that?”

Sam shrugged. “I remember a lot of things.”

They sat at the small kitchen table, steam curling between them like cautious conversation. There was a silence, comfortable, then brittle.

“I read your letter,” she said finally.

“I figured.”

“I almost didn’t.”

Sam looked down at their cup, fingers tracing the rim. “Why’d you come?”

Nora looked around, as if the walls might whisper an answer. “I’m not sure.”

Sam nodded. “Sometimes we walk toward the ache without knowing why.”

They talked then. About small things first—the town, mutual friends whose names had changed but faces hadn’t. Then deeper things. Her years away. Her mother’s last days. Sam’s job at the local art co-op. The way grief reshapes the world in quiet, daily ways.

When the sky darkened, Sam lit a candle. The light flickered like it was remembering something too.

The weeks passed like the soft turning of pages.

Nora found herself settling into the house with unexpected ease. Her mother’s routines became hers—watering the garden, wiping down the counters with lemon oil, sitting on the porch when the cicadas started their evening chorus.

And Sam—Sam became a constant, gentle presence. Not demanding. Not forgiving. Just there.

They took walks. They drank tea. They laughed at nothing until it meant something.

One night, Nora pulled an old photo album from the closet. There they were—two teenagers with messy hair, legs tangled in a hammock, faces half-buried in summer joy.

She ran a thumb over the photo, then picked up the phone.

“Come over,” she told Sam. “I have something to show you.”

In the weeks that followed, something shifted.

Sam began leaving little sketches on her porch railing—dandelions, mugs of tea, the moon over her mother’s garden.

She began baking again. Little things: scones, hand pies, and cornbread that always crumbled too much. Sam always showed up in time to eat the failures.

And then, one morning, she woke up and realized she hadn’t made coffee in two months.

The summer waned. The air grew heavier, lazier.

They sat on the dock one evening, watching the lake burn orange with the setting sun.

“Do you ever wish you hadn’t left?” Sam asked.

Nora was quiet for a long time.

“No,” she said. “But I do wish I had written.”

Sam nodded. “I kept waiting for a postcard.”

“I kept meaning to send one.”

They looked at each other, two people shaped by the same silence.

Then Sam leaned over, kissed her forehead gently, and said, “Next time, just send tea.”

It was raining the morning she decided to stay.

Not just for a season. Not as a visitor in her mother’s house. But truly stay.

She brewed two cups of tea.

Spearmint for herself.

Chamomile for Sam.

The rain tapped on the windows like a soft knock.

When Sam arrived, soaked to the elbows, they grinned like the sky had just dared them to be happy.

Nora handed them the mug.

“Stay a while?”

Sam looked around the kitchen, then at her.

“I was hoping you’d ask.”

Posted Jul 04, 2025
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8 likes 2 comments

Nicole Moir
09:52 Jul 05, 2025

Firstly, how are you able to write so fast? Please share your tips with me, your simply amazing! This piece is so tender, I LOVED this line:
But her mother had brewed tea every afternoon, a sacred ritual timed to the angle of the light. When her mother got sick, tea became more than tradition—it became a lifeline, something warm to hold between her hands when the world turned cold.

Like that tells me sooo much in one phrase, "Timed to the angle of the light" is something I've never heard before, it has so be the best sentence I've read all week.

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Hazel Adkins
03:05 Jul 06, 2025

Haha, thank you so much! That really means a lot. I’m actually not that fast of a writer—I just tend to knock things out in one go when inspiration hits. I usually read through all the prompts first and pick the ones that spark something for me. Then I draft in a Google Doc so I can tweak and refine before submitting. Sometimes the ideas come quickly, and other times I have to let a prompt sit with me for a bit before it clicks, you know?

And I’m so glad you liked that line—“timed to the angle of the light.” I was trying to capture how certain rituals become sacred. Not just because of what they are, but when and how they happen, like they sync up with the rhythm of a person’s life or even the shifting light in a room. So it makes me really happy that line landed with you. ❤️

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